348:'s theme songs under the name HAL Laboratory Dream Band, with Ishikawa on keyboards, Ando on bass, Ogasawara on drums, Ikegami on saxophone, Megumi Ohara on keyboards and flute, and Shogo Sakai on guitar. The composers commented their thoughts about the festival on the promotional video posted prior to it, with Ishikawa feeling that his tracks were usually not written with the intention to be performed live.
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them in his game music due to regarding them as inconvenient for creating music. As his tracks are written for the purposes of entertaining players, he never thinks about how they would sound performed live, and has also admitted that he would not be able to perform most of his own compositions live.
254:
The previous year, composer
Hirokazu Ando also joined HAL after sending a demo track; Ishikawa was impressed and met with him before joining the company. He felt that Ando's style was not much different from his own. After Ando was given an exercise to write a track using NES tools, he served as the
233:
Ishikawa worked at two companies prior to joining HAL Laboratory. He eventually found an advertisement for a sound creator job at HAL; although he had not previously heard of this profession before, he decided to apply for it, which led to him joining in 1990. His first work was composing one track
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elements, as well as an emphasis on melodies and fast tempos. His music sometimes incorporates unusual time signatures, although
Ishikawa has stated that this may result from experimenting with a sequencer, rather than intending to be eccentric. While he is fond of modular synths, he does not use
311:
along with Ando and
Tadashi Ikegami. HAL were only given a month to compose additional tracks for the game. He tried to make the tracks fit with those of lead composer Tomoya Tomita, which had already been completed at the time; however, he composed the final boss theme in his typical style to
343:
in 2010. In 2017 he did a speech at the Kirby 25th
Anniversary Orchestra Concert, along with fellow HAL composers. In 2022, arrangements of the team's music were performed at Kirby 30th Anniversary Music Festival, which was streamed on YouTube. The composers also performed a medley of
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Ishikawa prefers to keep a low profile and runs for cover when asked in interviews to pose for photos. He has stated that this attitude is a result of his discipline from being at school while studying film music. His first public appearance was in an
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composer
Hirokazu Ando has named Ishikawa as being a huge influence on his own compositions for the franchise. Max Coburn has also listed both Ishikawa and Ando as being among his favorite video game composers.
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in 1992, which established the direction the music of later games would take. He intentionally wrote simple melodies and chords, feeling that complex chords did not sound good on the Game Boy's speakers.
230:'s College of Art, studying film music. As a student, he gained experience with recording and mixing for a theater, while occasionally writing what he considered to be poor pieces of music.
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along with Ando and newcomer Yuuta
Ogasawara. Creating the sound effects involved trial and error; some of the sound effects he created were also made using nutrition drink bottles and cans.
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284:, wishing to evolve the franchise's sound further. Seniors at the company did not initially understand the soundtrack's shift in musical style, although then-HAL president
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238:, along with senior composer Hideki Kanazashi who had already written most of the music prior to Ishikawa joining. He was not directly taught how to write music for the
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242:, so he had to watch Kanazashi doing so. Kanazashi left HAL just two weeks after Ishikawa joined. His experience with composing for the NES led to him scoring the
226:. He also purchased a Roland SH-2, as he wanted fellow students to get into Tomita's music, but the synth was the cheapest he could afford. Later he attended
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Ishikawa started taking piano lessons aged 3-4, but felt he could never become good at it despite practice. Later, he discovered artists such as
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in 1993, and went on to compose for several future titles in the franchise, frequently working with
Ishikawa and other sound team composers.
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298:. The final stage music originally had nearly inaudible notes and no melody, but because testers believed the distorted music to be a
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in 1996, feeling that the ideas in the tracks he wrote were what he had always imagined would fit in certain settings. For
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As of 2024, Ishikawa has left HAL Laboratory. The final game that he composed music for while working at HAL was
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also featured a change in sound direction, with the music incorporating elements of
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and Jake
Silverman thanked Ishikawa for his music during the acceptance speech.
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Akira
Miyagawa, Hayata Akashi, Hirokazu Ando, Shogo Sakai, and Tadashi Ikegami
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Hirokazu Ando, Yuuta
Ogasawara, Megumi Ohara, Shogo Sakai, and Yuki Shimooka
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In 2022, a cover of Ishikawa's composition, "Meta Knight's Revenge" from
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series, which features chiptune-inspired music. In 2018, he composed for
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1248:"イベント直前PV『星のカービィ 30周年記念ミュージックフェス / Kirby 30th Anniversary Music Fest.』"
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1308:"『星のカービィ』シリーズを手がけた石川淳＆安藤浩和（HAL研究所）に話を聞く！｜キーボード・マガジン 2017年7月号 SUMMERより"
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Hirokazu Ando, Yuuta Ogasawara, Yuki Shimooka, and Tadashi Ikegami
417:, performed by The 8-Bit Big Band featuring Button Masher, won a
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276:, Ishikawa decided to incorporate influences from genres such as
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is a Japanese composer who was formerly employed at game company
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Music with Kiyoshi Hazemoto, Hirokazu Ando and Tadashi Ikegami
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127:
357:, although he does intend to continue composing music for the
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Hirokazu Ando, Yuki Shimooka, Kiyoshi Hazemoto, and Yuki Kato
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Music with Kiyoshi Hazemoto, Hirokazu Ando and Yuki Shimooka
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Music with Tomoya Tomita, Hirokazu Ando, and Tadashi Ikegami
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Grammy Award for Best Arrangement, Instrumental or A Cappella
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Shogo Sakai, Hirokazu Ando, Megumi Ohara, and Yuki Shimooka
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Music with Hirokazu Ando, Tadashi Ikegami, and Shogo Sakai
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Music with Hirokazu Ando, Tadashi Ikegami, and Shogo Sakai
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Music with Hirokazu Ando, Tadashi Ikegami, and Shogo Sakai
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Music with Hirokazu Ando, Megumi Ohara, and Shogo Sakai
1429:"Kirby has become Nintendo's first Grammy Award winner"
1116:"BoxBoy album features chiptunes from Kirby composers"
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Kirby and the Forgotten Land: The Complete Soundtrack
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series, Ishikawa and Ando have also composed for the
302:, it was tweaked to have a more discernible melody.
1398:"An orchestra's Kirby cover song just won a Grammy"
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1338:"The Music Of Kirby: Still Tickling Gamers Pink"
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288:did not object to it, which relieved Ishikawa.
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874:Music with Hirokazu Ando and Yuuta Ogasawara
859:Music with Hirokazu Ando and Yuuta Ogasawara
703:Music with Yasumasa Yamada and Hirokazu Ando
661:Music with Hirokazu Ando and Tadashi Ikegami
305:In 2010, he contributed additional tracks to
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1368:"Interview with everyone's favorite: Maxo"
1080:
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748:Music with Hirokazu Ando and Shogo Sakai
184:. He is best known for composing for the
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1172:Kirby 25th Anniversary Orchestra Concert
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397:as being among his musical influences.
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1216:"『星のカービィ スターアライズ オリジナルサウンドトラック』特設サイト"
1184:
1104:
1335:
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1114:Greening, Chris (February 7, 2017).
1258:from the original on March 31, 2023
938:Kirby's Return to Dream Land Deluxe
354:Kirby's Return to Dream Land Deluxe
13:
1439:from the original on April 2, 2023
1408:from the original on April 2, 2023
1348:from the original on April 2, 2023
1288:from the original on April 2, 2023
1284:(in Japanese). December 12, 2022.
1187:"5. Surprising and Humorous Sound"
1126:from the original on April 2, 2023
14:
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1096:"Keyboard Magazine 2017 SUMMER".
1396:Robinson, Andy (April 4, 2022).
369:Ishikawa's music often features
364:
1509:Musicians from Chiba Prefecture
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1378:from the original on 2023-04-02
1360:
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1318:from the original on 2023-04-02
1226:from the original on 2023-03-30
1197:from the original on 2023-07-25
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1427:Moyse, Chris (April 5, 2022).
1336:King, Darryn (June 20, 2018).
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1174:(in Japanese). Nintendo. 2017.
1153:(in Japanese). Nintendo. 2024.
611:Kirby: Nightmare in Dream Land
433:
1:
1499:Japanese video game composers
1484:Japanese electronic musicians
1074:
240:Nintendo Entertainment System
1100:. 2017. pp. 55, 56, 59.
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911:Kirby and the Forgotten Land
728:Kirby's Return to Dream Land
596:Kirby 64: The Crystal Shards
201:
7:
646:Music with Tadashi Ikegami
264:Ishikawa also composed for
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36:1964 (age 59–60)
10:
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1007:Music with various others
979:Music with various others
943:Music with various others
928:Music with various others
916:Music with various others
581:Kirby's Super Star Stacker
1494:Japanese techno musicians
1003:The Sound of Kirby Café 2
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844:Music with Hirokazu Ando
832:Music with Hirokazu Ando
820:Music with Hirokazu Ando
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805:Music with Hirokazu Ando
793:Music with Hirokazu Ando
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778:Music with Hirokazu Ando
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763:Music with Hirokazu Ando
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1479:Japanese dance musicians
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973:Kirby: Right Back at Ya!
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743:Kirby's Dream Collection
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361:series as a freelancer.
26:
1489:Japanese male composers
1120:Video Game Music Online
989:The Sound of Kirby Café
827:Team Kirby Clash Deluxe
198:games as a freelancer.
1185:Iwata, Satoru (2010).
683:Kirby Super Star Ultra
482:HAL's Hole in One Golf
391:Yellow Magic Orchestra
234:and sound effects for
220:Yellow Magic Orchestra
1402:Video Games Chronicle
839:Kirby's Blowout Blast
800:Kirby: Planet Robobot
656:Common Sense Training
1469:Electronic composers
1278:"カービィ30thフェス レポート後編"
923:Kirby's Dream Buffet
758:Kirby: Triple Deluxe
566:Kirby's Dream Land 3
273:Kirby's Dream Land 3
1254:. August 11, 2022.
668:Kirby: Squeak Squad
641:Kirby: Canvas Curse
467:New Ghostbusters II
456:Space Defense Force
291:Kirby: Canvas Curse
1474:Japanese composers
1282:Nintendo Dream WEB
869:BoxBoy! + BoxGirl!
521:Kirby's Dream Land
312:surprise players.
248:Kirby's Dream Land
236:Uchuu Keibitai SDF
190:series along with
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881:Super Kirby Clash
854:Kirby Star Allies
713:Kirby's Epic Yarn
421:. The arrangers,
341:Kirby's Epic Yarn
328:Kirby Star Allies
308:Kirby's Epic Yarn
258:Kirby's Adventure
255:lead composer of
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75:Years active
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267:Kirby Super Star
228:Nihon University
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108:Video game music
52:Nihon University
40:Chiba Prefecture
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1314:(in Japanese).
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815:Bye-Bye BoxBoy!
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1374:. July 2014.
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1441:. Retrieved
1432:
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1410:. Retrieved
1401:
1391:
1380:. Retrieved
1371:
1362:
1350:. Retrieved
1341:
1331:
1320:. Retrieved
1312:Rittor Music
1311:
1302:
1290:. Retrieved
1281:
1272:
1260:. Retrieved
1251:
1228:. Retrieved
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178:, born 1964)
175:Ishikawa Jun
163:Jun Ishikawa
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78:1990–present
20:Jun Ishikawa
1464:1964 births
1433:Destructoid
1372:Alt Citizen
1098:Ritto Music
976:(season 2)
434:Video games
383:Isao Tomita
346:King Dedede
282:drum'n'bass
212:Isao Tomita
146:synthesizer
137:Instruments
58:Occupations
1458:Categories
1382:2023-04-02
1322:2023-04-02
1230:2023-04-02
1201:2023-04-02
1075:References
788:BoxBoxBoy!
698:Picross 3D
371:electronic
337:Iwata Asks
118:electronic
89:(formerly)
1014:Footnotes
494:HyperZone
395:Brian Eno
387:Kraftwerk
224:Brian Eno
216:Kraftwerk
202:Biography
1443:April 2,
1437:Archived
1412:April 2,
1406:Archived
1376:Archived
1352:April 2,
1346:Archived
1316:Archived
1292:April 2,
1286:Archived
1262:April 4,
1256:Archived
1224:Archived
1222:. 2019.
1195:Archived
1191:Nintendo
1130:April 2,
1124:Archived
536:Alcahest
244:Game Boy
123:synthpop
113:chiptune
83:Employer
67:musician
64:Composer
1252:YouTube
773:BoxBoy!
405:Fellow
322:BoxBoy!
42:, Japan
1342:Forbes
963:Notes
960:Title
571:Music
556:Music
541:Music
526:Music
509:Arcana
499:Music
487:Music
472:Music
447:Notes
444:Title
401:Legacy
393:, and
296:glitch
278:techno
222:, and
128:techno
101:Genres
1019:Notes
999:2019
984:2016
968:2002
957:Year
950:Other
933:2023
906:2022
891:2020
864:2019
849:2018
810:2017
783:2016
768:2015
753:2014
738:2012
723:2011
708:2010
693:2009
678:2008
651:2006
636:2005
621:2003
606:2002
591:2000
576:1998
561:1997
546:1996
531:1993
504:1992
477:1991
452:1990
441:Year
429:Works
407:Kirby
359:Kirby
317:Kirby
246:game
196:Kirby
187:Kirby
143:Piano
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1414:2023
1354:2023
1294:2023
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1132:2023
280:and
169:石川 淳
33:Born
27:石川 淳
300:bug
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