33:
201:, which was the first show to play at their new Winter Garden Theatre. The piece concerned Bridgeeta McShane, a wealthy American widow visiting Paris for her health, who meets a number of suitors and eccentric characters, including Erastus Sparkler, played by Jolson. Jolson soon converted this supporting role into a star vehicle, and he would make a dozen further Broadway appearances (often at the Winter Garden) in his varied career.
243:
224:, about the freedoms African-Americans supposedly enjoyed living in Paris rather than in "Yankee Land". They also sang another song together, Jolson gave a monologue and sang a third song during the evening. Many of the critics had already left before Jolson came on, to make their publication deadlines, but the critics that mentioned Jolson and Mayhew, including
233:
During the second performance, Jolson interrupted the performance to talk to the audience about the poor reviews, and then asked them if they would rather hear him sing. When they agreed, Jolson launched into a series of his own numbers. This time the reviews were very positive, and the show played
204:
The first performance was overlong and dragged in places, continuing until almost 1:00 am, and some of the audience left before the end. The reviews were mixed, and Jolson was disappointed with his own performance. Jolson was scheduled late in the program, as
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in New York, running for 104 performances. At first it was staged along with various companion pieces, including an overture, a one-act opera set in China, called
209:
followed most of the companion pieces. Jolson played a phony "colored aristocrat", the boyfriend of
Bridgeeta's Black maid, played by Mayhew. He wore
165:, and an afterpiece. After opening night, the show was trimmed and reorganized, and the companion pieces were soon dropped. The show was produced by
181:, and choreographed by Wilson. The production was briefly revived in September of the same year and then toured from September to November.
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Frederick Day provided additional lyrics. It premiered on
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234:for the rest of the season to solid audiences.
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619:. 29 2011/2012. The Shubert Archive
494:Rowman & Littlefield Publishers
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714:Reublin, Richard (December 2002).
161:, an exotic dance sequence called
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650:Hischak, Thomas S. (2013-06-06).
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130:and Frank Tours and lyrics by
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222:Paris is a Paradise for Coons
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653:The Jerome Kern Encyclopedia
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631:Freedland, Michael (1972).
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635:. New York: W. H. Allen.
323:The Marquis de Champignon
213:, and together they sang
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250:Featured players were:
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357:Katherine McDonald as
288:Edgar Atchison-Ely as
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761:Musicals set in Paris
264:Arthur Cunningham as
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155:Winter Garden Theatre
91:Winter Garden Theatre
535:La Belle Paree, IBDB
307:Grace Van Studdiford
294:Florence Tempest as
656:. Scarecrow Press.
423:Paul Nicholson as
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321:Harold A. Robe as
315:Grace Washburn as
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227:The New York Times
122:. The book was by
79:Contemporary Paris
746:Broadway musicals
663:978-0-8108-9168-5
642:978-0-491-00633-0
496:. p. 73-74.
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179:William J. Wilson
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464:A Violinist
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419:La Sylphide
415:Mlle. Dazie
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349:Jean Aylwin
284:La Duchesse
215:Jerome Kern
167:Lee Shubert
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100:Productions
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751:Vaudeville
735:Categories
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471:References
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437:Buck Lyons
344:A Grisette
340:Ida Kramer
146:Production
93:, New York
633:Al Jolson
476:Citations
256:Al Jolson
238:Full cast
219:coon song
211:blackface
195:Al Jolson
120:Al Jolson
401:A Cocher
395:Juliette
317:Marcelle
193:engaged
159:Bow-Sing
140:Broadway
84:Premiere
601:Sources
76:Setting
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359:Fifine
303:Chorus
278:Margot
54:Lyrics
613:(PDF)
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43:Music
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658:ISBN
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311:Mimi
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185:Show
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