1108:(1960), an excursion into England's underworld that functions as a perfectly constructed parable about the new middle class's fear of fallingâa kitchen-sink noir. The problem wasn't so much the disdain of new wave hipsters, as it was one of the director's attitude. Guillermin is something of a melancholic: In his coolly unflinching cinema, tired, traumatized men in desperate situations fight with dour determination for a few shreds of dignity. There's nothing conventionally uplifting about his films; his tales of violence, grimy glory, and defeat conceded with stoicism, don't make for easy viewing experiences. At their finest, Guillermin's films are howls from the soul's darker recessesâtheirs is a savage heart.
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stylistic constants, an expert use of handheld camera to add grit and muscle to key scenes, may be rooted in those early efforts, and they function as counterweights to
Guillermin's penchant for forceful lines, a very plastic sense of interior spaces, and use of overhead shots...Guillermin's interest in conveying how people and spaces relate to one another and how decisions are reached and carried out suggests a spark to his filmmaking that one might call Griersonian even if the grandfather of British documentary focused on social development and progress as opposed to collapse."
838:"The original 'Kong' was part of my childhood and I loved it," said Guillermin. "I dreamed about it. What I wanted to do was to re-create what I'd felt about it the first time I saw it, but still adapt the story to our own day. I didn't think and still don't that you could simply remake it...We all wanted and tried to get back to that lyrical childhood idea of the beauty and the beast. It was tricky trying to balance all the jokes on the one hand and the danger of bathos on the other, but I wanted it to be obvious that we regarded the material with sincerity."
859:"I'm tired of being anonymous," he said around this time. "I admit I've been antagonistic towards the press and publicity. You must admit directors were not taking seriously for a long time." He added that "I've outlived most of my contemporaries who are either destitute or gone on to other things. I may have been anonymous but I've been working with quiet satisfaction and I've made a lot of money. My price per film now is one million dollars plus ten percent of the gross."
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effects. And then, he believe in the story; he believe in the love story. And if he believes in it, it works. Because John
Guillermin believes in this fantastically human love story...Every director at one point jump from one category to another category. No director can be genius from first movie. You must give a chance when people are talented. And I recognize in John some quality. And he did it with KONG. He surprised you, surprised all critics."
1022:(1969). When some members of the Czech crew were late for the first day of filming in 1968, Guillermin screamed at them. He was told by a crew member if he did this again, the entire crew would walk off the set. Guillermin later told Wolper he could not set foot on the set one day because of the complexity of the filming. Wolper told Guillermin he was therefore sacked. Guillermin apologised and was re-employed immediately.
992:. Guillermin in time became known more as a general entertainment director than as an auteur director, and in his later career as a director for films with big budgets and spectacular effects. He also became known as a pipe-smoking exacting perfectionist, filming and refilming scenes to get exactly what he wanted. Unusual camera angles and hand-held camera shots were among his preferred options.
1034:(1976) after a nice conversation with Guillermin. Winters described the director as "A skinny guy, dark, with very sharp features." In the screening room, Winters witnessed a frustrated Guillermin kicking the seat in front until it broke; Winters got an apologetic phone call the next day. Twenty-three years after the film was released, Guillermin called to compliment him on his work on
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cookie and uncompromising in his vision. He either says 'That's a pile of crap and it won't be in my picture' or he goes for it. I think John...takes fantastic stories and then grounds them in a reality he finds a lot of time in the geographic locations." Guillermin's son
Michael-John died in a car accident during the making of
525:(1957), starring John Mills as a detective investigating a small-town murder. Maureen Connell had a small role; she would soon marry Guillermin. According to the BFI, "Detractors have too often accused Guillermin of being merely a journeyman, lacking any real style of his own. The defence would do worse than to offer
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who recalled: "John screams until you get it right. He shouted at me to be 'honestâ, and he wouldn't let up until I was. I'd be upset, but I worked harder until he was satisfied. He did his research, and he got sustained performances out of all of us.â Her co-star Ted Wass said
Gullermin was "a tough
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According to one obituary, "Regardless of whether he was directing a light comedy, war epic or crime drama, Mr. Guillermin had a reputation as an intense, temperamental perfectionist, notorious for screaming at cast and crew alike. His domineering manner often alienated producers and actors...But Mr.
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at the cinema when he was seven. After mustering out of the Royal Air Force at the age of 22, Guillermin's directorial career began in France with documentary filmmaking, some of which was for the perfume company his father worked for. According to a critical review of
Guillermin's work, "One of his
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before going with
Guillermin. "To me John Guillermin is a talent guy," said De Laurentis. "He is a strange character, but this don't mean anything to me. All directors are strange characters. Bergman is a strange character, Fellini is a strange character - all directors. He was very open to special
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Why has
Guillermin's career gone unrecognized? Easy: bad timing. Guillermin hit his stride at the end of the Fifties, just as a post-studio system style of filmmaking was arising with the French New Wave, Britain's Free Cinema, and so on. For the admirers of these idioms, Guillermin's meticulously
781:. Allen got most of the critical kudos which annoyed the director. "I wanted to fight it because dammit I made that picture," said Guillermin. "But I let the studio talk me out of it.They said it would only hurt business. But I was wrong. I should have fought."
705:. Peppard said working with Guillermin was "the most exciting, creative experience I've ever had." Zanuck was a mentor to Guillermin. "If he'd said he'd wanted a picture on a lab technician in the Sahara, I'd have done it eagerly", said Guillermin.
955:. He occasionally left the set halfway through a day's shooting to go sailing. After one argument with the production staff, he stayed away for days. Filming was completed by uncredited, 21-year-old documentary film-maker Charles McCracken.
1009:, described Guillermin as a "demanding director, indifferent to people getting hurt as long as he got realistic action...he was a hard-working, overly critical man whom the crew disliked. However, Guillermin was a master at camera setup."
283:("one of those towns you drive through and never stop at on your way to the coast"), where he attended St Anne's School for Boys. Later he studied at St John's Secondary School For Boys, then for three years at the City of London School.
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Laura Mayne (2017) Whatever happened to the
British âBâ movie? Micro-budget film-making and the death of the one-hour supporting feature in the early 1960s, Historical Journal of Film, Radio and Television, 37:3, 559-576, DOI:
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Guillermin was born Yvon Jean
Guillermin in London on 11 November 1925. His parents, Joseph and GeneviĂšve, were French. Joseph Guillermin worked in the perfume industry. "I have a British passport but actually I'm a bloody
455:. This was described as "the first example of prime Guillermin...a 70-minute programmer so tautly directed that every image counts, every detail matters, every actor's movement feels perfectly timedâa true gem."
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stars Jeff
Bridges who recalled "so many problems" on the film. "Every week or so John Guillermin would just explode, yelling at everybody. It got to the point where we waited for his blow ups." Writer
184:(11 November 1925 – 27 September 2015) was a French-British film director, writer and producer who was most active in big-budget, action-adventure films throughout his lengthy career.
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Memoirs of actors, editors and producers indicate that Guillermin was a difficult man to work with. He is described in Norma Barzman's book where he is mentioned in connection with the shooting of
669:(1964) was an adventure-drama set in the last days of British colonialism. It was meant to be made by the Boulting Brothers, but they dropped out, and Guillermin took over. The film, starring
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wrote that Guillermin was "the most difficult director with whom I'd ever worked." Wolper further described Guillermin as "a real pain in the ass." Guillermin was directing Wolper's
1124:. They had two children, Michelle and Michael-John, the latter of whom died in 1984 in a car accident in Truckee, California. They resided in the Los Angeles area beginning 1968.
497:(1957â58). According to the BFI, "it was a modest beginning but he soon hit his stride with a string of films that transcended their meagre budgets to reveal a genuine talent."
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Guillermin said in a 1976 interview "I've been directing all over the bloody world for 27 years, learning my craft, and by now it's dripping from my fingers. I was ready for
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shot in Egypt. "In Britain they seem to have run out of things to film," he said. "Over here there's an extraordinary freedom to take on an enormous variety of subjects."
740:(1969) was a movie set in the Second World War, shot in Czechoslovakia and produced by David Wolper. It was a difficult shoot, complicated by the 1968 Soviet invasion.
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project in 1989, wrote that Guillermin was "one of those megalomaniacal directors who have to be given the gates of Heaven before they consider doing a project."
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as its Exhibit A, drawing particular attention to its breathtaking PoV shot of the killer stalking a second victim that anticipates the camera gymnastics of
879:, who had a small role in the film. "On my very first day when I questioned a direction I didn't understand, he stood there swearing at me. It was awful."
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605:(1959), now regarded as one of the best Tarzan movies. One writer called it "the most relentless and brutal Tarzan film ever made - it's Guillermin's
259:(1986). In the 1980s, he worked on much less prestigious projects, and his final films consisted of lower-budgeted theatrical releases and TV movies.
1112:"You know, there's really nothing like an exciting film on a big screen," he said in a 1990 interview. "Hopefully, I've made a few in my career."
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after Guillermin requested more time and equipment, particularly aeroplanes, than the budget allowed. Guillermin was also replaced as director on
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Guillermin's impeccable eye and ability to capture both intimate moments and large-scale action scenes usually overcame that reputation."
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The market for British B films was growing tighter due to competition from television; Guillermin directed episodes of shows such as
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REPORTS ON BRITAIN'S VARIED MOVIE FRONTS: Industry Shaken by Television Deal -- Stars on the Ascendant -- Awards by Stephen Watts.
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and it was a lovely opportunity. It could've been better if we'd had more time. Still I'm damned proud. It works. It ain't bad."
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988:(1957) showed his early craftsmanship, with Guillermin managing to obtain a menacing performance from the usually benign
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Champlin, Charles (23 January 1977). "GuillerminâHidden in the Movie Jungle: Guillermin Wants to Make Presence Known".
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1960:âKing Kongâ directed by a cloaked âFrogâ by Ian Brodie 23 Dec. 1976, ;;The Daily Telegraph;; (London, England)
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1104:(1969), were anathema. The only Guillermin film that was somewhat in synch with the fashion of the day is
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511:(1956), shot in Spain for British Lion starring Carlos Thompson. Two of the (uncredited) producers were
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Guillermin and Hill then wrote and produced two films starring the cockney character actor Ben Wrigley:
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Schallert, Edwin (22 August 1957). "'Insurrection' to Call Siobhan McKenna; Ray Milland in New Deal".
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play, which reunited him with Sellers. The latter was particularly successful at the box office.
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said there was "a creative tension" between Guillermin and De Laurentiis which "helped us all".
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in Mesa, Arizona. "The war basically saved me," he said later. "It got me away from my mother."
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Murphy, Mary (10 December 1973). "Movie Call Sheet: 'Partizan'âRod Taylor and Cast of 10,000".
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Guillermin, Mary (2020). "CHAPTER 1 THE EARLY FILMS 1950 TO 1966". In Guillermin, Mary (ed.).
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On 27 September 2015, Guillermin died in Topanga, California, from a heart attack. He was 89.
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Mann, Roderick (24 December 1978). "Movies: Jeff Bridges and the Raising of 'Winter Kills'".
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Mann, Roderick (30 October 1983). "Movies: Actress Lois ChilesâWhere Did It All Go Wrong?".
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726:), a detective movie for Universal. It was followed by another with Peppard shot in Europe,
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in 1942 at the age of 17, lying about his age. This involved studying for six months at the
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described Guillermin as an "imaginative and skillful director" with an "irascible streak."
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and Peter Sellers; Guillermin also wrote the story. For the same company, Guillermin made
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Hendrick, Kimmis (1 February 1966). "'I'm an actor, not a star': Good director".
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Guillermin went to another low-budget outfit, Nettleford, to direct the thriller
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Lee, Grant (20 September 1978). "Film Clips: Life on the Nile with Guillermin".
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Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
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Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
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Guillermin, John (2020). "CHAPTER 2 DEO PROFUNDIS". In Guillermin, Mary (ed.).
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Guillermin received an offer to work in Hollywood, reuniting him with Peppard:
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358:(1950), a thriller. He went to Hollywood in 1950 to study film-making methods.
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1888:, 5 June 1981, page D2 (includes information about Maureen Connell Guillermin)
757:(1972), a popular thriller with Charlton Heston. For the same studio, he made
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329:(1948) which Guillermin helped produce; it was directed by Hill and featured
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Mann, Roderick (14 April 1981). "Back-to-Back Spying in Roger Moore Film".
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370:, a company run by Roger and Nigel Proudlock. Two were based on scripts by
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The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate.
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became a fan of Guillermin and signed him for two more films. These were
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294:; when he was 18, he became a British citizen. He also studied flying at
348:(1949), directed by Hill and Guillermin. Both films were distributed by
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2145:(24 April 1966). "How Zanuck Brought Life to Ailing 20th Century-Fox".
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Guillermin was hired by Independent Artists to make the crime thriller
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482:, which was an attempt by Adelphi to enter bigger budgeted filmmaking.
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he set up a small production company, Advent Films. Together they made
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Scott, Jay (10 August 1984). "After the cackling, Wass is won over".
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519:. Setton hired Guillermin for what would be his breakthrough movie:
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Guillermin attributed much of his famed bad temper to depression.
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2501:"John Guillermin, Director of 'The Towering Inferno,' Dies at 89"
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2475:"John Guillermin, Director of 'The Towering Inferno,' Dead at 89"
2419:. Madison: University of Wisconsin Press, 2008. pp. 332â333.
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1847:. (includes marriage date and names of children with Guillermin)
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co-directed, co-written and co-produced with Robert Jordan Hill
2393:. Lanham, Massachusetts: Scarecrow Press, 2001. pp. 105â6.
548:. Instead Guillermin made another movie with Mills and Setton,
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MOVIE CALL SHEET: 'Criss Cross' for Guillermin Martin, Betty.
1881:. New York: Barnes & Noble Books, 1983. pp. 124â125.
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The One Voice of James Dickey: His Letters and Life 1970â1997
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French-British film director, writer and producer (1925â2015)
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1874:. Edinburgh: Edinburgh University Press, 2006. p. 156.
898:(1980). After this, he was briefly connected to a movie of
1939:"John Guillermin, 'Towering Inferno' Director, Dies at 89"
2367:. Jefferson, NC: McFarland and Company, 2006. p. 199
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to help re-invigorate the Tarzan series. The result was
2406:. New York: Simon & Schuster, 1995. pp. 464â5.
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Chibnall, Stephen; McFarlane, Brian (23 October 2009).
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On 20 July 1956, Guillermin married actress and author
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executed and unapologetically classical works, such as
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playing himself; it was made for Associated British.
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Some Cutting Remarks: Seventy Years as a Film Editor
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New York: Thunder's Mouth Press, 2003. p. 394.
922:. There were two attempts to repeat the success of
882:In the late 1970s, Guillermin was attached to make
748:(1970) was a Western shot in Spain with Jim Brown.
536:Following this, Guillermin announced he would make
412:Guillermin received an offer from the short-lived
366:Guillermin made several movies for the low-budget
2072:The Crowded Day/Song of Paris, Johnston, Trevor.
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1884:Wood, Susan. "A Feminist Tale of Two Continents"
1840:. University of Missouri, 2005. pp. 435â436.
862:He received an offer to direct the all-star film
812:who was looking for a director for his remake of
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1001:(1966) as having a "cold, stiff-lipped manner."
650:In between the two movies, Guillermin directed
2529:John Guillermin: The Man, The Myth, The Movies
2002:John Guillermin: The Man, The Myth, The Movies
1987:John Guillermin: The Man, The Myth, The Movies
1972:John Guillermin: The Man, The Myth, The Movies
1865:John Guillermin: The Man, the Myth, the Movies
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2244:. No. 13.1 Jan/Feb 1977. pp. 18â21.
2035:. No. 50.1 Jan/Feb 2014. pp. 20â21.
951:. Guillermin was still grieving while making
888:and worked on a script with Dean Reisner and
301:He wanted to be a director since he had seen
2417:I Thought We Were Making Movies, Not History
2319:"John Guillermin, film director - obituary"
972:La Révolution française: Les Années lumiÚre
875:"Guillermin was not very nice to me," said
352:for whom Guillermin would write and direct
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2211:Film Contract for Reynolds Martin, Betty.
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1433:also story writer (with Peter De Sarigny)
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697:(1966), an expensive aerial epic starring
163: 1999–2015)
140: 1956–1999)
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3207:Royal Air Force personnel of World War II
2542:Evening Standard British Film Awards 1980
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2076:; London Vol. 21, Iss. 4, (Apr 2011): 85.
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708:The film was a huge commercial success.
565:In between the two, Guillermin directed
102:Film director, producer and screenwriter
2806:The Day They Robbed the Bank of England
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1879:The Illustrated Guide to Film Directors
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1799:Death on the Nile: Making of Featurette
1417:The Day They Robbed the Bank of England
969:For TV, he was one of the directors on
621:The Day They Robbed the Bank of England
319:In 1948, he moved back to London. With
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2017:
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1078:, who worked with him on the unfilmed
656:(1962), another popular Tarzan movie.
399:(1951), a thriller with Reynolds, and
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2473:Burchette, John (30 September 2015).
2380:New York: Scribner, 2003. p. 169
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1937:Slotnik, Daniel E. (1 October 2015).
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1723:co-written and co-produced with Hill
1407:also screenwriter (with Berne Giler)
614:It was followed by a heist film with
505:Guillermin returned to features with
393:Also for Vandyke Guillermin directed
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436:. He made episodes of the TV series
3212:20th-century English businesspeople
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2240:Byron, Stuart. "Kong Is Nice Guy".
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2052:. Palgrave Macmillan. p. 123.
2031:Möller, Olaf. "Savage Spectacles".
1151:Evening Standard British Film Award
892:. He made the Canadian horror film
818:(1976). He had been turned down by
732:(1968). Neither were that popular.
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659:
478:(1954), a shop girl melodrama with
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2531:. Precocity Press. pp. 13â15.
2499:Barnes, John (30 September 2015).
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1974:. Precocity Press. pp. 18â20.
1915:Vagg, Stephen (17 November 2020).
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587:; it was distributed by Columbia.
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2429:Goldman, Lowell (November 1990).
2365:Elmo Williams: A Hollywood Memoir
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1851:Goldman, Lowell (November 1990).
595:Guillermin was hired by producer
540:about the 1916 Easter Rising for
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426:. Back at Vandyke, he codirected
3192:English people of French descent
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1989:. Precocity Press. pp. 1â2.
751:Guillermin returned to MGM with
464:(1954), made for Vandyke by the
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279:Yvon Jean Guillermin grew up in
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2089:Lyons, Kevin (2 October 2015).
1711:Directed by Robert Jordan Hill
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788:but was replaced by Don Sharp.
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571:(1958), a thriller produced by
187:His better-known films include
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137:
2404:In the Arena: An Autobiography
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2008:
2004:. Precocity Press. p. 20.
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962:(1988), a TV western starring
491:(15 TV episodes, 1956â57) and
342:(1949), directed by Hill, and
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2453:The Hollywood Fringe Festival
2162:The Christian Science Monitor
2132:10.1080/01439685.2016.1220765
2091:"John Guillermin (1925-2015)"
1917:"John Guillermin: Action Man"
1892:
1872:John Mills and British Cinema
1085:His work was re-appraised in
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687:(1965), shot in France with
380:(1951), a thriller starring
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2798:Tarzan's Greatest Adventure
1863:Guillermin, Mary (editor).
1845:Contemporary Authors Online
1402:Tarzan's Greatest Adventure
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1028:was employed as editor for
958:Guillermin's last film was
804:(1976) but was replaced by
677:, whose head of production
624:(1960), also made for MGM.
602:Tarzan's Greatest Adventure
591:MGM and Independent Artists
196:Tarzan's Greatest Adventure
10:
3228:
3202:Film directors from London
2750:Adventure in the Hopfields
2570:John Guillermin photograph
1335:Adventure in the Hopfields
1219:Also producer (with Hill)
1047:Before filming started on
722:(1968) (formerly known as
466:Children's Film Foundation
461:Adventure in the Hopfields
422:(1952), a comedy starring
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3010:
3000:
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2583:at British Film Institute
2093:. British Film Institute.
1710:
1697:
1509:
1437:
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1371:
1318:
1284:
1259:
1223:
1057:replaced Guillermin with
808:. His next job came from
171:
114:
106:
98:
90:
71:
42:
30:
23:
1831:American Cinematographer
1459:also screenwriter (with
1310:also screenwriter (with
1166:
1144:
2340:. Toronto. p. E.1.
2202:, 26 November 1966: 18.
1770:The Adventures of Aggie
1116:Personal life and death
798:He was meant to direct
488:The Adventures of Aggie
292:University of Cambridge
37:John Guillermin in 1970
3197:English film producers
2822:Waltz of the Toreadors
2610:The Hollywood Reporter
2506:The Hollywood Reporter
1867:. Precocity Press 2020
1443:Waltz of the Toreadors
1110:
885:The Godfather Part III
771:He had a big hit with
640:Waltz of the Toreadors
405:(1952), a comedy with
214:Waltz of the Toreadors
2878:The Bridge at Remagen
2678:High Jinks in Society
1843:"Maureen Connell" in
1803:TV short documentary
1540:The Bridge at Remagen
1197:High Jinks in Society
1102:The Bridge at Remagen
1093:
1019:The Bridge at Remagen
784:He was meant to make
737:The Bridge at Remagen
554:(1958), the story of
345:High Jinks in Society
226:The Bridge at Remagen
2910:The Towering Inferno
2830:Tarzan Goes to India
2790:I Was Monty's Double
2049:The British 'B' Film
1596:The Towering Inferno
1461:Robert Hardy Andrews
1454:Tarzan Goes to India
1388:I Was Monty's Double
1127:His second wife was
777:(1974) for producer
774:The Towering Inferno
671:Richard Attenborough
653:Tarzan Goes to India
556:Operation Copperhead
551:I Was Monty's Double
544:based on a story by
276:," said Guillermin.
232:The Towering Inferno
208:Tarzan Goes to India
190:I Was Monty's Double
47:Yvon Jean Guillermin
2378:Producer: A Memoir.
1735:
1730:Television director
1708:associate producer
1177:
914:He was replaced on
643:(1962), based on a
618:and Peter O'Toole,
560:M. E. Clifton James
458:It was followed by
439:Your Favorite Story
424:Margaret Rutherford
368:Vandyke Productions
362:Vandyke Productions
333:in his film debut.
83:Topanga, California
3044:Shaft's Big Score!
2734:Operation Diplomat
2664:Films directed by
2431:"Lord of Disaster"
2402:Heston, Charlton.
2389:Winters, Ralph E.
2338:The Globe and Mail
2120:The New York Times
1943:The New York Times
1853:"Lord of Disaster"
1755:Your Favorie Story
1734:
1718:Melody in the Dark
1305:Operation Diplomat
1176:
1069:Andrew V. McLaglen
964:Kris Kristofferson
673:, was released by
448:Operation Diplomat
390:(1951), a comedy.
339:Melody in the Dark
321:Robert Jordan Hill
315:Robert Jordan Hill
3169:
3168:
2968:
2967:
2926:Death on the Nile
2629:Los Angeles Times
2449:"Mary Guillermin"
2415:Mirisch, Walter.
2325:. 1 October 2015.
2305:Los Angeles Times
2290:Los Angeles Times
2275:Los Angeles Times
2257:Los Angeles Times
2227:Los Angeles Times
2213:Los Angeles Times
2200:Los Angeles Times
2186:Los Angeles Times
2147:Los Angeles Times
2143:Champlin, Charles
2106:Los Angeles Times
1859:. pp. 59â70.
1822:
1821:
1785:Sailor of Fortune
1727:
1726:
1674:
1673:
1624:Death on the Nile
1295:co-directed with
1217:also screenwriter
1155:Death on the Nile
1053:(1976), producer
865:Death on the Nile
847:Lorenzo Semple Jr
810:Dino De Laurentis
608:Heart of Darkness
494:Sailor of Fortune
244:Death on the Nile
179:
178:
107:Years active
75:27 September 2015
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1947:
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1934:
1925:
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1877:Quinlan, David.
1860:
1833:, 1977, vol. 58.
1736:
1733:
1681:
1680:
1240:Two on the Tiles
1178:
1175:
1133:family therapist
1026:Ralph E. Winters
820:Steven Spielberg
712:Hollywood career
679:Darryl F. Zanuck
675:20th Century Fox
660:20th Century Fox
387:Two on the Tiles
350:Adelphi Pictures
164:
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57:11 November 1925
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3137:Shaft in Africa
3131:1971 soundtrack
3109:
3093:
3074:
3052:Shaft in Africa
3023:
3006:
2999:
2969:
2964:
2950:King Kong Lives
2902:Shaft in Africa
2782:The Whole Truth
2758:The Crowded Day
2742:Strange Stories
2726:Miss Robin Hood
2668:
2666:John Guillermin
2662:
2620:Washington Post
2575:John Guillermin
2561:John Guillermin
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1836:Dickey, James.
1827:
1825:Further reading
1732:
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1666:King Kong Lives
1582:Shaft in Africa
1377:The Whole Truth
1324:The Crowded Day
1290:Strange Stories
1276:Miss Robin Hood
1218:
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1129:Mary Guillermin
1122:Maureen Connell
1118:
1042:Charlton Heston
1014:David L. Wolper
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953:King Kong Lives
935:King Kong Lives
920:Andrew McLaglen
912:
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769:
760:Shaft in Africa
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577:Stewart Granger
568:The Whole Truth
546:Liam O'Flaherty
517:Mike Frankovich
503:
475:The Crowded Day
429:Strange Stories
419:Miss Robin Hood
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303:Treasure Island
288:Royal Air Force
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256:King Kong Lives
182:John Guillermin
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150:Mary Guillermin
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513:Maxwell Setton
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944:Tanya Roberts
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531:Dario Argento
528:
527:Town on Trial
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414:Group 3 Films
410:
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99:Occupation(s)
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2854:The Blue Max
2852:
2844:
2836:
2828:
2820:
2814:Never Let Go
2812:
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2796:
2788:
2780:
2772:
2766:Thunderstorm
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2740:
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2619:
2608:
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2591:The Guardian
2590:
2537:
2528:
2522:
2512:30 September
2510:. Retrieved
2504:
2494:
2484:30 September
2482:. Retrieved
2468:
2456:. Retrieved
2452:
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2242:Film Comment
2241:
2235:
2226:
2220:
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2207:
2199:
2194:
2185:
2164:. p. 4.
2161:
2155:
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2137:
2127:
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2114:
2105:
2099:
2073:
2068:
2048:
2041:
2033:Film Comment
2032:
2010:
2001:
1995:
1986:
1980:
1971:
1965:
1942:
1920:
1885:
1878:
1871:
1864:
1856:
1844:
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1830:
1811:
1798:
1790:13 episodes
1783:
1775:15 episodes
1768:
1754:
1716:
1701:
1664:
1650:
1636:
1622:
1608:
1594:
1580:
1566:
1552:
1538:
1525:
1513:
1501:The Blue Max
1499:
1485:
1471:
1452:
1441:
1428:Never Let Go
1426:
1415:
1400:
1386:
1375:
1361:
1349:Thunderstorm
1347:
1333:
1322:
1303:
1288:
1274:
1263:
1249:
1238:
1227:
1210:
1195:
1154:
1140:
1137:
1135:and artist.
1126:
1119:
1111:
1106:Never Let Go
1105:
1101:
1098:The Blue Max
1097:
1094:
1088:Film Comment
1086:
1084:
1079:
1076:James Dickey
1073:
1062:
1048:
1046:
1040:
1035:
1029:
1024:
1017:
1011:
1007:The Blue Max
1006:
998:The Blue Max
996:
994:
983:
982:
970:
968:
959:
957:
952:
948:
939:
933:
927:
923:
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913:
910:Later career
899:
893:
883:
881:
874:
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840:
837:
824:MiloĆĄ Forman
813:
799:
797:
792:
785:
783:
772:
770:
767:Blockbusters
758:
752:
750:
743:
742:
735:
734:
727:
723:
717:
715:
707:
694:The Blue Max
692:
682:
664:
663:
651:
649:
645:Jean Anouilh
638:
635:Richard Todd
633:(1960) with
630:Never Let Go
628:
626:
619:
613:
606:
600:
597:Sy Weintraub
594:
573:Jack Clayton
566:
564:
549:
542:Carl Foreman
538:Insurrection
537:
535:
526:
520:
508:Thunderstorm
506:
504:
492:
486:
484:
480:John Gregson
473:
470:Mandy Miller
459:
457:
451:(1953) with
446:
444:
437:
432:(1953) with
427:
417:
411:
407:Dennis Price
400:
394:
392:
385:
375:
365:
353:
343:
337:
335:
331:Max Bygraves
324:
318:
302:
300:
296:Falcon Field
285:
278:
270:
261:
254:
248:
242:
236:
230:
224:
220:The Blue Max
218:
212:
206:
202:Never Let Go
200:
194:
188:
186:
181:
180:
77:(2015-09-27)
18:
3187:2015 deaths
3182:1925 births
3122:Theme from
2958:The Tracker
1813:The Tracker
1760:4 episodes
1677:Other roles
1297:Don Chaffey
1162:Filmography
1059:Jack Smight
979:Personality
960:The Tracker
932:(1984) and
904:Roger Moore
877:Lois Chiles
868:(1978) for
806:Jack Smight
779:Irwin Allen
724:Criss Cross
703:James Mason
468:, starring
434:Don Chaffey
372:Alec Coppel
253:(1984) and
91:Nationality
3176:Categories
3105:John Shaft
3098:Characters
3079:Television
2694:Smart Alec
2458:4 November
1893:References
1780:1957-1958
1765:1956-1957
1229:Smart Alec
1153:1980, for
1100:(1966) or
1067:(1983) by
990:John Mills
918:(1983) by
895:Mr. Patman
890:Mario Puzo
585:Donna Reed
377:Smart Alec
267:Early life
53:1925-11-11
3090:(1973â74)
3012:Based on
2934:Crossover
2918:King Kong
2894:Skyjacked
2886:El Condor
2710:Four Days
2323:Telegraph
1818:TV movie
1638:Crossover
1610:King Kong
1568:Skyjacked
1554:El Condor
1251:Four Days
1074:Novelist
1036:King Kong
1031:King Kong
1012:Producer
924:King Kong
870:EMI Films
842:King Kong
815:King Kong
793:King Kong
754:Skyjacked
745:El Condor
453:Guy Rolfe
396:Four Days
238:King Kong
110:1947â1988
3161:Category
2625:Obituary
2616:Obituary
2605:Obituary
2596:Obituary
2587:Obituary
2581:Obituary
1172:Director
975:(1989).
942:starred
938:(1986).
902:to star
786:Hennessy
763:(1973).
616:Aldo Ray
442:(1953).
416:to make
247:(1978),
241:(1976),
235:(1974),
229:(1969),
223:(1966),
217:(1962),
211:(1962),
205:(1960),
199:(1959),
193:(1958),
172:Children
2846:Rapture
2686:Torment
2479:TheWrap
2435:Starlog
1921:Filmink
1857:Starlog
1487:Rapture
1212:Torment
1080:Alnilam
900:Tai Pan
684:Rapture
355:Torment
165:
157:
153:
142:
134:
130:
115:Spouses
65:England
3071:(2019)
3063:(2000)
3055:(1973)
3047:(1972)
3039:(1971)
3017:(1970)
2961:(1988)
2953:(1986)
2945:(1984)
2942:Sheena
2937:(1980)
2929:(1978)
2921:(1976)
2913:(1974)
2905:(1973)
2897:(1972)
2889:(1970)
2881:(1969)
2873:(1968)
2865:(1968)
2857:(1966)
2849:(1965)
2841:(1964)
2833:(1962)
2825:(1962)
2817:(1960)
2809:(1960)
2801:(1959)
2793:(1958)
2785:(1958)
2777:(1957)
2769:(1956)
2761:(1954)
2753:(1954)
2745:(1953)
2737:(1953)
2729:(1952)
2721:(1952)
2713:(1951)
2705:(1951)
2697:(1951)
2689:(1950)
2681:(1949)
2577:at BFI
2292:. u26.
2277:. f14.
2229:. d23.
2108:. b11.
2056:
1745:Notes
1742:Title
1693:Notes
1687:Title
1652:Sheena
1187:Notes
1184:Title
1064:Sahara
1050:Midway
949:Sheena
940:Sheena
929:Sheena
916:Sahara
801:Midway
691:, and
384:, and
250:Sheena
85:, U.S.
61:London
3124:Shaft
3114:Music
3087:Shaft
3068:Shaft
3060:Shaft
3036:Shaft
3028:Films
3015:Shaft
3003:Shaft
2307:. g1.
2188:. r1.
2149:. b1.
1808:1988
1795:1978
1750:1953
1739:Year
1698:1949
1690:Role
1684:Year
1661:1986
1647:1984
1633:1980
1619:1978
1605:1976
1591:1974
1577:1973
1563:1972
1549:1970
1535:1969
1510:1968
1496:1966
1482:1965
1468:1964
1438:1962
1412:1960
1397:1959
1372:1958
1358:1957
1344:1956
1319:1954
1285:1953
1260:1952
1224:1951
1207:1950
1192:1949
1181:Year
1167:Films
1145:Award
575:with
558:with
159:(
155:
136:(
132:
2862:P.J.
2565:IMDb
2546:IMDb
2514:2015
2486:2015
2460:2021
2054:ISBN
1515:P.J.
1131:, a
854:Kong
830:and
719:P.J.
701:and
583:and
515:and
274:Frog
72:Died
43:Born
3019:by
2627:at
2618:at
2607:at
2598:at
2589:at
2563:at
2544:at
611:".
533:."
3178::
2503:.
2477:.
2451:.
2433:.
2321:.
2265:^
2170:^
2081:^
2019:^
1951:^
1941:.
1929:^
1919:.
1901:^
1855:.
1463:)
1314:)
1091:.
1071:.
1038:.
966:.
926::
906:.
826:,
822:,
579:,
409:.
374:,
161:m.
138:m.
63:,
3127:"
3120:"
2994:e
2987:t
2980:v
2657:e
2650:t
2643:v
2516:.
2488:.
2462:.
2062:.
1945:.
1923:.
1157:.
175:2
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
