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143:, found his friend Tyers in a depressed state trying to decide whether it was better to commit suicide by drowning or hanging himself. Hogarth's artworks were satires designed to communicate a moral lesson in a humorous manner and he suggested Tyers should use similar methods to educate those seeking entertainment at the Gardens. As an art collector with diverse interests Tyers already had a wide variety of friends in the artistic community and he commissioned several artists including
131:, who owned the land the gardens were on, was among the paying visitors. The entertainment on offer was advertised as scenes portraying pieces entitled "The House of Ambition", "The House of Avarice", "The House of Bacchus", "The House of Lust" and "The Palace of Pleasure". But the moralistic undertones of the presentations were a disappointment to their audiences; the next
59:
In 1728 Tyers signed a thirty-year lease of the land on which New Spring
Gardens was sited. At that time it was little more than a rural brothel, and Tyers set himself the task of transforming the gardens into a family-friendly venue by installing lights and commissioning new entertainments. But with
104:, when Tyers leased the gardens – for an annual payment of £250 (equivalent to £43,000 in 2023) – the venue was little more than a "much frequented rural brothel". Under Tyers' management, and later ownership, however, the gardens gradually gained a degree of respectability..
187:
garden he installed in the grounds became notorious. In contrast to the cheerfulness and merriment of Tyers' Vauxhall
Gardens, The Valley of the Shadow of Death as it was known was designed to constantly remind visitors of their mortality. David Coke and Alan Borg, authors of
155:
as well as
Hogarth to undertake the task of transforming the gardens. The venue and its entertainments were promoted as being family friendly, yet to retain his profit margins Tyers ensured some areas remained unlit for the benefit of the sex workers.
71:
in Surrey. In contrast to the merriment of
Vauxhall Gardens, The Valley of the Shadow of Death, as the garden at Denbies was known, was designed as a reminder of man's mortality. Tyers died at his home in Vauxhall Gardens in 1767, and his sons
702:
Doderer-Winkler, Melanie, Chapter "Delightful
Pleasures at Vauxhall Gardens", in Magnificent Entertainments: Temporary Architecture for Georgian Festivals, Yale University Press for The Paul Mellon Centre for Studies in British Art, 2013,
92:, and his wife, Ann. Jonathan married Elizabeth Fermor (1700–1771) some time in the early 1720s, and together they had four children: Margaret (1724–1786), Thomas (1724/5–1787), Jonathan, and Elizabeth (1727–1802).
95:
Prior to Tyers securing a thirty-year lease of New Spring
Gardens from Elizabeth Masters in 1728, little else is known about his early life, except that he had worked in Bermondsey trading skins for the
192:(2012) have suggested that the contrast between the two gardens may have been symptomatic of "some sort of psychological imbalance" within Tyers, perhaps even "a form of
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The house Tyers built by converting some of the farm buildings appears to have been of little architectural significance as very little is known about it, but the
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Tyers died at his home in
Vauxhall pleasure gardens on either 26 June or 1 July 1767. The Denbies estate was subsequently sold, and his sons
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one eye on his profits, he left some areas unlit, to allow sex workers to continue plying their trade.
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553:"Vincent [née Burchell; other married name Mills], Isabella (1734/5–1802), singer"
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36:(10 April 1702 – 1767) became the proprietor of New Spring Gardens, later known as
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to be trained as a singer and brought to London from in 1751. She was employed at his
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The first major event Tyers organised at the gardens was on 7 June 1732. Styled as a
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in Italy was a fancy-dress ball held outside – 400 visitors paid the one
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Coke, David (1984), "Vauxhall
Pleasure Gardens", in Snodin, Michael (ed.),
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439:"Vauxhall Gardens: A History by David E Coke and Alan Borg – review"
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Tyers set out a quite different style of garden at his weekend home of
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Coke, David (May 2012), "Vauxhall
Gardens: Patriotism and Pleasure",
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48:, London. Opened in 1661, it was situated on the south bank of the
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Lockman, John (1841) , Forrester, Alfred Henry; Bunn, A. (eds.),
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McGairl, Pamela (November 1986), "The
Vauxhall Jubilee, 1786",
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and Jonathan became joint proprietors of the pleasure garden.
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and Jonathan became joint proprietors of the pleasure garden.
607:"England's Lost Country Houses – Denbies [I]"
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The House on the Hill: the Story of Ranmore and Denbies
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company owned by his family. According to the scholar
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Jonathan Tyers was born on 10 April 1702, probably in
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Proprietor of Vauxhall Gardens in London (1702–1767)
562:(online ed.). Oxford University Press. 2004.
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639:Rococo: Art and Design in Hogarth's England
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233:inflation figures are based on data from
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25:Jonathan Tyers and his family, by
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656:Fortescue, Stephen E. D. (1993),
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508:from the original on 26 May 2015
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168:, a farmhouse and grounds near
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1:
527:"Singers at Vauxhall Gardens"
502:The Times Literary Supplement
298:"Tyers, Jonathan (1702–1767)"
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687:The Works of William Hogarth
593:UK public library membership
437:Moore, Rowan (1 July 2011),
327:UK public library membership
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190:Vauxhall Gardens: A History
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129:Frederick, Prince of Wales
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164:In 1734 Tyers purchased
153:Louis-François Roubiliac
149:Hubert-François Gravelot
531:www.vauxhallgardens.com
235:Clark, Gregory (2017),
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568:10.1093/ref:odnb/64360
313:10.1093/ref:odnb/27933
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295:Ranger, Paul (2005),
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677:The Vauxhall papers
231:Retail Price Index
31:
649:978-0-86294-046-1
642:, Trefoil Books,
609:, Lost Heritage,
591:(Subscription or
348:(1726): 611–615,
342:The Musical Times
325:(Subscription or
180:for ten seasons.
127:entrance charge.
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722:1767 deaths
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455:Coke (1984)
711:Categories
667:095209150X
595:required.)
329:required.)
212:References
119: – a
86:Bermondsey
46:Kennington
269:Citations
617:15 April
611:archived
512:15 April
506:archived
318:15 April
690:, Jones
583:18 July
536:18 July
170:Dorking
166:Denbies
160:Denbies
133:ridotto
121:ridotto
69:Dorking
67:, near
65:Denbies
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362:964270
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206:Thomas
185:Gothic
125:guinea
74:Thomas
358:JSTOR
248:7 May
217:Notes
662:ISBN
644:ISBN
619:2015
585:2020
572:ISBN
538:2020
514:2015
320:2015
250:2024
80:Life
564:doi
414:(5)
350:doi
346:127
309:doi
229:UK
196:".
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.