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Kesh temple hymn

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1288:"Towering Kesh. You are the image of heaven and earth. Like the mighty viper of the desert, you spread fear. House of Ninhursanga, you stand on a land of wrath. Glorious Kesh: your heart is deep, your form is huge. Great lion . . . the upland, roaming through the wild. Great mountain, brought here by holy incantations. Your heart is dusk, moon light cannot enter you. The Lady of Birth has given you beauty. House of Kesh: your brickwork is your birthing. Your terrace is a crown of lapis lazuli: your frame is your creation. Your lady is the lady who imposes silence. The great good queen of heaven.When she speaks, heaven shakes. When she opens her mouth, storms roar. Ninhursanga, Enlil’s sister, has built a home in your holy court, House of Kesh, and has taken her seat upon your throne. Thirteen lines. House of Ninhursanga in Kesh." 2536: 968:," number eleven, entitled "A Fragment of the so-called 'Liturgy to Nintud.'" The tablet is 5.25 by 2.4 by 1.2 inches (13.3 by 6.1 by 3.0 cm) at its thickest point. Barton's tablet contained nine sections from which he was able to translate sections four, five and six. Barton argued for the abandonment of the myth's subtitle, the "creation of man." He claimed, "So far as the writer can see, there is no allusion in the text to the creation of man." He notes only the allusion to the goddess he called Nintu as "the mother of mankind." He suggested, "Apparently the text celebrated the primitive (or very early) conditions of some town; possibly the founding and growth of the town, but beyond this we can confidently affirm nothing." 69: 39: 868: 31: 1153:
of the temple with vast quantities of oxen and sheep. The temple is likened to the trees from which wood was used in its construction. The gods and functions of the temple are described and praised during temple dedication with different parts of the temple described: its interior and exterior appearance, its gate, courtyard, door and walls. The hymn ends on the conclusion to approach the temple.
1066:) between them. The Old Babylonian version is thus not a creation of Old Babylonian scribes using older material, but is a faithful reflection of a text that had already been fixed in the Sumerian literary tradition for centuries." Biggs suggested "that other traditional works of literature may also go back in essentially their present form to the last third of the third millennium BCE at least." 1112:
like a garden. Kesh was positioned there for him with head uplifted, and as Kesh lifted its head among all the lands, Enlil spoke the praises of Kesh. Nisaba was its decision-maker; with its words she wove it intricately like a net. Written on tablets it was held in her hands: House, platform of the Land, important fierce
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suggests the hymn describes the statues of bulls or lions that were placed at the entrances to temples "Kesh temple, <before which> (something) in the shape of winged lions stands, (something) in the shape of 'white' wild bulls stands facing the desert." The hymn discusses music being played at
1111:
The princely one, the princely one came forth from the house. Enlil, the princely one, came forth from the house. The princely one came forth royally from the house. Enlil lifted his glance over all the lands, and the lands raised themselves to Enlil. The four corners of heaven became green for Enlil
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Draw near, man, to the city, to the city -- but do not draw near! Draw near, man, to the house Kesh, to the city -- but do not draw near! Draw near, man, to its hero Acgi -- but do not draw near! Draw near, man, to its lady Nintud -- but do not draw near! Praise be to well-built Kesh, O Acgi! Praise
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against the sky containing the life sources of Sumer and its cosmic dimensions filling the world. Lines forty five to fifty seven give a metaphorical description of the temple reaching both for the heaven and descending into the underworld. Lines fifty eight to seventy three discuss the complexities
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contained in the "Ur excavations texts" from 1928. Other tablets and versions were used to bring the myth to its present form with the latest composite text by Miguel Civil produced in 1992 with latest translation by Gene Gragg in 1969 and Joachim Krecher in 1966. Gragg described the text as "one of
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commented on the presence and role of Nisaba (or Nidaba) in the establishment of the temple. She refers to her as the "goddess of vegetation, writing and literature including astronomical texts, the deity of the "house of understanding" (most likely intelligence), and as she who 'knows the (inmost)
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as described and that Kesh could have just been a variation in the spelling of Kish. He discusses how the hymn is preserved for so long in later Nippur texts, saying "Although the Abu Saläbikh copies are approximately eight centuries earlier than copies known before, there is a surprisingly small
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Wilcke, Claus., "Die Inschriftenfunde der 7. und 8. Kampagnen (1983 und 1984)". In Isin-Išān Bahrīyāt III: Die Ergebnisse der Ausgrabungen 1983–1984. Bayerische Akademie der Wissenschaften, Philosophisch-historische Klasse, Abhandlungen Neue Folge, 84. Hrouda, Barthel (ed). München: Verlag der
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spoke; they were like messengers; The field invited the oxen all of them; The field strengthened the sheep all of them; Their fig-trees on the bank of the boat filled; The weapon the lord, the prince ... lifted up; The luluppi-tree of the wife of the god, the pi-pi-plants of ... In
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and dated to a similar age by Anton Deimel in the 1920s. Subsequent radiocarbon dating of samples taken from Tell Abu Salabikh date the site to 2550–2520 BCE however, a timeframe slightly more recent than the one Biggs proposed. Biggs recognized various differences in the archaic
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and that "the literary texts of this period were unrecognized for so long is due to the fact that they present formidable obstacles to comprehension". He suggests that Abu Salabikh could have been the location of Kesh, however points out that it is not near
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noted that many kings had built temples and chapels to Ninhursag, but that the Kesh sanctuary "was the centre of the goddess's cult from the Early Dynastic period into the Old Babylonian Dynasty; after this time it lost its importance".
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The hymn finishes with an admonition repeated four times suggested to be both a warning and invocation of the divine presence in the temple. Such ambivalence about approaching temples has crucially influenced the development of
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Gragg, Gene B., "The Keš Temple Hymn". In The Collection of the Sumerian Temple Hymns. Texts from Cuneiform Sources III. Sjöberg, Åke W., Bergmann, E., and Gragg, Gene B. (ed). Locust Valley, New York: J.J. Augustin. 155–189,
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in "Sumerian Lexical Texts". Chiera also published three more tablets—CBS 7802, CBS 13625 and CBS 14153—in "Sumerian Epics and Myths". Other translations were made from tablets in the Nippur collection of the
992:
amongst others worked to translate several others from the Istanbul collection including Ni 4371, 4465, 4555 & 9773, 4597, 9649, 9810, 9861 & 9903. A further tablet source of the myth is held by the
1309:, the primary goddess of Kesh was "a form of Ninlil in Nippur : in other words she is Ninlil of Kesh, where her character as goddess of begetting was emphasized." He noted based on an observation of 949:. Langdon called it "A Liturgy to Nintud, Goddess of Creation" and noted that each section ended with the same refrain, which he interpreted as referring "to the creation of man and woman, the Biblical 1099:
secrets of numbers'." Nisaba records the events and provides a "standard version" of the events as they really happened. Charpin and Todd noted in the relationship between Enlil and Nisuba (similar to
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in modern-day Iraq. One fragment of the text found on CBS tablet number 11876 was first published by Hugo Radau in "Miscellaneous Sumerian Texts," number 8 in 1909. Radau's fragment was translated by
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Coetser, Wilhelmus Johannes, "The natural and cultural elements in the Sumerian Temple Hymns with special reference to the Kesh Temple Hymn", Dissertation, University of South Africa, 2022
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Michalowski Piotr., Epics, Hymns, and Letters pp. 248-256 in Jacques Briend and Michel Quesnel, eds., Supplément au Dictionnaire de la Bible, fascicule 72. Paris: Letouzy & Ané, 1999.
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Will anyone else bring forth something as great as Kesh? Will any other mother ever give birth to someone as great as its hero Acgi? Who has ever seen anyone as great as its lady Nintud?.
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Chiera, Edward., Cuneiform Series, Volume I: Sumerian Lexical Texts from the Temple School of Nippur, Oriental Institute Publications 11, Chicago: The University of Chicago Press, 1929
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In it their heroes were collected; they were noble. In decisions rendered, the word of all the gods, they rejoiced; The fields, - the sheep and oxen were like an ox of the stall; the
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Premières recherches archéologiques à Kich: Mission d'Henri de Genouillac 1911 - 1912. Rapport sur les travaux et inventaires, fac-similés, dessins, photographies et plans, B 150
1872: 1369:). Jeremy Black noted that Kesh was no longer a major settlement by the time of the later Babylonian versions but presumed that the temple of Nintud still functioned. 2521: 2015: 1273:
A.R. George suggests such hymns "can be incorporated into longer compositions, as with the eulogy to Nippur and Ekur which makes up a large portion of a well-known
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Temple, great crown reaching heaven. Temple, rainbow reaching heaven. Temple, whose gleam stretches into 'Heaven's Midst', whose foundation is fastened on the Abzu.
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instrument was made to thud." Samuel Noah Kramer suggested that the musical instruments mentioned in the hymn were played in accompaniment. He proposed that the
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were the lords of the temple. He suggests that the hymn mentions "objects placed in the temple upon its completion." His translation of the introduction reads:
2531: 1915: 1325:
to the east of Babylon calling the temple of Kesh "Ekisigga". Raymond de Hoop noted similarities between Sumerian temple hymns and chapter forty nine of
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the temple towards the end with drums and the coarse sound of a bull's horn sounding at temple ceremonies: "the wild bull's horn was made to growl, the
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Biggs, Robert D., "An Archaic Sumerian version of the Kesh Temple Hymn from Tell Abū (S)alābīkh". In Zeitschrift für Assyriologie 61. 193–207, 1971.
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British museum and Pennsylvania University. University museum. Joint expedition to Mesopotamia; Pennsylvania University. University museum (1928).
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The Keš temple hymn., Black, J.A., Cunningham, G., Robson, E., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
1905:
The Keš temple hymn., Black, J.A., Cunningham, G., Robson, E., and Zólyomi, G., The Electronic Text Corpus of Sumerian Literature, Oxford 1998-.
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Helle, Sophus, "The Temple Hymns". Enheduana: The Complete Poems of the World's First Author, New Haven: Yale University Press, pp. 53-94, 2023
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Biggs, Robert D., Zeitschrift für Assyriologie und Vorderasiatische, Archäologie , Volume 61 (2), de Gruyter – Jan 1, 1971 - Springerprotocols
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Biggs, Robert D., Zeitschrift für Assyriologie und Vorderasiatische, Archäologie , Volume 61 (2), de Gruyter – Jan 1, 1971 - Springerprotocols
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Musée du Louvre. Département des antiquités orientales et de la céramique antique; Musée du Louvre. Département des antiquités orientales.
1148:
Lines one to twenty one describe the election and praise of Kesh as recorded by Nisaba, twenty two to forty four liken the temple to the
854: 937:
in 1915. Langdon published a translation from a 4 by 4 by 4 by 4 inches (10 by 10 by 10 by 10 cm) perforated, four sided, Sumerian
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Ansky, S.. "Hymn to Kesh". The Harps that Once..., edited by David G. Roskies, New Haven: Yale University Press, 1992, pp. 377–385
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in the myth saying it "occurs as a name for the cosmic waters of the water table beneath the earth's surface in Sumerian literature."
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in Oxford in 1913 (number 1911-405) in "Babylonian Liturgies." The prism contains around 145 lines in eight sections, similar to the
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Jacobsen, Thorkild., The Harps that Once .. Sumerian Poetry in Translation. New Haven/London: Yale University Press. 151–166, 1987.
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Temple ... Kesh Temple growing up like a mountain embracing the heaven. Growing up like Ekur when it lifted its head in the Land.
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Ashmolean Museum; Stephen Langdon; Godfrey Rolles Driver; Herbert Joseph Weld; Oliver Robert Gurney; Samuel Noah Kramer (1923).
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The hymn is composed of 134 lines, formally divided into eight songs or "houses" or "temples", each of which ends with three
1107:) how the text is the work of gods, who created and transmitted it to humans, giving the literature a reason for legitimacy. 965: 2146:
I have built you an exalted house: temple building in the Bible in the light of Mesopotamian and North-West semitic writings
1720:
Sumerian literary tablets and fragments in the archeological museum of Istanbul-I, 54, 89, 106, 118, 120, 132, 156 & 187
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Cheira, Edward., Sumerian Epics and Myths, University of Chicago, Oriental Institute Publications, 1934. Online Version
82: 1969: 1956: 1413: 1388: 1278: 17: 2588: 847: 788: 730: 50: 2603: 2598: 1393: 129: 92: 68: 102: 58: 1321:, Ninmah, etc.) for seven different localities. He also discussed the location of Kesh appearing to be near 2573: 2491:
Geller, M.J., "Jabosen's "Harps" and the Keš Temple Hymn". In Zeitschrift für Assyriologie 86. 68–79, 1996.
1221: 977: 1796: 2583: 2502:
Barton, George Aaron., Miscellaneous Babylonian Inscriptions, Yale University Press, 1918. Online Version
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number 48.1802, formerly called the "David prism". Further tablets containing the text were excavated at
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Langdon, Stephen., Babylonian Liturgies. Museum of the University of Pennsylvania, 1919. Online Version
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Chirea, Edward., Sumerian Religious Texts, Constantinople. Musée impérial ottoman, 1924. Online Version
1756: 1581:
Babylonian liturgies: Sumerian texts from the early period and from the library of Ashurbanipal, p. 86-
840: 448: 2469:
Römer, Willem H.P., Die Klage über die Zerstörung von Ur aoat 309, Münster: Ugarit, p. 97, 2004.
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Copper figure of a bull from the Temple of Ninhursag, Tell al-'Ubaid, southern Iraq, around 2600 BCE.
97: 124: 119: 2593: 1350: 1026: 934: 2526: 1904: 768: 2397: 2260: 2226: 2192: 2105: 1492: 2613: 2578: 2144: 2068: 1986: 1453: 1408: 1346: 1310: 705: 2542:
The Walters Art Museum, Accession Number: 48.1802, Hymn to Kesh (with high resolution photo)
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Sanders, Seth L., Old light on Moses' shining face, Koninklijke Brill NV, Leiden, 2002.
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Nies Babylonian Collection (Yale University); Paul-Alain Beaulieu; Ulla Kasten (1994).
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Stephen Langdon suggested the hymn gave evidence of the Sumerian theological view that
1047:. He dated this version to around 2600 BCE based upon similarities to tablets found in 1041: 1002: 989: 903: 134: 2437: 2403: 2369: 2311: 2266: 2232: 2198: 2150: 2111: 2101: 2074: 2034: 1965: 1804: 1498: 1459: 1428: 919: 888: 802: 695: 112: 2176: 1695:
Sumerian literary texts from Nippur: in the Museum of the Ancient Orient at Istanbul
1180:, praised by Enlil, given an oracle by mother Nintud! ... house, at its upper end a 2064: 1998: 1666: 1398: 1095: 1074:
Victor Hurowitz referred to it as the "Kesh Temple building hymn" and suggests the
1034:
the best preserved literary texts that we possess from the Old Babylonian period".
938: 740: 690: 2541: 1491:
Jeremy A. Black; Jeremy Black; Graham Cunningham; Eleanor Robson (13 April 2006).
2548: 2431: 2363: 2070:
Gender reversals and gender cultures: anthropological and historical perspectives
2028: 1931: 1874: 1835: 1798: 1758: 1718: 1693: 1668: 1643: 1609: 1579: 1551: 1526: 1383: 1326: 1037: 795: 680: 363: 235: 2346: 38: 2608: 1120:
The myth goes on to describe the temple dedication rites and explains that the
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Wayne Horowitz working from Gragg's translation, discusses the mention of the
984:(Ni). Chiera translated number Ni 2402 in "Sumerian Religious Texts" in 1924. 2628: 2623: 2557: 1423: 1418: 1403: 1358: 1354: 1334: 1274: 972: 946: 867: 2002: 997:
in Paris, number AO 6717. Others are held in the Ashmolean number 1929-478,
1933:
The collection of the Sumerian temple hymns ; The Kes temple hymn: and
1342: 1322: 1258: 1044: 1014: 950: 548: 285: 1929: 1553:
Le poème sumérien du Paradis: du déluge et de la chute de l'homme, 135-146
710: 2618: 1338: 1314: 1063: 1058: 1018: 895: 891: 418: 368: 300: 295: 1200:
Barton translated the actions of the Annanuki in and around the temple:
1133: 781: 774: 631: 616: 558: 473: 393: 378: 280: 275: 2396:
Oudtestamentisch Werkgezelschap in Nederland; Raymond de Hoop (1999).
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Proceedings of the Society of Biblical Archaeology, Volume 33, Pl. XI
1876:
Ur excavations texts... 6 114, 6 115, 6 116, 6 11, 6 49, 6 103, 6 164
1318: 1261: 1169: 1053: 1048: 942: 611: 533: 528: 498: 493: 348: 218: 1452:
Mogens Herman Hansen; Københavns universitet. Polis centret (2002).
568: 563: 523: 320: 1181: 1121: 981: 735: 636: 606: 553: 508: 413: 373: 343: 30: 2365:
Princess, priestess, poet: the Sumerian temple hymns of Enheduanna
2149:. Continuum International Publishing Group. pp. 66, 67, 261. 1249:
possibly a hymn accompanied by another form of string instrument.
1188:! House, at its upper end threefold indeed ... Whose well-founded 1082:
praising the city Kesh and its selection and establishment of the
700: 1528:
Miscellaneous Sumerian texts from the temple library of Nippur, 8
1189: 1087: 926: 916:
University of Pennsylvania Museum of Archaeology and Anthropology
720: 665: 641: 621: 573: 503: 468: 423: 383: 338: 315: 270: 265: 2100: 1455:
A comparative study of six city-state cultures: an investigation
1192:
is established as a household ... whose terrace is supported by
685: 2361: 1987:"Problems of Absolute Chronology in Protohistoric Messopotamia" 1306: 1302: 1254: 1210: 1205: 1100: 1091: 994: 930: 923: 826: 821: 750: 745: 675: 626: 601: 538: 518: 513: 488: 483: 478: 463: 458: 443: 403: 353: 310: 305: 230: 175: 171: 162: 153: 1667:
Edward Chiera; Constantinople. Musée impérial ottoman (1924).
964:
in 1918 and first published as "Sumerian religious texts" in "
953:." Langdon translated two further fragments in 1914 and 1917. 1330: 1298: 1104: 1079: 1040:
translated an exceptionally archaic version of the hymn from
725: 596: 543: 428: 408: 398: 388: 358: 290: 260: 208: 180: 166: 1549: 2231:. Continuum International Publishing Group. pp. 140–. 2224: 1242: 1234: 1157: 1149: 1137: 1113: 1083: 1075: 1022: 1006: 960:
was developed with the addition of CBS 8384, translated by
957: 670: 660: 578: 453: 213: 157: 1716: 1196:
deities; whose princely great wall ... the shrine of Urim!
2347:
Society of Biblical Archæology (London, England) (1911).
2026: 1177: 240: 203: 1365:) and " seed of a (the) steer, engendered by a wild ox ( 1136:
questions discussing the birth of Nintud's warrior son,
1930:
Aake W. Sjoberg; Gene B. Gragg; Eugen Bergmann (1969).
1860:
Revue d'assyriologie et d'archéologie orientale, 26, 13
1800:
Late Babylonian texts in the Nies Babylonian Collection
1030: 2488:
Bayerischen Akademie der Wissenschaften. 83–120, 1987.
2433:
A dictionary of ancient Near Eastern mythology, p. 132
1964:. Chicago: The University of Chicago Press. pp 24-26. 1790: 2030:
The International standard Bible encyclopedia, p. 754
1866: 2355: 1543: 1458:. Kgl. Danske Videnskabernes Selskab. pp. 40–. 2362:Enheduanna; Betty De Shong Meador (1 August 2009). 2262:
The Sumerians: their history, culture and character
1925: 1923: 1830: 1607: 2258: 1691: 885:Liturgy to Nintud on the creation of man and woman 2399:Genesis 49 in its literary and historical context 2389: 1750: 1735: 1305:created mankind and living things. He noted that 2555: 2063: 1920: 1781: 1660: 1486: 1484: 1482: 1445: 1277:and the hymn to temples in Ur that introduces a 2537:Cuneiform Digital Library Initiative - CBS 8384 2429: 2186: 2184: 2142: 2138: 2136: 2134: 2094: 1710: 1577: 1168:The latest translation describes its founders, 1009:, modern Ishan al-Bahriyat. More were found at 2265:. University of Chicago Press. pp. 207–. 2218: 2190: 1824: 1641: 1479: 914:Fragments of the text were discovered in the 848: 2340: 2303: 2181: 2131: 2059: 2057: 2020: 1611:Miscellaneous Babylonian inscriptions, p. 52 1603: 1601: 1599: 922:section (CBS) from their excavations at the 2110:. Harvard University Press. pp. 179–. 1317:had seven different names (such as Nintud, 27:Oldest surviving literary text in the world 2297: 2252: 1685: 1524: 1497:. Oxford University Press. pp. 325–. 855: 841: 2423: 2054: 1760:Oxford editions of cuneiform inscriptions 1635: 1596: 1241:was perhaps one accompanied by a type of 971:CBS tablet 6520 was published in 1929 by 1900: 1898: 1896: 1894: 1784:Oxford Editions of Cuneiform Texts, 5, 7 1746:. Librairie orientaliste, Paul Geuthner. 1518: 866: 37: 29: 1698:. American Schools of Oriental Research 1550:Stephen Langdon; Ch Virolleaud (1919). 14: 2556: 2225:Jeremy Black; Jeremy A. Black (1998). 1984: 1775: 2009: 1954: 1891: 1763:. Oxford university press, H. Milford 1717:Muazzez Cig; Hatice Kizilyay (1969). 1645:Sumerian epics and myths, 108 and 109 1353:such as "the highly esteemed prince ( 1284:The Enheduanna hymn/poem version is: 966:Miscellaneous Babylonian Inscriptions 898:as early as 2600 BCE. Along with the 2104:; Jane Marie Todd (1 January 2011). 1916:ETCSLtransliteration : c.4.80.2 1361:), "a great wild ox / a wild bull" ( 2532:ETCSLtransliteration : c.5.3.2 2310:. Peeters Publishers. pp. 3–. 1958:Inscriptions from Tell Abu Salabikh 1233:was probably a hymn accompanied by 24: 2460: 2073:. Psychology Press. pp. 54–. 2027:Geoffrey William Bromiley (1979). 1090:of the hymn by another god called 83:Religions of the ancient Near East 67: 25: 2640: 2495: 2351:. Society of Biblical Archæology. 1670:Sumerian religious texts, pp. 26- 1648:. The University of Chicago Press 1357:), "a leopard, who seizes prey" ( 1414:Self-praise of Shulgi (Shulgi D) 1389:Debate between Winter and Summer 1337:). He suggests remarkably close 1269:be to cherished Kesh and Nintud! 1086:by Enlil. He also discusses the 2569:1909 archaeological discoveries 2331: 2286: 2170: 2143:Victor Hurowitz (1 June 1992). 1978: 1948: 1909: 1494:The Literature of Ancient Sumer 1345:parallels in the sayings about 1062:amount of deviation (except in 789:Enmerkar and the Lord of Aratta 2307:Babylonian topographical texts 2197:. Eisenbrauns. pp. 308–. 2107:Reading and Writing in Babylon 1626: 1394:Debate between sheep and grain 1078:begins with a description and 1069: 909: 13: 1: 2368:. University of Texas Press. 2194:Mesopotamian cosmic geography 1439: 1292: 1608:George Aaron Barton (1918). 978:Museum of the Ancient Orient 941:from Nippur and held in the 7: 2259:Samuel Noah Kramer (1964). 1692:Samuel Noah Kramer (1944). 1377: 904:oldest surviving literature 42:Ruins of a temple at Nippur 10: 2645: 2564:26th-century BC literature 1786:. Oxford University Press. 1744:Textes cunéiformes, 16, 55 1029:unearthed more tablets at 1782:Ashmolean Museum (1976). 986:Hermann Volrath Hilprecht 900:Instructions of Shuruppak 72:Chaos Monster and Sun God 2430:Gwendolyn Leick (1998). 2402:. BRILL. pp. 264–. 1578:Stephen Langdon (1913). 1556:. Éditions Ernest Leroux 2228:Reading Sumerian poetry 2191:Wayne Horowitz (1998). 2003:10.3406/paleo.1980.4262 1723:. Tarih Kurumu Basimevi 1614:. Yale University Press 1027:Charles Leonard Woolley 935:Stephen Herbert Langdon 2589:Mythological mountains 1955:Biggs, Robert (1974). 1642:Edward Chiera (1964). 1290: 1271: 1219: 1198: 1166: 1146: 1130: 1118: 1001:number 115798 and the 872: 73: 43: 35: 2604:Comparative mythology 2599:Religious cosmologies 2304:A. R. George (1992). 1409:Old Babylonian oracle 1311:Theophilus G. Pinches 1286: 1266: 1202: 1184:, at its lower end a 1174: 1162: 1142: 1126: 1109: 870: 193:Seven gods who decree 71: 61:Mesopotamian religion 41: 33: 716:Seven-headed serpent 655:Spirits and monsters 2574:Sumerian literature 1985:Wright, H. (1980). 1832:Henri de Genouillac 1525:Hugo Radau (1909). 1434:Sumerian literature 1011:Henri de Genouillac 962:George Aaron Barton 591:Demigods and heroes 255:Other major deities 2584:Mesopotamian myths 2547:2011-07-22 at the 1840:. Édouard Champion 1371:Wilfred G. Lambert 1021:'s excavations at 1013:'s excavations at 1003:Walters Art Museum 990:Samuel Noah Kramer 873: 74: 44: 36: 2443:978-0-415-19811-0 2409:978-90-04-10913-1 2375:978-0-292-71932-3 2317:978-90-6831-410-6 2272:978-0-226-45238-8 2238:978-0-485-93003-0 2204:978-0-931464-99-7 2156:978-1-85075-282-0 2117:978-0-674-04968-0 2102:Dominique Charpin 2080:978-0-415-11482-0 2040:978-0-8028-8160-1 2033:. W.B. Eerdmans. 1810:978-1-883053-04-8 1504:978-0-19-929633-0 1465:978-87-7876-316-7 1429:Sumerian religion 1313:, that Ninlil or 1215:garden of the god 1176:House founded by 918:catalogue of the 881:Liturgy to Nintud 865: 864: 803:Epic of Gilgamesh 148:Primordial beings 16:(Redirected from 2636: 2455: 2454: 2452: 2450: 2427: 2421: 2420: 2418: 2416: 2393: 2387: 2386: 2384: 2382: 2359: 2353: 2352: 2344: 2338: 2335: 2329: 2328: 2326: 2324: 2301: 2295: 2290: 2284: 2283: 2281: 2279: 2256: 2250: 2249: 2247: 2245: 2222: 2216: 2215: 2213: 2211: 2188: 2179: 2174: 2168: 2167: 2165: 2163: 2140: 2129: 2128: 2126: 2124: 2098: 2092: 2091: 2089: 2087: 2065:Sabrina P. Ramet 2061: 2052: 2051: 2049: 2047: 2024: 2018: 2013: 2007: 2006: 1982: 1976: 1975: 1963: 1952: 1946: 1945: 1943: 1941: 1927: 1918: 1913: 1907: 1902: 1889: 1888: 1886: 1884: 1879:. 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Ramet 877:Kesh temple hymn 857: 850: 843: 696:Kuli-ana/Mermaid 85: 46: 45: 21: 18:Kesh Temple Hymn 2644: 2643: 2639: 2638: 2637: 2635: 2634: 2633: 2554: 2553: 2549:Wayback Machine 2498: 2463: 2461:Further reading 2458: 2448: 2446: 2444: 2428: 2424: 2414: 2412: 2410: 2394: 2390: 2380: 2378: 2376: 2360: 2356: 2345: 2341: 2336: 2332: 2322: 2320: 2318: 2302: 2298: 2291: 2287: 2277: 2275: 2273: 2257: 2253: 2243: 2241: 2239: 2223: 2219: 2209: 2207: 2205: 2189: 2182: 2175: 2171: 2161: 2159: 2157: 2141: 2132: 2122: 2120: 2118: 2099: 2095: 2085: 2083: 2081: 2062: 2055: 2045: 2043: 2041: 2025: 2021: 2014: 2010: 1983: 1979: 1972: 1961: 1953: 1949: 1939: 1937: 1928: 1921: 1914: 1910: 1903: 1892: 1882: 1880: 1871: 1867: 1858: 1857: 1853: 1843: 1841: 1829: 1825: 1815: 1813: 1811: 1795: 1791: 1780: 1776: 1766: 1764: 1755: 1751: 1740: 1736: 1726: 1724: 1715: 1711: 1701: 1699: 1690: 1686: 1676: 1674: 1665: 1661: 1651: 1649: 1640: 1636: 1631: 1627: 1617: 1615: 1606: 1597: 1587: 1585: 1576: 1569: 1559: 1557: 1548: 1544: 1534: 1532: 1523: 1519: 1509: 1507: 1505: 1489: 1480: 1470: 1468: 1466: 1450: 1446: 1442: 1384:Barton Cylinder 1380: 1335:Genesis 49:1–28 1295: 1072: 1038:Robert D. Biggs 912: 861: 832: 831: 817: 809: 808: 764: 756: 755: 656: 648: 647: 592: 584: 583: 334: 326: 325: 256: 248: 247: 194: 186: 185: 149: 141: 88: 81: 60: 34:Sumerian Temple 28: 23: 22: 15: 12: 11: 5: 2642: 2632: 2631: 2626: 2621: 2616: 2611: 2606: 2601: 2596: 2594:Creation myths 2591: 2586: 2581: 2576: 2571: 2566: 2552: 2551: 2539: 2534: 2529: 2524: 2519: 2514: 2509: 2504: 2497: 2496:External links 2494: 2493: 2492: 2489: 2485: 2482: 2478: 2473: 2470: 2467: 2462: 2459: 2457: 2456: 2442: 2422: 2408: 2388: 2374: 2354: 2339: 2330: 2316: 2296: 2285: 2271: 2251: 2237: 2217: 2203: 2180: 2169: 2155: 2130: 2116: 2093: 2079: 2053: 2039: 2019: 2008: 1977: 1970: 1947: 1919: 1908: 1890: 1865: 1862:. Paris. 1929. 1851: 1823: 1809: 1789: 1774: 1749: 1734: 1709: 1684: 1659: 1634: 1625: 1595: 1567: 1542: 1517: 1503: 1478: 1464: 1443: 1441: 1438: 1437: 1436: 1431: 1426: 1421: 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1379: 1376: 1294: 1291: 1172:and features: 1071: 1068: 999:British Museum 911: 908: 906:in the world. 863: 862: 860: 859: 852: 845: 837: 834: 833: 830: 829: 824: 818: 815: 814: 811: 810: 807: 806: 799: 792: 785: 778: 771: 765: 762: 761: 758: 757: 754: 753: 748: 743: 738: 733: 728: 723: 718: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 663: 657: 654: 653: 650: 649: 646: 645: 639: 634: 629: 624: 619: 614: 609: 604: 599: 593: 590: 589: 586: 585: 582: 581: 576: 571: 566: 561: 556: 551: 546: 541: 536: 531: 526: 521: 516: 511: 506: 501: 496: 491: 486: 481: 476: 471: 466: 461: 456: 451: 446: 441: 436: 431: 426: 421: 416: 411: 406: 401: 396: 391: 386: 381: 376: 371: 366: 361: 356: 351: 346: 341: 335: 332: 331: 328: 327: 324: 323: 318: 313: 308: 303: 298: 293: 288: 283: 278: 273: 268: 263: 257: 254: 253: 250: 249: 246: 245: 244: 243: 238: 233: 226:Three sky gods 223: 222: 221: 216: 211: 206: 195: 192: 191: 188: 187: 184: 183: 178: 169: 160: 150: 147: 146: 143: 142: 140: 139: 138: 137: 132: 122: 117: 116: 115: 110: 100: 95: 89: 87: 86: 76: 75: 64: 63: 55: 54: 26: 9: 6: 4: 3: 2: 2641: 2630: 2627: 2625: 2622: 2620: 2617: 2615: 2612: 2610: 2607: 2605: 2602: 2600: 2597: 2595: 2592: 2590: 2587: 2585: 2582: 2580: 2577: 2575: 2572: 2570: 2567: 2565: 2562: 2561: 2559: 2550: 2546: 2543: 2540: 2538: 2535: 2533: 2530: 2528: 2525: 2523: 2520: 2518: 2515: 2513: 2510: 2508: 2505: 2503: 2500: 2499: 2490: 2486: 2483: 2479: 2476: 2474: 2471: 2468: 2465: 2464: 2445: 2439: 2436:. 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Geushner 1440:References 1293:Discussion 1190:storehouse 1134:rhetorical 920:Babylonian 796:Enūma Eliš 782:Atra-Hasis 632:Atra-Hasis 617:Lugalbanda 559:Shul-utula 439:Mami/Nintu 394:Hendursaga 281:Ereshkigal 276:Enmesharra 1319:Ninhursag 1262:mysticism 1259:Christian 1245:and that 1227:algarsura 1170:geography 1054:cuneiform 1049:Shuruppak 943:Ashmolean 775:An = Anum 769:Mythology 711:Ušumgallu 612:Gilgamesh 529:Ninsikila 499:Ningirima 494:Ningirida 349:Asaruludu 236:Nanna/Sin 219:Ninhursag 108:Babylonia 2545:Archived 2067:(1996). 1834:(1924). 1378:See also 1239:irshemma 1182:mountain 1122:Annanuki 982:Istanbul 889:Sumerian 736:Lamashtu 706:Mušmaḫḫū 637:Ziusudra 607:Enmerkar 554:Sarpanit 534:Ninšubur 509:Ninkilim 474:Ninmarki 449:Maštabba 414:Kajamanu 374:Enbilulu 344:Anunnaki 93:Anatolia 51:a series 49:Part of 1329:in the 1327:Genesis 1237:, that 1088:writing 927:library 887:, is a 721:Humbaba 642:Apkallu 622:Shamhat 504:Ninkasi 469:Nindara 384:Erragal 339:Agasaya 316:Ninurta 271:Enkimdu 266:Dumuzid 125:Semitic 120:Iranian 59:Ancient 2449:3 June 2440:  2415:2 June 2406:  2381:2 June 2372:  2323:3 June 2314:  2278:3 June 2269:  2244:3 June 2235:  2210:3 June 2201:  2162:2 June 2153:  2123:3 June 2114:  2086:3 June 2077:  2046:3 June 2037:  1968:  1940:2 June 1883:28 May 1844:2 June 1816:2 June 1807:  1767:3 June 1727:28 May 1702:28 May 1677:23 May 1652:28 May 1618:23 May 1588:2 June 1560:23 May 1535:23 May 1510:2 June 1501:  1471:2 June 1462:  1347:Joseph 1307:Nintud 1303:Ninlil 1255:Jewish 1211:hursag 1206:cedars 1194:lahama 1186:spring 1101:Yahweh 1092:Nisaba 1025:. Sir 995:Louvre 931:Nippur 924:temple 892:tablet 827:Sukkal 822:Dingir 751:Rabisu 746:Pazuzu 676:Edimmu 627:Siduri 602:Enkidu 574:Tišpak 569:Šulpae 564:Šubula 539:Ninsun 524:Ninšar 519:Ninmug 514:Ninlil 489:Ningal 484:Ninazu 479:Nisaba 464:Nanshe 459:Namtar 444:Mamitu 404:Isimud 354:Ashnan 321:Šulpae 311:Nergal 306:Marduk 176:Anshar 172:Kishar 163:Lahamu 154:Tiamat 135:Canaan 130:Arabia 2609:Hymns 2481:1969. 1962:(PDF) 1531:. n.p 1351:Judah 1331:Bible 1299:Enlil 1105:Moses 1080:Enlil 939:prism 883:, or 816:Terms 763:Tales 726:Hanbi 701:Bašmu 681:Siris 597:Adapa 544:Nuska 429:Lisin 419:Lahar 399:Igigi 389:Gibil 359:Ashgi 301:Lahar 291:Kingu 209:Enlil 181:Mummu 167:Lahmu 113:Sumer 2629:Isin 2624:Susa 2451:2011 2438:ISBN 2417:2011 2404:ISBN 2383:2011 2370:ISBN 2325:2011 2312:ISBN 2280:2011 2267:ISBN 2246:2011 2233:ISBN 2212:2011 2199:ISBN 2164:2011 2151:ISBN 2125:2011 2112:ISBN 2088:2011 2075:ISBN 2048:2011 2035:ISBN 1966:ISBN 1942:2011 1885:2011 1846:2011 1818:2011 1805:ISBN 1769:2011 1729:2011 1704:2011 1679:2011 1654:2011 1620:2011 1590:2011 1562:2011 1537:2011 1512:2011 1499:ISBN 1473:2011 1460:ISBN 1349:and 1341:and 1323:Kish 1301:and 1257:and 1247:adab 1243:drum 1235:lyre 1231:tigi 1213:the 1158:Abzu 1150:moon 1138:Acgi 1114:bull 1103:and 1084:Ekur 1076:hymn 1059:Adab 1042:Tell 1023:Susa 1015:Kish 1007:Isin 988:and 958:myth 956:The 875:The 741:Lilu 686:Anzû 671:Asag 661:Udug 579:Uttu 454:Nabu 409:Išum 379:Erra 261:Adad 214:Enki 174:and 165:and 158:Abzu 156:and 1999:doi 1281:." 980:in 929:at 731:Kur 424:Laṣ 364:Bel 204:Anu 2619:Ur 2560:: 2183:^ 2133:^ 2056:^ 1993:. 1989:. 1922:^ 1893:^ 1598:^ 1570:^ 1481:^ 1264:. 1178:An 1140:: 1094:. 1031:Ur 879:, 286:Ki 53:on 2453:. 2419:. 2385:. 2327:. 2282:. 2248:. 2214:. 2166:. 2127:. 2090:. 2050:. 2005:. 2001:: 1995:6 1974:. 1944:. 1887:. 1848:. 1820:. 1771:. 1731:. 1706:. 1681:. 1656:. 1622:. 1592:. 1564:. 1539:. 1514:. 1475:. 1333:( 1116:! 856:e 849:t 842:v 20:)

Index

Kesh Temple Hymn


a series
Ancient
Mesopotamian religion

Chaos Monster and Sun God
Religions of the ancient Near East
Anatolia
Ancient Egypt
Mesopotamia
Babylonia
Sumer
Iranian
Semitic
Arabia
Canaan
Tiamat
Abzu
Lahamu
Lahmu
Kishar
Anshar
Mummu
Anu
Enlil
Enki
Ninhursag
Inanna/Ishtar
Nanna/Sin
Utu/Shamash

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