122:, some hunters in the Zhongnan Mountains saw a naked man whose body was covered in black hair. Whenever they tried to capture him he “leapt over gullies and valleys as if in flight, and so could not be overtaken." After finally ambushing the man, the hunters learned it was in fact a 200 plus year old woman who had learned the arts of immortality from an old man in the forest. Still, it was popular in folktales for immortals to sell medicine in the city, just like Mole does. The
150:(梅鼎祚, 1549–1615) wrote a play entitled "How the Kunlun Slave Became an Immortal" (昆仑奴剑侠成仙). The play expands upon the story in several ways. For instance, Mole explains to Cui that despite his wonderful abilities, he "is a slave because of an obligation from a past life." During the ten year interval between his escape and when he is spotted selling medicine in the market place, Mole cultivates immortality through Daoist practices and befriends many immortals. A
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93:. At midnight, Mole kills the guard dogs around the compound and carries Cui on his back while easily jumping to the tops of walls and bounding from roof to roof. With the lovers reunited, Mole leaps over ten tall walls with both of them on his back. Cui and his beloved are able to live happily together in peace because the official believes that she was kidnapped by
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warriors and does not want to make trouble for himself by pursuing them. However, two years later, one of the official's attendants sees the girl in the city and reports this. The official arrests Cui and, once he hears the entire story, sends men to capture the negrito slave. But Mole escapes with
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Julie
Wilensky, "The Magical Kunlun and 'Devil Slaves:' Chinese Perceptions of Dark-skinned People and Africa Before 1500." Sino-Platonic Papers, 122 (July, 2002), pp. 39-40
177:(2005). This is a very loose film adaptation of The Kunlun Slave. Instead of being called Mo Le, the slave is simply called “Kunlun” and he is portrayed by Korean actor
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his dagger (apparently his only possession) and flies over the city walls in order to escape apprehension. He is seen over ten years later selling medicine in the city
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Prof. Liu states "This is the modern pronunciation. The T’ang pronunciation was something like 'Mua-lak' and is said to have been taken from Arabic." (Liu 1967: 88).
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and follows the tale of a young man named Cui who enlists the aid of Mole, his negrito slave, to help free his beloved who was forced to join a court official's
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Mole's gravity defying abilities and agelessness suggests the fictional character is a practitioner of esoteric life-prolonging exercises akin to
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Woodblock print of the Kunlun slave Mole (left) and his master Cui (right) from the 17th century.
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To Live As Long As Heaven and Earth: Ge Hong’s
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