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Gallery, Buffalo (1982). Her work is also included in the permanent collections of The Museum of Modern Art, the
Whitney Museum of American Art, Tate Gallery, Brooklyn Museum of Art, and Detroit Institute of Arts, among others. Furthermore, she represented the United States in the 1998 Bienal de Sao Paolo.
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Pfaff has received several notable awards and grants including the
Lifetime Achievement Award from the International Sculpture Center (2014), the John D. and Catherine T. MacArthur Foundation Award (2004), a Bessie (1984), and fellowships from the John Simon Guggenheim Memorial Foundation (1983) and
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During her prolific career, Pfaff has mounted over 100 solo exhibitions and installations in galleries and museums worldwide. She has had major exhibitions at
Elvehjem Museum of Art, University of Wisconsin, Madison (2002); Denver Art Museum (1994); St. Louis Art Museum (1989); and Albright-Knox Art
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Pfaff effortlessly uses the expansion of her work into space in a way that simultaneously evokes drawing, painting, and sculpture while making reference to both "high" art and popular culture. This and her use of unusual materials like: paper, encaustic, burned foil, massive tree roots, fluorescent
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Pfaff enters an exhibition space not knowing exactly what will happen. Rice
Gallery describes her working process is intuitive and highly physical; she relies on her knowledge, skill, and experience to carry her through. Her art is site-specific; each one of her installations considers the specific
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Spanning across mediums such as painting, printmaking, sculpture and installation, it can be described as "painting in space". Pfaff draws upon spiritual, botanical, and art historical imagery, and "explores issues of creativity and the complexity of life by using strings, vines, spheres, and other
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was exhibited at the
Ameringer & Yohe Fine Art gallery in New York. An exhibit that was dedicated to Al Held, and Pfaff's mother who passed. This exhibit though was a prime example of how Pfaff continued to work toward incorporating painting into her sculptures. Although, unlike past paintings
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Pfaff's studio in upstate New York is filled with winches, welding equipment, a forklift, and pressure washers. When she and her assistants arrive to set up an installation, they bring with them a truck full of tools, welders, pre-cut installation components, as well as raw material, and begin to
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Judy Pfaff throughout all her site-specific installations demonstrates her perseverance in implementing her creativity no matter the setting or challenge. This especially is shown in her If I Had a Boat installation where she had to work around the limitations of how the building was structured.
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In addition to her installations, Pfaff creates paintings, sculpture, and prints. "I've always done prints and drawings," Pfaff says. "If you get an installation of mine, you inherit Ryan, myself, a crew, the dog, the noise, the dirt. We wreck the house. So if you don't want that, then you get
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Pfaff incorporates a range of everyday and industrial materials into her installations such as wire, plastic tubing, fabric, steel, fiberglass, and plaster as well as salvaged signage and tree roots. Her interest in natural motifs extends to a series of prints integrating vegetation, maps, and
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Since the 70s, Pfaff has helped redefine contemporary notions of sculpture and has been recognized for her innovative approach to space. While others at the time subscribed to minimalist art forms, Pfaff began making colorful, visually active environments that encompassed an entire gallery and
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Pfaff was born in London in 1946. Her father, a Royal Air Force pilot, was absent from her life. Pfaff's mother moved to
Detroit soon after Pfaff's birth, leaving Pfaff and her brother to be raised by their grandparents. Post-war London was bleak; Pfaff has described playing in bombed out and
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Pfaff is the
Richard B. Fisher Professor in the Arts and co-director of the studio arts program at Bard College, Annandale-on-Hudson, New York. She continues to produce work for sale and for exhibition, including installations and prints. She currently lives and works in
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Pfaff's work is not restricted to
Installation Art pieces. Her other notable works include Botanica, a mixed media on paper piece owned by the Orlando Museum of Art and Imperial Hotel, a relief print using the intaglio technique owned by the Tampa Museum of Art.
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objects arranged in a seemingly haphazard way". Although, Pfaff has so far refused to give narrative meaning to her work, which shows an "urgent and ferocious need to labor for the visual and tactile in an era where language dominates artistic activity".
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Pfaff describes her site-specific installations as abstract narratives based on personal experiences. Art critic
Benjamin Genocchio commented that Pfaff's installation work can seem disordered, but with a closer look an order seems to reveal itself.
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medical illustrations. She has also used her dramatic sculptural abilities to make set designs for several theatrical stage productions. In recent years, she has incorporated photographic and digital imagery into her installations and prints.
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spatial geometries of the room so no two shows are ever alike. Pfaff and her crew may labor for months or years on shows that last day or weeks; the work is deconstructed and sections are discarded after a show comes down.
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Pfaff's installation art demonstrates her aesthetical preferences and communicates varying emotions no matter the size or complexity. Each of her installations connects directly to her life experiences.
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experiment. Pfaff is used to working in large spaces; her permanent installation at the
Philadelphia Convention Center, cirque, CIRQUE, is reputed to be the largest suspended sculpture in the world.
174:, where she embraced the use of heavy equipment and outsized materials. Other disciplines, such as physics, medicine, zoology and astronomy, also influenced her work. At Yale, Pfaff studied with
296:, Kara L. Rooney wrote of the survey's cohesion, "somehow, Pfaff's eclectic interpretation of '80s flamboyance, '90s insecurity, and the aughts' incessant optimism succeeds."
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2010: Southern Graphics Council International Conference Lifetime Achievement Award 2010, Mark/Remarque, Philagraphika, Philadelphia, PA
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2013: American Academy of Arts and Sciences, 2013 Class of New Fellows and Foreign Honorary Members, field of Visual and Performing Arts
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abandoned buildings, gathering "raw materials for fantasy buildings." A reunion in 1956 with her mother in Detroit, where she attended
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290:. In 2010 Ameringer/McEnery/Yoke showed a retrospective from her oeuvre ranging from the late 1970s to recent work. In a review in
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the National Endowment for the Arts (1986). She was also elected to become a member of the American Academy of Arts in 2009.
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and sculptures, though she also produces paintings and prints. Pfaff has received numerous awards for her work, including a
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146:, 1984, is a woodcut print published by Crown Point Press in San Francisco. Pfaff went to Japan to learn the technique.
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2020: Hirshhorn Artist X Artist Honoree, Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC
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828:"Academics / Faculty : Judy Pfaff, Richard B. Fisher Professor in the Arts; Codirector, Studio Arts Program"
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155:, did not end well. At age 15, Pfaff left home and eventually married a U.S. Air Force officer. She attended
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757:"Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne State University"
739:"Judy Pfaff: Early Works From the WSU Art Collection - University Art Collection - Wayne State University"
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Judy Pfaff: Storming the White Cube, in After the Revolution: Women Who Transformed Contemporary Art
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1984: Bessie Award, Set Design for “Wind Devil,” BAM Production by Nina Weiner Dance Company
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in New York in 1994, where she is currently the co-director of the Studio Arts program.
1489:"Judy Pfaff & Ursula von Rydingsvard - Lifetime Achievement Awards - Sculpture.org"
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complicated the relationship between sculpture and the architecture that contained it.
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647:"Bard College professor Judy Pfaff elected to American Academy of Arts and Sciences"
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lights, glass drops, and many more are key facets to Judy Pfaff's take on sculpture.
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2009: Member of the American Academy of Arts and Letters, New York, New York
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2007).
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2017: Jack Wolgin Annual Visiting Artist Award, Tyler School of Art,
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In New York, Pfaff created her first large-scale installation piece,
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Pfaff's installation work has influenced other artists, including
123:. Video interviews can be found on Art 21, Miles McEnery Gallery,
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1581:"2020 Art Award Winners – American Academy of Arts and Letters"
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783:"Oral history interview with Judy Pfaff, 2010 Jan. 27-Feb. 4"
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After the Revolution: Women Who Transformed Contemporary Art
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After the Revolution: Women Who Transformed Contemporary Art
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2015: National Academy Award for Excellence in Sculpture,
1464:"Renowned artist Judy Pfaff comes to Tyler School of Art"
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2021: X Grant (with Hideo Mabuchi), MacArthur Foundation
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Pfaff wanted to bring out the three-dimensional aspect.
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2006: Barnett and Annalee Newman Foundation Fellowship
107:. Major exhibitions of her work have been held at the
1255:"Judy Pfaff. Blue Vase with Nasturtiums. 1987 | MoMA"
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1998: U.S. Representative for the Bienal de Sao Paulo
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Fellows of the American Academy of Arts and Sciences
1391:"Judy Pfaff | American Academy of Arts and Sciences"
547:"National Endowment for the Arts Annual Report 1986"
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Members of the American Academy of Arts and Letters
1737:"Reed College | Art | Events | Ostrow | Judy Pfaff"
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Hirshhorn Museum and Sculpture Garden | Smithsonian
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1999: Honorary Doctorate, Pratt Institute. New York
362:, A Foundation of Philanthropic Funds, New York, NY
91:(born 1946) is an American artist known mainly for
1862:Sam Fox School of Design & Visual Arts alumni
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1673:"WheatonArts » Explore, Experience, Create"
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437:1976: Creative Artist Public Services, Sculpture
417:1986: National Endowment for the Arts, Sculpture
1717:"John Simon Guggenheim Foundation | Judy Pfaff"
1120:"New York: Judy Pfaff: Ameringer Yohe Fine Art"
1537:"SGC International - SGC International Awards"
1625:"Judy Pfaff Biography – Judy Pfaff on artnet"
190:from 1976 to 1979. She joined the faculty at
97:John D. and Catherine T. MacArthur Foundation
1781:. Prestel Publishing Ltd. pp. 126–153.
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606:Sandler, Irving; Panczenko, Russell (2003).
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626:"Saint Louis Art Museum Exhibition Archive"
494:"Judy Pfaff . Biography . Documentary Film"
332:2017: Francis J. Greenburger Award, Art OMI
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608:"Judy Pfaff - UWDC - UW-Madison Libraries"
414:1997: Fellow of the Saint Gaudens Memorial
399:2002: American Academy of Design, New York
392:2002: Award of Merit Medal for Sculpture,
376:Sam Fox School of Design & Visual Arts
236:, at the nonprofit Artists Space in 1975.
1882:Washington University in St. Louis alumni
1601:"Awards For Distinction | Sam Fox School"
1561:"United States Artists » Judy Pfaff"
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523:John Simon Guggenheim Memorial Foundation
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1143:"Judy Pfaff: Evolution of an Innovator"
1091:Pfaff, Judy (2008). "Buckets of Rain".
1067:. New York: Prestel. pp. 137–138.
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1191:Kardon, Dennis (2015). "Judy Pfaff".
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1141:Rapaport, Brooke Kamin (2013-03-01).
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368:2009: USA Fellowship, Los Angeles, CA
170:Pfaff enrolled in the MFA program at
121:American Academy of Arts and Sciences
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808:Genocchio, Benjamin (May 22, 2005).
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1852:21st-century American women artists
1842:20th-century American women artists
1822:American women installation artists
1210:Mahoney, Brian K. (March 1, 2007).
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810:"Now She Can Finish That Warehouse"
578:"Judy Pfaff - MacArthur Foundation"
389:2003: Nancy Graves Foundation Grant
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410:Washington University in St. Louis
408:1998: Distinguished Alumni Award,
349:2014: Lifetime Achievement Award,
344:National Academy Museum and School
300:Solo exhibitions and installations
57:Washington University in St. Louis
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1817:Cass Technical High School alumni
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1168:"Beer With a Painter: Judy Pfaff"
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119:. In 2013 she was elected to the
16:American artist known (born 1946)
1235:Rooney, Kara L. (October 2010).
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717:. Munich: Prestel. p. 127.
188:California Institute of the Arts
129:Mount Holyoke College Art Museum
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898:"Judy Pfaff … all of the above"
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554:National Endowment for the Arts
432:National Endowment for the Arts
109:University of Wisconsin–Madison
105:National Endowment for the Arts
1166:Samet, Jennifer (2020-05-23).
1130:: 70–71 – via EBSCOhost.
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1857:21st-century American artists
1847:20th-century American artists
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465:Princeton Architectural Press
172:Yale University School of Art
1468:Temple Now | news.temple.edu
612:New York: Hudson Hills Press
161:Southern Illinois University
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1118:Castro, Jan Garden (2008).
713:Princenthal, Nancy (2013).
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1605:www.samfoxschool.wustl.edu
1237:"Judy Pfaff: Five Decades"
1099:(3 (FALL 2008)): 523–532.
785:. Archives of American Art
461:Inside the Artist's Studio
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153:Cass Technical High School
47:Cass Technical High School
1867:Yale School of Art alumni
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1541:www.sgcinternational.org
1416:"Artist x Artist Salons"
1259:The Museum of Modern Art
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135:Early life and education
1653:Nancy Graves Foundation
1212:"Portfolio: Judy Pfaff"
1199:: 90 – via Ebsco.
850:"Portfolio: Judy Pfaff"
761:artcollection.wayne.edu
743:artcollection.wayne.edu
1307:www.brooklynmuseum.org
974:"Judy Pfaff Biography"
283:prints and drawings."
163:, completing a BFA at
157:Wayne State University
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117:Saint Louis Art Museum
1517:Anonymous Was A Woman
1279:"Judy Pfaff | Squash"
425:Guggenheim Fellowship
360:Anonymous Was a Woman
234:J.A.S.O.N--J.A.S.O.N.
165:Washington University
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1832:Bard College faculty
1513:"Recipients to Date"
519:"Fellows Judy Pfaff"
385:MacArthur Fellowship
374:2009: Dean’s Medal,
286:Pfaff has also done
186:Pfaff taught at the
1872:Artists from London
1216:Chronogram Magazine
268:Jessica Stockholder
131:and other sources.
1093:The Georgia Review
848:Mahoney, Brian K.
781:Richards, Judith.
339:, Philadelphia, PA
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1837:MacArthur Fellows
1788:978-3-7913-4755-4
1697:Messums Wiltshire
1693:"Judy Pfaff's CV"
1493:www.sculpture.org
1369:Judy Pfaff Studio
1303:"Brooklyn Museum"
1241:The Brooklyn Rail
1074:978-3-7913-3732-6
1043:Judy Pfaff Studio
934:Judy Pfaff Studio
724:978-3-7913-4755-4
649:. 8 February 2014
473:978-1-61689-304-0
337:Temple University
313:Grants and awards
293:The Brooklyn Rail
243:In 2006, Pfaff's
144:Yoyogi (State II)
113:Denver Art Museum
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