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Keith Godchaux

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all our endlessly bifurcating highways and byways, but grabbing the ball and running with it, leading us into unknown regions and setting the stage for what many heads consider the peak years of the Grateful Dead. With Keith, we became the turbocharged turn-on-a-dime Grateful Dead that had only been hinted at before, but the music also became warmer and more organic, almost but not quite filling the hole Pig's absence had left." Lesh has further clarified that, to him, the band was "never quite the same" after coming back from their touring hiatus in 1975.
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imagination that marked his best work (’72–’74). Much of what he played in his last year was basic, blocky, chordal stuff. I don’t hear many wrong notes but he’s not exactly out there on the edge taking chances and pushing the others, as he frequently did, in his own quiet way, in his peak Grateful Dead years. I guess the worst thing you could say about later-period Keith is that he was just taking up sonic space in the Dead’s overall sound. Did this affect the others? No doubt, though it can’t be measured."
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works. It was charged with a very high voltage, and thus was very cantankerous to set up and use. It had a way of crackling in humid conditions and making other rather unmusical sounds if not set up just right, but when it worked it was truly brilliant." The control box also enabled Godchaux to use a
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and Brent Mydland, but this guy was just outrageous. He was really competent too, in that he could pick up whatever Jerry and I started playing that day, and just run with it. He didn’t need to know the material first. He could learn songs before he was even done hearing them for the first time. And
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writes, "Then, around the same time that Pigpen entered the hospital, Jerry gave me a call telling me to get my ass down to the rehearsal space. He said there was a guy down there with him that I simply had to hear. Nobody else from the band was around, but almost immediately after I arrived, I knew
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According to Phil Lesh, some fans consider the years that Keith joined through the touring hiatus in 1974 to be the best years of the Grateful Dead. In his book he writes, "Keith turned into a fire-breathing demon about halfway through the fall tour—not only following the band effortlessly through
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Eventually, according to Donna Jean Godchaux, "Keith and I decided we wanted to get out and start our own group or something else – anything else. So we played that benefit concert at Oakland and then a few days later there was a meeting at our house and it was brought up whether we should stay in
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Following their departure from the Grateful Dead, the Godchauxs enjoyed an extended period of recuperation with their family in Alabama. He maintained a presence in the band's extended orbit, returning intermittently to California to perform alongside Kreutzmann in the Healy-Treece Band (a venture
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in mid-1973 and briefly experimented with the Hammond organ again on the band's fall 1973 tour; the Rhodes piano would remain in his setup through 1976. Following the group's extended touring hiatus, he continued to use contractually-stipulated nine-foot Steinways furnished by the band's venues in
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According to Godchaux, "I first saw play with a bunch of my old lady's friends, who were real Grateful Dead freaks. I went to a concert with them and saw something I didn't know could be really happening... It was not like a mind-blowing far out, just a beautiful far out. Not exactly a choir of
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parts with an eye toward variegating the group's sound palette, with Weir concluding that "desperation is the mother of invention." Garcia biographer Blair Jackson has also asserted that "the quality of Keith’s playing in the Dead fell off in ’78 and early ’79. It no longer had that sparkle and
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of the piano. He’s an excellent pianist but he didn’t really have a concept of music, of how the piano fit in with the rest of the band. We were constantly playing records for him and so forth but that wasn’t his gift. His gift was the keyboard, the piano itself." Bassist
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frequently opened for Grateful Dead–related groups in 1975, allowing Garcia to sit in on several occasions. Following the dissolution of this ensemble, the Godchauxs performed as part of the Jerry Garcia Band from 1976 to 1978. "Six Feet of Snow", a collaboration with
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angels but some incredibly holy, pure and beautiful spiritual light. From then on, I was super turned-on that such a thing existed. This was about a year and a half ago, when I first met Donna... I knew I was related to them." He was also known to
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as they worked with their new band) in July 1980. Shortly before the accident, he professed to Pollock that he was "the happiest I've ever felt in my life." He died at the age of 32 on July 23, 1980, four days after his birthday.
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Bill Kreutzmann writes about Keith, "He was one of the best, if not the best, keyboardist that I’ve had the honor of playing with. The Grateful Dead have played with some really good ones over the years, like
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in January 1970, Godchaux was invited to join the group as a permanent member in September 1971. He first performed publicly with the Dead on October 19, 1971, at the
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bands and Dixieland groups...I also did piano bar gigs and put trios together to back singers in various places around the Bay Area... cocktail standards like '
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instruments) at concerts from 1972 to 1974. Throughout this period, Godchaux's rented pianos were outfitted with a state-of-the-art pickup system designed by
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and cocktail jazz in professional ensembles as a teenager. According to Godchaux, "I spent two years wearing dinner jackets and playing acoustic piano in
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During his tenure with the Dead, his only lead vocal and wholly original composition was "Let Me Sing Your Blues Away," a collaboration with lyricist
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in September 1977. The instrument's unwieldy tuning partially contributed to the shelving of the band's recordings of their 1978 engagement at the
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Increasingly frayed from the vicissitudes of the rock and roll lifestyle, Godchaux gradually became dependent upon various drugs, most notably
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lauded his ability to "fit perfectly in the spaces between parts," while Bill Kreutzmann was inspired by his "heart of music."
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Godchaux sustained massive head injuries in an auto accident while being driven home on his birthday by noted
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during the group's spring 1977 tour), this tendency was foregrounded by the reintegration of second drummer
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in 1980, but Godchaux died from injuries sustained in a car accident shortly after their first concert.
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Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall
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Grateful Dead Gear: The Band's Instruments, Sound Systems, and Recording Sessions from 1965 to 1995
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Pure Jerry: Lunt-Fontanne, New York City, The Best of the Rest, October 15–30, 1987
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the band anymore...and we mutually decided we'd leave." Keyboardist/vocalist
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Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead
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from 1971 to 1979. Following their departure from the Dead, he and his wife
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at a concert in August 1971; coincidentally, ailing keyboardist/vocalist
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artist Courtenay Pollock (who was hosting the Godchauxs at his home in
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Garcia: An American Life. Outtakes, Afterthoughts and Other Cool Stuff
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Although the band had employed several other keyboardists (including
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Robert F. Kennedy Stadium, Washington, D.C., July 12 & 13, 1989
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Pure Jerry: Merriweather Post Pavilion, September 1 & 2, 1989
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The Warfield, San Francisco, California, October 9 & 10, 1980
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Pure Jerry: Theatre 1839, San Francisco, July 29 & 30, 1977
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In and Out of the Garden: Madison Square Garden '81, '82, '83
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Searching for the sound : my life with the Grateful Dead
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Initially, Godchaux incorporated a richly melodic, fluid and
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30 Trips Around the Sun: The Definitive Live Story 1965–1995
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Pure Jerry: Lunt-Fontanne, New York City, October 31, 1987
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Family Dog at the Great Highway, San Francisco, CA 4/18/70
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Grateful Dead Family Discography: Keith and Donna Godchaux
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beyond Garcia's leads. However, Godchaux's playing in the
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on the fall 1971 tour, Godchaux primarily played acoustic
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History of the Grateful Dead, Volume One (Bear's Choice)
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1976 and early 1977 before switching exclusively to the
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that Jerry was right—this guy could really play piano."
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Dead Zone: The Grateful Dead CD Collection (1977–1987)
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So Many Roads: The Life and Times of the Grateful Dead
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Skeletons from the Closet: The Best of Grateful Dead
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Pacific Northwest '73–'74: Believe It If You Need It
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Pure Jerry: Coliseum, Hampton, VA, November 9, 1991
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September 24, 2009 801: 730: 797: 795: 770:"Chapter 12: Wait Until That Deal Come 'Round" 517:characterized his playing as "a cross between 349:in November 1970; their son Zion, of the band 4299: 3891: 1804:Winterland June 1977: The Complete Recordings 1270: 938:"Jerry Garcia's Middle Finger: "Bloody Hell"" 16:American musician and songwriter (1948–1980) 1755:Fillmore West 1969: The Complete Recordings 1014: 851: 792: 407:Remembering their initial meeting, drummer 4306: 4292: 4109:Pure Jerry: Warner Theatre, March 18, 1978 3898: 3884: 3544:Deadicated: A Tribute to the Grateful Dead 2120:Madison Square Garden, New York, NY 3/9/81 2092:Listen to the River: St. Louis '71 '72 '73 1277: 1263: 1247: 1156: 1086:. hooterollin.blogspot.com. April 11, 2014 958: 837:: CS1 maint: location missing publisher ( 634:. The album was recorded at their home in 133: 4179:On Broadway: Act One – October 28th, 1987 3516:Bob Dylan and the Grateful Dead 1987 Tour 3273:Dead Ringers: The Making of Touch of Grey 3220:All the Years Combine: The DVD Collection 1678:Ladies and Gentlemen... the Grateful Dead 1076: 1054: 1021:. Penguin Publishing Group. p. 304. 111:Learn how and when to remove this message 3654:The Planet Earth Rock and Roll Orchestra 1783:Winterland 1973: The Complete Recordings 1727:Rockin' the Rhein with the Grateful Dead 930: 321:, a regional suburban center within the 3648:Pickin' on the Grateful Dead: A Tribute 2106:Lyceum Theatre, London, England 5/26/72 1008: 885: 743:"Grateful Dead Guide: How Keith Joined" 4532: 1189: 1141: 1104: 952: 642:equipment manager Stephen Schuster on 4287: 4074:After Midnight: Kean College, 2/28/80 3905: 3879: 2134:RFK Stadium, Washington, D.C. 6/10/73 1948:Capitol Theatre, Passaic, NJ, 4/25/77 1258: 940:. jgmf.blogspot.com. January 18, 2014 912: 906: 845: 655:, was featured on the latter group's 4600:20th-century American male musicians 3625:Mother McCree's Uptown Jug Champions 720:he could play just about anything." 356:The couple introduced themselves to 49:adding citations to reliable sources 20: 3597:Grateful Dead Meet-Up at the Movies 2099:Lyceum '72: The Complete Recordings 2085:Fox Theatre, St. Louis, MO 12-10-71 1836:Europe '72: The Complete Recordings 986: 767: 13: 4595:20th-century American keyboardists 4570:Road incident deaths in California 3160:The Best of the Grateful Dead Live 3111:What a Long Strange Trip It's Been 1955:July 1978: The Complete Recordings 1734:The Grateful Dead Movie Soundtrack 1653:Terrapin Station (Limited Edition) 702:as a member of the Grateful Dead. 14: 4611: 2039:Fillmore West 1969: February 28th 1997:Fillmore West 1969: February 27th 1660:Live at the Fillmore East 2-11-69 1284: 1213: 1190:Fricke, David (August 17, 2016). 1084:"Hooterollin' Around: April 2014" 289:best known for his tenure in the 4158:Fall 1989: The Long Island Sound 3860: 3859: 3227:Grateful Dead Records Collection 3139:Flashback with the Grateful Dead 3125:Selections from the Arista Years 2141:Friend of the Devils: April 1978 1864:Spring 1990: So Glad You Made It 572:In early 1978, rhythm guitarist 479:with the instrument. He added a 25: 3676:Shakedown Street (vending area) 3036:Family Dog at the Great Highway 2046:Giants Stadium 1987, 1989, 1991 1183: 1150: 1098: 1042: 858:. Backbeat Books. p. 112. 513:approach to rock music; critic 36:needs additional citations for 4580:20th-century American pianists 3686:Unfinished Grateful Dead album 3591:The Grateful Dead Family Album 3234:The Story of the Grateful Dead 3213:The Warner Bros. Studio Albums 3206:Beyond Description (1973–1989) 3132:The Very Best of Grateful Dead 1790:Rocking the Cradle: Egypt 1978 1236:Official Grateful Dead Website 996:. dead.net. September 21, 2012 879: 761: 466:. According to sound engineer 1: 3666:Reunions of the Grateful Dead 3619:List of Grateful Dead members 3558:Fare Thee Well (concert tour) 3433:New Riders of the Purple Sage 3146:The Best of the Grateful Dead 1976:May 1977: Get Shown the Light 962:The American Book of the Dead 723: 640:Quicksilver Messenger Service 1051:, accessed February 2, 2008. 892:. Cornell University Press. 626:bassist Chrissy Stewart and 308: 7: 3199:The Golden Road (1965–1973) 1906:Spring 1990 (The Other One) 1741:Rare Cuts and Oddities 1966 965:. Touchstone. p. 353. 390:James and the Good Brothers 10: 4616: 4585:Heart of Gold Band members 4575:American rock keyboardists 4315:Rock and Roll Hall of Fame 3681:Summer Jam at Watkins Glen 3453:Jerry Garcia Acoustic Band 1822:Crimson White & Indigo 1646:Fallout from the Phil Zone 809:(1st ed.). 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(2000). 852:Jackson, B. (2006). 547:alcohol use disorder 492:electric grand piano 398:Betty Cantor-Jackson 353:, was born in 1974. 245:Keyboard instruments 237:Musician, songwriter 45:improve this article 4415:Donna Jean Godchaux 4207:Electric on the Eel 3947:Donna Jean Godchaux 3579:Grateful Dead Comix 3538:Deadheads for Obama 3521:Dark Star Orchestra 1913:Wake Up to Find Out 1843:Europe '72 Volume 2 1639:Dozin' at the Knick 1442:From the Mars Hotel 1319:Donna Jean Godchaux 1220:Keith Godchaux Home 1157:Lesh, Phil (2006). 959:Trager, O. (1997). 913:Christgau, Robert, 749:. September 4, 2012 597:on April 22, 1979. 437:Northrup Auditorium 347:Donna Jean Thatcher 319:Concord, California 315:Seattle, Washington 173:Seattle, Washington 3964:Johnny de Foncesca 3837:Laurence Shurtliff 3423:Heart of Gold Band 3356:Dead & Company 3301:Downhill from Here 3287:Infrared Sightings 1762:Fillmore West 1969 1618:Two from the Vault 1604:One from the Vault 500:planned live album 400:, a Grateful Dead 303:Heart of Gold Band 272:Heart of Gold Band 4527: 4526: 4281: 4280: 4046:Jerry Garcia Band 3907:Jerry Garcia Band 3873: 3872: 3817:Ronald Leon Rakow 3807:Branford Marsalis 3727:Candace Brightman 3398:Jerry Garcia Band 3391:Fall Fun Run 2019 3332:Side projects and 3322:Long Strange Trip 3315:Sunshine Daydream 3167:Sage & Spirit 3153:Long Strange Trip 3091: 3090: 3087: 3086: 1962:Red Rocks: 7/8/78 1885:Sunshine Daydream 1713:Birth of the Dead 1632:Hundred Year Hall 1435:Wake of the Flood 1421:Workingman's Dead 1407:Anthem of the Sun 1400:The Grateful Dead 1298:John Perry Barlow 1121:978-0-306-82171-4 1114:. Da Capo Press. 1028:978-1-101-66406-3 972:978-0-684-81402-5 899:978-1-501-71256-2 865:978-0-879-30893-3 816:978-1-250-03379-6 619:Keith & Donna 607:Wake of the Flood 576:began to perform 567:Jerry Garcia Band 442:After playing an 345:session vocalist 317:, and grew up in 277: 276: 268:Jerry Garcia Band 121: 120: 113: 95: 4607: 4490:Early influences 4386:Robbie Robertson 4356:Hilton Valentine 4308: 4301: 4294: 4285: 4284: 4266:Related Articles 3994:DeeDee Dickerson 3900: 3893: 3886: 3877: 3876: 3863: 3862: 3386:Summer 2019 tour 3381:Summer 2018 tour 3371:Summer 2017 tour 3366:Summer 2016 tour 3308:Anthem to Beauty 3118:The Arista Years 3078:Spectrum 11/6/79 3071:Spectrum 11/5/79 1593: 1592: 1498: 1497: 1463:Shakedown Street 1456:Terrapin Station 1279: 1272: 1265: 1256: 1255: 1251: 1207: 1206: 1204: 1202: 1187: 1181: 1180: 1154: 1148: 1147: 1139: 1133: 1132: 1130: 1128: 1102: 1096: 1095: 1093: 1091: 1080: 1074: 1073: 1071: 1069: 1058: 1052: 1046: 1040: 1039: 1037: 1035: 1012: 1006: 1005: 1003: 1001: 990: 984: 983: 981: 979: 956: 950: 949: 947: 945: 934: 928: 927: 926: 924: 910: 904: 903: 883: 877: 876: 874: 872: 849: 843: 842: 836: 828: 803:Kreutzmann, Bill 799: 790: 789: 787: 785: 780:on March 4, 2016 776:. 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"Keith Godchaux"
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Godchaux in 1972
Seattle, Washington
San Francisco, California
Marin County, California
Rock
psychedelia
rhythm and blues
blues
boogie woogie
Grateful Dead
Jerry Garcia Band
Heart of Gold Band
pianist
rock
Grateful Dead
Donna
Heart of Gold Band
Seattle, Washington
Concord, California

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