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John Larkin (actor, born 1912)

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his wife, Audrey Blum), had wandered into the street, followed by the sound of screeching tires and an impact. Unseen over the weekend, Sara Karr turned out to have saved Laurie at the cost of her own life, as she lingered in a coma during Monday and Tuesday episodes, finally dying on Wednesday, February 22 and engendering an avalanche of calls to CBS along with thousands of letters (over 2,500 in the first day alone). In a response, unprecedented in the annals of daytime drama, Larkin and the actress who had played Sara, Teal Ames, appeared on-screen following the last scene of the next day's episode, with Ames explaining that she was fine and had simply decided to leave the show in order to pursue other career options. Later that year, John Larkin also arrived at the decision that the time had come for a new career direction which, in his case, meant Hollywood. Mike Karr's final installment, on October 10, had the intrepid lawyer departing for the state capital to organize a crime commission. For the next two months, the plotlines centered around supporting character Ed Gibson, another crime-fighting attorney, played by
785:, provided strong dramatic confrontations between the top-billed Lansing, whose General Savage held a delicate balance between personal concern for his men and the responsibilities of command decision, and second-billed Larkin, himself a World War II veteran, who imbued General Crowe with the palpable comprehension of the heavy burden incumbent in relaying life-and-death orders from the top. Filming of the first episodes began in May 1964 and the premiere episode was broadcast on Friday, September 18, in the 9:30–10:30 time slot. A few of the episodes placed Larkin at the center of dramatic conflict, particularly "The Climate of Doubt" (October 23), in which General Crowe faces a board of inquiry for a risky strategy intended to aid the 345:
fighter Mike Karr and his eventual wife, Sara Lane, whom Mike married in 1958, at the start of the show's third year. As the storylines began, Mike was a police officer attending law school who, upon passing his bar exam, became an assistant district attorney and, in the course of time, a criminal attorney in private practice. The show was one of the most popular offerings in daytime television and made the middle-aged Larkin something of a sex symbol, receiving sackfuls of fan mail. Producers of prime-time shows had also taken notice, with Larkin receiving inquiries regarding his availability.
31: 980: 107: 492:) to refocus the priorities of his venal and short-sighted children and in-laws to the true meaning of life. "New Lead Berlin", the 17th and final episode of the series, shown on January 28, 1963, spotlighted John Larkin in a dual role, as Mark Grainger confronted his lookalike, Bartley King. Ultimately, despite respectful critical notices and devoted viewing from a measurable segment of the audience, the drama could not overcome the competition from CBS' top-rated sitcoms 243:(May 30), in which he voiced police lieutenant McPherson, who falls in love with the portrait of the title character. By the early- to mid-1950s, however, most of radio's entertainment and information programming had already transferred to the new medium of television, with the process reaching its completion at the start of the 1960s. 130:. After having acted in an estimated 7,500 dramatic shows on radio, he devoted his final decade to television and, from April 1962 to January 1965, was a key member of the supporting cast in two prime-time series and made at least twenty major guest-starring appearances in many of the top drama series of the period. 265:
December 13, 1954. Following the pattern set by radio, much of daytime programming, including all soaps, was structured as 15-minute productions during television's first eight years of full-schedule broadcasting (1948–56). The show's leading characters, Dr. Jim Brent, a surgeon, and his wife, were
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Larkin's voice had soon come to symbolize the Perry Mason radio persona and he remained with the role for eight-and-a-half years until the program's conclusion in December 1955. During the show's run, he also continued to perform in radio's numerous primetime dramas β€” as an example, in May 1948, he
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The show's place in its audience's affection was ultimately measured by a widely reported event of Friday, February 17, 1961, when, in the final scene of that day's live episode, Sara ran out of the house after the Karrs' two-year-old, Laurie (played by Victoria Larkin, daughter of John Larkin and
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A forceful and dynamic actor, the 44-year-old Larkin was the dramatic fulcrum of the live show, delivering vividly effective courtroom speeches and presenting human frailty tempered by stalwart determination in the face of the multiple vicissitudes which the plotlines devised for dedicated crime
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until its final episode at the end of the year and was almost immediately offered a continuation of the role on television. Procter & Gamble could not, however, come to terms with Erle Stanley Gardner regarding Perry Mason's position as a daytime TV character and the defense attorney, while
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posited Nick Adams as impetuous and emotional reporter Nick Alexander who wore his heart on his sleeve, and John Larkin as his mentor, the wise and understanding city editor Mark Grainger, a veteran newspaperman who had seen it all. A particularly noteworthy episode, "A Shame for the Diamond
789:. At the time of his death on January 29, the day episode 19 was broadcast, Larkin was in the midst of filming the 25th episode of the 32 scheduled for the season. He continued to be seen until the installment of March 19, with the remaining seven episodes featuring generals portrayed by 765:. True to pattern, he was, once again, cast as an authority figure, the stern yet humane Major General Wiley Crowe, the supervising commander of strategic bombing crews, relaying orders to Frank Savage, the youthful Brigadier General in direct charge of the missions. Although the 274:
who also voiced the roles in the radio version. Nine months after the show's cancellation on July 1, 1955, MacLaughlin and one of radio's earlier Perry Masons, Santos Ortega, would spend thirty and twenty years, respectively, on one of daytime's first two half-hour soaps,
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Finally, 1964 ushered in five more guest-starring roles, a second series, and three feature films, which represent John Larkin's entire career on the theatrical screen. "Better Than a Dead Lion", the January 20 episode of the psychiatric series
575:. A charismatic, larger-than-life personality, who is ultimately exposed as a fraud, but one with his heart in the right place, Larkin's "Colonel" dominates the episode and his portrayal may be among the most memorable in the show's history. 254:
Although Larkin had done some television announcing and isolated acting appearances during the medium's early years, his first sustained work came in the final year of his Perry Mason radio run. Another Procter & Gamble radio soap,
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installment, "Louie Pheeters", spotlighted him as cunning murderer Murph Moody, while on Sunday, January 6, he had what may be considered the finest acting assignment of his guest-starring careerβ€”the title role in the
820:, who, after his departure from the series, spent eleven years (1964–75) as a member of the cast. In addition to his daughter Victoria, he and his third wife, Audrey, were also the parents of a son, John Jr. 331:, on Monday, April 2, 1956, ushered in a new era of half-hour soaps to TV, with other daytime dramas eventually expanding to a 30 minutes, then an hour and, ultimately, in one unsuccessful experiment (NBC's 646:
as the chief plotter, General Scott, with an unbilled John Larkin appearing in two scenes as one of his co-conspirators, Colonel Broderick. Then, on March 9, came "The Duncan McIvor Story", an episode from
713:. Playing Linda Evans' father, a wise and compassionate small-town shopkeeper, he provided supportive advice to his daughter and the object of her affection, played by Brandon deWilde. The other feature, 812:
after being stricken with a heart attack at his home. He had a daughter, Cathleen, from his first marriage and another daughter, Sharon, from his second marriage, on June 10, 1950, to future
311:. Daytime's biggest advertiser, however, had another solution, which still permitted Larkin to portray afternoon TV's "Perry Mason" in all but name. Irving Vendig, having scripted the radio 205:
which, as was the case with all radio daytime dramas, consisted of an 11-minute script, broadcast Monday through Friday in a 15-minute time slot, including commercials, promos and credits.
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Although he was born in the San Francisco Bay area, Larkin had spent his entire career in other venues and was now, shortly before his fiftieth birthday, returning to his native state of
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in which, as sculptor John Kenyon, he is exonerated by Raymond Burr's Mason of murdering his Greek model's hostile mother. He was next seen five days later, on April 23, in yet another
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All of Larkin's prime-time appearances were in hour-long dramatic shows, with the first six broadcast within a five-week period in 1962. He was a guest star in the April 24 episode of
936: 372:. In his remaining three years, he worked continuously, appearing in prime-time TV shows (including four guest-starring roles as four different characters on Raymond Burr's 169:, where he became known for versatility in performing announcing and hosting duties in addition to acting in front of the microphone for numerous scripted shows, including 120:(April 11, 1912 – January 29, 1965) was an American actor whose nearly 30-year career was capped by his 1950s portrayal of two fictional criminal attorneys – 665:
episode, "The Case of the Betrayed Bride", was his last and, once again presented him as a murder suspect. At the end, on December 31, there was an episode of
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s title was derived from the fact that it aired at the end of the afternoon period, 4:30, a late time slot which had never previously been occupied by a soap.
897: 571:, presenting himself as a successful businessman and charms all the ladies, especially the still-attractive, prosperous widow, Emily Colfax, played by 488:
in his final acting role as a feisty ninety-year-old (Muni was 67 at the time) who files for divorce from his eighty-eight-year-old wife (played by
671:, "The Wine-Dark Sea". Each of the two feature films, lensed between April and October, gave him three scenes with some well-defined medium shots. 620:, marked his first performance in the new year, followed by the February 7 broadcast of "The Evil of Adelaide Winters", another installment of 295:. Larkin played Frank Dana for the first four months of the show's course, with another actor briefly playing the part in subsequent episodes. 1053: 281:. John Larkin, as Dr. Brent's friend, Frank Dana, had a medium-sized role amidst the show's large supporting cast, including thirty-year-old 777:
portrayed General Savage, Larkin's character was originated for the series. Quinn Martin, who used Larkin in two of the series he produced,
719:, a doomsday thriller about the theft from a bacteriological lab of a deadly virus capable of causing immense casualties, was directed by 1058: 175:, one of network radio's most popular programs of the 1930s, and the one for which he received his first major credit as a radio actor. 299:
lasted only six-and-a-half months on TV, but continued on radio for another four years, finally ending its twenty-two-year run in 1959.
1073: 395:. The following day, April 28, he appeared as one of the murder suspects in "The Case of the Counterfeit Crank", the first of his four 1043: 461:
premiere episode was scheduled for broadcast in the 8:30–9:30 time slot, John Larkin made an appearance on NBC's afternoon series,
286: 195:(1942-1946), he established himself in the capital city of network radio, New York and was offered, in 1947, the title role in 538:. In early January, he was seen on three consecutive days, with the first two occurring on TV's most popular western series, 465:, which specialized in celebrity interviews and show promotions, talking about his career and his hopes for the new venture. 391: 516: 153:. By the latter part of the decade, when he was in his mid-twenties, Larkin had worked for a number of stations, including 638:. The political drama about a planned military takeover of the U.S. Government, was filmed during the final months of the 1038: 1048: 761: 604:, "The Case of the Reluctant Model" (in which he is again a murder suspect) broadcast on October 31, and an episode of 876: 417: 399:
s. Three days later, on May 1, he was seen in the "Savage Sunday" installment of the prestigious anthology series,
154: 616: 747:. His longest scene comes at midpoint and consists of a detailed explanation of the danger posed by the "bug". 522: 439: 407: 937:
McMurran, Kristin. "This Time There's No Doubt Whodunit as ABC Turns Out the Lights on the Long-Running Soap
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for the past nine years, proposed the creation of a late-afternoon daytime drama with basically the same
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remaining with CBS, returned in twenty-one months, on September 21, 1957, as a primetime show, starring
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1963 was another busy year for Larkin, with nine guest appearances plus the final four installments of
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as the title character, an army lieutenant, and Larkin, playing yet another colonel, as his superior.
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A hard-hitting drama which focused on human-interest stories appearing in the fictional newspaper,
73: 261:, which had been on the air since 1937, had initiated a separate TV version, which premiered on 956: 770: 667: 639: 500: 1068: 1063: 672: 600:. The year's last two appearances came in episodes of the 1963–64 season, with yet another 401: 150: 8: 201: 54: 635: 277: 30: 188:
noted, "when the script calls for Frankie to sing, John Larkin does his own singing."
1014: 872: 786: 630: 239: 211: 196: 142: 126: 835:, both premiered in New York on April 14, 1965, three days after his 53rd birthday. 319:-type scripts, except for the name of the lead criminal lawyer, who would be called 149:, Larkin acted on radio, the prime entertainment venue in American homes during the 736: 728: 415:
and, on May 31, appeared in an installment of the highly rated 1920s crime series,
349:, however, which revolved almost entirely around him, required his full attention. 106: 825: 809: 694: 677: 267: 1019: 972: 732: 698: 661:
The final two guest shots were seen during the 1964–65 season. Larkin's fourth
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The remaining seven guest shots were on February 26, in another installment of
572: 405:, which was structured as the pilot episode for his upcoming newspaper series, 380: 271: 759:
John Larkin's last work came in filming episodes for his second series, ABC's
1032: 857:(1964) (Season 2 Episode 16: "The Evil of Adelaide Winters") as Edward Porter 831: 724: 715: 710: 568: 494: 357:, until Mike Karr, now portrayed by Laurence Hugo, returned in mid-December. 563:
episode, "The Colonel". The central character is Frank Medford, a friend of
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He also played Frankie McGinnis in the 1935–41 NBC radio soap opera
849:(1963) (Season 1 Episode 30: "Dear Uncle George") as Simon Aldritch 540: 702: 546: 529: 360: 166: 146: 451:
from June to September 1962 as a summer replacement program for
750: 376:) as well as playing supporting roles in three feature films. 323:. John Larkin thus had his first television leading role, and 411:. On May 18, he returned to guest-star in another episode of 246: 963:. Texas, Harlingen. United Press. June 11, 1950. p. 3 869:
The Complete Directory to Prime Time TV Stars 1946β€”Present
594:, followed by "Dear Uncle George", the May 10 episode of 422: 421:. The following months were spent in filming episodes of 158: 433:, who achieved high recognition in his previous series, 389:, followed three days later, on April 27 by a role in 823:
The two films on which John Larkin received billing,
199:'s three-and-a-half-year-old afternoon crime serial, 124:on radio and Mike Karr on television daytime drama 481:and broadcast on November 26, 1962, guest-starred 1030: 184:, a role that included some singing. An item in 550:, followed by the Monday, January 7 episode of 133: 530:Guest appearances and feature films in 1963–64 285:who, later in the year, would be cast in his 100:Audrey Blum (m. 1961–1965) (2 children) 654:s season of 90-minute color episodes, with 237:(May 9), playing Hildy Johnson, as well as 165:, where he was an announcer and, later, in 29: 510:, with the two-hour slot, which included 447:, NBC showed selected repeat episodes of 993:"John Larkin Dies, Radio-TV Actor, 52" ( 105: 895: 838: 567:from his youthful days, who arrives in 1031: 98:(1950–1961) (divorced) (1 child) 896:Fairfax, Arthur (December 28, 1940). 624:. February 12 saw the release of the 413:The Detectives Starring Robert Taylor 392:The Detectives Starring Robert Taylor 1054:Male actors from Oakland, California 957:"Soap Opera Heroine And Hero Marry" 13: 1059:Military personnel from California 14: 1085: 1074:20th-century American male actors 1004: 978: 457:. Monday, September 17, the day 1044:American male television actors 520:, filled the following week by 986: 949: 930: 889: 871:. New York: Ballantine Books. 523:NBC Monday Night at the Movies 191:Following military service in 1: 883: 163:Kansas City Metropolitan Area 769:production was based on the 685:, billed him eighth, behind 582:, then March 12, in another 361:First year in Hollywood and 7: 266:played by daytime veterans 10: 1090: 1039:American male radio actors 1024:Internet Broadway Database 861: 554:. The Saturday, January 5 16:American actor (1912–1965) 1049:American male film actors 997:, January 31, 1965, p.89) 854:The Alfred Hitchcock Hour 846:The Alfred Hitchcock Hour 597:The Alfred Hitchcock Hour 327:, premiering, along with 289:role as Ensign Pulver in 89: 81: 62: 40: 28: 21: 911:(12): 43. Archived from 806:Valley Doctor's Hospital 93:Genelle Gibbs (1 child) 610:, seen on November 12. 247:Daytime television and 74:Studio City, California 668:Kraft Suspense Theatre 640:Kennedy administration 114: 898:"Mr. Fairfax Replies" 501:The Danny Thomas Show 477:Wedding", written by 437:'s half-hour western 302:Larkin remained with 263:CBS' daytime schedule 113:and John Larkin, 1950 109: 867:Brooks, Tim (1987). 839:Selected Filmography 804:John Larkin died at 580:The Dick Powell Show 454:The Joey Bishop Show 402:The Dick Powell Show 215:version of the 1946 961:Valley Morning Star 762:Twelve O'Clock High 753:Twelve O'Clock High 514:7:30–8:30 lead-in, 512:Saints and Sinners' 504:and ABC's western, 459:Saints and Sinners' 212:Lux Radio Theater's 55:Oakland, California 995:The New York Times 945:, January 7, 1985) 918:on 19 January 2015 727:from the novel by 636:John Frankenheimer 552:Saints and Sinners 536:Saints and Sinners 517:It's a Man's World 474:Saints and Sinners 445:Saints and Sinners 427:Saints and Sinners 408:Saints and Sinners 363:Saints and Sinners 339:The Edge of Night' 329:As the World Turns 278:As the World Turns 115: 905:Movie Radio Guide 787:French Resistance 675:'s family drama, 631:Seven Days in May 470:New York Bulletin 347:The Edge of Night 337:) to 90 minutes. 325:The Edge of Night 249:The Edge of Night 197:CBS Radio Network 186:Movie Radio Guide 143:San Francisco Bay 134:Radio career and 127:The Edge of Night 104: 103: 82:Years active 1081: 999: 990: 984: 983: 982: 976: 970: 968: 953: 947: 934: 928: 927: 925: 923: 917: 902: 893: 779:The Untouchables 737:Richard Basehart 729:Alistair MacLean 723:and scripted by 628:-scripted film, 463:Here's Hollywood 418:The Untouchables 383:'s police drama 258:The Road of Life 222:Cloak and Dagger 151:Depression 1930s 141:A native of the 69: 66:January 29, 1965 50: 48: 33: 19: 18: 1089: 1088: 1084: 1083: 1082: 1080: 1079: 1078: 1029: 1028: 1007: 1002: 991: 987: 977: 966: 964: 955: 954: 950: 935: 931: 921: 919: 915: 900: 894: 890: 886: 864: 841: 826:Those Calloways 810:North Hollywood 757: 695:Brandon deWilde 678:Those Calloways 532: 366: 268:Don MacLaughlin 252: 139: 99: 94: 85:1954–1965 77: 71: 67: 58: 52: 46: 44: 36: 24: 17: 12: 11: 5: 1087: 1077: 1076: 1071: 1066: 1061: 1056: 1051: 1046: 1041: 1027: 1026: 1017: 1006: 1005:External links 1003: 1001: 1000: 985: 973:Newspapers.com 948: 929: 887: 885: 882: 881: 880: 863: 860: 859: 858: 850: 840: 837: 756: 751:Final work on 749: 733:George Maharis 699:Walter Brennan 681:, directed by 644:Burt Lancaster 634:, directed by 617:Breaking Point 573:Helen Westcott 565:Ben Cartwright 531: 528: 381:Leslie Nielsen 365: 359: 292:Mister Roberts 272:Virginia Dwyer 251: 245: 234:The Front Page 228:Ford Theater's 138: 132: 102: 101: 91: 87: 86: 83: 79: 78: 72: 70:(aged 52) 64: 60: 59: 53: 51:April 11, 1912 42: 38: 37: 35:Larkin in 1953 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1086: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1040: 1037: 1036: 1034: 1025: 1021: 1018: 1016: 1012: 1009: 1008: 998: 996: 989: 981: 974: 962: 958: 952: 946: 944: 940: 939:Edge of Night 933: 914: 910: 906: 899: 892: 888: 878: 877:0-345-32681-4 874: 870: 866: 865: 856: 855: 851: 848: 847: 843: 842: 836: 834: 833: 832:The Satan Bug 828: 827: 821: 819: 815: 814:Edge of Night 811: 807: 802: 800: 796: 792: 788: 784: 780: 776: 772: 768: 764: 763: 754: 748: 746: 742: 738: 734: 730: 726: 725:James Clavell 722: 718: 717: 716:The Satan Bug 712: 711:Philip Abbott 708: 704: 700: 696: 692: 688: 684: 680: 679: 674: 670: 669: 664: 659: 657: 653: 651: 645: 641: 637: 633: 632: 627: 623: 619: 618: 611: 609: 608: 603: 599: 598: 593: 589: 585: 581: 576: 574: 570: 569:Virginia City 566: 562: 557: 553: 549: 548: 543: 542: 537: 527: 525: 524: 519: 518: 513: 509: 508: 503: 502: 497: 496: 495:The Lucy Show 491: 487: 484: 480: 475: 471: 466: 464: 460: 456: 455: 450: 446: 442: 441: 436: 432: 428: 424: 420: 419: 414: 410: 409: 404: 403: 398: 394: 393: 388: 387: 386:The New Breed 382: 377: 375: 371: 364: 358: 356: 350: 348: 342: 340: 336: 335: 334:Another World 330: 326: 322: 318: 314: 310: 305: 300: 298: 294: 293: 288: 287:Oscar-winning 284: 280: 279: 273: 269: 264: 260: 259: 250: 244: 242: 241: 236: 235: 230: 229: 225:(May 3), and 224: 223: 218: 214: 213: 206: 204: 203: 198: 194: 189: 187: 183: 182: 176: 174: 173: 168: 164: 160: 156: 152: 148: 144: 137: 131: 129: 128: 123: 119: 112: 108: 97: 92: 88: 84: 80: 75: 65: 61: 56: 43: 39: 32: 27: 20: 994: 988: 971:– via 965:. 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Index


Oakland, California
Studio City, California
Teri Keane

Teri Keane
Perry Mason
The Edge of Night
San Francisco Bay
Oakland
Depression 1930s
KCKN
WHB
Kansas City Metropolitan Area
Chicago
Vic and Sade
Girl Alone
World War II
CBS Radio Network
Perry Mason
Lux Radio Theater's
Gary Cooper
Cloak and Dagger
Ford Theater's
The Front Page
Laura
The Road of Life
CBS' daytime schedule
Don MacLaughlin
Virginia Dwyer

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