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Upon returning to France, he settled in Paris. Having no children, he often visited his nephew, who had a small shop in Lagny-sur-Marne. He was there when the German Army occupied Paris in 1940, and remained until his death.
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Ever desiring something new, he slowly turned to
Synthetism and, from 1889 to 1894, simplified his paintings and brightened his colors. During that period, he participated in avant-garde exhibitions; notably with
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Despite his successes, he continued to have financial difficulties. In an effort to alleviate them, he took a position with the French
Colonial Administration and was posted to
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provided commentary for the catalog of
Gausson's 1896 exhibition at the Galerie Laffitte. Gausson himself wrote a book of short stories,
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movement; corresponding with several noted writers. Later, he would provide illustrations for works by
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In 1885, he considered his artistic development to be complete; as reflected in a lengthy letter to
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in connection with a proposed exchange of paintings which was completed after
Vincent's death.
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262:(Giddy Stories), but it was not very successful. In 1900, he was named an officer of the
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402:"Vincent Van Gogh: The Letters"]. Van Gogh Museum Amsterdam. Retrieved August 24, 2020.
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132:(14 February 1860 – 27 October 1944) was a French landscape painter in the
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140:styles. He was also a printmaker and sculptor.
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266:for his work on a monument to the builder,
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377:"Archives of Seine-et-Marne, n.9, 1860"
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239:He also had a connection with the
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174:Émile-Gustave Cavallo-Péduzzi
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130:Léo Gausson
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363:References
209:Pour l'art
185:Émile Zola
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