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218:, taking with him his mother and his younger siblings, and also his small statue of the Virgin Mary and the Cross from Scheyern. The raft was twice in danger, once when it hit the remains of a former bridge, but Seidenbusch believed that thanks for all dangers being overcome were owed to the statue. In May 1668, in Aufhausen, he inaugurated a small wooden chapel, which he adorned with the Scheyern Cross and later also with the statue of the Virgin Mary.
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reached a new level, by the spontaneous step of a personal spiritual marriage with her. This was prompted by a distinguished wedding he attended at St Peter’s. It hurt him to see how in the church the guests took care of outward appearances, but nobody really prayed. He was drawn to the nearby altar
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Even as a small boy, when my mother was spinning and my father was doing needlework, I would get up on the stove or the bench and start preaching, which made my parents happy. My father once asked: "My child, what do you want to do when you grow up?" I answered: "I want to be a pastor, so that I can
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When
Seidenbusch died in December 1729, he left behind him a lively community based on the ideal of Saint Philip Neri, and also an active place of pilgrimage. His autobiography is entertaining and is a valuable historical document.
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Between 1670 and 1672, Seidenbusch used his share of the money from the sale of his parents' house in Munich to build a new church of pilgrimage in his parish. He also received contributions from farmers, noblemen, and the
136:. He did so well at this work that he was invited to say what he would like as a reward and chose the disused statue. To his great surprise, he was given it by the principal, Father Adam Schirmbeck.
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says of
Seidenbusch that he is an outstanding example of the many pastors in Bavaria who were also writers and poets. Some songs from his much-used "Marian Snow Mountain" are still sung today.
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of
Leopold I, the paintings and drawings of Seidenbusch, including portraits, found admirers, and he gained a friendship with the Habsburgs. He gave painting lessons to the former Empress
355:("Marian Snow Mountain, or a Description of the Devotion at Our Lady of the Snows on the Mountain at Auffhausen ... together with nine and twenty Songs of Prayer and Praise") (1687)
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invited him to come to his school. But
Seidenbusch declined, preferring to become a priest. During his stay at Scheyern Abbey, a widow there gave him a Cross. In 1661 he left for
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among the thriving Marian
Student Congregation at the school and was also in demand as a painter. In 1658, when he was seventeen, he helped to decorate the city for the visit of
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Marianischer Schnee-Berg, oder
Beschreibung der Andacht bey Unser Lieben Frawen zum Schnee auff dem Berg zu Auffhausen … Sambt Neun und zwantzig Bitt- und Lob-Gesänglein
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In 1695, Seidenbusch went to Rome again for the centenary of the death of Neri, and while he was there he received the recognition of his
Congregation at Aufhausen by
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and became very popular at the
Emperor’s court as a composer, and the imperial family encouraged the printing of the first edition of his sacred hymns.
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which later played a great part in his life. One day, he found it under the stairs, as a new larger figure had been acquired. He became a zealous
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38:(5 April 1641 – 10 December 1729) was a Bavarian priest, painter, and composer, an influential figure in the religious landscape of the
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of the
Aufhausen Priory. This led to his organizing other oratories, one in Vienna in 1701 and another in Munich in 1702.
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In
Aufhausen, Seidenbusch developed a deep piety and sense of pastoral care, as well as a love of the art of painting.
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Probst Johann Georg Seidenbusch und die EinfĂĽhrung der Congregation des hl. Philipp Neri in Baiern und Ă–sterreich
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Deo Gratias, oder Höchst-schuldigste Dancksagung Gegen der Allerheiligisten Dreyfaltigkeit
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Deo Gratias, Oder Höchst-schuldigste Dancksagung Gegen Der Allerheiligisten Dreyfaltigkeit
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Seidenbusch-Perlen: kostbare und köstliche Zeugnisse eines außergewöhnlichen Pfarrers
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with his assistant priests, and in 1675 he visited Rome and entered the community of
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561:(Cologne: Bachem in Comm, 1891), resolving.de, accessed 8 December 2022 (in German)
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Johann Georg Seidenbusch: Erfahrungen und Zeugnisse einer groĂźen Priestergestalt
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As a young priest, one year after his ordination, Seidenbusch went to live in
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591:(Ratisbon: Verlag des Vereins fĂĽr Regensburger Bistumsgeschichte, 2015)
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Hermann Kurzke, Christiane Schäfer, "Gegrüßet seist du, Königin" in
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Some seventy years later, Seidenbusch recalled in his autobiography
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Seidenbusch next served as the Abbot's servant and as a painter at
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574:, bote-von-fatima.de, 2020, accessed 7 November 2022 (in German)
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605:(Calix Verlag der Dienerinnen vom Heiligen Blut, August 2016)
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to study theology and philosophy and was ordained a priest in
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period. His life's work was in the creation of the oratory of
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by Johann Georg Seidenbusch (1718, full text at Google Books)
85:, Seidenbusch was the son of a clothier and was baptized in
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387:, heiligenlexikon.de, accessed 8 December 2022 (in German)
294:("Marian Snow-Mountain") included the first form of the
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Priesterliche Spiritualität bei Johann Georg Seidenbusch
633:(Calix Verlag der Dienerinnen vom Heiligen Blut, 2019)
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While he was still at the high school, Seidenbusch's
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273:. In the same year, he established the oratory of
732:People educated at the Wilhelmsgymnasium (Munich)
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655:by Johann Georg Seidenbusch (1676, full text at
118:, or high school, of Munich, later known as the
425:Vol. 24 (Berlin, Duncker & Humblot, 2010,
257:About 1672, Seidenbusch established a kind of
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111:From 1651, Seidenbusch was educated at the
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53:In 2015, Seidenbusch was declared to be a
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155: I choose thee as my dearest Bride
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320:War of the Spanish Succession
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717:German Christian hymnwriters
544:Philip Neri: The Fire of Joy
290:His published work of 1687,
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681:"Seidenbusch, Johann Georg"
486:"Pfarrer J. G. Seidenbusch"
417:"Seidenbusch, Johann Georg"
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652:Catholische Andachts-Ubung
525:(Verlag C. H. Beck, 2014,
346:Catholische Andachts-Ubung
301:Gegrüßet seist du, Königin
285:An engraved portrait, 1730
601:Winfried M. Wermter, ed.
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18:German priest (1641–1729)
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422:Neue Deutsche Biographie
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292:Marianischer Schnee-Berg
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79:Electorate of Bavaria
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318:In 1705, during the
176:Joachim von Sandrart
28:stained glass window
629:Lazarus M. Uchman,
385:"Georg Seidenbusch"
358:J. G. Seidenbusch,
351:J. G. Seidenbusch,
344:J. G. Seidenbusch,
332:Deutsche Biographie
26:Seidenbusch, from a
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224:Bishop of Ratisbon
200:free imperial city
184:Freising Cathedral
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106:St Peter’s, Munich
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683:, pastellists.com
531:978-3-406-66956-9
431:978-3-428-11205-0
415:Hans Pörnbacher,
309:Pope Innocent XII
267:Saint Philip Neri
165:Scheyern, c. 1644
121:Wilhelmsgymnasium
87:St Peter's Church
83:Holy Roman Empire
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512:(in German)
265:founded by
126:Virgin Mary
727:Oratorians
691:Categories
675:WikiSource
263:Oratorians
216:River Isar
180:Ingolstadt
65:Early life
597:0945-1722
198:near the
196:Aufhausen
186:in 1666.
116:Gymnasium
508:(2017),
252:Eleonora
214:on the
204:Ratisbon
130:sodalist
97:preach!"
313:Provost
269:at the
246:At the
152:transl.
81:of the
48:Provost
40:Baroque
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208:pastor
190:Career
113:Jesuit
75:Munich
367:Notes
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635:ISBN
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329:The
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