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is a film scholar, known for her pioneering work in articulating underlying principles concerning what rhythm in film is and the purpose it serves in modulating cycles of tension and release for viewers. Currently
Associate Professor in Screen Production and Practice at
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The
Physical TV Company Website selected for preservation by Pandora, Australia's Web Archive, at the National Library of Australia
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80:. New York ; London: Focal Press, an imprint of Taylor & Francis Group. pp. xxix, 264 p. : ill., 24 cm.
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Many of
Pearlman's ideas about rhythm, editing, and affect derive from her career as a professional dancer with the
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134:. Sydney, N.S.W., Australia: Currency Press in association with RealTime. pp. xv, 203 p. : ill., 28 cm.
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empathy in her theorizing, she applies her choreographic sensibility to her own editing and dramaturgy.
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107:. Amsterdam ; Boston: Focal Press/Elsevier. pp. xxix, 269 p. : ill., 24 cm.
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The focus of
Pearlman's research, first developed when Head of Screen Studies at the
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Karen
Pearlman at the Manuscripts Collection, the State Library of New South Wales
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153:. Launceston, TAS, Australia: Tasdance. pp. 76 p. : ill., 22 cm.
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Dr Karen
Pearlman on ABC Radio National Australia Talks Movies: Dance Film
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Performing The
Unnameable: An Anthology of Australian Performance Texts
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Performing the
Unnameable: An Anthology of Australian Performance Texts
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Reviews, Articles and Books by and
Interviews with Dr Karen Pearlman
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Portrait of Karen
Pearlman at the National Library of Australia
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322:"Cutting Rhythms - Shaping The Film Edit By Dr Karen Pearlman"
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Karen Pearlman at the National Film and Sound Archive
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46:. In 2009 Dr Pearlman was elected President of The
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175:Dr Karen Pearlman at the Macquarie University
149:Allen, Richard James; Karen Pearlman (1996).
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31:(Focal Press, 2009) and its second edition
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181:Cutting Rhythms: Intuitive Film Editing
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419:Film producers from Missouri
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151:New Life on the 2nd Floor
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.