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190:, Charlotte Whittle wrote, "Villeda eschews objectivity, sending us postcards of highly distilled observations as she wanders her chosen territory, carrying the weight of home in her backpack. Villeda’s “micro-essays” make up a truly hybrid text that is at once travel notebook, literary criticism, and prose poem."
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is a turning point that definitely opens the way to a natively electronic poetic writing by the author, as opposed to the preceding texts, inspired, based on or derived from the most traditional poetry collections (that is, printed), by the author from
Tlaxcala. If Villeda is described in profiles
114:, Mexico in 1985. She began writing at age 9, and had her first poem published in a local newspaper after attending a literary workshop at age 16. She published her first book of poetry at age 18, and studied International Affairs at the
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wrote "her writing shows her to be a fierce advocate of children’s rights, especially those children who have left Mexico and moved north, to the US, bringing the traumas of linguistic, social and geographic dislocation with them."
132:(2015) and she is one of the few Mexican writers in the archive. Part of her digital work is in the third volume of Electronic Literature Collection of the Massachusetts Institute of Technology.
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Monterrey
Institute of Technology and Higher Education, Latin American Faculty of Social Sciences, Central European University (CEU).
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includes works that incorporate hypertext, visuals, and video. She also collaborated with Denise
Audirac to create the 2014 project
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Her poetry has been translated to several languages, including Arabic, English, French, German and
Portuguese.
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is a web project that brings together
Villeda's poetic creations that transcend paper and, within it,
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442:"La literatura electrónica latinoamericana, caribeña y global: generaciones, fases y tradiciones"
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491:"Twitter and Uncreative Poetry by Karen Villeda and Denise Audirac in her Work POETuitéame"
118:. Her interest in poetry and its relation with various technological resources began with
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has been a fundamental piece to enhance her international weight as a digital artist."
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616:"Peripatetics: The Essays of Jazmina Barrera, Karen Villeda, and Mariana Oliver"
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Her work as poet is part of the
Archive of Hispanic Literature on Tape of the
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588:"The Fiddlehead Interviews: BirgĂĽl OÄźuz, Karen Villeda and Betsy Warland"
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643:"Literature: Better Than Politics at Fostering Cultural Understanding"
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267:. ITC y Consejo Nacional para la Cultura y las Artes (CONACULTA).
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Cuadrado de Cabeza. El mejor detective del mundo (o eso cree Ă©l)
102:(born 1985) is a Mexican writer, poet, and digital artist.
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La caja de los recuerdos o la instrucciĂłn para recordarnos
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2020 Ignacio Manuel
Altamirano National Poetry Award for
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as a "poet and net-artist" (2011), it is evident that
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Monterrey
Institute of Technology and Higher Education
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Visegrad: literary micro-essays from
Hungary, Poland
562:"Mexican poet Karen Villeda reading from her work"
332:2008 Poetry Prize from Punto de Partida magazine
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139:. In 2015, she became the Fall resident of the
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342:2014 Fine Arts Prize of Children's Story for
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16:Mexican writer, digital artist (born 1985)
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361:Literary Essay Fine Arts Award 2017 for
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419:Enciclopedia de la literatura en MĂ©xico
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281:. Ser mujer en MĂ©xico. (2019). Turner.
535:Mulugeta, Mikael (October 19, 2015).
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208:Encyclopedia of Literature in Mexico
586:Rose, Rachel (September 21, 2016).
508:10.19130/iifl.litmex.31.1.2020.1147
135:She was the editor-in-chief of the
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723:21st-century Mexican women artists
718:21st-century Mexican women writers
489:Montiel, Daniel Escandell (2020).
193:Daniel Escandell Montiel wrote in
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738:Mexican women short story writers
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260:. Fondo Editorial Tierra Adentro.
246:. Fondo Editorial Tierra Adentro.
253:. Ediciones de Punto de Partida.
614:Whittle, Charlotte (May 2020).
339:National Prize for Young Poetry
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120:LABO: laboratory of cyberpoetry
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537:"Working to make a difference"
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421:(in Spanish). January 27, 2021
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141:International Writing Program
348:2014 Mexico City Youth Award
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232:Fondo de Cultura EconĂłmica.
44:1985 (age 38–39)
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73:Poetry, essay, digital art
440:Flores, Leonardo (2017).
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170:In 2016, Rachel Rose of
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206:such as the one in the
459:10.4000/artelogie.1590
295:. Cuadrivio Ediciones.
748:Women digital artists
701:Words Without Borders
621:Words Without Borders
187:Words Without Borders
239:. Posdata Ediciones.
110:Villeda was born in
733:Mexican women poets
566:Library of Congress
495:Literatura Mexicana
195:Literatura Mexicana
130:Library of Congress
692:(Official website)
686:(Official website)
344:Cuadrado de cabeza
223:Poetry collections
166:Critical reception
145:University of Iowa
753:New media artists
647:Iowa Public Radio
321:Honors and awards
272:Essay collections
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704:, May 2020)
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712:Categories
684:POETronicA
382:References
309:. Pearson.
288:. AlmadĂa.
199:POETronicA
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85:poetronica
677:Asymptote
517:2448-8216
446:Artelogie
307:Pelambres
286:Visegrado
182:Visegrado
137:Este PaĂs
106:Biography
696:Visegrád
571:28 March
541:IOWA Now
112:Tlaxcala
54:Language
49:, Mexico
47:Tlaxcala
258:Tesauro
160:Twitter
78:Website
57:Spanish
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251:Babia
91:.html
89:/home
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
