John Barbirolli - Knowledge

754:'s Double Bass Concerto. The players told the Philharmonic management that they would be happy for Barbirolli to be appointed to a permanent position. The outcome of this was an invitation to him to become Music Director and Permanent Conductor for three years starting with the 1937–38 season. At the same time as this great change in his professional life, Barbirolli's personal life was also transformed. His marriage had not lasted; within four years he and Marjorie Barbirolli had been living apart. In 1938 she sued for divorce on the grounds of his desertion. The suit was undefended, and the divorce was granted in December 1938. In 1939, Barbirolli married the British oboist 169: 873: 656: 994:, 1951–53, but he declined to be wooed away from the Hallé. His biographer Charles Reid wrote, "His Manchester kingdom is a kingdom indeed. He is not manacled or chivied in his choice of programmes. Broadly speaking he conducts only what he loves ... His kingdom approximates to a conductor's paradise." Nevertheless, in 1958, after building the orchestra up and touring continually, conducting up to 75 concerts a year, he arranged a less onerous schedule, allowing him more time to appear as a guest conductor with other orchestras. He also appeared at the 234: 435: 3492: 22: 603:. It was not then, as its successor the Scottish National Orchestra was later to be, a permanent ensemble, but gave a season lasting about six months of each year. Barbirolli remained with the Scottish Orchestra for three seasons, "rejuvenating the playing and programmes and winning most favourable opinions". Notwithstanding his growing reputation in Britain, Barbirolli's name was little known internationally, and most of the musical world was taken by surprise in 1936 when he was invited to conduct the 5132: 1291:

illustrated by the care he took with Mahler's symphonies. His biographer Michael Kennedy commented, "it is ironical that the effort of composing the symphonies shortened Mahler's life; interpreting them certainly put an enormous strain on Barbirolli in his last decade." He found that mastering a Mahler symphony took between 18 months and two years, and he would spend hours meticulously bowing all the string parts in preparation for his performances. His first performance of Mahler's

1155: 850:, who was First Sea Lord, wrote to me to say that, contrary to expectations, music was flourishing and would I come back as I was missed. I was longing to return and it was just a question of how it was to be managed. A.V. went to Churchill, who apparently said, "If he's fool enough to come, let him come". It took us 23 days to cross on a fruit trader and, of our convoy of 75, only 32 ships arrived in Liverpool. I played here for ten weeks with the LSO and 891: 674: 1314:. On hearing it, the composer said, "I'd never realised it was such a big work." Elgar, despite an extensive discography as a conductor, never recorded the work himself, and some have speculated that "the breadth, nobility and lyrical poetry" of Barbirolli's interpretation left the composer disinclined to compete. In 1928 Barbirolli made some recordings for the Edison Bell label. The same year, he began his long association with the 952:

former players commented, "If you wanted orchestral experience you'd be set for life, starting in the Hallé with John Barbirolli." Further afield, critics, audiences and players in Europe and the United States commented on the improvement in the playing of their orchestras when Barbirolli was in charge. Later he extended his teaching skills to the Royal Academy of Music, where he took charge of the student orchestra from 1961.

1397:. From the 1990s onwards, archive recordings of Barbirolli's early concerts in New York have been issued on CD. Kennedy wrote in 2004 that they "prove that the orchestra played superbly for him and that the criticism of him was largely unjustified." Recordings from this period include symphonies by Beethoven, Mendelssohn, Mozart, Schubert, Schumann, Sibelius and Tchaikovsky, and other orchestral music by Berlioz, 1022: 4235: 3865: 3832: 3813: 3724: 3684: 3616: 3583: 1232: 1342: 325:

While in the army, Barbirolli adopted the anglicised form of his first name for the sake of simplicity: "The sergeant-major had great difficulty in reading my name on the roll-call. 'Who is this Guy Vanni?' he used to ask. So I chose John." After demobilisation he reverted to the original form of his

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The young Barbirolli began to play the violin when he was four, but soon changed to the cello. He later said that this was at the instigation of his grandfather who, exasperated at the child's habit of wandering around while practising the violin, bought him a small cello to stop him from "getting in

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From almost the start of his career Barbirolli was a frequent recording artist. As a young cellist he made four records for Edison Bell in 1911, with piano accompaniment by his sister Rosa, and as part of the Kutcher and the Music Society string quartets he recorded music by Mozart, Purcell, Vaughan

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also noted, "From his earliest days with the orchestra it was the string tone that commanded immediate attention and respect. There was a fiery intensity and glowing warmth that proclaimed the born string coach". Barbirolli retained his reputation for training orchestras: after his death, one of his

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had opposed Barbirolli's appointment from the outset, insisting that, though "we abhor chauvinism", preference should have been given to "native conductors". Downes had a grudge against the Philharmonic: shortly before Barbirolli's appointment Downes was sacked as the commentator for the orchestra's

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during our spare time. I was the principal cello and we were conducted by the bandmaster, one Lieutenant Bonham. The other boys knew that I was longing to conduct and one day when Bonham fell ill with 'flu, they thought "old Barby" – as I was known – should have a go. It was really rather romantic –

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In 1968, after 25 years with the Hallé, Barbirolli retired from the principal conductorship; no successor was appointed in his lifetime. He was appointed the orchestra's Conductor Laureate. He reduced the number of his appearances with the Hallé, but nevertheless took it on another European tour in

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was shot down. In Manchester, Barbirolli immediately set about reviving the Hallé. The number of players in the orchestra was down to about 30. Most younger players were serving in the armed forces, and to compound the shortage the management of the orchestra had ended the arrangement by which many

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government. Following a campaign of protest in New York he felt unable to take up the appointment. For want of any available conductor of comparable fame the management of the orchestra invited five guest conductors to divide the season among them. Barbirolli was allotted the first ten weeks of the

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Barbirolli's biographer Charles Reid writes, "Barbirolli's appointment was announced by the New York Philharmonic Society's directorial board on 7 April 1936. The musical world rubbed incredulous eyes. … In much newspaper comment the following day surprise verged on perplexity. Nobody had heard of

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wrote privately in 1969, "he seems so much to love a single phrase that he lingers over it, caressing it; meanwhile the general momentum is lost." His final year, 1970, was dogged by heart trouble; he suffered collapses in April, May, June and July. His last two concerts were with the Hallé at the

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Barbirolli returned to New York to complete his contractual obligations to the Philharmonic. Shortly after his return he received an appeal from the Hallé Orchestra to become its conductor. The orchestra was in danger of extinction for lack of players, and Barbirolli seized the opportunity to help

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and the rest were shocked by this but there was little they could do about it. They also said that conductors must become American citizens. I couldn't do that during the war, or at any time for that matter." His second reason for leaving was that he felt strongly that he was needed in England. In

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continually wrote disparagingly about Barbirolli, comparing him unfavourably with Toscanini. The management of the orchestra nevertheless renewed Barbirolli's appointment in 1940. In 1942, when his second contract was reaching its expiry, he was offered 18 concerts for the 1943–44 season, and the

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later wrote of Barbirolli's first actions for the orchestra: "In a couple of months of endless auditions, he rebuilt the Hallé, accepting any good player, whatever his musical background – he found himself with a schoolboy first flute, a schoolmistress hornist, and various brass players recruited

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Many of Barbirolli's pre-war recordings for HMV were of concertos. His reputation as an accompanist tended to obscure his talents as a symphonic conductor, and later, his detractors in New York "damned him with faint praise by exalting his powers as an accompanist and then implying that that was

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was placed on the wall of the Bloomsbury Park Hotel in Southampton Row in May 1993 to mark Barbirolli's birthplace. The Sir John Barbirolli Memorial Foundation of the Royal Philharmonic Society was instituted after his death to assist young musicians with the purchase of instruments. In 1972 the

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From 1916 to 1918 Barbirolli was a freelance cellist in London. He recalled, "My first orchestral engagement was with the Queen's Hall Orchestra – I was probably the youngest orchestral musician ever, joining them in 1916. We had an enormous repertory – six concerts a week, three hours or more

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liked and admired Barbirolli but teased him for his meticulousness: "We can't all be like you and spend months studying these things and then have days of rehearsals before we conduct them. For some of us they're only sporting events." Barbirolli was shocked by such levity. His approach was

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Symphony to Barbirolli, whose nickname, "Glorious John", comes from the inscription Vaughan Williams wrote at the head of the score: "For glorious John, with love and admiration from Ralph." Barbirolli did not disdain lighter repertoire. The music critic Richard Osborne wrote that, if all

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Barbirolli refused invitations to take up more prestigious and lucrative conductorships. Shortly after he took over the Hallé he received an offer from the sponsors of an ambitious scheme that would have put him in charge of the London Symphony Orchestra, and in the early 1950s the

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and Rome Opera forces that has remained in the catalogues since its first issue in 1967. The impact of the last was such that the head of the Rome Opera invited him to come and conduct "any opera you care to name with as much rehearsal as you wish." HMV planned to record

1098:(Latin America, 1963), BBC Symphony Orchestra (Czechoslovakia, Poland and the USSR, 1967) and the Hallé (Latin America and West Indies, 1968). It was a lasting disappointment to him that it never proved possible to take the Hallé on a tour of the United States. 444:

In 1929, after financial problems had forced the BNOC to disband, the Covent Garden management set up a touring company to fill the gap, and appointed Barbirolli as its musical director and conductor. The operas in the company's first provincial tour included

1441:. A company was formed, named Pye-Barbirolli, of which he was a director: the arrangement was designed to ensure an equal partnership between the company and the musicians. They made many recordings, including symphonies by Beethoven, Dvořák, Elgar, Mozart, 355:, under Elgar's baton, in the LSO cellos. He joined two newly founded string quartets as cellist: the Kutcher Quartet, led by his former fellow student at Trinity, Samuel Kutcher, and the Music Society Quartet (later called the International Quartet) led by 1662:

Barbirolli's last concert as conductor of the New York Philharmonic was on 7 March 1943. He did not conduct the orchestra again until he appeared as guest conductor in 1959, after which he conducted a further 27 concerts, the last of which was on 4 April

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banana boat of 5,000 tons. We were spotted by U-boats the moment we left Northern Ireland but that kind of thing never worries me as I'm something of a fatalist. It had been wonderful anyhow to be back, to see England at its greatest, and to visit my old

2557: 1094:. Increasingly, Barbirolli concentrated on his core repertory of the standard symphonic classics, the works of English composers, and late-romantic music, particularly that of Mahler. In the 1960s he made a series of international tours with the 2589: 809:. The new works he presented were not avant-garde, but they nevertheless alienated the conservative subscription audience, and after an initial increase in ticket sales in his early years sales declined. Barbirolli also had to cope with what 1201:

There are memorials to Barbirolli in Manchester and London. Barbirolli Square in Manchester is named in his honour and features a sculpture of him by Byron Howard (2000). The square includes the present base of the Hallé Orchestra, the

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where it all stopped." Barbirolli became very sensitive on this point, and for many years after the war he was reluctant to accompany anyone in the recording studio. Among his early HMV records are works, mainly concertos, by Brahms,

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at Covent Garden with such success that he was invited to become the company's permanent musical director, an invitation he declined. Late in his career he made several recordings of operas, of which his 1967 set of Puccini's

290:, with orchestras in theatres, cinemas, hotels and dance-halls, and, as he said, "everywhere except the street". During the last year of the First World War, Barbirolli enlisted in the army and became a lance-corporal in the 1190:, 1960; Gold Medal of the Royal Philharmonic Society, 1950; Bruckner Medal, Bruckner Society of America, 1959; and the Mahler Medal, Mahler-Bruckner Society of America, 1965. He was also awarded the title of Doctor of Music 383:(BNOC), who in the same year invited him to conduct some performances with the company. Barbirolli had never conducted a chorus or a large orchestra, but had the confidence to accept. He made his operatic debut directing 832:

Barbirolli's first reason for leaving was local musical politics. He later said, "The Musicians Union there ... brought out a new regulation saying that everyone, even soloists and conductors, must become members.

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and Delius. With other orchestras, Barbirolli recorded a wide range of his repertoire, including many recordings still in the catalogues in 2022. Of these, his Elgar recordings include the Cello Concerto with

302:– a ghastly place but the first line of defence against invasion – and in our battalion of the Suffolks we had a number of professional musicians. So we formed an orchestra and played in the equivalent of the 1618:

John Barbirolli. … What sense was there in giving the New York Philharmonic to a man who had never been on an American front page before or, so far as could be made out, on any front page of moment anywhere?"

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1968, this time to Switzerland, Austria and Germany. In his last years a propensity to concentrate on detail at the expense of the whole of a piece became marked. His loyal friend and admirer the critic

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had accepted the orchestra's invitation to fill the post, but he was politically unacceptable to a section of the Philharmonic's audience because he continued to live and work in Germany under the

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Barbirolli's ambition was to conduct. He was the prime mover in establishing the Guild of Singers and Players Chamber Orchestra in 1924, and in 1926 he was invited to conduct a new ensemble at the

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on the Saturday before his death. On the day he died, 29 July 1970, he spent several hours rehearsing the New Philharmonia Orchestra for a forthcoming tour of Japan that he was scheduled to lead.

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Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the

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in which the tenor's "Aida, where are thou now?" was answered by the sonorous flushing of a backstage lavatory: "I'm afraid the opera ended there, though we continued gallantly to the end."

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in Texas, a post he held until 1967, conducting an annual total of 12 weeks there in early spring and late autumn between Hallé engagements. In 1961 he began a regular association with the

1322:, the chief recording producer for HMV who signed him for his company shortly afterwards. An HMV colleague of Gaisberg described Barbirolli as "a treasure", because he "could accompany 1211:

Barbirolli Society was set up with the principal aim of promoting the continued release of Barbirolli's recorded performances. Its honorary officers have included Evelyn Barbirolli,

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did not share Elgar's and Casals's enthusiasm, criticising "Mr. Barbirolli's excessively jerky manner ... a lack of flow in the playing ... disastrous in Elgar's symphony."

5547: 1206:, in which the Barbirolli Room commemorates the conductor. At his old school, St Clement Danes, now relocated in Chorleywood, the main hall is named in his honour. A commemorative 579:, was to spend some time conducting overseas, Barbirolli was one of four guest conductors named to direct the orchestra in Harty's absence: the other three were Elgar, Beecham and 345:

commented, "Signor Giovanni Barbirolli was not entirely equal to the demands of the solo music, but his playing unquestionably gave a considerable amount of pleasure." At the

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rehearsal a day. In those days we were happy if we began and finished together". While playing in the Queen's Hall Orchestra, Barbirolli also played in the opera pit for the

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In adult life, Barbirolli, when he needed to play the violin to show how he wanted a passage to be phrased, would hold the violin upright on his lap like a miniature cello.

696: 97:'s touring company. On taking up the conductorship of the Hallé he had less opportunity to work in the opera house, but in the 1950s he conducted productions of works by 184:, London, the second child and eldest son of an Italian father and a French mother. He was a British national from birth, and as Southampton Row is within the sound of 5512: 1685:

Despite his musical single-mindedness, Barbirolli had a keen sense of humour, and was a noted raconteur. One of his anecdotes was of a 1920s touring performance of

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NBC paid Toscanini $ 3,334 a concert, compared with his fee of $ 1,833 a concert with the Philharmonic. Barbirolli's fee with the Philharmonic was $ 312 a concert.

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Barbirolli's repertoire was not as wide as that of many of his colleagues because he insisted on exhaustive preparation for any work he conducted. His colleague

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and others. For its hundredth anniversary in 1958 the Hallé commissioned several new works, and gave the British premiere of Walton's virtuosic divertimento

5517: 270:, which he regarded as "a pernicious influence". Barbirolli was keenly interested in modern music, and he and three colleagues secretly rehearsed Ravel's 5527: 4757: 619:

By the spring of 1936, the management of the New York Philharmonic was confronted with a problem. Toscanini had left in search of higher fees with the

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at the Royal Opera House, which would have been his first appearance there for nearly 20 years, and opera recordings for EMI, including Puccini's

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from brass and military bands in the Manchester area ... The reborn Hallé's first concert somehow lived up to the Hallé's great reputation."

5507: 4789: 1503:, he recorded a Brahms symphony cycle, and with Daniel Barenboim, the two Brahms Piano Concertos. He made three operatic sets for HMV: Purcell's 1167: 2998: 5572: 5472: 5567: 375:, initially called the "Chenil Chamber Orchestra" but later renamed "John Barbirolli's Chamber Orchestra". Barbirolli's concerts impressed 5562: 5542: 1049:

nights, rapidly became a firm favourite with the promenaders. At one 1958 promenade concert Barbirolli and the Hallé played a replica of

534:. During his years with the touring opera companies Barbirolli did not neglect the concert hall. In 1927, deputising at short notice for 5156: 815:

described as "a rough press campaign in New York from interested parties who wished to evict him from his post". The influential critic

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Barbirolli died at his London home of a heart attack, aged 70. Among planned engagements forestalled by his death were a production of

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in London. As well as major works from the mainstream repertory they gave an annual concert of music by Viennese composers, including

599:. In June 1932, Barbirolli married the singer Marjorie Parry, a member of the BNOC. In 1933 he was invited to become conductor of the 5487: 5310: 1304:

Williams and others in 1925 and 1926. As a conductor he began recording in 1927 for the National Gramophonic Society (an offshoot of

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in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was

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One of the features of Barbirolli's time in New York was his regular programming of modern works. He gave the world premières of

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had transformed into a full-time, permanent orchestra. Only four of the players shared with the BBC chose to join the Hallé.

409:. He conducted the BNOC frequently over the next two years, and made his debut at the Royal Opera House, Covent Garden, with 1448:

In 1962, HMV persuaded Barbirolli to return. With the Hallé he recorded a Sibelius symphony cycle, Elgar's Second Symphony,

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In 1943 Barbirolli made another Atlantic crossing, avoiding death by a fluke: he changed flights from Lisbon with the actor

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Both in the concert hall and on record, Barbirolli was particularly associated with the music of English composers such as

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Within six months of his return to Britain in 1943, Barbirolli resumed his contract with HMV, conducting the Hallé in the

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In later tours with the company Barbirolli had the chance to conduct more of the German opera repertory, including

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in 1928. The following year he was invited to conduct the opening work in Covent Garden's international season,

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singled him out as "that excellent young 'cello player, Mr Giovanni Barbirolli." The principal of the Academy,

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as soloist. Although Barbirolli later came to love Mahler's music, in the 1930s he thought it sounded thin.

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Barbirolli's interest in new music waned in post-war years, but he and the Hallé appeared regularly at the

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invited him to become its conductor, but he accepted neither offer as he had decided to return to England.

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Some sources state that Barbirolli gave the second performance of the concerto, but the original soloist,

1318:(HMV) label. Immediately after the LSO concert at which he had stood in for Beecham, he was approached by 708:

Barbirolli's first concert in New York was on 5 November 1936. The programme consisted of short pieces by

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I was scrubbing the floor in the Officers' Mess when they came and invited me to take over. We did the

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when the latter wished to postpone his own flight for a few days. Barbirolli's plane landed safely;

767: 256:. In 1914 he was joint winner of the academy's Charles Rube Prize for ensemble playing, and in 1916 5195: 5108: 4970: 3981: 3812: 3615: 1526: 1499:

Symphonies (with the New Philharmonia) and Ninth Symphony (with the Berlin Philharmonic). With the

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The Hallé's first programme (1858) replicated by Barbirolli and the orchestra a hundred years later

826: 718: 223: 211: 5427: 3890: 3831: 3542: 1522: 1496: 1492: 1292: 1171: 1138: 790: 731: 727: 546:, whom he had accompanied in Haydn's D major cello concerto at the same concert. He conducted a 283: 968:, wanted him to become the musical director there. Barbirolli conducted six operas for Webster, 39: 4903: 2903: 2781: 1538: 1270:, and as a staunch supporter of new works by British composers. Vaughan Williams dedicated his 1178:

in 1964; and from France, Officier de l'Ordre des Arts et des Lettres, 1966, and Officier de l'

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On re-entering civilian life, Barbirolli resumed his career as a cellist. His association with

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Barbirolli is remembered as an interpreter of Elgar, Vaughan Williams and Mahler, as well as

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Rothwell, pp. 19–20 (Bartlett and quotation); and Kennedy p. 30 (theatres, cinemas, halls)

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and Pablo Casals, and conduct one of the finest recorded performances of the Quintet from

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in 1887. In London they played in West End theatre orchestras, principally that of the

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from 1961 to 1967, and was a guest conductor of many other orchestras, including the

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I was in America when the war broke out, as conductor of the New York Philharmonic.

341:. He was the soloist at another performance of the concerto just over a year later. 5326: 5295: 5036: 4988: 4976: 4964: 4319: 4277: 4174: 4156: 4065: 4051: 4009: 4002: 3988: 3974: 3953: 3860: 3759: 3637: 3623: 3571: 2844: 1450: 1438: 1394: 1327: 1287: 1243: 1212: 1203: 1085: 1011: 999: 608: 481: 405: 314: 291: 136: 116: 63: 55: 5433: 5183: 4813: 4388: 4347: 3995: 3939: 1050: 872: 641: 356: 5403: 5355: 5219: 5201: 5120: 5114: 5006: 4843: 4777: 4602: 4595: 4507: 4486: 4458: 4437: 4416: 4361: 4223: 4181: 4128: 3911: 3794: 3679: 3651: 3002: 2892: 2851: 2832: 2411: 2181: 1518: 1505: 1410: 1081: 1069: 935: 922: 876: 847: 755: 633: 420: 376: 372: 337:

began with its première in 1919, when he played as a rank and file member of the

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was presented with the society's Gold Medal, and another RPS concert at which

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in 1968 he refused to conduct in the Soviet bloc, and his place was taken by

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You may listen to John Barbirolli conducting his orchestral transcription of

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also played the solo part before Barbirolli did: see Kennedy (1971), p. 40.

730:). During his ten weeks, he programmed several American novelties including 655: 200:

Ribeyrol (1870–1962). Lorenzo and his father had played in the orchestra at

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season, comprising 26 concerts. He was followed by the composer-conductors

543: 542:, winning the thanks of the composer. Barbirolli also won warm praise from 505: 415: 330: 5172: 4765: 3597: 3511: 3137: 459: 5367: 5285: 5243: 5090: 4994: 4216: 4209: 4149: 4072: 4037: 3904: 3827: 3766: 3644: 3474: 2884: 2520:, 5 November 1953, p. 4; and "Covent Garden Opera: 'Madam Butterfly'", 2512:, 23 December 1952, p. 2; "Covent Garden Opera: 'Tristan und Isolde'", 1482: 1434: 1429:

of Vaughan Williams, followed by works by a wide range of composers from

1390: 1382: 1374: 1207: 1170:

in 1969; the Finnish Grand Star and Collar of Commander 1st Class of the

855: 816: 538:, he conducted the London Symphony Orchestra in a performance of Elgar's 428: 233: 1231: 5249: 5096: 4849: 4783: 4016: 1649:– the government minister responsible for the Royal Navy – rather than 1308:

Among his records from that period was the first to be made of Elgar's

1163: 713: 1984: 1961: 1863: 1802: 1326:

without provoking an uproar, win golden opinions from Jascha Heifetz,

1029:

From 1953 onwards, Barbirolli and the Hallé appeared regularly at the

5421: 5000: 4298: 4284: 2349:

Bicknell, David, and Ronald Kinloch Anderson. "Sir John Barbirolli",

1780: 1366: 1323: 1182:, 1968. Awards from musical institutions included the Freedom of the 1122: 1030: 942: 499: 185: 583:. Barbirolli's programmes included works by composers as diverse as 4479: 1406: 1386: 1259: 1255: 511: 201: 152: 148: 1154: 21: 3356:

Reid, Charles (1957). "John Barbirolli". In Milein Cosman (ed.).

1547: 1491:

and many of the shorter works. His Mahler recordings include the

1430: 1398: 1267: 772: 584: 196:

violinist who had settled in London with his wife, Louise Marie,

189: 181: 110: 47: 3301:

Lindsay, Maurice (1951). "Northern Diary". In Ralph Hill (ed.).

1060:, where he premiered new works of a mostly traditional style by 359:. He also made several early broadcasts with Mangeot's quartet. 62:, serving from 1936 to 1943. He was also chief conductor of the 2153:

Blom, Eric, "Royal Philharmonic Society: A Mahler Song Cycle",

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Barbirolli's recordings were to be lost except that of Lehár's

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You may listen to Barbirolli conducting his Hallé Orchestra in

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The Quiet Showman: Sir David Webster and the Royal Opera House

3097:, May 1989, p. 90; and O'Connor, Patrick, "Madama Butterfly", 3093:, September 1967, p. 25; Oliver, Michael, "Madama Butterfly", 1469: 1263: 1239: 1235: 964:. Also in the early 1950s the head of the Royal Opera House, 475: 303: 267: 128: 106: 98: 2516:, 10 January 1953, p. 8; "Royal Opera House: 'La Bohème'", 2066:

Kennedy (1971), p. 49 and "British National Opera Company",

879:, Manchester, the Hallé's main base in the Barbirolli years 176:

Giovanni Battista Barbirolli was born on 2 December 1899 in

2414:, New York Philharmonic archives, accessed 29 January 2011. 1939:, 27 October 1919, p. 10; "Royal Academy of Music Awards", 1676:, was not named until five months after Barbirolli's death. 1636:

There were no children of either of Barbirolli's marriages.

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Anderson, Robert Kinloch, "Barbirolli's Roman Butterfly",

2743:

Marshall, Rita, "World tributes to genius of Barbirolli",

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Horowitz, pp. 159 and 183; and Kennedy (1971), pp. 129–130

854:

for the benefit of the musicians, and then went back on a

842:

the spring of 1942 he made a hazardous Atlantic crossing:

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Kennedy, Michael (2000). Liner notes to EMI CD 5-67240-2.

1360:, whom Barbirolli accompanied in his early HMV recordings 957: 758:. The marriage lasted for the rest of Barbirolli's life. 662:, New York, where Barbirolli conducted from 1936 to 1943 121: 3244:

Barbirolli, Conductor Laureate: The Authorised Biography

2802:

http://www.nui.ie/college/Honorary_Degree_Recipients.asp

1904:

Blyth, Alan. "Sir John Barbirolli talks to Alan Blyth",

1111:

Festival. He produced "inspired" renderings of Elgar's

151:, as well as of earlier classical composers, including 4767:

Royal Scottish National Orchestra Principal Conductors

2875:, Royal Philharmonic Society, accessed 12 January 2011 2590:"Barbirolli, John (Sir Giovanni Battista Barbirolli )" 2504:"Covent Garden Opera: 'Turandot' to Open New Season", 1006:

in 1969. In 1960 he accepted an invitation to succeed

266:, had forbidden students to play the chamber music of 204:, Milan, where they had taken part in the première of 3130:

The Wit of Music: Introduction by Sir John Barbirolli

2576:"Mr. John Barbirolli: Another Invitation to Vienna", 1485:, and orchestral music including the First Symphony, 5548:

Burials at St Mary's Catholic Cemetery, Kensal Green

5325: 2854:, St. Clement Danes School, accessed 27 January 2011 2508:, 5 October 1951, p. 8; "The Covent Garden Season", 1250:, whose music was central to Barbirolli's repertoire 192:. His father, Lorenzo Barbirolli (1864–1929), was a 2088:Blom, Eric, "Covent Garden Opera: 'Don Giovanni'", 820:prestigious Sunday broadcasts. He and the composer 321:

but I can't say I recall the rest of the programme.

274:in the privacy of a men's lavatory in the Academy. 3110:Kennedy (1971), pp. 306–307, and "Opera: Wagner", 2816:, Manchester Art Gallery, accessed 26 January 2011 2196:, 6 October 1932, p. 1; and "The Hallé Concert", 1943:, 14 June 1922, p. 11; and Kennedy (1971), p. 41 1653:, who is the senior serving officer of the navy. 1433:to Stravinsky. In 1955 he signed a contract with 1219:. In April 2012, he was voted into the inaugural 558:'s music, rarely heard at that time, was given – 50:. He is remembered above all as conductor of the 5513:Members of the Order of the Companions of Honour 5449: 3300: 3263:The Hallé, 1858–1983: A History of the Orchestra 2668:, 6 July 1950, p. 8; and "Cheltenham Festival", 1149: 644:, each conducting for two weeks, and finally by 2690:Morris, Michael. "Scot takes the Halle baton", 1837:Graves, Perceval. "From Cellist to Conductor", 1168:Member of the Order of the Companions of Honour 1162:Among Barbirolli's state awards were a British 5171: 1279:, "there would be reason enough to say, 'Now, 575:announced in 1932 that its regular conductor, 286:opera companies, in recitals with the pianist 5311: 5157: 4931: 4751: 3527: 3355: 2660:, 30 June 1949, p. 7; "Cheltenham Festival", 1053:'s first concert with the orchestra in 1858. 222:overlapped, from 1910, with a scholarship at 5553:Music directors of the New York Philharmonic 3208:. Berkeley: University of California Press. 3168:. London: British Broadcasting Corporation. 2835:, Bridgewater Hall, accessed 12 October 2014 2664:, 2 July 1949, p. 7; "Cheltenham Festival", 2656:, 2 July 1948, p. 6; "Cheltenham Festival", 2652:, 1 July 1948, p. 6; "Cheltenham Festival", 2364:Downes, Olin. "And After Toscanini: What?", 2261:"New York Philharmonic's Guest Conductors", 1226: 5518:People educated at St. Clement Danes School 3541: 2596:, online version, accessed 7 February 2010 2345: 2343: 2341: 2339: 2337: 2335: 1121:. The last work he conducted in public was 1045:, which, like Sir Malcolm Sargent's annual 509:, and the first performances in English of 5528:Royal Philharmonic Society Gold Medallists 5318: 5304: 5164: 5150: 4938: 4924: 4758: 4744: 3534: 3520: 3498:Photos of Barbirolli throughout his career 3490: 2782:"Barbirolli, Sir John (Giovanni Battista)" 2558:"Barbirolli, Sir John (Giovanni Battista)" 2368:, Vol. 241, No. 2 (June 1936), pp. 218–219 2208: 2206: 397:, followed within days by performances of 188:, Barbirolli always regarded himself as a 3182: 3005:, Naxos records, accessed 7 February 2010 2991: 2989: 2987: 2873:"Sir John Barbirolli Memorial Foundation" 2176:, EMI Classics, accessed 7 February 2010 1833: 1831: 1829: 1827: 1018:, which lasted for the rest of his life. 797:and by many American composers including 362: 16:British conductor and cellist (1899–1970) 3448: 3412: 3203: 2552: 2550: 2548: 2332: 1900: 1898: 1896: 1894: 1892: 1890: 1888: 1340: 1230: 1153: 1020: 926:of its players were also members of the 871: 654: 614: 433: 232: 167: 86:, with all of which he made recordings. 20: 5558:20th-century British conductors (music) 5468:Academics of the Royal Academy of Music 3317: 3279: 3260: 3241: 3222: 3147:His Own Man: The Life of Neville Cardus 3144: 2203: 2140:"Gold Medal for Dr. Vaughan Williams", 1775: 1773: 1771: 1769: 1767: 1765: 1763: 1734:Oxford Dictionary of National Biography 1561: 1158:Bust of Barbirolli in Barbirolli Square 688:Was mir behagt, ist nur die muntre Jagd 5508:Conductors (music) awarded knighthoods 5450: 3336: 2984: 2777: 2775: 2169: 2167: 2165: 2163: 1824: 1708:Ayre, p. 18; and Kennedy (1982), p. 34 1552:Warsaw Pact invasion of Czechoslovakia 58:'s successor as music director of the 5573:British Army personnel of World War I 5299: 5145: 4919: 4739: 3515: 3436:. Altrincham: John Sherratt and Son. 3431: 2545: 1979: 1977: 1885: 1724: 1722: 1720: 1718: 1716: 1714: 934:, which the Hallé's former conductor 38: 5473:Alumni of the Royal Academy of Music 3395: 3376: 3320:Herbert von Karajan: A Life in Music 3127: 3063:Robertson, Alec, "Dido and Aeneas", 2863:Rennison, p. xxvii, entry number 231 2556:Crichton, Ronald and José A. Bowen. 2468:Kennedy (1971), pp. 266, 273 and 281 2212:"Decree Nisi for Conductor's Wife", 1760: 1311:Introduction and Allegro for Strings 1188:Accademia Nazionale di Santa Cecilia 1186:, 1966; Honorary Academician of the 139:. His interpretations of other late 5568:20th-century British male musicians 3286:. Oxford: Oxford University Press. 3163: 2772: 2583: 2395:Kennedy (1971), pp. 152 and 167–168 2160: 1295:took nearly 50 hours of rehearsal. 218:everybody's way". His education at 13: 5563:Order of the White Rose of Finland 5543:Alumni of Trinity College of Music 2612:, 1 November 1960, p. 16, and ODNB 2284:"Barbirolli Gives Youths' Concert" 1974: 1711: 867: 349:of 1920 he took part in his first 14: 5589: 5493:English people of Italian descent 5286:Principal conductors of the Hallé 3488:National Portrait Gallery, London 3468: 2127:"The London Symphony Orchestra", 2053:"Wireless Notes and Programmes", 1416: 5488:English people of French descent 5327:Houston Symphony Music Directors 5130: 4233: 3863: 3830: 3811: 3722: 3682: 3614: 3581: 3341:. London: Macdonald and Jane's. 3305:. Harmondsworth: Penguin Books. 3104: 3083: 3070: 3057: 3048: 3035: 3026: 3017: 3008: 2975: 2966: 2957: 2948: 2939: 2930: 2921: 2912: 1730:Barbirolli, Sir John (1899–1970) 1679: 889: 716:, and symphonies by Mozart (the 672: 439:Royal Opera House, Covent Garden 5483:British male conductors (music) 2897: 2878: 2866: 2857: 2838: 2819: 2807: 2794: 2759: 2750: 2737: 2728: 2715: 2706: 2697: 2684: 2675: 2648:"Cheltenham Musical Festival", 2642: 2633: 2624: 2615: 2608:"Sir J. Barbirolli for Texas", 2602: 2570: 2536: 2527: 2498: 2489: 2480: 2471: 2462: 2453: 2444: 2435: 2426: 2417: 2398: 2389: 2380: 2371: 2358: 2323: 2314: 2305: 2296: 2277: 2268: 2255: 2246: 2237: 2228: 2219: 2186: 2147: 2134: 2121: 2114:"Covent Garden Opera Company", 2108: 2095: 2082: 2073: 2060: 2047: 2034: 2025: 2012: 1997: 1985:"Obituary, Sir John Barbirolli" 1955: 1946: 1929: 1920: 1911: 1876: 1857: 1844: 1666: 1656: 1639: 1630: 1621: 1611: 1598: 1581: 1184:Worshipful Company of Musicians 785:; he also introduced pieces by 605:New York Philharmonic Orchestra 220:St Clement Danes Grammar School 5578:Military personnel from London 3076:Blyth, Alan, "Verdi: Otello", 2765:"Solti's last Garden season", 1815: 1796: 1787: 1784:, obituary, 30 July 1970, p. 8 1751: 1742: 1702: 1572: 1196:National University of Ireland 960:sought to recruit him for the 381:British National Opera Company 244:The following year he won the 163: 91:British National Opera Company 1: 4306:Arturo Benedetti Michelangeli 3417:. Stroud: Sutton Publishing. 3379:John Barbirolli – A Biography 3322:. London: Chatto and Windus. 3246:. London: MacGibbon and Key. 3145:Brookes, Christopher (1985). 2804:; retrieved 20 November 2020. 2040:"Our London Correspondence", 1166:in 1949 and appointment as a 1150:Honours, awards and memorials 1031:Henry Wood Promenade Concerts 1016:Berlin Philharmonic Orchestra 5238:Stanisław Skrowaczewski 3484:Portraits of John Barbirolli 3415:The London Blue Plaque Guide 3183:Haltrecht, Montague (1975). 2101:"Covent Garden Opera Tour", 1803:"Miscellaneous Intelligence" 750:overture. He also conducted 419:, with a cast that included 248:Scholarship to study at the 158: 124:is probably the best known. 44:Giovanni Battista Barbirolli 7: 3400:. London: Hamish Hamilton. 3381:. London: Hamish Hamilton. 3054:Kennedy (1971), pp. 373–384 3032:Kennedy (1971), pp. 362–372 2981:Kennedy (1971), pp. 341–342 2954:Kennedy (1971), pp. 245–246 2887:, accessed 1 February 2011 2681:Kennedy (1989), pp. 208–209 2564:, accessed 7 February 2010 2432:Kennedy (1971), pp. 165–166 1809:, 1 September 1910, p. 599 1647:First Lord of the Admiralty 1550:in 1970, but following the 326:name, using it until 1922. 172:Southampton Row blue plaque 10: 5594: 5478:English conductors (music) 5173:Hallé Principal Conductors 3121: 2594:Oxford Dictionary of Music 2533:Haltrecht, p. 185 and ODNB 2405:Performance History Search 1850:"Royal Academy of Music", 1298: 1010:as chief conductor of the 548:Royal Philharmonic Society 155:, are also still admired. 5533:Suffolk Regiment soldiers 5498:Italian British musicians 5333: 5282: 5265: 5179: 5128: 4954: 4773: 4633: 4580: 4378: 4166: 3882: 3549: 3449:Rothwell, Evelyn (2002). 3318:Osborne, Richard (1998). 3280:Kennedy, Michael (1989). 3261:Kennedy, Michael (1982). 3242:Kennedy, Michael (1971). 3223:Kennedy, Michael (1987). 3204:Horowitz, Joseph (1997). 3132:. London: Leslie Frewin. 3023:Kennedy (1971), pp. 55–56 2694:, 17 December 1970, p. 22 2366:The North American Review 2200:, 13 January 1933, p. 11. 2131:, 13 December 1927, p. 14 1991:, September 1970, p. 926 1227:Repertoire and recordings 888: 883: 671: 666: 339:London Symphony Orchestra 72:London Symphony Orchestra 5288:, Hallé Concerts Society 5210:¶ (1914–1920; 1933–1939) 3982:Dietrich Fischer-Dieskau 3453:. London: Robson Books. 2909:, accessed 10 April 2012 2831:4 September 2015 at the 2105:, 7 September 1929, p. 7 2070:, 17 November 1926, p. 1 1962:"Music in the Provinces" 1870:, 1 August 1916, p. 381 1864:"Royal Academy of Music" 1527:Dietrich Fischer-Dieskau 1425:Symphony of Bax and the 1180:Ordre national du Mérite 1174:in 1963; from Italy the 827:Los Angeles Philharmonic 736:Memories of My Childhood 224:Trinity College of Music 212:Empire, Leicester Square 4636:record label executives 3898:Victoria de los Ángeles 3543:Gramophone Hall of Fame 3451:Life with Glorious John 3432:Rigby, Charles (1948). 3413:Rennison, Nick (2003). 3206:Understanding Toscanini 3001:3 December 2008 at the 2790:(subscription required) 2721:March, Ivan, "Elgar", 2598:(subscription required) 2578:The Manchester Guardian 2566:(subscription required) 2524:, 9 December 1953, p. 3 2355:, September 1970, p. 33 2292:(subscription required) 2216:, 6 December 1938, p. 5 2198:The Manchester Guardian 2194:The Manchester Guardian 2157:, 30 January 1931, p. 4 2155:The Manchester Guardian 2142:The Manchester Guardian 2116:The Manchester Guardian 2103:The Manchester Guardian 2090:The Manchester Guardian 2068:The Manchester Guardian 2055:The Manchester Guardian 2042:The Manchester Guardian 2020:The Manchester Guardian 1993:(subscription required) 1970:(subscription required) 1872:(subscription required) 1811:(subscription required) 1738:(subscription required) 1511:Victoria de los Ángeles 1172:Order of the White Rose 732:Charles Martin Loeffler 319:Petite Suite de Concert 298:I was stationed on the 264:Sir Alexander Mackenzie 3396:Reid, Charles (1968). 3377:Reid, Charles (1971). 3337:Previn, André (1979). 3114:, October 1971, p. 102 2972:Kennedy (1971), p. 341 2963:Kennedy (1971), p. 247 2936:Kennedy (1987), p. 268 2918:Kennedy (1971), p. 244 2885:The Barbirolli Society 2756:Kennedy (1971), p. 326 2703:Kennedy (1971), p. 308 2639:Kennedy (1971), p. 201 2580:, 27 August 1946, p. 3 2477:Kennedy (1971), p. 289 2450:Kennedy (1971), p. 167 2329:Kennedy (1971), p. 144 2311:Kennedy (1971), p. 221 2302:Kennedy (1971), p. 116 2274:Kennedy (1971), p. 111 2252:Kennedy (1971), p. 105 2180:4 January 2010 at the 2118:, 4 October 1932, p. 9 2018:"Today's Programmes", 1908:, December 1969, p. 34 1841:, September 1929, p. 5 1645:Alexander was in fact 1456:The Dream of Gerontius 1361: 1251: 1159: 1026: 962:BBC Symphony Orchestra 932:Liverpool Philharmonic 928:BBC Northern Orchestra 914: 861: 705: 683:Sheep May Safely Graze 621:NBC Symphony Orchestra 552:Ralph Vaughan Williams 441: 363:First conducting posts 323: 250:Royal Academy of Music 241: 238:Royal Academy of Music 173: 68:BBC Symphony Orchestra 26: 5538:Texas classical music 5428:Andrés Orozco-Estrada 5258:(from September 2024) 4947:New York Philharmonic 4550:Mstislav Rostropovich 4122:Elisabeth Schwarzkopf 3854:Michael Tilson Thomas 3265:. London: Macmillan. 3128:Ayre, Leslie (1966). 3080:, October 1969, p. 97 3067:, October 1966, p. 77 2904:"Sir John Barbirolli" 2850:29 April 2014 at the 2826:"The Barbirolli Room" 2734:Kennedy (1982), p. 92 2320:Kennedy (1989), p. 99 2265:, 9 April 1936, p. 12 2144:, 14 March 1930, p. 5 2079:Kennedy (1971), p. 57 2031:Kennedy (1971), p. 43 1968:, March 1921, p. 195 1952:Kennedy (1971), p. 38 1821:Kennedy (1971), p. 28 1529:(1969), and a set of 1462:, Vaughan Williams's 1344: 1277:Gold and Silver Waltz 1234: 1194:(DMus h.c.) from the 1157: 1024: 1002:, where he conducted 875: 844: 693:New York Philharmonic 679:Johann Sebastian Bach 658: 615:New York Philharmonic 470:The Barber of Seville 437: 347:Three Choirs Festival 296: 236: 171: 60:New York Philharmonic 24: 5416:Christoph Eschenbach 4634:Producers/engineers/ 4101:Anne Sofie von Otter 3692:Nikolaus Harnoncourt 3227:. London: Papermac. 3166:The Henry Wood Proms 2891:25 July 2011 at the 2769:, 26 June 1970, p. 7 2747:, 30 July 1970, p. 1 2410:24 July 2014 at the 2057:, 7 June 1928, p. 12 2009:, 22 June 1924, p. 1 1562:Notes and references 1074:Peter Racine Fricker 1047:Gilbert and Sullivan 807:Daniel Gregory Mason 494:Cavalleria rusticana 5523:People from Holborn 5269:†Appointed annually 5067:Dimitri Mitropoulos 4838:Warwick Braithwaite 4820:Vladimir Golschmann 4624:The Tallis Scholars 4589:Alban Berg Quartett 4327:Sergei Rachmaninoff 4045:Dmitri Hvorostovsky 3713:Herbert von Karajan 3699:Christopher Hogwood 3673:Carlo Maria Giulini 3666:John Eliot Gardiner 3659:Wilhelm Furtwängler 3189:. London: Collins. 3164:Cox, David (1980). 3149:. London: Methuen. 3101:, March 2009, p. 93 2672:, 7 July 1950, p. 6 2495:Reid (1968), p. 353 2423:Rothwell, pp. 93–94 2290:, 19 December 1937 2234:Reid (1971), p. 149 2092:, 29 May 1929, p. 8 2044:, 25 May 1926, p. 6 1854:, 30 May 1914, p. 5 1556:Herbert von Karajan 1546:with Barbirolli in 1501:Vienna Philharmonic 1283:was a conductor!'" 1058:Cheltenham Festival 778:Sinfonia da Requiem 698:here on archive.org 691:, BWV 208 with the 652:, for eight weeks. 650:Cleveland Orchestra 625:Wilhelm Furtwängler 143:composers, such as 84:Vienna Philharmonic 80:Berlin Philharmonic 30:Sir John Barbirolli 4959:Ureli Corelli Hill 4610:The King's Singers 4543:Jean-Pierre Rampal 4515:Anne-Sophie Mutter 4334:Sviatoslav Richter 4231:Marc-André Hamelin 4196:Vladimir Ashkenazy 3926:Montserrat Caballé 3631:Sergiu Celibidache 3358:Musical Sketchbook 3045:, July 1956, p. 40 3041:"Pye-Barbirolli", 2562:Grove Music Online 2441:Rigby, pp. 130–132 2288:The New York Times 1983:Anderson, Robert, 1728:Kennedy, Michael. 1405:, Purcell, Ravel, 1362: 1316:His Master's Voice 1252: 1160: 1027: 996:Vienna State Opera 984:Tristan und Isolde 915: 752:Serge Koussevitzky 706: 601:Scottish Orchestra 536:Sir Thomas Beecham 525:Tristan und Isolde 442: 425:Elisabeth Schumann 379:, director of the 352:Dream of Gerontius 242: 174: 27: 25:Barbirolli in 1960 5443: 5442: 5410:Sergiu Comissiona 5386:Leopold Stokowski 5338:Julien Paul Blitz 5293: 5292: 5139: 5138: 5073:Leonard Bernstein 5061:Leopold Stokowski 5031:Willem Mengelberg 4913: 4912: 4904:Thomas Søndergård 4886:Alexander Lazarev 4733: 4732: 4724:Kenneth Wilkinson 4705:Goddard Lieberson 4424:Jacqueline du Pré 4341:Arthur Rubinstein 4250:Vladimir Horowitz 4108:Luciano Pavarotti 3840:Leopold Stokowski 3774:Yevgeny Mravinsky 3753:Charles Mackerras 3591:Leonard Bernstein 2996:"John Barbirolli" 2814:"John Barbirolli" 2725:, May 2003, p. 42 2542:Reid (1957), p. 8 2174:"John Barbirolli" 1989:The Musical Times 1966:The Musical Times 1868:The Musical Times 1807:The Musical Times 1593:Beatrice Harrison 1544:Die Meistersinger 1488:Enigma Variations 1475:Jacqueline du Pré 1465:A London Symphony 1358:Arthur Rubinstein 1035:Royal Albert Hall 1008:Leopold Stokowski 979:Orfeo ed Euridice 949:The Musical Times 913: 912: 904:, Op. 36 in 1947 901:Enigma Variations 704: 703: 685:from his Cantata 607:in succession to 561:Kindertotenlieder 550:concert at which 519:Der Rosenkavalier 448:Die Meistersinger 390:Roméo et Juliette 343:The Musical Times 259:The Musical Times 5585: 5503:Knights Bachelor 5320: 5313: 5306: 5297: 5296: 5275:‡Guest conductor 5272:¶Musical adviser 5166: 5159: 5152: 5143: 5142: 5134: 5037:Arturo Toscanini 4989:Adolf Neuendorff 4977:Leopold Damrosch 4965:Theodore Eisfeld 4940: 4933: 4926: 4917: 4916: 4862:Alexander Gibson 4760: 4753: 4746: 4737: 4736: 4726: 4719: 4714: 4707: 4700: 4693: 4686: 4681: 4674: 4667: 4660: 4653: 4646: 4626: 4619: 4612: 4605: 4598: 4591: 4573: 4566: 4559: 4552: 4545: 4538: 4531: 4524: 4517: 4510: 4503: 4496: 4489: 4482: 4475: 4468: 4461: 4454: 4447: 4440: 4433: 4426: 4419: 4412: 4405: 4398: 4391: 4381:woodwind players 4371: 4364: 4357: 4350: 4343: 4336: 4329: 4322: 4320:Maurizio Pollini 4315: 4308: 4301: 4294: 4287: 4280: 4278:Gustav Leonhardt 4273: 4266: 4259: 4252: 4245: 4238: 4237: 4226: 4219: 4212: 4205: 4198: 4191: 4184: 4177: 4175:Leif Ove Andsnes 4159: 4157:Fritz Wunderlich 4152: 4145: 4138: 4131: 4124: 4117: 4110: 4103: 4096: 4089: 4082: 4075: 4068: 4066:Simon Keenlyside 4061: 4054: 4052:Gundula Janowitz 4047: 4040: 4033: 4026: 4019: 4012: 4010:Nicolai Ghiaurov 4005: 4003:Angela Gheorghiu 3998: 3991: 3989:Kirsten Flagstad 3984: 3977: 3975:Kathleen Ferrier 3970: 3963: 3956: 3954:Feodor Chaliapin 3949: 3942: 3935: 3928: 3921: 3914: 3907: 3900: 3893: 3875: 3868: 3867: 3861:Arturo Toscanini 3856: 3849: 3842: 3835: 3834: 3823: 3816: 3815: 3804: 3797: 3790: 3783: 3776: 3769: 3762: 3760:Neville Marriner 3755: 3748: 3741: 3734: 3727: 3726: 3715: 3708: 3701: 3694: 3687: 3686: 3675: 3668: 3661: 3654: 3647: 3640: 3638:Riccardo Chailly 3633: 3626: 3624:Benjamin Britten 3619: 3618: 3607: 3600: 3593: 3586: 3585: 3574: 3572:Daniel Barenboim 3567: 3560: 3536: 3529: 3522: 3513: 3512: 3494: 3464: 3445: 3428: 3409: 3392: 3373: 3352: 3333: 3314: 3297: 3276: 3257: 3238: 3219: 3200: 3179: 3160: 3141: 3115: 3108: 3102: 3087: 3081: 3074: 3068: 3061: 3055: 3052: 3046: 3039: 3033: 3030: 3024: 3021: 3015: 3012: 3006: 2993: 2982: 2979: 2973: 2970: 2964: 2961: 2955: 2952: 2946: 2943: 2937: 2934: 2928: 2925: 2919: 2916: 2910: 2901: 2895: 2882: 2876: 2870: 2864: 2861: 2855: 2845:"School History" 2842: 2836: 2823: 2817: 2811: 2805: 2798: 2792: 2791: 2779: 2770: 2763: 2757: 2754: 2748: 2741: 2735: 2732: 2726: 2719: 2713: 2710: 2704: 2701: 2695: 2688: 2682: 2679: 2673: 2646: 2640: 2637: 2631: 2628: 2622: 2619: 2613: 2606: 2600: 2599: 2587: 2581: 2574: 2568: 2567: 2554: 2543: 2540: 2534: 2531: 2525: 2502: 2496: 2493: 2487: 2484: 2478: 2475: 2469: 2466: 2460: 2457: 2451: 2448: 2442: 2439: 2433: 2430: 2424: 2421: 2415: 2402: 2396: 2393: 2387: 2384: 2378: 2375: 2369: 2362: 2356: 2347: 2330: 2327: 2321: 2318: 2312: 2309: 2303: 2300: 2294: 2293: 2281: 2275: 2272: 2266: 2259: 2253: 2250: 2244: 2243:Horowitz, p. 153 2241: 2235: 2232: 2226: 2223: 2217: 2210: 2201: 2190: 2184: 2171: 2158: 2151: 2145: 2138: 2132: 2125: 2119: 2112: 2106: 2099: 2093: 2086: 2080: 2077: 2071: 2064: 2058: 2051: 2045: 2038: 2032: 2029: 2023: 2016: 2010: 2001: 1995: 1994: 1981: 1972: 1971: 1959: 1953: 1950: 1944: 1933: 1927: 1924: 1918: 1915: 1909: 1902: 1883: 1880: 1874: 1873: 1861: 1855: 1848: 1842: 1835: 1822: 1819: 1813: 1812: 1800: 1794: 1791: 1785: 1777: 1758: 1755: 1749: 1746: 1740: 1739: 1726: 1709: 1706: 1690: 1683: 1677: 1670: 1664: 1660: 1654: 1643: 1637: 1634: 1628: 1625: 1619: 1615: 1609: 1602: 1596: 1585: 1579: 1576: 1531:Madama Butterfly 1513:(1966), Verdi's 1439:Vanguard Records 1328:Artur Rubinstein 1306:The Gramophone). 1288:Sir Adrian Boult 1244:Vaughan Williams 1223:"Hall of Fame". 1213:Daniel Barenboim 1204:Bridgewater Hall 1086:Kenneth Leighton 1012:Houston Symphony 1000:Rome Opera House 992:Madama Butterfly 893: 892: 881: 880: 738:, a symphony by 676: 675: 664: 663: 609:Arturo Toscanini 465:Madama Butterfly 411:Madama Butterfly 406:Madama Butterfly 315:Coleridge-Taylor 292:Suffolk Regiment 137:Vaughan Williams 117:Madama Butterfly 93:, and then with 64:Houston Symphony 56:Arturo Toscanini 42: 36: 5593: 5592: 5588: 5587: 5586: 5584: 5583: 5582: 5448: 5447: 5444: 5439: 5404:Lawrence Foster 5392:John Barbirolli 5356:Frank St. Leger 5329: 5324: 5294: 5289: 5278: 5261: 5226:John Barbirolli 5220:Malcolm Sargent 5202:Michael Balling 5175: 5170: 5140: 5135: 5126: 5121:Gustavo Dudamel 5115:Jaap van Zweden 5049:Artur Rodziński 5043:John Barbirolli 5007:Walter Damrosch 4983:Theodore Thomas 4950: 4949:Music Directors 4944: 4914: 4909: 4892:Stéphane Denève 4844:Walter Susskind 4826:John Barbirolli 4778:George Henschel 4769: 4764: 4734: 4729: 4722: 4717: 4710: 4703: 4696: 4689: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4629: 4622: 4615: 4608: 4603:Beaux Arts Trio 4601: 4596:Amadeus Quartet 4594: 4587: 4576: 4569: 4562: 4555: 4548: 4541: 4534: 4527: 4520: 4513: 4508:Nathan Milstein 4506: 4499: 4492: 4487:Wynton Marsalis 4485: 4478: 4471: 4464: 4459:Steven Isserlis 4457: 4450: 4443: 4438:Arthur Grumiaux 4436: 4429: 4422: 4417:Kyung Wha Chung 4415: 4408: 4401: 4394: 4387: 4380: 4374: 4367: 4362:Grigory Sokolov 4360: 4353: 4346: 4339: 4332: 4325: 4318: 4311: 4304: 4297: 4290: 4283: 4276: 4269: 4262: 4255: 4248: 4241: 4229: 4224:Friedrich Gulda 4222: 4215: 4208: 4201: 4194: 4187: 4182:Martha Argerich 4180: 4173: 4162: 4155: 4148: 4141: 4134: 4129:Joan Sutherland 4127: 4120: 4113: 4106: 4099: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3968:Plácido Domingo 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3912:Cecilia Bartoli 3910: 3903: 3896: 3889: 3878: 3871: 3859: 3852: 3845: 3838: 3826: 3819: 3807: 3800: 3795:Antonio Pappano 3793: 3786: 3779: 3772: 3765: 3758: 3751: 3744: 3737: 3730: 3718: 3711: 3704: 3697: 3690: 3680:Bernard Haitink 3678: 3671: 3664: 3657: 3652:Gustavo Dudamel 3650: 3643: 3636: 3629: 3622: 3610: 3603: 3596: 3589: 3577: 3570: 3565:John Barbirolli 3563: 3556: 3545: 3540: 3503:John Barbirolli 3475:John Barbirolli 3471: 3461: 3434:John Barbirolli 3425: 3398:Malcolm Sargent 3389: 3349: 3330: 3294: 3273: 3254: 3235: 3216: 3197: 3176: 3157: 3124: 3119: 3118: 3109: 3105: 3088: 3084: 3075: 3071: 3062: 3058: 3053: 3049: 3040: 3036: 3031: 3027: 3022: 3018: 3013: 3009: 3003:Wayback Machine 2994: 2985: 2980: 2976: 2971: 2967: 2962: 2958: 2953: 2949: 2944: 2940: 2935: 2931: 2927:Osborne, p. 461 2926: 2922: 2917: 2913: 2902: 2898: 2893:Wayback Machine 2883: 2879: 2871: 2867: 2862: 2858: 2852:Wayback Machine 2843: 2839: 2833:Wayback Machine 2824: 2820: 2812: 2808: 2799: 2795: 2789: 2780: 2773: 2764: 2760: 2755: 2751: 2742: 2738: 2733: 2729: 2720: 2716: 2712:Brookes, p. 253 2711: 2707: 2702: 2698: 2689: 2685: 2680: 2676: 2647: 2643: 2638: 2634: 2629: 2625: 2620: 2616: 2607: 2603: 2597: 2588: 2584: 2575: 2571: 2565: 2555: 2546: 2541: 2537: 2532: 2528: 2503: 2499: 2494: 2490: 2485: 2481: 2476: 2472: 2467: 2463: 2458: 2454: 2449: 2445: 2440: 2436: 2431: 2427: 2422: 2418: 2412:Wayback Machine 2403: 2399: 2394: 2390: 2385: 2381: 2377:Rothwell, p. 64 2376: 2372: 2363: 2359: 2348: 2333: 2328: 2324: 2319: 2315: 2310: 2306: 2301: 2297: 2291: 2282: 2278: 2273: 2269: 2260: 2256: 2251: 2247: 2242: 2238: 2233: 2229: 2225:Lindsay, p. 233 2224: 2220: 2211: 2204: 2191: 2187: 2182:Wayback Machine 2172: 2161: 2152: 2148: 2139: 2135: 2126: 2122: 2113: 2109: 2100: 2096: 2087: 2083: 2078: 2074: 2065: 2061: 2052: 2048: 2039: 2035: 2030: 2026: 2017: 2013: 2002: 1998: 1992: 1982: 1975: 1969: 1960: 1956: 1951: 1947: 1934: 1930: 1925: 1921: 1916: 1912: 1903: 1886: 1882:Rothwell, p. 19 1881: 1877: 1871: 1862: 1858: 1849: 1845: 1836: 1825: 1820: 1816: 1810: 1801: 1797: 1792: 1788: 1778: 1761: 1756: 1752: 1747: 1743: 1737: 1727: 1712: 1707: 1703: 1693: 1684: 1680: 1672:His successor, 1671: 1667: 1661: 1657: 1644: 1640: 1635: 1631: 1626: 1622: 1616: 1612: 1603: 1599: 1586: 1582: 1577: 1573: 1564: 1519:James McCracken 1506:Dido and Aeneas 1468:, and works by 1419: 1411:Rimsky-Korsakov 1356:(lower l.) and 1301: 1246:(lower l.) and 1229: 1217:Michael Kennedy 1152: 1082:Alan Rawsthorne 1070:Arthur Benjamin 936:Malcolm Sargent 890: 877:Free Trade Hall 870: 868:Hallé Orchestra 848:A. V. Alexander 791:Eugene Goossens 783:Violin Concerto 756:Evelyn Rothwell 673: 646:Artur Rodziński 634:Igor Stravinsky 617: 573:Hallé Orchestra 421:Mariano Stabile 377:Frederic Austin 365: 178:Southampton Row 166: 161: 52:Hallé Orchestra 32: 17: 12: 11: 5: 5591: 5581: 5580: 5575: 5570: 5565: 5560: 5555: 5550: 5545: 5540: 5535: 5530: 5525: 5520: 5515: 5510: 5505: 5500: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5460: 5441: 5440: 5438: 5437: 5431: 5425: 5419: 5413: 5407: 5401: 5395: 5389: 5383: 5380:Thomas Beecham 5377: 5374:Ferenc Fricsay 5371: 5365: 5362:Ernst Hoffmann 5359: 5353: 5347: 5341: 5334: 5331: 5330: 5323: 5322: 5315: 5308: 5300: 5291: 5290: 5283: 5280: 5279: 5277: 5276: 5273: 5270: 5266: 5263: 5262: 5260: 5259: 5253: 5247: 5241: 5235: 5232:James Loughran 5229: 5223: 5217: 5214:Hamilton Harty 5211: 5208:Thomas Beecham 5205: 5199: 5193: 5190:Frederic Cowen 5187: 5180: 5177: 5176: 5169: 5168: 5161: 5154: 5146: 5137: 5136: 5129: 5127: 5125: 5124: 5118: 5112: 5106: 5100: 5094: 5088: 5082: 5076: 5070: 5064: 5058: 5052: 5046: 5040: 5034: 5028: 5025:Josef Stránský 5022: 5016: 5013:Vasily Safonov 5010: 5004: 4998: 4992: 4986: 4980: 4974: 4968: 4962: 4955: 4952: 4951: 4943: 4942: 4935: 4928: 4920: 4911: 4910: 4908: 4907: 4901: 4898:Peter Oundjian 4895: 4889: 4883: 4877: 4874:Bryden Thomson 4871: 4865: 4859: 4856:Hans Swarowsky 4853: 4847: 4841: 4835: 4829: 4823: 4817: 4811: 4805: 4802:Emil Młynarski 4799: 4796:Frederic Cowen 4793: 4787: 4781: 4774: 4771: 4770: 4763: 4762: 4755: 4748: 4740: 4731: 4730: 4728: 4727: 4720: 4715: 4708: 4701: 4694: 4687: 4685:Alain Lanceron 4682: 4675: 4668: 4665:C. Robert Fine 4661: 4654: 4651:Bernard Coutaz 4647: 4644:Emile Berliner 4639: 4637: 4631: 4630: 4628: 4627: 4620: 4617:Takács Quartet 4613: 4606: 4599: 4592: 4584: 4582: 4578: 4577: 4575: 4574: 4567: 4564:Andrés Segovia 4560: 4553: 4546: 4539: 4536:Itzhak Perlman 4532: 4529:Emmanuel Pahud 4525: 4522:David Oistrakh 4518: 4511: 4504: 4501:Yehudi Menuhin 4497: 4494:Albrecht Mayer 4490: 4483: 4476: 4469: 4466:Fritz Kreisler 4462: 4455: 4452:Heinz Holliger 4448: 4445:Jascha Heifetz 4441: 4434: 4427: 4420: 4413: 4406: 4399: 4392: 4384: 4382: 4376: 4375: 4373: 4372: 4369:Mitsuko Uchida 4365: 4358: 4355:Artur Schnabel 4351: 4344: 4337: 4330: 4323: 4316: 4313:Murray Perahia 4309: 4302: 4295: 4288: 4281: 4274: 4267: 4264:Wilhelm Kempff 4260: 4253: 4246: 4239: 4227: 4220: 4213: 4206: 4203:Alfred Brendel 4199: 4192: 4185: 4178: 4170: 4168: 4164: 4163: 4161: 4160: 4153: 4146: 4143:Kiri Te Kanawa 4139: 4136:Renata Tebaldi 4132: 4125: 4118: 4115:Leontyne Price 4111: 4104: 4097: 4090: 4087:Birgit Nilsson 4083: 4076: 4069: 4062: 4059:Jonas Kaufmann 4055: 4048: 4041: 4034: 4027: 4024:Thomas Hampson 4020: 4013: 4006: 3999: 3992: 3985: 3978: 3971: 3964: 3961:Joyce DiDonato 3957: 3950: 3943: 3936: 3929: 3922: 3919:Jussi Björling 3915: 3908: 3901: 3894: 3886: 3884: 3880: 3879: 3877: 3876: 3869: 3857: 3850: 3843: 3836: 3824: 3817: 3805: 3802:Trevor Pinnock 3798: 3791: 3788:Eugene Ormandy 3784: 3777: 3770: 3763: 3756: 3749: 3742: 3739:Rafael Kubelík 3735: 3732:Otto Klemperer 3728: 3720:Carlos Kleiber 3716: 3709: 3706:Mariss Jansons 3702: 3695: 3688: 3676: 3669: 3662: 3655: 3648: 3641: 3634: 3627: 3620: 3608: 3601: 3594: 3587: 3579:Thomas Beecham 3575: 3568: 3561: 3558:Claudio Abbado 3553: 3551: 3547: 3546: 3539: 3538: 3531: 3524: 3516: 3510: 3509: 3500: 3495: 3481: 3470: 3469:External links 3467: 3466: 3465: 3459: 3446: 3429: 3423: 3410: 3393: 3387: 3374: 3362:Bruno Cassirer 3353: 3347: 3334: 3328: 3315: 3298: 3292: 3283:William Walton 3277: 3271: 3258: 3252: 3239: 3233: 3220: 3214: 3201: 3195: 3180: 3174: 3161: 3155: 3142: 3123: 3120: 3117: 3116: 3112:The Gramophone 3103: 3091:The Gramophone 3082: 3078:The Gramophone 3069: 3065:The Gramophone 3056: 3047: 3043:The Gramophone 3034: 3025: 3016: 3007: 2983: 2974: 2965: 2956: 2947: 2938: 2929: 2920: 2911: 2896: 2877: 2865: 2856: 2837: 2818: 2806: 2793: 2771: 2758: 2749: 2736: 2727: 2714: 2705: 2696: 2683: 2674: 2641: 2632: 2623: 2614: 2601: 2582: 2569: 2544: 2535: 2526: 2497: 2488: 2479: 2470: 2461: 2452: 2443: 2434: 2425: 2416: 2397: 2388: 2379: 2370: 2357: 2352:The Gramophone 2331: 2322: 2313: 2304: 2295: 2276: 2267: 2254: 2245: 2236: 2227: 2218: 2202: 2185: 2159: 2146: 2133: 2120: 2107: 2094: 2081: 2072: 2059: 2046: 2033: 2024: 2011: 1996: 1973: 1954: 1945: 1928: 1919: 1910: 1906:The Gramophone 1884: 1875: 1856: 1843: 1839:The Gramophone 1823: 1814: 1795: 1786: 1759: 1750: 1748:Rothwell, p. 1 1741: 1710: 1700: 1699: 1692: 1691: 1678: 1674:James Loughran 1665: 1655: 1651:First Sea Lord 1638: 1629: 1620: 1610: 1604:The critic of 1597: 1580: 1570: 1563: 1560: 1539:Carlo Bergonzi 1460:Ninth Symphony 1418: 1417:1943 and later 1415: 1350:Jascha Heifetz 1346:Fritz Kreisler 1332:Fritz Kreisler 1300: 1297: 1228: 1225: 1176:Order of Merit 1151: 1148: 1127:Symphony No. 7 1113:Symphony No. 1 1104:Neville Cardus 1066:Richard Arnell 1043:Johann Strauss 911: 910: 886: 885: 884:External audio 869: 866: 822:Virgil Thomson 812:The Gramophone 702: 701: 669: 668: 667:External audio 638:Georges Enescu 616: 613: 581:Pierre Monteux 577:Hamilton Harty 566:Elena Gerhardt 540:Symphony No. 2 369:Chenil Gallery 364: 361: 335:Cello Concerto 288:Ethel Bartlett 272:String Quartet 254:Herbert Walenn 165: 162: 160: 157: 15: 9: 6: 4: 3: 2: 5590: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5519: 5516: 5514: 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5455: 5453: 5446: 5435: 5434:Juraj Valčuha 5432: 5429: 5426: 5423: 5420: 5417: 5414: 5411: 5408: 5405: 5402: 5399: 5396: 5393: 5390: 5387: 5384: 5381: 5378: 5375: 5372: 5369: 5366: 5363: 5360: 5357: 5354: 5351: 5350:Uriel Nespoli 5348: 5345: 5342: 5339: 5336: 5335: 5332: 5328: 5321: 5316: 5314: 5309: 5307: 5302: 5301: 5298: 5287: 5281: 5274: 5271: 5268: 5267: 5264: 5257: 5254: 5251: 5248: 5245: 5242: 5239: 5236: 5233: 5230: 5227: 5224: 5222:‡ (1933–1942) 5221: 5218: 5215: 5212: 5209: 5206: 5203: 5200: 5197: 5194: 5192:† (1896–1899) 5191: 5188: 5185: 5184:Charles Hallé 5182: 5181: 5178: 5174: 5167: 5162: 5160: 5155: 5153: 5148: 5147: 5144: 5133: 5122: 5119: 5116: 5113: 5110: 5107: 5104: 5101: 5098: 5095: 5092: 5089: 5086: 5085:Pierre Boulez 5083: 5080: 5077: 5074: 5071: 5068: 5065: 5062: 5059: 5056: 5053: 5050: 5047: 5044: 5041: 5038: 5035: 5032: 5029: 5026: 5023: 5020: 5019:Gustav Mahler 5017: 5014: 5011: 5008: 5005: 5002: 4999: 4996: 4993: 4990: 4987: 4984: 4981: 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4007: 4004: 4000: 3997: 3996:Renée Fleming 3993: 3990: 3986: 3983: 3979: 3976: 3972: 3969: 3965: 3962: 3958: 3955: 3951: 3948: 3947:Enrico Caruso 3944: 3941: 3940:José Carreras 3937: 3934: 3930: 3927: 3923: 3920: 3916: 3913: 3909: 3906: 3902: 3899: 3895: 3892: 3888: 3887: 3885: 3881: 3874: 3870: 3866: 3862: 3858: 3855: 3851: 3848: 3844: 3841: 3837: 3833: 3829: 3825: 3822: 3818: 3814: 3810: 3806: 3803: 3799: 3796: 3792: 3789: 3785: 3782: 3781:Riccardo Muti 3778: 3775: 3771: 3768: 3764: 3761: 3757: 3754: 3750: 3747: 3743: 3740: 3736: 3733: 3729: 3725: 3721: 3717: 3714: 3710: 3707: 3703: 3700: 3696: 3693: 3689: 3685: 3681: 3677: 3674: 3670: 3667: 3663: 3660: 3656: 3653: 3649: 3646: 3642: 3639: 3635: 3632: 3628: 3625: 3621: 3617: 3613: 3609: 3606: 3605:Pierre Boulez 3602: 3599: 3595: 3592: 3588: 3584: 3580: 3576: 3573: 3569: 3566: 3562: 3559: 3555: 3554: 3552: 3548: 3544: 3537: 3532: 3530: 3525: 3523: 3518: 3517: 3514: 3508: 3504: 3501: 3499: 3496: 3493: 3489: 3485: 3482: 3480: 3476: 3473: 3472: 3462: 3460:1-86105-474-2 3456: 3452: 3447: 3443: 3439: 3435: 3430: 3426: 3424:0-7509-3388-7 3420: 3416: 3411: 3407: 3403: 3399: 3394: 3390: 3388:0-241-01819-6 3384: 3380: 3375: 3371: 3367: 3363: 3359: 3354: 3350: 3348:0-354-04420-6 3344: 3340: 3335: 3331: 3329:1-85619-763-8 3325: 3321: 3316: 3312: 3308: 3304: 3299: 3295: 3293:0-19-315418-8 3289: 3285: 3284: 3278: 3274: 3272:0-7190-0921-9 3268: 3264: 3259: 3255: 3253:0-261-63336-8 3249: 3245: 3240: 3236: 3234:0-333-48752-4 3230: 3226: 3221: 3217: 3215:0-520-08542-6 3211: 3207: 3202: 3198: 3196:0-00-211163-2 3192: 3188: 3187: 3181: 3177: 3175:0-563-17697-0 3171: 3167: 3162: 3158: 3156:0-413-50940-0 3152: 3148: 3143: 3139: 3135: 3131: 3126: 3125: 3113: 3107: 3100: 3096: 3092: 3086: 3079: 3073: 3066: 3060: 3051: 3044: 3038: 3029: 3020: 3011: 3004: 3000: 2997: 2992: 2990: 2988: 2978: 2969: 2960: 2951: 2945:Ayre, pp. 7–8 2942: 2933: 2924: 2915: 2908: 2905: 2900: 2894: 2890: 2886: 2881: 2874: 2869: 2860: 2853: 2849: 2846: 2841: 2834: 2830: 2827: 2822: 2815: 2810: 2803: 2797: 2787: 2783: 2778: 2776: 2768: 2762: 2753: 2746: 2740: 2731: 2724: 2718: 2709: 2700: 2693: 2687: 2678: 2671: 2667: 2663: 2659: 2655: 2651: 2645: 2636: 2627: 2618: 2611: 2605: 2595: 2591: 2586: 2579: 2573: 2563: 2559: 2553: 2551: 2549: 2539: 2530: 2523: 2519: 2515: 2511: 2507: 2501: 2492: 2486:Rigby, p. 154 2483: 2474: 2465: 2459:Previn, p. 67 2456: 2447: 2438: 2429: 2420: 2413: 2409: 2406: 2401: 2392: 2383: 2374: 2367: 2361: 2354: 2353: 2346: 2344: 2342: 2340: 2338: 2336: 2326: 2317: 2308: 2299: 2289: 2285: 2280: 2271: 2264: 2258: 2249: 2240: 2231: 2222: 2215: 2209: 2207: 2199: 2195: 2189: 2183: 2179: 2175: 2170: 2168: 2166: 2164: 2156: 2150: 2143: 2137: 2130: 2124: 2117: 2111: 2104: 2098: 2091: 2085: 2076: 2069: 2063: 2056: 2050: 2043: 2037: 2028: 2021: 2015: 2008: 2007: 2000: 1990: 1986: 1980: 1978: 1967: 1963: 1958: 1949: 1942: 1938: 1932: 1923: 1914: 1907: 1901: 1899: 1897: 1895: 1893: 1891: 1889: 1879: 1869: 1865: 1860: 1853: 1847: 1840: 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1193: 1192:honoris causa 1189: 1185: 1181: 1177: 1173: 1169: 1165: 1156: 1147: 1145: 1141: 1140: 1139:Manon Lescaut 1135: 1130: 1128: 1124: 1120: 1119: 1114: 1110: 1105: 1099: 1097: 1093: 1092: 1087: 1083: 1079: 1075: 1071: 1067: 1063: 1062:William Alwyn 1059: 1054: 1052: 1051:Charles Hallé 1048: 1044: 1040: 1036: 1032: 1023: 1019: 1017: 1013: 1009: 1005: 1001: 997: 993: 989: 985: 981: 980: 975: 971: 967: 966:David Webster 963: 959: 953: 950: 945: 944: 939: 937: 933: 929: 924: 920: 919:Leslie Howard 909: 908: 903: 902: 897: 887: 882: 878: 874: 865: 860: 857: 853: 849: 843: 840: 836: 830: 828: 823: 818: 814: 813: 808: 804: 800: 799:Samuel Barber 796: 792: 788: 787:Jacques Ibert 784: 780: 779: 774: 770: 769: 764: 759: 757: 753: 749: 745: 741: 740:Anis Fuleihan 737: 734:'s tone-poem 733: 729: 725: 721: 720: 715: 711: 700: 699: 694: 690: 689: 684: 680: 670: 665: 661: 660:Carnegie Hall 657: 653: 651: 647: 643: 642:Carlos Chávez 639: 635: 630: 626: 622: 612: 610: 606: 602: 598: 594: 590: 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4712:Richard Mohr 4698:Edward Lewis 4691:Walter Legge 4658:John Culshaw 4557:Jordi Savall 4473:Gidon Kremer 4431:James Galway 4410:Pablo Casals 4403:Julian Bream 4396:Dennis Brain 4292:Dinu Lipatti 4167:Keyboardists 3933:Maria Callas 3891:Thomas Allen 3873:Bruno Walter 3847:George Szell 3821:Fritz Reiner 3809:Simon Rattle 3746:James Levine 3612:Adrian Boult 3564: 3507:Find a Grave 3450: 3433: 3414: 3397: 3378: 3357: 3338: 3319: 3302: 3282: 3262: 3243: 3225:Adrian Boult 3224: 3205: 3185: 3165: 3146: 3129: 3111: 3106: 3098: 3094: 3090: 3085: 3077: 3072: 3064: 3059: 3050: 3042: 3037: 3028: 3019: 3010: 2977: 2968: 2959: 2950: 2941: 2932: 2923: 2914: 2906: 2899: 2880: 2868: 2859: 2840: 2821: 2809: 2796: 2785: 2766: 2761: 2752: 2744: 2739: 2730: 2722: 2717: 2708: 2699: 2692:The Guardian 2691: 2686: 2677: 2669: 2665: 2661: 2657: 2653: 2649: 2644: 2635: 2626: 2617: 2609: 2604: 2593: 2585: 2577: 2572: 2561: 2538: 2529: 2521: 2517: 2513: 2509: 2505: 2500: 2491: 2482: 2473: 2464: 2455: 2446: 2437: 2428: 2419: 2400: 2391: 2382: 2373: 2365: 2360: 2350: 2325: 2316: 2307: 2298: 2287: 2279: 2270: 2262: 2257: 2248: 2239: 2230: 2221: 2213: 2197: 2193: 2192:"Concerts", 2188: 2154: 2149: 2141: 2136: 2128: 2123: 2115: 2110: 2102: 2097: 2089: 2084: 2075: 2067: 2062: 2054: 2049: 2041: 2036: 2027: 2019: 2014: 2006:The Observer 2004: 2003:"Concerts", 1999: 1988: 1965: 1957: 1948: 1940: 1936: 1931: 1922: 1913: 1905: 1878: 1867: 1859: 1851: 1846: 1838: 1817: 1806: 1798: 1793:Rigby, p. 17 1789: 1779: 1757:Rigby, p. 15 1753: 1744: 1733: 1704: 1695: 1694: 1686: 1681: 1668: 1658: 1641: 1632: 1623: 1613: 1605: 1600: 1583: 1574: 1566: 1565: 1543: 1530: 1514: 1504: 1486: 1479:Sea Pictures 1478: 1463: 1455: 1449: 1447: 1420: 1389:, Sibelius, 1363: 1335: 1309: 1305: 1302: 1285: 1280: 1276: 1253: 1220: 1200: 1191: 1161: 1143: 1142:and Verdi's 1137: 1133: 1131: 1118:Sea Pictures 1116: 1100: 1096:Philharmonia 1089: 1078:Gordon Jacob 1055: 1028: 1003: 991: 987: 983: 977: 973: 969: 954: 948: 941: 940: 916: 906: 899: 896:Edward Elgar 862: 845: 831: 810: 803:Deems Taylor 795:Arthur Bliss 776: 768:Façade Suite 766: 760: 747: 744:Philip James 735: 717: 707: 697: 686: 618: 570: 559: 544:Pablo Casals 529: 523: 517: 510: 506:Il trovatore 504: 498: 492: 486: 480: 474: 468: 464: 458: 452: 446: 443: 416:Don Giovanni 414: 410: 404: 398: 388: 366: 350: 342: 331:Edward Elgar 328: 324: 318: 308: 297: 276: 257: 243: 228:Queen's Hall 216: 205: 197: 175: 126: 115: 88: 76:Philharmonia 43: 29: 28: 18: 5463:1970 deaths 5458:1899 births 5368:Efrem Kurtz 5252:(2000–2024) 5246:(1992–2000) 5244:Kent Nagano 5240:(1982–1992) 5234:(1971–1983) 5228:(1943–1970) 5216:(1920–1933) 5204:(1912–1914) 5198:(1899–1911) 5186:(1858–1895) 5091:Zubin Mehta 4995:Anton Seidl 4868:Neeme Järvi 4217:Glenn Gould 4210:Emil Gilels 4150:Bryn Terfel 4073:Emma Kirkby 4038:Hans Hotter 3905:Janet Baker 3828:Georg Solti 3767:Zubin Mehta 3645:Colin Davis 2786:Who Was Who 2630:Cox, p. 178 2621:Cox, p. 163 1926:Ayre, p. 19 1483:Janet Baker 1435:Pye Records 1391:Tchaikovsky 1383:Mendelssohn 1242:, (top r.) 1208:blue plaque 1109:King's Lynn 1039:Franz Lehár 817:Olin Downes 531:Die Walküre 429:Heddle Nash 164:Early years 5452:Categories 5344:Paul Bergé 5250:Mark Elder 5097:Kurt Masur 4850:Karl Rankl 4784:Willem Kes 4017:Tito Gobbi 3550:Conductors 3360:. Oxford: 3303:Music 1951 3099:Gramophone 3095:Gramophone 2907:Gramophone 2723:Gramophone 1696:References 1395:Vieuxtemps 1385:, Mozart, 1352:(top r.), 1348:(top l.), 1238:(top l.), 1221:Gramophone 1164:knighthood 765:'s second 748:Bret Harte 714:Arnold Bax 5422:Hans Graf 5001:Emil Paur 4718:Ted Perry 4581:Ensembles 4299:Radu Lupu 4285:Lang Lang 3598:Karl Böhm 3442:500687986 3406:500687986 3339:Orchestra 2767:The Times 2745:The Times 2670:The Times 2666:The Times 2662:The Times 2658:The Times 2654:The Times 2650:The Times 2610:The Times 2522:The Times 2518:The Times 2514:The Times 2510:The Times 2506:The Times 2263:The Times 2214:The Times 2129:The Times 1941:The Times 1937:The Times 1935:"Music", 1852:The Times 1781:The Times 1606:The Times 1324:Chaliapin 1198:in 1952. 1123:Beethoven 988:La bohème 943:The Times 571:When the 500:Pagliacci 460:La bohème 454:Lohengrin 395:Newcastle 284:Carl Rosa 246:Ada Lewis 230:in 1911. 186:Bow Bells 159:Biography 5284:Source: 4480:Yo-Yo Ma 3479:AllMusic 3311:26147349 2999:Archived 2889:Archived 2848:Archived 2829:Archived 2408:Archived 2178:Archived 1451:Falstaff 1407:Respighi 1387:Schumann 1379:Glazunov 1260:Sibelius 1256:Schubert 1144:Falstaff 970:Turandot 923:Howard's 835:Horowitz 695:in 1940 512:Turandot 482:Falstaff 240:, London 202:La Scala 194:Venetian 153:Schubert 149:Sibelius 141:Romantic 82:and the 3883:Singers 3486:at the 3370:3225493 3122:Sources 1548:Dresden 1443:Nielsen 1431:Corelli 1403:Menotti 1399:Debussy 1299:Pre-war 1268:Puccini 1091:Partita 1033:at the 859:mother. 839:Heifetz 773:Britten 710:Berlioz 648:of the 585:Purcell 564:, with 373:Chelsea 280:Beecham 190:Cockney 182:Holborn 111:Puccini 48:cellist 5436:(2022) 5430:(2014) 5424:(2001) 5418:(1988) 5412:(1980) 5406:(1970) 5400:(1967) 5394:(1961) 5388:(1955) 5382:(1954) 5376:(1954) 5370:(1948) 5364:(1936) 5358:(1932) 5352:(1931) 5346:(1916) 5340:(1913) 5123:(2026) 5117:(2018) 5111:(2009) 5105:(2002) 5099:(1991) 5093:(1978) 5087:(1971) 5081:(1969) 5075:(1958) 5069:(1949) 5063:(1949) 5057:(1947) 5051:(1943) 5045:(1936) 5039:(1928) 5033:(1922) 5027:(1911) 5021:(1909) 5015:(1906) 5009:(1902) 5003:(1898) 4997:(1891) 4991:(1878) 4985:(1877) 4979:(1876) 4973:(1855) 4967:(1848) 4961:(1842) 4906:(2018) 4900:(2012) 4894:(2005) 4888:(1997) 4882:(1992) 4876:(1988) 4870:(1984) 4864:(1959) 4858:(1957) 4852:(1952) 4846:(1946) 4840:(1940) 4834:(1937) 4828:(1933) 4822:(1928) 4816:(1926) 4810:(1916) 4804:(1910) 4798:(1900) 4792:(1898) 4786:(1895) 4780:(1893) 3457: 3440: 3421: 3404: 3385: 3368: 3345: 3326: 3309: 3290: 3269: 3250: 3231: 3212: 3193: 3172: 3153: 3138:857354 3136: 1515:Otello 1409:, and 1375:Dvořák 1371:Chopin 1272:Eighth 1248:Mahler 1134:Otello 998:, and 793:, and 771:, and 763:Walton 742:, and 728:Fourth 724:Brahms 722:) and 597:Franck 593:Mozart 589:Delius 528:, and 385:Gounod 207:Otello 145:Mahler 133:Delius 109:, and 103:Wagner 78:, the 74:, the 1663:1968. 1567:Notes 1533:with 1517:with 1509:with 1497:Sixth 1493:Fifth 1481:with 1470:Grieg 1427:Fifth 1423:Third 1367:Bruch 1293:Ninth 1281:there 1264:Verdi 1240:Verdi 1236:Elgar 1107:1970 856:Fyffe 726:(the 488:Faust 476:Tosca 304:NAAFI 268:Ravel 129:Elgar 107:Gluck 99:Verdi 3455:ISBN 3438:OCLC 3419:ISBN 3402:OCLC 3383:ISBN 3366:OCLC 3343:ISBN 3324:ISBN 3307:OCLC 3288:ISBN 3267:ISBN 3248:ISBN 3229:ISBN 3210:ISBN 3191:ISBN 3170:ISBN 3151:ISBN 3134:OCLC 2800:See 1687:Aida 1525:and 1495:and 1454:and 1393:and 1266:and 1215:and 1115:and 1041:and 1004:Aida 990:and 974:Aida 907:here 864:it. 805:and 781:and 719:Linz 712:and 640:and 629:Nazi 595:and 427:and 403:and 400:Aida 282:and 147:and 135:and 120:for 3505:at 3477:at 1338:". 1125:'s 958:BBC 898:'s 852:LPO 775:'s 746:'s 681:'s 393:at 387:'s 371:in 333:'s 317:'s 198:née 122:EMI 5454:: 3364:. 2986:^ 2784:, 2774:^ 2592:, 2560:, 2547:^ 2334:^ 2205:^ 2162:^ 1987:, 1976:^ 1964:, 1887:^ 1866:, 1826:^ 1805:, 1762:^ 1732:, 1713:^ 1558:. 1537:, 1521:, 1477:, 1413:. 1401:, 1381:, 1377:, 1373:, 1369:, 1330:, 1262:, 1146:. 1084:, 1080:, 1076:, 1072:, 1068:, 1064:, 986:, 982:, 976:, 972:, 837:, 801:, 789:, 636:, 623:. 611:. 591:, 587:, 522:, 503:, 497:, 491:, 485:, 479:, 473:, 467:, 463:, 457:, 451:, 431:. 423:, 214:. 180:, 131:, 105:, 101:, 70:, 40:né 34:CH 5319:e 5312:t 5305:v 5165:e 5158:t 5151:v 4939:e 4932:t 4925:v 4759:e 4752:t 4745:v 3535:e 3528:t 3521:v 3463:. 3444:. 3427:. 3408:. 3391:. 3372:. 3351:. 3332:. 3313:. 3296:. 3275:. 3256:. 3237:. 3218:. 3199:. 3178:. 3159:. 3140:. 2286:, 514:. 37:(

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