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Karn Evil 9

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283:". The story of "Karn Evil 9" is told in three parts, with the second part being an instrumental interlude. First Impression, Part 1 begins with a tale of a bleak world (although timeframe is not specified): "Cold and misty morning I heard a warning borne on the air ..." and where humanity is either being destroyed or has fallen into decay and helplessness. First Impression, Part 2 tells how the decadence of the old world is preserved through exhibits that are part of a futuristic carnival show, which exhibits depravities like "seven virgins and a mule", along with things that are rare in the future, such as a "real blade of grass". 354:, Paul Stump bemoaned that "Karn Evil 9" spends most of its length "ping-ponging frustratingly between the inspired and the intolerable", citing the subdued yet menacing Hammond organ introduction and the group workout during the Third Impression ("full of vigorous and fertile riff-development and fierce, diamond-hard textures") as examples of the former and the bipartite structure of the First Impression, the over-indulgence of Emerson's solo, and the trite science fiction theatrics of the Third Impression as examples of the latter. In 2005 219: 310:
the computers, claiming that the computers were successful in dominating the humans and let them live only for the sake of gloating. The third interpretation, consistent with Peter Sinfield's original interpretation that "what invented ironically takes him over" has humans winning a war with the help of computers, only to find the computers taking over in the moment of victory.
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The Third Impression continues the story begun in the first, describing a war between humans and computers, which can be interpreted in three different ways. One interpretation gives the victory to the humans, who reimpose their dominion over the computers. The second interpretation allows victory to
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and, with a running length of 29 minutes and 37 seconds, is Emerson, Lake & Palmer's longest studio recording. The initial release of the album on vinyl split "Karn Evil 9" between the two sides due to its length, with a fade out/fade in between First Impression Parts 1 and 2.
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There is some disagreement as to how much of the lyrics were written by Sinfield: all credits listed show that Lake wrote the lyrics for First Impression alone, but Sinfield himself implies that he co-wrote all lyrics in "Karn Evil 9".
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Selections from Karn Evil 9 were featured in Pride of Cincinnati's 2004 program, "Sideshow: Alive on the Inside". The program won the bronze medal at that year's
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A heavily abridged edit of First Impression Part 2 is featured in a 2020 NBC NASCAR promo. It focuses on the intro and lyrical references to the show.
1085: 397: 302:".) This impression changes from an upbeat out-of-control tune to a slow interval and then picks up the pace with a structure similar to that of a 1469: 1125: 1101: 530:
baseball team and played in the clubhouse and Shea Stadium before games. It was also used on their official 1986 season highlights home video.
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Unlike the rest of "Karn Evil", the Second Impression's instrumentation is primarily piano, bass, and drums with a solo by Emerson on a
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Part or all of the song is included on many of the group's live albums and on all of the group's compilation albums and box sets.
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during the late 1990s and early 2000s, with the vocals regarding seven virgins and a mule being omitted. British Radio show host
790: 864: 1417: 1160: 1141: 1061: 167:. A futuristic fusion of rock and classical themes, it was written by band members Keith Emerson and Greg Lake with former 191:"Karn Evil 9" consists of three movements (called "impressions"), with the first impression being divided into two parts: 1454: 1295: 895: 1370: 962: 710: 262: 244: 1302: 520: 1133: 765: 229: 306:. It is allegedly about computers scheming against the humans, and the humans completely not suspecting this. 1337: 409:(rec. 1974 and 1997–98, rel. 1998) – two versions of 1st Impression, Part 2, and a version of 3rd Impression 1211: 501: 1203: 553: 368:
Part or all of the song is included on several of Emerson, Lake & Palmer's live albums, including:
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Part or all of the song is also included on all of the group's compilation albums and box sets.
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also used the "welcome back my friends to the show that never ends" line as a jingle.
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Welcome Back, My Friends, to the Show That Never Ends ∽ Ladies and Gentlemen
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Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
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used Karn Evil 9 for a drum break in their 1984 and 1985 programs.
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First Impression Part 2 was used as the theme tune for the BBC's
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Epstein, Dan; Gehr, Richard; Heller, Jason (March 11, 2016).
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The Music's All that Matters: A History of Progressive Rock
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Third Impression: Music by Emerson, lyrics by Lake and
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film inspired by Karn Evil 9 was in development, with
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The Original Bootleg Series from the Manticore Vaults
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The Original Bootleg Series from the Manticore Vaults
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Quartet Books Limited. p. 170. 536:used it as a lead in to their 1988-90 198:1st Impression, Part 2 (8:42 to 13:22) 1470:Song recordings produced by Greg Lake 891: 744:"Dr Pepper - "Touchdown Celebration"" 700: 575:to adapt the song into a screenplay. 476:website, and for the introduction of 472:It is also used as the intro for the 195:1st Impression, Part 1 (0:00 to 8:41) 175:. It is the fifth and final track on 616: 330:Second Impression: Music by Emerson. 212: 1460:Songs with lyrics by Peter Sinfield 13: 1142:Live at the Mar y Sol Festival '72 863:Daniel Kreps (February 15, 2020). 521:Blue Devils Drum & Bugle Corps 483:The song was covered by guitarist 14: 1481: 1113:(Vol. 1–4, 2001, 2002 & 2006) 875: 208: 1445:Emerson, Lake & Palmer songs 754:from the original on 2021-12-14. 217: 856: 832: 808: 783: 433:(2010) – 1st Impression, Part 2 401:(1997) – 1st Impression, Part 2 323:, vocals and lyrics written by 204:3rd Impression (20:31 to 29:37) 201:2nd Impression (13:23 to 20:30) 1465:Songs written by Keith Emerson 758: 736: 719: 694: 672: 654: 636: 588: 451:Jim Davidson's Generation Game 186: 1: 1338:I Believe in Father Christmas 1070:Live at the Royal Albert Hall 581: 382:Live at the Royal Albert Hall 363: 279:(homophonous) with the word " 345: 7: 1204:The Return of the Manticore 1134:Live at Nassau Coliseum '78 549:episode "The Garage Door". 352:History of Progressive Rock 319:First Impression: Music by 243:the claims made and adding 10: 1486: 1455:Songs written by Greg Lake 1371:Emerson, Lake & Powell 1365:Emerson, Lake & Powell 1324:Fanfare for the Common Man 963:Emerson, Lake & Palmer 919:Emerson, Lake & Palmer 791:"1985 :: Blue Devils" 766:"1984 :: Blue Devils" 554:Winter Guard International 314:Writing credits and vocals 275:The phrase "Karn Evil" is 159:Emerson, Lake & Palmer 32:Emerson, Lake & Palmer 1412: 1347: 1238: 1195: 1152: 1046:Pictures at an Exhibition 1037: 954: 925: 538:New Jersey Syndicate Tour 161:, appearing on the album 153:" is an extended work by 135: 117: 103: 91: 75: 63: 55: 47: 37: 26: 21: 1177:The Ultimate Collection 1062:In Concert / Works Live 556:World Championships in 516:is based on this song. 1310:Still...You Turn Me On 726:"Top 10 Prog Tracks". 1403:To the Power of Three 682:. ladiesofthelake.com 1331:Tiger in a Spotlight 701:Stump, Paul (1997). 633:R2 72459. Pg. 11-12 495:Guitars from Mars II 987:Brain Salad Surgery 631:Rhino Entertainment 627:Brain Salad Surgery 177:Brain Salad Surgery 164:Brain Salad Surgery 41:Brain Salad Surgery 1282:From the Beginning 1228:A Time and a Place 1212:From the Beginning 1153:Compilation albums 1118:A Time and a Place 840:"2004 - San Diego" 563:In February 2020, 487:on his live album 422:A Time and a Place 228:possibly contains 1432: 1431: 1382:Manticore Records 290:set to imitate a 273: 272: 265: 230:original research 147: 146: 98:Manticore Records 1477: 1348:Related articles 912: 905: 898: 889: 888: 869: 868: 867:. Rolling Stone. 860: 854: 853: 851: 850: 836: 830: 829: 827: 826: 820:sites.google.com 812: 806: 805: 803: 801: 787: 781: 780: 778: 776: 762: 756: 755: 740: 734: 733: 732:. April 9, 2005. 723: 717: 716: 698: 692: 691: 689: 687: 676: 670: 669: 666:keithemerson.com 658: 652: 651: 640: 634: 623: 614: 613: 611: 609: 592: 573:Daniel H. Wilson 546:Freaks and Geeks 478:Stockton Thunder 268: 261: 257: 254: 248: 245:inline citations 221: 220: 213: 155:progressive rock 140: 122: 108: 87: 86: 82: 70:Progressive rock 19: 18: 1485: 1484: 1480: 1479: 1478: 1476: 1475: 1474: 1435: 1434: 1433: 1428: 1427: 1408: 1343: 1234: 1191: 1148: 1033: 1027:In the Hot Seat 950: 921: 916: 878: 873: 872: 861: 857: 848: 846: 838: 837: 833: 824: 822: 814: 813: 809: 799: 797: 789: 788: 784: 774: 772: 764: 763: 759: 742: 741: 737: 725: 724: 720: 713: 699: 695: 685: 683: 678: 677: 673: 660: 659: 655: 642: 641: 637: 629:reissue, 1996. 624: 617: 607: 605: 593: 589: 584: 569:science fiction 502:Zombies, March! 438:In the Hot Seat 366: 348: 316: 269: 258: 252: 249: 234: 222: 218: 211: 189: 136: 118: 104: 84: 80: 79: 51:7 December 1973 38:from the album 17: 12: 11: 5: 1483: 1473: 1472: 1467: 1462: 1457: 1452: 1447: 1430: 1429: 1426: 1425: 1420: 1414: 1413: 1410: 1409: 1407: 1406: 1399: 1397:Peter Sinfield 1394: 1389: 1384: 1379: 1377:Richard Fraser 1374: 1367: 1362: 1357: 1351: 1349: 1345: 1344: 1342: 1341: 1334: 1327: 1320: 1313: 1306: 1299: 1292: 1285: 1278: 1271: 1264: 1257: 1250: 1242: 1240: 1236: 1235: 1233: 1232: 1224: 1216: 1208: 1199: 1197: 1193: 1192: 1190: 1189: 1181: 1173: 1165: 1156: 1154: 1150: 1149: 1147: 1146: 1138: 1130: 1122: 1114: 1106: 1098: 1090: 1086:Live in Poland 1082: 1074: 1066: 1058: 1050: 1041: 1039: 1035: 1034: 1032: 1031: 1023: 1015: 1007: 1003:Works Volume 2 999: 995:Works Volume 1 991: 983: 975: 967: 958: 956: 952: 951: 949: 948: 941: 934: 926: 923: 922: 915: 914: 907: 900: 892: 886: 885: 877: 876:External links 874: 871: 870: 855: 831: 807: 795:bluedevils.org 782: 770:bluedevils.org 757: 735: 718: 711: 693: 671: 653: 635: 615: 586: 585: 583: 580: 565:Radar Pictures 500:The intro of " 474:Hard Rock Park 443: 442: 434: 426: 418: 410: 402: 398:Live in Poland 394: 386: 378: 365: 362: 347: 344: 339: 338: 335:Peter Sinfield 331: 328: 315: 312: 271: 270: 225: 223: 216: 210: 209:Interpretation 207: 206: 205: 202: 199: 196: 188: 185: 173:Peter Sinfield 145: 144: 141: 133: 132: 130:Peter Sinfield 123: 115: 114: 109: 101: 100: 95: 89: 88: 77: 73: 72: 67: 61: 60: 57: 53: 52: 49: 45: 44: 35: 34: 24: 23: 15: 9: 6: 4: 3: 2: 1482: 1471: 1468: 1466: 1463: 1461: 1458: 1456: 1453: 1451: 1448: 1446: 1443: 1442: 1440: 1424: 1421: 1419: 1416: 1415: 1411: 1405: 1404: 1400: 1398: 1395: 1393: 1390: 1388: 1385: 1383: 1380: 1378: 1375: 1373: 1372: 1368: 1366: 1363: 1361: 1358: 1356: 1353: 1352: 1350: 1346: 1339: 1335: 1332: 1328: 1325: 1321: 1318: 1314: 1311: 1307: 1304: 1300: 1297: 1293: 1290: 1286: 1283: 1279: 1276: 1272: 1269: 1265: 1262: 1258: 1255: 1254:Take a Pebble 1251: 1248: 1247:The Barbarian 1244: 1243: 1241: 1237: 1230: 1229: 1225: 1222: 1221: 1217: 1214: 1213: 1209: 1206: 1205: 1201: 1200: 1198: 1194: 1187: 1186: 1182: 1179: 1178: 1174: 1171: 1170: 1166: 1163: 1162: 1158: 1157: 1155: 1151: 1144: 1143: 1139: 1136: 1135: 1131: 1128: 1127: 1123: 1120: 1119: 1115: 1112: 1111: 1107: 1104: 1103: 1099: 1096: 1095: 1091: 1088: 1087: 1083: 1080: 1079: 1075: 1072: 1071: 1067: 1064: 1063: 1059: 1056: 1055: 1051: 1048: 1047: 1043: 1042: 1040: 1036: 1029: 1028: 1024: 1021: 1020: 1016: 1013: 1012: 1008: 1005: 1004: 1000: 997: 996: 992: 989: 988: 984: 981: 980: 976: 973: 972: 968: 965: 964: 960: 959: 957: 955:Studio albums 953: 947: 946: 942: 940: 939: 935: 933: 932: 931:Keith Emerson 928: 927: 924: 920: 913: 908: 906: 901: 899: 894: 893: 890: 883: 880: 879: 866: 859: 845: 841: 835: 821: 817: 811: 796: 792: 786: 771: 767: 761: 753: 749: 745: 739: 731: 730: 722: 714: 712:0-7043-8036-6 708: 704: 697: 681: 675: 667: 663: 657: 649: 648:songfacts.com 645: 639: 632: 628: 625:Liner notes, 622: 620: 604: 603: 602:Rolling Stone 598: 591: 587: 579: 576: 574: 570: 566: 561: 559: 555: 550: 548: 547: 541: 539: 535: 531: 529: 528:New York Mets 524: 522: 517: 515: 511: 507: 503: 498: 496: 492: 491: 486: 481: 479: 475: 470: 468: 464: 461:In September 459: 457: 453: 452: 446: 440: 439: 435: 432: 431: 427: 424: 423: 419: 416: 415: 411: 408: 407: 403: 400: 399: 395: 392: 391: 387: 384: 383: 379: 376: 375: 371: 370: 369: 361: 359: 358: 353: 343: 336: 332: 329: 326: 322: 321:Keith Emerson 318: 317: 311: 307: 305: 301: 297: 296:Sonny Rollins 293: 289: 284: 282: 278: 267: 264: 256: 246: 242: 238: 232: 231: 226:This section 224: 215: 214: 203: 200: 197: 194: 193: 192: 184: 181: 178: 174: 170: 166: 165: 160: 156: 152: 142: 139: 134: 131: 127: 124: 121: 116: 113: 112:Keith Emerson 110: 107: 102: 99: 96: 94: 90: 78: 74: 71: 68: 66: 62: 58: 54: 50: 46: 43: 42: 36: 33: 29: 25: 22:"Karn Evil 9" 20: 1423:Band members 1401: 1369: 1360:Robert Berry 1316: 1226: 1220:Gold Edition 1218: 1210: 1202: 1183: 1175: 1167: 1159: 1140: 1132: 1126:High Voltage 1124: 1116: 1108: 1102:Then and Now 1100: 1092: 1084: 1076: 1068: 1060: 1052: 1044: 1025: 1017: 1009: 1001: 993: 985: 977: 969: 961: 943: 936: 929: 882:SongFact.com 858: 847:. 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Index

Song
Emerson, Lake & Palmer
Brain Salad Surgery
Genre
Progressive rock
Label
Manticore Records
Composer(s)
Keith Emerson
Lyricist(s)
Greg Lake
Peter Sinfield
Producer(s)
progressive rock
Emerson, Lake & Palmer
Brain Salad Surgery
King Crimson
Peter Sinfield
original research
improve it
verifying
inline citations
Learn how and when to remove this message
sound-alike
carnival
Minimoog
steelpan
Sonny Rollins
St. Thomas
sonata

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