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assured his success: most of his surviving portraits date from the 1770s and 1780s. He received privileged lodgings in the
Galeries du Louvre. In the Revolution, he withdrew to safe obscurity at Carpentras during the
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accepted him in the category of portraitist, considered a lesser category at the time. He continued to exhibit at the Paris salons, both finished paintings and sketches, until 1791, and once more, in 1801.
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255:, Vienna) catches the composer at the keyboard in a moment of inspiration and his penetrating portrait of the sculptor Christophe Gabriel Allegrain (
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and exhibited some portraits, which were now his specialty, in 1764, but did not achieve much notice until his exhibition of ten paintings at the
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Duplessis would adjust his style to the social condition of his sitter: his portrait of
Charles-Claude, comte d'Angiviller, director of the
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274:(circa 1785), more than any other, has fixed the image of Franklin for posterity since it is reproduced on the
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109:(22 September 1725 – 1 April 1802) was a French painter known for the clarity and immediacy of his
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Ministère de la culture: (Louvre Museum, Château de
Versailles) Portraits by or attributed to Duplessis
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141:(1699–1749), who was also from the south of France. In Italy Duplessis became fast friends with
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Duplessis received many commissions for duplicates: one is at the
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then arrived about 1752 in Paris, where he was accepted into the
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of 1769, very well received and selected for special notice by
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The original disappeared, but has been identified in the
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Duplessis returned to
Carpentras, spent a brief time in
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Portrait of a
Gentleman (Jean-Baptiste-Francois Dupre?)
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Joseph-Siffred
Duplessis. Un provençal, Peintre du Roi
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The most comprehensive on-line sketch of his career.
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460:Benjamin Franklin's Vision of American Community
202:, so recently emptied of its furnishings at the
210:, where he died. The rue Joseph Duplessis in
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267:that gained him admittance to the Académie.
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556:on paper (mounted on canvas), is at the
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450:His middle name has also been given as
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133:(1666–1749), who had been a pupil of
540:Portrait of Chrisoph Willibald Gluck
529:(Fine Art Museums of San Francisco)
226:Duplessis' Benjamin Franklin on the
179:Académie de peinture et de sculpture
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538:(Kunsthistorisches Museum, Vienna)
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494:North Carolina Museum of Art
312:Christophe-Gabriel Allegrain
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16:French painter (1725–1802)
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523:Joseph-Siffred Duplessis
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276:U.S. hundred dollar bill
253:Kunsthistorisches Museum
228:U.S. hundred dollar bill
107:Joseph-Siffred Duplessis
48:Joseph-Siffred Duplessis
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615:People from Carpentras
564:(Metropolitan Museum)
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592:at Wikimedia Commons
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167:Académie de Saint-Luc
131:Joseph Gabriel Imbert
625:French male painters
417:Princess of Lamballe
265:morceau de reception
214:is named after him.
185:His portrait of the
508:Jean-Paul Chabaud,
327:Louis XVI of France
204:Revolutionary sales
458:(Lester C. Olsen,
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38:of Duplessis, 1801
588:Media related to
566:Benjamin Franklin
549:Joseph-Marie Vien
492:; another at the
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387:Joseph-Marie Vien
272:Benjamin Franklin
212:Magnac-sur-Touvre
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58:22 September 1725
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75:(1802-04-01)
73:1 April 1802
610:1802 deaths
605:1725 births
171:Paris salon
89:Nationality
599:Categories
503:References
404:, ca. 1785
292:engravings
208:Versailles
200:Versailles
145:, another
123:Carpentras
117:Early life
81:Versailles
62:Carpentras
54:1725-09-22
359:, c. 1781
241:Louis XVI
151:Occitania
149:speaking
147:Provençal
111:portraits
462:, 2004,
456:Siffrein
452:Siffrède
284:Voltaire
282:hung at
187:Dauphine
100:Painting
83:, France
64:, France
464:p. xiii
374:, 1780s
298:Gallery
127:Avignon
125:, near
543:, 1775
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433:, 1771
389:, 1784
344:, 1775
329:, 1775
314:, 1774
177:; the
157:Career
92:French
439:Notes
514:ISBN
218:Work
163:Lyon
70:Died
44:Born
454:or
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