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According to
Gehring, Bunny was "the first in a long line of American personality screen comedians", whose approach is marked by a "subordination of story to character". The personality focus of Bunny's films was also noted by the screenwriter Catherine Carr, who wrote in 1914: "In most big companies at the present day there are maintained actors around whose personality comedies are being written; i.e., John Bunny, Flora Finch, etc. These actors take the mere germ of a comedy and develop it through their clever acting into a screen production that brings laughter wherever it is shown." Modern viewers may not find Bunny's films as funny as Carr described, however. The film scholar
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expect on the stage. He may get summer stock work, but even so it is of uncertain duration. Stage work is a gamble. Even when you have been engaged for a production, rehearsed from three to six weeks without pay, and no doubt bought your own costumes for the piece, you have no guarantee that it will be a success. If the public does not set its stamp of approval, your job is all over perhaps after but one performance, and you can only repeat the procedure by trying again with someone else, charging the other to your loss account, with a credit notation probably on the page marked 'experience.'
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308:, Bunny demonstrated "that a real actor can make an incredible success before audience without any of the vulgarity or horseplay which used to be considered essential." This assessment is echoed by the modern film scholar Wes Gehring, who writes that "Bunny helped elevate at the time what was still often considered a second-class medium to a level of artistic significance".
316:, for instance, writes that Bunny's "characterizations contain nothing creative, and he uses no knockabout or slapstick comedy. His comedy is all very middle class and very polite. Often so dull is the storyline that the comedy is difficult to uncover. Time and again one wonders if audiences ever did laugh at his work, and, if so, why?"
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177:, but was refused a job because the studio manager believed he could not offer Bunny a high enough salary. Bunny, however, insisted on taking the lower pay and began working at Vitagraph Studios around 1910, where he went on to star in over 150 films. At Vitagraph, Bunny was often paired with the comedian
311:
According to Frank
Scheide, Bunny's films might have been taken more seriously because "Bunny's humor was based more on comedy of manners than slapstick", a "polite" and "respectable" form of situational comedy in contrast to the "decidedly lowbrow, crass, and often violent" humor of slapstick films.
292:, "The advent of the film drama found particularly well endowed for the new art of acting without words. The range of his facial expression was altogether wonderful, and when the emotion of the moment had told its story in his features there was nothing left for the words to do." The poet and writer
236:
There's nothing like it. No other work gives an actor or would-be actor the same advantages. In the pictures, a player gets fifty-two weeks in the year. Where is the theatrical manager who can offer that? Not even vaudeville stars can get such bookings. At best, thirty weeks is about all an actor can
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article claimed: "To John Bunny ... must be given the credit of presenting the first bits of refined comedy in photoplay. Previous to his advent into screenland film comedies were either "chases" or grotesque trick photography. He rescued screen humor from the chamber of horrors and placed it in the
806:
Sources disagree on the exact date Bunny began working for the
Vitagraph Company. As summarized by Anthony Slide, "There is considerable question not only as to why Vitagraph, but also as to when. According to William Basil Courtney, Bunny's name first appeared on the Vitagraph payroll on October
261:
editorial published after Bunny's death noted that thousands recognized him as "the living symbol of wholesome merriment", and declared: "Wherever movies are exhibited, and that is everywhere, Bunny had his public. It is perfectly safe to say that no other camera actor was as popular in this
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at the age of twenty. In a stage career spanning twenty-five years, Bunny worked for a number of touring and stock theater companies, with stints in
Portland, Seattle, and various cities on the east coast. Bunny eventually worked his way into Broadway, where he was in productions such as
181:, with whom he made many popular comedies – often featuring situational humor in a domestic setting, in contrast with the rowdier slapstick style used in some films at the time – that came to be known as "Bunnygraphs" or "Bunnyfinches". According to the
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country." The actress
Frances Agnew wrote in 1913 that "Mr. Bunny's name is a household word, not only from coast to coast in America, but also in every city and town in the world at all acquainted with the 'movies'". An article published in London's
330:
signed George Bunny, John's brother, for films but the attempt was not successful. New comedians came to the fore in silent film and John Bunny faded into obscurity. However, in 1960 he was inducted into the
172:
In a 1915 interview, Bunny recounted how he decided to enter the film industry after determining that "it was the 'movies' that were the main cause of the lean times on stage." Bunny offered his services to
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declared, "Mr. Bunny has an extensive and extremely flexible face. ... We know at once why Mr. Bunny never speaks. He could not possibly find words to convey the extremity of his feelings." According to
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Despite his genial on-screen persona, Bunny was disliked by some of his fellow actors at
Vitagraph. Bunny and Finch "cordially hated each other" according to Vitagraph's co-founder
811:, released on January 10, 1911. Historian and archivist Sam Gill, who has undertaken extensive research into John Bunny's career, believes that his first screen appearance was in
281:
Bunny's skills as an actor were praised by his contemporaries. In particular, his ability to convey emotion without the use of words drew comment from critics. John Palmer of the
336:
1006:
Joyce Kilmer (May 2, 1915). "Pantomime
Revived by John Bunny: Art of Silent Comedy, After a Lapse of Centuries, Appears in Moving Pictures of Famous Actor Who Died Last Week".
31:
142:, New York and educated in New York public schools. The son of an English father and an Irish mother, he initially worked as a clerk in a general store before joining a small
815:, released on December 2, 1910. The only subject on which there is general agreement is Bunny's initial salary—$ 40.00 a week" (Slide & Gevinson 1987, p. 47).
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191:(1912), which features the efforts of a wife to put a stop to her husband's gambling habit by organizing a fake police raid on his weekly poker game.
122:(September 21, 1863 – April 26, 1915) was an American actor. Bunny began his career as a stage actor, but transitioned to a film career after joining
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Lanier 1915, pp. 567–574. For another interview in which Bunny describes his entrance into the film industry, see Agnew 1913, pp. 98–100.
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wrote glowingly of Bunny's acting ability, and claimed that Bunny was responsible for reviving the art of pantomime.
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Quoted in Slide 2002, p. 59. Slide says he found this quote in the unpublished manuscript of Smith's memoirs,
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around 1910. At
Vitagraph, Bunny made over 150 short films – many of them domestic comedies with the comedian
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at his home in
Brooklyn on April 26, 1915. He was survived by his wife and two sons and interred in the
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894:"John Bunny Dies; Movie Funmaker: Fat, Big, Round-Faced Actor Who Made Millions Laugh Succumbs at 52".
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335:(though he made most of his movies in the East) for his contributions to the film industry with a
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Silent
Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses
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909:"Throng at Bunny Funeral: Film and Legitimate Stage Actors Attend Services at Elks' Club".
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Silent Film Stars on the Stages of Seattle: A History of Performances by Hollywood Notables
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Gehring, Wes D. (1995). "John Bunny: America's First Important Film Comedian".
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278:'s entourage was mistaken for the actor while the King was visiting Scotland.
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753:
Vaudeville Old & New: An Encyclopedia of Variety Performances in America
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Gill, Sam (Summer 1972). "John Bunny: A filmography compiled by Sam Gill".
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953:"Loved Bunny in Britain: Movie Funny Man Once Wept Over Dockers' Ovation".
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831:(Press release). News from the Library of Congress. December 28, 2011.
692:"John Bunny's Face Known in Every Corner of Earth Where Films are Seen"
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in England and how his fame was such that a heavy-set member of King
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Bunny had been acting in films for only five years when he died from
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Bunny was one of the most well known film actors of his lifetime. A
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27, 1910. Albert E. Smith claims Bunny's first Vitagraph film was
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recounted the enthusiastic reception Bunny received while filming
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World of Laughter: The Motion Picture Comedy Short, 1910–1930
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World of Laughter: The Motion Picture Comedy Short, 1910-1930
30:
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829:"2011 National Film Registry More Than a Box of Chocolates"
130:– and became one of the most well-known actors of his era.
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Frank Cullen; Florence Hackman; Donald McNeilly (2007).
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For a review of Bunny's performance at the Astor, see
854:Donald W. McCaffrey; Christopher P. Jacobs (1999).
480:Partially animated short created by Winsor McCay
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304:hall of fame". In the words of his contemporary
232:Regarding a career as a film actor, Bunny said:
1297:Dunham, Harold (Winter 1968–69). "John Bunny".
1098:. New York: Hannis Jordan Company. p. 27.
704:says his first stage role was at nineteen. See
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1254:The Big V: A History of the Vitagraph Company
1251:
1226:. Vol. 29, no. 5. pp. 567–577.
783:"Astor Theatre Opens with Lovely Spectacle".
1151:, University of Oklahoma Press, 1966, p. 17.
1057:Andrew Horton; Joanna E. Rapf, eds. (2012).
1005:
857:Guide to the Silent Years of American Cinema
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947:The article was sent in a special cable to
1189:. New York: Reliance Newspaper Syndicate.
185:, the Bunnygraph genre was exemplified by
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1454:Burials at the Cemetery of the Evergreens
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1331:. Norman: University of Oklahoma Press.
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1252:Slide, Anthony; Gevinson, Alan (1987).
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1168:from the original on February 23, 2018.
860:. Greenwood Publishing Group. pp.
843:from the original on November 14, 2017.
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1348:. New York: Doubleday & Company.
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1256:(revised ed.). Scarecrow Press.
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1162:"John Bunny | Hollywood Walk of Fame"
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813:Jack Fat and Jim Slim at Coney Island
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1164:. Hollywood Chamber of Commerce.
1138:Slide & Gevinson 1987, p. 44.
165:(1906), where his performance as
1444:American male silent film actors
1271:Vazzana, Eugene Michael (2001).
1237:. University Press of Kentucky.
787:. September 22, 1906. p. 7.
326:In 1918, after Bunny's passing,
1479:20th-century American comedians
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1322:. March 19, 1915. p. 16.
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928:. April 27, 1915. p. 12.
913:. April 29, 1915. p. 14.
898:. April 27, 1915. p. 13.
698:. April 16, 1915. p. 13.
385:Cohen's Dream of Coney Island
1220:"The Coquelin Of The Movies"
1095:The Art of Photoplay Writing
1022:"Another John Bunny in Film"
713:. April 27, 1915. p. 3.
419:Captain Barnacle's Chaperone
407:Davy Jones and Captain Bragg
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1275:(2nd ed.). McFarland.
1028:. April 7, 1916. p. 6.
995:. May 8, 1915. p. 876.
530:Michael McShane, Matchmaker
159:'s inaugural production of
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1439:American male stage actors
1372:Internet Broadway Database
1061:. Wiley. pp. 29, 44.
1059:A Companion to Film Comedy
728:. McFarland. p. 105.
446:Teaching McFadden to Waltz
247:Cemetery of the Evergreens
216:(1911). Left to right are
1474:Male actors from Brooklyn
1344:Smith, Albert E. (1952).
1327:Lahue, Kalton C. (1966).
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70:New York, New York, U.S.
1484:Comedians from Brooklyn
1231:Slide, Anthony (2002).
1183:Agnew, Frances (1913).
1092:Catherine Carr (1914).
657:The Jarrs Visit Arcadia
586:Bunny Dips Into Society
249:in Brooklyn, New York.
1301:. No. 1. Unpaged.
620:Professor Simon Sweet
503:Captain Jenks' Dilemma
333:Hollywood Walk of Fame
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1464:Silent film comedians
1459:Deaths from nephritis
1346:Two Reels and a Crank
1273:Silent Film Necrology
1186:Motion Picture Acting
1127:Two Reels and a Crank
1081:Gehring 1995, p. 121.
1047:Gehring 1995, p. 122.
989:"Death of John Bunny"
924:"The Loss of Bunny".
757:. Routledge. p.
724:Eric L. Flom (2009).
711:The Morning Oregonian
707:"John Bunny Succumbs"
563:Jonathan Whippletree
487:His Sister's Children
392:Cohen at Coney Island
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1216:Lanier, Henry Wysham
1038:Lanier 1915, p. 577.
1026:The Washington Times
700:Bunny's obituary in
696:The Washington Times
681:Vazzana 2001, p. 69.
517:A Cure for Pokeritis
351:Selected filmography
337:motion pictures star
253:Reception and legacy
188:A Cure for Pokeritis
974:The Saturday Review
641:Hearts and Diamonds
600:Bunny as a Reporter
572:The Pickwick Papers
383:Alternative title:
271:The Pickwick Papers
222:Julia Swayne Gordon
201:The Pickwick Papers
183:Library of Congress
1308:The Silent Picture
1299:The Silent Picture
1116:Slide 2002, p. 59.
1008:The New York Times
955:The New York Times
949:The New York Times
938:Agnew 1913, p. 95.
926:The New York Times
911:The New York Times
896:The New York Times
884:Agnew 1913, p. 96.
785:The New York Times
459:Her Crowning Glory
438:Bridget McSweeney
290:The New York World
230:
206:
169:garnered acclaim.
138:Bunny was born in
48:September 21, 1863
1316:"John Bunny Show"
1147:Kalton C. Lahue,
1068:978-1-4443-3859-1
768:978-0-415-93853-2
735:978-0-7864-3908-9
666:
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628:Setting the Style
434:A Queen for a Day
423:Captain Barnacle
212:Scene still from
175:Vitagraph Studios
124:Vitagraph Studios
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65:(1915-04-26)
1424:1915 deaths
1419:1863 births
970:"Mr. Bunny"
473:Little Nemo
341:Vine Street
179:Flora Finch
153:Easy Dawson
149:Aunt Hannah
128:Flora Finch
1413:Categories
1395:John Bunny
1386:John Bunny
1377:John Bunny
1368:John Bunny
1177:References
986:Quoted in
265:Daily News
120:John Bunny
76:Occupation
44:1863-09-21
23:John Bunny
1337:246244278
1195:892525393
837:0731-3527
464:Mortimer
450:McFadden
345:Hollywood
113:(brother)
107:Relatives
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167:Bottom
84:Spouse
669:Notes
653:1915
612:1914
541:1913
498:1912
430:1911
403:1910
372:1909
364:Role
361:Film
358:Year
95:(
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60:Died
38:Born
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343:in
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