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Judy Pfaff

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Gallery, Buffalo (1982). Her work is also included in the permanent collections of The Museum of Modern Art, the Whitney Museum of American Art, Tate Gallery, Brooklyn Museum of Art, and Detroit Institute of Arts, among others. Furthermore, she represented the United States in the 1998 Bienal de Sao Paolo.
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Pfaff has received several notable awards and grants including the Lifetime Achievement Award from the International Sculpture Center (2014), the John D. and Catherine T. MacArthur Foundation Award (2004), a Bessie (1984), and fellowships from the John Simon Guggenheim Memorial Foundation (1983) and
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During her prolific career, Pfaff has mounted over 100 solo exhibitions and installations in galleries and museums worldwide. She has had major exhibitions at Elvehjem Museum of Art, University of Wisconsin, Madison (2002); Denver Art Museum (1994); St. Louis Art Museum (1989); and Albright-Knox Art
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Pfaff effortlessly uses the expansion of her work into space in a way that simultaneously evokes drawing, painting, and sculpture while making reference to both "high" art and popular culture. This and her use of unusual materials like: paper, encaustic, burned foil, massive tree roots, fluorescent
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Pfaff enters an exhibition space not knowing exactly what will happen. Rice Gallery describes her working process is intuitive and highly physical; she relies on her knowledge, skill, and experience to carry her through. Her art is site-specific; each one of her installations considers the specific
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Spanning across mediums such as painting, printmaking, sculpture and installation, it can be described as "painting in space". Pfaff draws upon spiritual, botanical, and art historical imagery, and "explores issues of creativity and the complexity of life by using strings, vines, spheres, and other
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was exhibited at the Ameringer & Yohe Fine Art gallery in New York. An exhibit that was dedicated to Al Held, and Pfaff's mother who passed. This exhibit though was a prime example of how Pfaff continued to work toward incorporating painting into her sculptures. Although, unlike past paintings
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Pfaff's studio in upstate New York is filled with winches, welding equipment, a forklift, and pressure washers. When she and her assistants arrive to set up an installation, they bring with them a truck full of tools, welders, pre-cut installation components, as well as raw material, and begin to
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Judy Pfaff throughout all her site-specific installations demonstrates her perseverance in implementing her creativity no matter the setting or challenge. This especially is shown in her If I Had a Boat installation where she had to work around the limitations of how the building was structured.
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In addition to her installations, Pfaff creates paintings, sculpture, and prints. "I've always done prints and drawings," Pfaff says. "If you get an installation of mine, you inherit Ryan, myself, a crew, the dog, the noise, the dirt. We wreck the house. So if you don't want that, then you get
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Pfaff incorporates a range of everyday and industrial materials into her installations such as wire, plastic tubing, fabric, steel, fiberglass, and plaster as well as salvaged signage and tree roots. Her interest in natural motifs extends to a series of prints integrating vegetation, maps, and
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Since the 70s, Pfaff has helped redefine contemporary notions of sculpture and has been recognized for her innovative approach to space. While others at the time subscribed to minimalist art forms, Pfaff began making colorful, visually active environments that encompassed an entire gallery and
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Pfaff was born in London in 1946. Her father, a Royal Air Force pilot, was absent from her life. Pfaff's mother moved to Detroit soon after Pfaff's birth, leaving Pfaff and her brother to be raised by their grandparents. Post-war London was bleak; Pfaff has described playing in bombed out and
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Pfaff is the Richard B. Fisher Professor in the Arts and co-director of the studio arts program at Bard College, Annandale-on-Hudson, New York. She continues to produce work for sale and for exhibition, including installations and prints. She currently lives and works in
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Pfaff's work is not restricted to Installation Art pieces. Her other notable works include Botanica, a mixed media on paper piece owned by the Orlando Museum of Art and Imperial Hotel, a relief print using the intaglio technique owned by the Tampa Museum of Art.
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objects arranged in a seemingly haphazard way". Although, Pfaff has so far refused to give narrative meaning to her work, which shows an "urgent and ferocious need to labor for the visual and tactile in an era where language dominates artistic activity".
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Pfaff describes her site-specific installations as abstract narratives based on personal experiences. Art critic Benjamin Genocchio commented that Pfaff's installation work can seem disordered, but with a closer look an order seems to reveal itself.
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medical illustrations. She has also used her dramatic sculptural abilities to make set designs for several theatrical stage productions. In recent years, she has incorporated photographic and digital imagery into her installations and prints.
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spatial geometries of the room so no two shows are ever alike. Pfaff and her crew may labor for months or years on shows that last day or weeks; the work is deconstructed and sections are discarded after a show comes down.
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Pfaff's installation art demonstrates her aesthetical preferences and communicates varying emotions no matter the size or complexity. Each of her installations connects directly to her life experiences.
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experiment. Pfaff is used to working in large spaces; her permanent installation at the Philadelphia Convention Center, cirque, CIRQUE, is reputed to be the largest suspended sculpture in the world.
174:, where she embraced the use of heavy equipment and outsized materials. Other disciplines, such as physics, medicine, zoology and astronomy, also influenced her work. At Yale, Pfaff studied with 296:, Kara L. Rooney wrote of the survey's cohesion, "somehow, Pfaff's eclectic interpretation of '80s flamboyance, '90s insecurity, and the aughts' incessant optimism succeeds." 1886: 1891: 178:, who became her mentor. With Held's encouragement, she created an installation for her final project. She completed her MFA in 1973 and then moved to New York City. 1861: 1881: 1876: 96: 1851: 1841: 1821: 365:
2010: Southern Graphics Council International Conference Lifetime Achievement Award 2010, Mark/Remarque, Philagraphika, Philadelphia, PA
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2013: American Academy of Arts and Sciences, 2013 Class of New Fellows and Foreign Honorary Members, field of Visual and Performing Arts
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abandoned buildings, gathering "raw materials for fantasy buildings." A reunion in 1956 with her mother in Detroit, where she attended
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the National Endowment for the Arts (1986). She was also elected to become a member of the American Academy of Arts in 2009.
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and sculptures, though she also produces paintings and prints. Pfaff has received numerous awards for her work, including a
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2020: Hirshhorn Artist X Artist Honoree, Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC
849: 187: 128: 1211: 828:"Academics / Faculty : Judy Pfaff, Richard B. Fisher Professor in the Arts; Codirector, Studio Arts Program" 431: 104: 350: 827: 809: 1831: 464: 155:, did not end well. At age 15, Pfaff left home and eventually married a U.S. Air Force officer. She attended 1871: 1672: 757:"Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne State University" 739:"Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne State University" 359: 1836: 152: 46: 1142: 546: 715:
Judy Pfaff: Storming the White Cube, in After the Revolution: Women Who Transformed Contemporary Art
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1984: Bessie Award, Set Design for “Wind Devil,” BAM Production by Nina Weiner Dance Company
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in New York in 1994, where she is currently the co-director of the Studio Arts program.
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complicated the relationship between sculpture and the architecture that contained it.
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lights, glass drops, and many more are key facets to Judy Pfaff's take on sculpture.
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2009: Member of the American Academy of Arts and Letters, New York, New York
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2007).
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2017: Jack Wolgin Annual Visiting Artist Award, Tyler School of Art,
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In New York, Pfaff created her first large-scale installation piece,
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Pfaff's installation work has influenced other artists, including
123:. Video interviews can be found on Art 21, Miles McEnery Gallery, 175: 1581:"2020 Art Award Winners – American Academy of Arts and Letters" 35: 1776: 1062: 783:"Oral history interview with Judy Pfaff, 2010 Jan. 27-Feb. 4" 1779:
After the Revolution: Women Who Transformed Contemporary Art
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After the Revolution: Women Who Transformed Contemporary Art
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2015: National Academy Award for Excellence in Sculpture,
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2021: X Grant (with Hideo Mabuchi), MacArthur Foundation
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Pfaff wanted to bring out the three-dimensional aspect.
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2006: Barnett and Annalee Newman Foundation Fellowship
107:. Major exhibitions of her work have been held at the 1255:"Judy Pfaff. Blue Vase with Nasturtiums. 1987 | MoMA" 405:
1998: U.S. Representative for the Bienal de Sao Paulo
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Fellows of the American Academy of Arts and Sciences
1391:"Judy Pfaff | American Academy of Arts and Sciences" 547:"National Endowment for the Arts Annual Report 1986" 1892:
Members of the American Academy of Arts and Letters
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Hirshhorn Museum and Sculpture Garden | Smithsonian
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1999: Honorary Doctorate, Pratt Institute. New York
362:, A Foundation of Philanthropic Funds, New York, NY 91:(born 1946) is an American artist known mainly for 1862:Sam Fox School of Design & Visual Arts alumni 1798: 1673:"WheatonArts Â» Explore, Experience, Create" 605: 437:1976: Creative Artist Public Services, Sculpture 417:1986: National Endowment for the Arts, Sculpture 1717:"John Simon Guggenheim Foundation | Judy Pfaff" 1120:"New York: Judy Pfaff: Ameringer Yohe Fine Art" 1537:"SGC International - SGC International Awards" 1625:"Judy Pfaff Biography – Judy Pfaff on artnet" 190:from 1976 to 1979. She joined the faculty at 97:John D. and Catherine T. MacArthur Foundation 1781:. Prestel Publishing Ltd. pp. 126–153. 803: 801: 799: 780: 606:Sandler, Irving; Panczenko, Russell (2003). 712: 626:"Saint Louis Art Museum Exhibition Archive" 494:"Judy Pfaff . Biography . Documentary Film" 332:2017: Francis J. Greenburger Award, Art OMI 134: 608:"Judy Pfaff - UWDC - UW-Madison Libraries" 414:1997: Fellow of the Saint Gaudens Memorial 399:2002: American Academy of Design, New York 392:2002: Award of Merit Medal for Sculpture, 376:Sam Fox School of Design & Visual Arts 236:, at the nonprofit Artists Space in 1975. 1882:Washington University in St. Louis alumni 1601:"Awards For Distinction | Sam Fox School" 1561:"United States Artists Â» Judy Pfaff" 807: 796: 523:John Simon Guggenheim Memorial Foundation 101:John Simon Guggenheim Memorial Foundation 1359: 1357: 1355: 1353: 1351: 1349: 1347: 1345: 1140: 1032: 1030: 1003: 1001: 999: 997: 995: 968: 966: 964: 962: 960: 958: 956: 954: 952: 950: 923: 921: 919: 892: 890: 843: 841: 839: 837: 138: 1649:"Nancy Graves Foundation grant program" 1209: 1143:"Judy Pfaff: Evolution of an Innovator" 1091:Pfaff, Judy (2008). "Buckets of Rain". 1067:. New York: Prestel. pp. 137–138. 888: 886: 884: 882: 880: 878: 876: 874: 872: 870: 99:Fellowship in 2004 and grants from the 1877:English emigrants to the United States 1799: 1234: 1190: 1117: 1342: 1191:Kardon, Dennis (2015). "Judy Pfaff". 1165: 1141:Rapaport, Brooke Kamin (2013-03-01). 1090: 1086: 1084: 1027: 992: 947: 916: 834: 708: 706: 368:2009: USA Fellowship, Los Angeles, CA 170:Pfaff enrolled in the MFA program at 121:American Academy of Arts and Sciences 1408: 1383: 867: 808:Genocchio, Benjamin (May 22, 2005). 685: 601: 599: 597: 572: 570: 541: 539: 394:American Academy of Arts and Letters 312: 1852:21st-century American women artists 1842:20th-century American women artists 1822:American women installation artists 1210:Mahoney, Brian K. (March 1, 2007). 847: 810:"Now She Can Finish That Warehouse" 578:"Judy Pfaff - MacArthur Foundation" 389:2003: Nancy Graves Foundation Grant 227: 13: 1769: 1081: 1056: 703: 410:Washington University in St. Louis 408:1998: Distinguished Alumni Award, 349:2014: Lifetime Achievement Award, 344:National Academy Museum and School 300:Solo exhibitions and installations 57:Washington University in St. Louis 14: 1903: 1817:Cass Technical High School alumni 1757: 1168:"Beer With a Painter: Judy Pfaff" 1037:< -- not stated--> (2019). 928:< -- not stated--> (2019). 594: 567: 536: 119:. In 2013 she was elected to the 16:American artist known (born 1946) 1235:Rooney, Kara L. (October 2010). 1036: 927: 717:. Munich: Prestel. p. 127. 188:California Institute of the Arts 129:Mount Holyoke College Art Museum 1729: 1709: 1685: 1665: 1641: 1617: 1593: 1573: 1553: 1529: 1505: 1481: 1456: 1440:"Francis J. Greenburger Awards" 1432: 1319: 1295: 1271: 1247: 1228: 1203: 1184: 1159: 1134: 1111: 898:"Judy Pfaff … all of the above" 820: 774: 749: 731: 554:National Endowment for the Arts 432:National Endowment for the Arts 109:University of Wisconsin–Madison 105:National Endowment for the Arts 1166:Samet, Jennifer (2020-05-23). 1130:: 70–71 – via EBSCOhost. 661: 639: 618: 511: 486: 441: 351:International Sculpture Center 277: 1: 1857:21st-century American artists 1847:20th-century American artists 1827:American installation artists 1327:"You are being redirected..." 479: 465:Princeton Architectural Press 172:Yale University School of Art 1468:Temple Now | news.temple.edu 612:New York: Hudson Hills Press 161:Southern Illinois University 7: 1118:Castro, Jan Garden (2008). 713:Princenthal, Nancy (2013). 454: 181: 10: 1908: 1605:www.samfoxschool.wustl.edu 1237:"Judy Pfaff: Five Decades" 1099:(3 (FALL 2008)): 523–532. 785:. Archives of American Art 461:Inside the Artist's Studio 214: 153:Cass Technical High School 47:Cass Technical High School 1867:Yale School of Art alumni 76: 66: 52: 42: 28: 21: 1541:www.sgcinternational.org 1416:"Artist x Artist Salons" 1259:The Museum of Modern Art 197: 135:Early life and education 1653:Nancy Graves Foundation 1212:"Portfolio: Judy Pfaff" 1199:: 90 – via Ebsco. 850:"Portfolio: Judy Pfaff" 761:artcollection.wayne.edu 743:artcollection.wayne.edu 1307:www.brooklynmuseum.org 974:"Judy Pfaff Biography" 283:prints and drawings." 163:, completing a BFA at 157:Wayne State University 147: 117:Saint Louis Art Museum 1517:Anonymous Was A Woman 1279:"Judy Pfaff | Squash" 425:Guggenheim Fellowship 360:Anonymous Was a Woman 234:J.A.S.O.N--J.A.S.O.N. 165:Washington University 142: 1832:Bard College faculty 1513:"Recipients to Date" 519:"Fellows Judy Pfaff" 385:MacArthur Fellowship 374:2009: Dean’s Medal, 286:Pfaff has also done 186:Pfaff taught at the 1872:Artists from London 1216:Chronogram Magazine 268:Jessica Stockholder 131:and other sources. 1093:The Georgia Review 848:Mahoney, Brian K. 781:Richards, Judith. 339:, Philadelphia, PA 148: 1837:MacArthur Fellows 1788:978-3-7913-4755-4 1697:Messums Wiltshire 1693:"Judy Pfaff's CV" 1493:www.sculpture.org 1369:Judy Pfaff Studio 1303:"Brooklyn Museum" 1241:The Brooklyn Rail 1074:978-3-7913-3732-6 1043:Judy Pfaff Studio 934:Judy Pfaff Studio 724:978-3-7913-4755-4 649:. 8 February 2014 473:978-1-61689-304-0 337:Temple University 313:Grants and awards 293:The Brooklyn Rail 243:In 2006, Pfaff's 144:Yoyogi (State II) 113:Denver Art Museum 86: 85: 1899: 1792: 1764:Official website 1751: 1750: 1748: 1747: 1733: 1727: 1726: 1724: 1723: 1713: 1707: 1706: 1704: 1703: 1689: 1683: 1682: 1680: 1679: 1669: 1663: 1662: 1660: 1659: 1645: 1639: 1638: 1636: 1635: 1621: 1615: 1614: 1612: 1611: 1597: 1591: 1590: 1588: 1587: 1577: 1571: 1570: 1568: 1567: 1557: 1551: 1550: 1548: 1547: 1533: 1527: 1526: 1524: 1523: 1509: 1503: 1502: 1500: 1499: 1485: 1479: 1478: 1476: 1475: 1460: 1454: 1453: 1451: 1450: 1436: 1430: 1429: 1427: 1426: 1412: 1406: 1405: 1403: 1402: 1387: 1381: 1380: 1378: 1376: 1361: 1340: 1339: 1337: 1336: 1323: 1317: 1316: 1314: 1313: 1299: 1293: 1292: 1290: 1289: 1275: 1269: 1268: 1266: 1265: 1251: 1245: 1244: 1232: 1226: 1225: 1223: 1222: 1207: 1201: 1200: 1188: 1182: 1181: 1179: 1178: 1163: 1157: 1156: 1154: 1153: 1138: 1132: 1131: 1115: 1109: 1108: 1088: 1079: 1078: 1060: 1054: 1053: 1051: 1049: 1034: 1025: 1024: 1022: 1020: 1005: 990: 989: 987: 985: 970: 945: 944: 942: 940: 925: 914: 913: 911: 909: 894: 865: 864: 862: 860: 845: 832: 831: 824: 818: 817: 805: 794: 793: 791: 790: 778: 772: 771: 769: 768: 753: 747: 746: 735: 729: 728: 710: 701: 700: 689: 683: 682: 680: 679: 669:"Yoyogi, detail" 665: 659: 658: 656: 654: 643: 637: 636: 634: 632: 622: 616: 615: 603: 592: 591: 589: 588: 582:www.macfound.org 574: 565: 564: 562: 560: 551: 543: 534: 533: 531: 529: 515: 509: 508: 506: 505: 490: 228:Installation art 93:installation art 81:MacArthur Fellow 71:Installation art 19: 18: 1907: 1906: 1902: 1901: 1900: 1898: 1897: 1896: 1797: 1796: 1795: 1789: 1772: 1770:Further reading 1760: 1755: 1754: 1745: 1743: 1735: 1734: 1730: 1721: 1719: 1715: 1714: 1710: 1701: 1699: 1691: 1690: 1686: 1677: 1675: 1671: 1670: 1666: 1657: 1655: 1647: 1646: 1642: 1633: 1631: 1623: 1622: 1618: 1609: 1607: 1599: 1598: 1594: 1585: 1583: 1579: 1578: 1574: 1565: 1563: 1559: 1558: 1554: 1545: 1543: 1535: 1534: 1530: 1521: 1519: 1511: 1510: 1506: 1497: 1495: 1487: 1486: 1482: 1473: 1471: 1462: 1461: 1457: 1448: 1446: 1438: 1437: 1433: 1424: 1422: 1414: 1413: 1409: 1400: 1398: 1389: 1388: 1384: 1374: 1372: 1363: 1362: 1343: 1334: 1332: 1325: 1324: 1320: 1311: 1309: 1301: 1300: 1296: 1287: 1285: 1277: 1276: 1272: 1263: 1261: 1253: 1252: 1248: 1233: 1229: 1220: 1218: 1208: 1204: 1189: 1185: 1176: 1174: 1164: 1160: 1151: 1149: 1139: 1135: 1116: 1112: 1089: 1082: 1075: 1061: 1057: 1047: 1045: 1035: 1028: 1018: 1016: 1007: 1006: 993: 983: 981: 972: 971: 948: 938: 936: 926: 917: 907: 905: 896: 895: 868: 858: 856: 846: 835: 830:. Bard College. 826: 825: 821: 806: 797: 788: 786: 779: 775: 766: 764: 755: 754: 750: 745:. 4 April 2019. 737: 736: 732: 725: 711: 704: 691: 690: 686: 677: 675: 667: 666: 662: 652: 650: 645: 644: 640: 630: 628: 624: 623: 619: 604: 595: 586: 584: 576: 575: 568: 558: 556: 549: 545: 544: 537: 527: 525: 517: 516: 512: 503: 501: 492: 491: 487: 482: 457: 444: 315: 302: 280: 245:Buckets of Rain 230: 217: 200: 184: 137: 103:(1983) and the 61:Yale University 53:Alma mater 38: 33: 24: 17: 12: 11: 5: 1905: 1895: 1894: 1889: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1839: 1834: 1829: 1824: 1819: 1814: 1809: 1794: 1793: 1787: 1773: 1771: 1768: 1767: 1766: 1759: 1758:External links 1756: 1753: 1752: 1728: 1708: 1684: 1664: 1640: 1629:www.artnet.com 1616: 1592: 1572: 1552: 1528: 1504: 1480: 1455: 1431: 1407: 1395:www.amacad.org 1382: 1341: 1318: 1294: 1270: 1246: 1227: 1202: 1193:Art in America 1183: 1158: 1133: 1110: 1080: 1073: 1055: 1026: 991: 946: 915: 866: 833: 819: 814:New York Times 795: 773: 763:. 4 April 2019 748: 730: 723: 702: 684: 660: 638: 617: 593: 566: 535: 510: 484: 483: 481: 478: 477: 476: 456: 453: 443: 440: 439: 438: 435: 428: 421: 418: 415: 412: 406: 403: 400: 397: 390: 387: 381: 378: 372: 369: 366: 363: 356: 353: 347: 340: 333: 329: 328: 324: 323: 314: 311: 301: 298: 279: 276: 229: 226: 216: 213: 199: 196: 183: 180: 136: 133: 84: 83: 78: 74: 73: 68: 64: 63: 54: 50: 49: 44: 40: 39: 34: 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1904: 1893: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1838: 1835: 1833: 1830: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1812:Living people 1810: 1808: 1805: 1804: 1802: 1790: 1784: 1780: 1775: 1774: 1765: 1762: 1761: 1742: 1738: 1732: 1718: 1712: 1698: 1694: 1688: 1674: 1668: 1654: 1650: 1644: 1630: 1626: 1620: 1606: 1602: 1596: 1582: 1576: 1562: 1556: 1542: 1538: 1532: 1518: 1514: 1508: 1494: 1490: 1484: 1469: 1465: 1459: 1445: 1441: 1435: 1421: 1417: 1411: 1396: 1392: 1386: 1370: 1366: 1360: 1358: 1356: 1354: 1352: 1350: 1348: 1346: 1331: 1328: 1322: 1308: 1304: 1298: 1284: 1280: 1274: 1260: 1256: 1250: 1242: 1238: 1231: 1217: 1213: 1206: 1198: 1194: 1187: 1173: 1172:Hyperallergic 1169: 1162: 1148: 1144: 1137: 1129: 1125: 1121: 1114: 1106: 1102: 1098: 1094: 1087: 1085: 1076: 1070: 1066: 1059: 1044: 1040: 1033: 1031: 1015:. 8 June 2012 1014: 1010: 1004: 1002: 1000: 998: 996: 979: 975: 969: 967: 965: 963: 961: 959: 957: 955: 953: 951: 935: 931: 924: 922: 920: 903: 899: 893: 891: 889: 887: 885: 883: 881: 879: 877: 875: 873: 871: 855: 851: 844: 842: 840: 838: 829: 823: 815: 811: 804: 802: 800: 784: 777: 762: 758: 752: 744: 740: 734: 726: 720: 716: 709: 707: 698: 694: 688: 674: 670: 664: 648: 642: 627: 621: 613: 609: 602: 600: 598: 583: 579: 573: 571: 555: 548: 542: 540: 524: 520: 514: 499: 495: 489: 485: 474: 470: 466: 462: 459: 458: 452: 450: 436: 433: 429: 426: 422: 419: 416: 413: 411: 407: 404: 401: 398: 395: 391: 388: 386: 382: 379: 377: 373: 370: 367: 364: 361: 357: 354: 352: 348: 345: 341: 338: 334: 331: 330: 326: 325: 321: 320: 319: 310: 306: 297: 295: 294: 289: 288:scenic design 284: 275: 273: 269: 264: 260: 259: 255: 254: 249: 246: 241: 237: 235: 225: 221: 212: 208: 204: 195: 193: 189: 179: 177: 173: 168: 166: 162: 158: 154: 145: 141: 132: 130: 126: 122: 118: 114: 110: 106: 102: 98: 94: 90: 82: 79: 75: 72: 69: 65: 62: 58: 55: 51: 48: 45: 41: 37: 31: 27: 20: 1778: 1744:. 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Index

London
Cass Technical High School
Washington University in St. Louis
Yale University
Installation art
MacArthur Fellow
installation art
John D. and Catherine T. MacArthur Foundation
John Simon Guggenheim Memorial Foundation
National Endowment for the Arts
University of Wisconsin–Madison
Denver Art Museum
Saint Louis Art Museum
American Academy of Arts and Sciences
MoMa
Mount Holyoke College Art Museum

Cass Technical High School
Wayne State University
Southern Illinois University
Washington University
Yale University School of Art
Al Held
California Institute of the Arts
Bard College
Jessica Stockholder
Sarah Sze
scenic design
The Brooklyn Rail
Temple University

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