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Juliana Rojas

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She graduated from USP in 2005, with specialization in Editing, Screenplay and Sound (1999-2005). Juliana Roja started her career while she was still in school. According to an interview with her, she said yet on the first year of college she became close friends with Marco Dutra and realized both
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Rojas participated in very relevant Film Festivals. She has been showing her films in Cannes Film Festival in France since the beginning of her career. She also had her work shown in Locarno Film Festival and Gramado Film Festival. Rojas is one of the filmmakers of contemporary Brazilian Cinema
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investing in fantastic storytelling, using genres such as thriller, fantasy, drama to create a critical argument of contemporary Brazilian society. She has been compared to and listed with internationally known Brazilian filmmakers and films - as
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helped her get attention in her work and helped her find her aesthetics. It brings fantasy elements to portray urban life of nowadays middle class society and this characteristic is a constant in Juliana Roja and Marco Dutra’s work.
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in 2010. After being nominated for Best Short Film in Cannes (2007), Sara Silveira proposed that they brought a feature film screenplay project to show at the Festival. That is how, in 2011,
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in 2017. However, Rojas did not base her career in only co-directed films with Dutra, she also had some works directed by herself, such as:
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Besides her directing career, she also used her skills as an editor in some important films in Brazilian Cinema, such as: documentary
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had shared interests such as scary movies, animation, musicals. She directed her first film with Dutra in 2004, a short movie called
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Nominated Best Movie, Best Director and other categories in 2012 FIESP/SESI SP's Prize with
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This event brought attention to the duo. In 2007, they directed another short film
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as their final assignment project for school. In the same year, it was part of
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would become Roja's first feature film and would get into the selection
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Won Critics Category Award in Gramado Film Festival (2014) with
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was edited by Caetano Gotardo, to whom Roja would edit a film.
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Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
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in 2012 – premiered in Cannes Film Festival and also in 16th
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won the Best Director award at the Encounters section of the
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School of Communication and Arts of University of São Paulo
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Together with Dutra, Roja won the Silver Leopard award in
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was made with government of São Paulo funding, through an
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School of Communications and Arts, University of São Paulo
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Space and Subjectivity in Contemporary Brazilian Cinema
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Silva, Antônio Márcio da; Cunha, Mariana (2017-08-12).
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Lima, Cristiane da Silveira; Migliano, Milene (2013).
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Won Silver Leopard in 2017 Locarno Film Festival with
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She graduated in Cinema in 122:is a Brazilian filmmaker and editor born in 311:(2012) directed by Maria Clara Escobar and 993: 333:(2013) by her Cinema partner Marco Dutra. 29: 1052:Abbatescianni, Davide (22 January 2024). 956:"Juliana Rojas: ela bate ponto em Cannes" 929: 865: 603: 1082:"Wrap-Up: Havana Film Festival New York" 587: 176:74th Berlin International Film Festival 1099: 1079: 193:Cinéfondation in Cannes Film Festival. 932:"Locarno Film Review: 'Good Manners'" 851: 816:www.mulheresdocinemabrasileiro.com.br 806: 804: 802: 800: 798: 796: 748: 730: 728: 726: 724: 722: 136:Escola de Comunicação e Artes da USP 675:Nominated - Best Short Film at the 429:Desassossego – filme das maravilhas 229:Desassossego – filme das maravilhas 163:won the Silver Leopard at the 2017 13: 834: 227:, a short movie in 2009, and then 14: 1143: 828: 793: 719: 562:Paolo Gregori and Marcelo Toledo 1080:Covert, Nadine (23 April 2012). 141:In 2011, her first feature film 1073: 1045: 1014: 987: 973: 948: 736:"Mulheres do Cinema Brasileiro" 596:award for best director at the 16:Brazilian filmmaker (born 1981) 1127:Brazilian women film directors 923: 899: 882: 867:10.22409/contracampo.v0i25.293 845: 769: 742: 358: 353: 337:Importance in Brazilian Cinema 327:(2012) by Caetano Gotardo and 147:had its world premiere at the 1: 930:Weissberg, Jay (2017-08-15). 860:(in Portuguese) (25): 43–60. 852:Souto, Mariana (2013-01-08). 749:Rist, Peter H. (2014-05-08). 713: 665:Havana Film Festival New York 492:Co-directed with Marco Dutra 420:Co-directed with Marco Dutra 385:Co-directed with Marco Dutra 290:with her feature film called 755:. Rowman & Littlefield. 512: 7: 317:Mostra de Cinema Tiradentes 284:Mostra de Cinema Tiradentes 223:With Dutra, she codirected 167:. In 2024, her latest film 10: 1148: 962:(in Brazilian Portuguese) 677:2012 Cannes Film Festival 645:2011 Cannes Film Festival 625:2007 Cannes Film Festival 615:2004 Cannes Film Festival 543: 434: 419: 384: 207:and won Best Short Film. 181: 155:2011 Cannes Film Festival 105: 97: 83: 73: 44: 28: 21: 1117:Brazilian film directors 623:Best Short Film at the 1122:Brazilian film editors 781:The Hollywood Reporter 604:Awards and nominations 600: 204:Semaine de la Critique 911:www1.folha.uol.com.br 690:Sinfonia da necrópole 591: 473:Sinfonia da Necrópole 348:Kleber Mendonça Filho 292:Sinfonia da Necrópole 288:Gramado Film Festival 201:and was nominated to 165:Locarno Film Festival 552:Maria Clara Escobar 449:Pra dormir tranquilo 313:O sol nos meus olhos 243:Prêmio Fiesp/Sesi-SP 858:Revista Contracampo 301:(2011) directed by 274:Pra domir tranquilo 1132:Women film editors 601: 578:Quando eu era vivo 488:/ As Boas Maneiras 344:Neighboring Sounds 330:Quando eu era vivo 1029:(in Portuguese). 640:Un Certain Regard 586: 585: 539:Manoela Ziggiati 510: 509: 442:/ Trabalhar Cansa 247:Helena Albergaria 239:Un Certain Regard 150:Un Certain Regard 117: 116: 98:Years active 35:Juliana Rojas at 1139: 1092: 1091: 1089: 1088: 1077: 1071: 1070: 1068: 1066: 1049: 1043: 1042: 1018: 1012: 1011: 991: 985: 984: 977: 971: 970: 968: 967: 952: 946: 945: 943: 942: 927: 921: 920: 918: 917: 903: 897: 896: 894: 886: 880: 879: 869: 849: 843: 842: 832: 826: 825: 823: 822: 808: 791: 790: 788: 787: 773: 767: 766: 746: 740: 739: 732: 572:Caetano Gotardo 517: 516: 363: 362: 303:Manoela Ziggiati 262:Locarno Festival 108: 58: 54: 52: 33: 19: 18: 1147: 1146: 1142: 1141: 1140: 1138: 1137: 1136: 1097: 1096: 1095: 1086: 1084: 1078: 1074: 1064: 1062: 1050: 1046: 1019: 1015: 1008: 992: 988: 979: 978: 974: 965: 963: 954: 953: 949: 940: 938: 928: 924: 915: 913: 905: 904: 900: 892: 888: 887: 883: 850: 846: 833: 829: 820: 818: 810: 809: 794: 785: 783: 775: 774: 770: 763: 747: 743: 734: 733: 720: 716: 606: 592:Rojas with the 548:Os dias com ele 515: 361: 356: 350:, for example. 339: 308:Os dias com ele 251:Marat Descartes 184: 153:section of the 106: 69: 59: 56: 50: 48: 40: 24: 17: 12: 11: 5: 1145: 1135: 1134: 1129: 1124: 1119: 1114: 1109: 1094: 1093: 1072: 1044: 1013: 1006: 986: 972: 960:VEJA SÃO PAULO 947: 922: 898: 881: 844: 827: 792: 768: 761: 741: 717: 715: 712: 711: 710: 702:2024 Berlinale 698: 692: 686: 673: 661: 653: 634: 621: 619:O Lenço Branco 611:Cinéfondantion 605: 602: 598:Berlinale 2024 584: 583: 580: 574: 573: 570: 564: 563: 560: 558:Corpo Presente 554: 553: 550: 545: 541: 540: 537: 532: 528: 527: 524: 521: 514: 511: 508: 507: 505: 498: 494: 493: 490: 482: 478: 477: 475: 470: 466: 465: 463: 458: 454: 453: 451: 445: 444: 436: 432: 431: 426: 422: 421: 418: 413: 409: 408: 406: 401: 397: 396: 391: 387: 386: 383: 381:O Lenço Branco 378: 374: 373: 370: 367: 360: 357: 355: 352: 338: 335: 321:Corpo Presente 183: 180: 115: 114: 109: 103: 102: 101:2004 - present 99: 95: 94: 85: 81: 80: 75: 71: 70: 60: 46: 42: 41: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1144: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1112:Living people 1110: 1108: 1105: 1104: 1102: 1083: 1076: 1061: 1060: 1055: 1048: 1040: 1036: 1032: 1028: 1024: 1017: 1009: 1007:9783319482675 1003: 999: 998: 990: 982: 976: 961: 957: 951: 937: 933: 926: 912: 908: 902: 891: 885: 877: 873: 868: 863: 859: 855: 848: 840: 839: 831: 817: 813: 807: 805: 803: 801: 799: 797: 782: 778: 772: 764: 762:9780810880368 758: 754: 753: 745: 737: 731: 729: 727: 725: 723: 718: 709: 708: 707:Cidade; Campo 703: 699: 697: 693: 691: 687: 685: 681: 680:Critics' Week 678: 674: 672: 671: 666: 662: 660: 659: 654: 652: 651: 646: 642: 641: 635: 633: 629: 628:Critics' Week 626: 622: 620: 616: 612: 608: 607: 599: 595: 590: 581: 579: 576: 575: 571: 569: 568:O que se move 566: 565: 561: 559: 556: 555: 551: 549: 546: 542: 538: 536: 533: 530: 529: 525: 522: 519: 518: 506: 504: 503: 502:Cidade; Campo 499: 496: 495: 491: 489: 487: 483: 480: 479: 476: 474: 471: 468: 467: 464: 462: 459: 456: 455: 452: 450: 447: 446: 443: 441: 437: 433: 430: 427: 424: 423: 417: 414: 411: 410: 407: 405: 402: 399: 398: 395: 392: 389: 388: 382: 379: 376: 375: 371: 368: 365: 364: 351: 349: 345: 334: 332: 331: 326: 325:O que se move 322: 318: 314: 310: 309: 304: 300: 295: 293: 289: 285: 281: 280: 275: 271: 267: 266:Good Manners, 263: 258: 256: 252: 248: 244: 240: 236: 235: 230: 226: 221: 218: 214: 210: 206: 205: 200: 195: 194: 190: 179: 177: 173: 171: 170:Cidade; Campo 166: 162: 161: 156: 152: 151: 146: 145: 139: 137: 133: 129: 125: 121: 120:Juliana Rojas 113: 110: 104: 100: 96: 93: 89: 86: 84:Occupation(s) 82: 79: 76: 72: 67: 63: 57:(age 43) 47: 43: 38: 32: 27: 23:Juliana Rojas 20: 1085:. Retrieved 1075: 1063:. Retrieved 1057: 1047: 1030: 1026: 1016: 1000:. Springer. 996: 989: 975: 964:. Retrieved 959: 950: 939:. Retrieved 935: 925: 914:. Retrieved 910: 901: 884: 857: 847: 837: 830: 819:. Retrieved 815: 784:. Retrieved 780: 771: 751: 744: 705: 696:Good Manners 695: 689: 683: 669: 657: 648: 637: 631: 618: 609:Nominated - 593: 582:Marco Dutra 577: 567: 557: 547: 534: 500: 486:Good Manners 484: 472: 460: 448: 438: 428: 415: 403: 393: 380: 343: 340: 328: 324: 320: 312: 306: 298: 296: 291: 277: 276:in 2011 and 273: 269: 265: 259: 254: 238: 232: 228: 224: 222: 216: 212: 208: 202: 198: 196: 192: 189:Lenço Branco 188: 185: 168: 160:Good Manners 158: 157:. Her film, 148: 142: 140: 135: 119: 118: 107:Notable work 55:23 June 1981 1107:1981 births 359:As Director 354:Filmography 319:; TV movie 1101:Categories 1087:2021-07-11 1065:9 February 966:2018-02-14 941:2018-02-14 916:2018-02-14 821:2018-02-14 786:2018-02-14 714:References 670:Hard Labor 658:Hard Labor 650:Hard Labor 636:Nominated 594:Encounters 440:Hard Labor 416:As Sombras 255:Hard Labor 234:Hard Labor 225:As Sombras 144:Hard Labor 112:Hard Labor 51:1981-06-23 1059:Cineuropa 1039:2316-9230 876:2238-2577 535:Pulsações 526:Director 513:As Editor 299:Pulsações 272:in 2008, 128:São Paulo 74:Education 66:São Paulo 37:Berlinale 213:"Edital" 124:Campinas 88:Director 68:, Brazil 62:Campinas 936:Variety 684:O Duplo 682:, with 647:, with 632:Um Ramo 630:, with 617:, with 461:O Duplo 404:Vestida 394:Um Ramo 279:O Duplo 270:Vestida 217:Um Ramo 209:Um Ramo 199:Um Ramo 1037:  1004:  874:  759:  372:Notes 182:Career 92:Editor 1033:(1). 893:(PDF) 667:with 544:2012 531:2011 523:Film 520:Year 497:2024 481:2017 469:2014 457:2012 435:2011 425:2010 412:2009 400:2008 390:2007 377:2004 369:Film 366:Year 264:with 1067:2024 1035:ISSN 1002:ISBN 872:ISSN 757:ISBN 704:for 90:and 45:Born 39:2024 862:doi 838:Tpm 346:by 138:). 1103:: 1056:. 1025:. 958:. 934:. 909:. 870:. 856:. 814:. 795:^ 779:. 721:^ 643:, 638:- 613:, 305:; 294:. 253:. 178:. 126:, 64:, 53:) 1090:. 1069:. 1041:. 1031:2 1010:. 983:. 969:. 944:. 919:. 895:. 878:. 864:: 824:. 789:. 765:. 738:. 172:, 134:( 49:(

Index


Berlinale
Campinas
São Paulo
School of Communications and Arts, University of São Paulo
Director
Editor
Hard Labor
Campinas
São Paulo
School of Communication and Arts of University of São Paulo
Hard Labor
Un Certain Regard
2011 Cannes Film Festival
Good Manners
Locarno Film Festival
Cidade; Campo
74th Berlin International Film Festival
Semaine de la Critique
Hard Labor
Prêmio Fiesp/Sesi-SP
Helena Albergaria
Marat Descartes
Locarno Festival
O Duplo
Mostra de Cinema Tiradentes
Gramado Film Festival
Manoela Ziggiati
Os dias com ele
Mostra de Cinema Tiradentes

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