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144:, but was from the outset distinguished by a preference for cooler colors and an interest in less dramatic topography, favoring restraint in both palette and composition. The work of Kensett's maturity features tranquil scenery depicted with a spare geometry, culminating in series of paintings in which coastal promontories are balanced against glass-smooth water. He was a founder of the
254:, as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light. Such effects stemmed from Transcendentalist philosophies of sublime nature and contemplation bringing one closer to spiritual truth. In 1848 he was elected into the
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Kensett's style evolved gradually, from the traditional Hudson River School manner in the 1850s into the more refined
Luminist style in his later years. By the early 1870s, Kensett was spending considerable time at his home on
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of artists. Kensett's signature works are landscape paintings of New
England and New York State, whose clear light and serene surfaces celebrate transcendental qualities of nature, and are associated with
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280:, made into an engraving by James Smillie, and distributed to 13,000 Art Union subscribers throughout the country. Other artists painted copies of this scene from the print.
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The artist was widely acclaimed and financially successful during his lifetime. In turn, he was generous in support of the arts and artists. He was a full member of the
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183:. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th-century Dutch
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It was during this time that
Kensett painted some of his finest works. Many of these were spare and luminist seascapes, the prime example being
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772:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Kensett (see index)
764:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Kensett (see index)
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Postcard c. 1914, of
Contentment Island. By the early 1870s, Kensett was spending considerable time at his home on Contentment Island, on
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After establishing his studio and settling in New York, Kensett traveled extensively throughout the
Northeast and the
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published a similar print in about 1860. This single painting by
Kensett helped to popularize the
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Sullivan, Mark W. "John F. Kensett, American
Landscape Painter." Diss., Bryn Mawr College, 1981.
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Trafton, Melissa
Geisler. " 'It is a Joint Venture': John Frederick Kensett's Images for
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Sullivan, Mark W. "John F. Kensett at
Newport: The Making of a Luminist Painter,"
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area until about 1838, then went to work as a banknote engraver in New York City.
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The first complete biography and factual study of
Kensett's work were written by
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Kensett: Artisans in Britain and America in the 18th and 19th centuries
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painting. Kensett and Champney returned to the United States in 1847.
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American Sublime: Landscape Painting in the United States 1820-1880
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as an Associate member and became a full Academician in 1849.
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and studied engraving with his English immigrant father,
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Finding Aid to John Frederick Kensett Papers, 1830-1872
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American Paradise: The World of the Hudson River School
694:, W. W. Norton & Company: New York, New York, 1985.
140:. Kensett's early work owed much to the influence of
119:(March 22, 1816 – December 14, 1872) was an American
156:Born on March 22, 1816, Kensett attended school at
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131:. He was a member of the second generation of the
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748:. London, King's Research Portal, November 2014.
719:, vol. 25, no. 2, Summer 2011, pp. 104–119.
207:as well as making several trips back to Europe.
261:In 1851 Kensett painted a monumental canvas of
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769:Art and the empire city: New York, 1825-1861
1399:A Storm in the Rocky Mountains, Mt. Rosalie
798:Metropolitan Museum of Art online catalogue
737:Vol. 138, No. 5 (November 1990), 1030–1041.
697:Johnson, Ellen Hulda. "Kensett Revisited",
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692:John Frederick Kensett, An American Master
521:Mount Washington from the Valley of Conway
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690:Driscoll, John Paul and John K. Howat.
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199:Kensett painting in his studio, ca. 1866
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680:, Princeton University Press, 2002.
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618:List of Hudson River School artists
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1314:Thomas Cole National Historic Site
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1406:Twilight in the Wilderness
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663:Barrington and Wilton, 134
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342:National Academy of Design
335:Metropolitan Museum of Art
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587:Eaton's Neck, Long Island
507:Thyssen-Bornemisza Museum
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222:and seascapes of coastal
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1132:Thomas Prichard Rossiter
992:Sanford Robinson Gifford
782:, accessed May 18, 2016.
636:Barringer and Wilton, 25
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236:Sanford Robinson Gifford
35:John Frederick Kensett (
1503:Cheshire Academy alumni
1488:American marine artists
1336:Among the Sierra Nevada
1249:Catskill Mountain House
1208:National Gallery of Art
922:Alfred Thompson Bricher
735:The Magazine Antiques,
562:, oil on canvas, 1869,
487:, oil on canvas, 1860.
426:, oil on canvas, 1855.
408:, oil on canvas, 1852.
1453:American male painters
1357:The Heart of the Andes
1182:Alexander Helwig Wyant
1177:Worthington Whittredge
1162:Mary Josephine Walters
1137:Francis Augustus Silva
1122:William Trost Richards
1057:John Frederick Kensett
1032:Hermann Ottomar Herzog
997:Régis François Gignoux
957:Jasper Francis Cropsey
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780:New York State Library
484:Beverly, Massachusetts
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244:Jasper Francis Cropsey
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117:John Frederick Kensett
23:John Frederick Kensett
1304:Rip Van Winkle Bridge
1279:Kaaterskill High Peak
1147:James Augustus Suydam
1097:Charles Herbert Moore
1002:Eliza Pratt Greatorex
942:Frederic Edwin Church
937:John William Casilear
482:View of the Beach at
388:, published in 1957.
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177:John William Casilear
129:Cheshire, Connecticut
59:Cheshire, Connecticut
1350:The Course of Empire
1112:William Sidney Mount
1062:Robert G. L. Leonori
1027:Martin Johnson Heade
1007:Daniel Charles Grose
907:Albert Fitch Bellows
850:Age of Enlightenment
428:St. Louis Art Museum
248:Martin Johnson Heade
171:In 1840, along with
1309:Storm King Mountain
1012:James McDougal Hart
977:Robert S. Duncanson
962:William Moore Davis
927:William Mason Brown
892:John Dodgson Barrow
887:William Bliss Baker
836:Hudson River School
613:History of painting
505:, 1860–1869.
462:Darien, Connecticut
366:Green-Wood Cemetery
352:Kensett contracted
322:Darien, Connecticut
305:Darien, Connecticut
232:Hudson River School
133:Hudson River School
1438:American engravers
1203:Wadsworth Atheneum
1172:Robert Walter Weir
1127:Ferdinand Richardt
1117:Harriet Cany Peale
1072:Homer Dodge Martin
1067:Edmund Darch Lewis
982:Asher Brown Durand
967:Lockwood de Forest
314:Contentment Island
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278:American Art Union
267:White Mountain art
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191:Established studio
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1274:Kaaterskill Falls
1269:Kaaterskill Clove
1259:Croton Point Park
1092:Louis Rémy Mignot
1087:Mary Blood Mellen
699:The Art Quarterly
525:Wellesley College
424:Upper Mississippi
362:Long Island Sound
318:Long Island Sound
301:Long Island Sound
181:Benjamin Champney
121:landscape painter
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69:December 14, 1872
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1289:North–South Lake
1157:William Guy Wall
987:Hermann Fuechsel
912:Albert Bierstadt
902:Julie Hart Beers
897:Susie M. Barstow
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282:Currier and Ives
263:Mount Washington
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37:David Johnson
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1364:The Icebergs
1362:
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1299:Platte Clove
1152:Jesse Talbot
1102:Thomas Moran
1056:
1017:William Hart
860:Victorianism
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717:American Art
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713:Lotus-Eating
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173:Asher Durand
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71:(1872-12-14)
1433:1872 deaths
1428:1816 births
1284:Lake Mohonk
1037:Thomas Hill
947:Thomas Cole
855:Romanticism
559:Lake George
540:Lake George
503:Lake George
465:, c. 1872,
444:, c. 1870,
442:Lake George
252:"Luminists"
228:Long Island
220:New England
142:Thomas Cole
82:Nationality
1422:Categories
1167:Paul Weber
671:References
288:region of
224:New Jersey
93:Painting,
51:1816-03-22
1385:The Oxbow
1319:Hyde Park
1264:Ever Rest
1242:Locations
843:Movements
392:Paintings
354:pneumonia
212:landscape
185:landscape
166:New Haven
152:Biography
99:Engraving
602:See also
591:New York
374:New York
370:Brooklyn
138:Luminism
127:born in
125:engraver
109:Luminism
105:Movement
85:American
1378:Niagara
1191:Museums
874:Artists
864:Realism
778:at the
39:, 1874)
684:
572:Durand
527:Museum
380:Legacy
273:Conway
1328:Works
1294:Olana
624:Notes
348:Death
320:near
316:, on
303:near
726:",
682:ISBN
570:and
568:Cole
218:and
175:and
123:and
66:Died
45:Born
715:",
589:in
368:in
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214:of
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246:,
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49:(
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