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88:(born 1985) is a Polish artist based in London. She examines the human condition through performative acts and the construction of multiple ‘social landscapes’ using photography, performance and film. Family archives, self-defence manuals and psychotherapeutic methods are used as reference points as Piotrowska explores the complex roles which play out in everyday performance
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Her psychologically charged photographs probe human behaviour and the dynamics of familial relations, exploring intimacy, violence, control, and self-protection. The artist reveals moments of care as well as hierarchies of power, anxieties, and imposed conventions that play out in the domestic
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Her work has been exhibited at Le BAL, Paris (2023), Tate
Britain (2019), Kunsthalle Basel (2019) and MoMA, New York (2018). She was also included in the 59th Venice Biennale (2022), The 16th Lyon Biennale (2022) and the 10th Berlin Biennale (2018).
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In 2016, she began her "Frantic" series, in which she asked adults to construct homemade forts from their personal belongings. She traveled to Lisbon and Rio de
Janeiro, photographing her subjects in their homes.
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in 2015, Piotrowska focused on photographing teenage girls in self-defense poses. She shot the series in Poland, finding subjects through friends and casting agencies that worked with aspiring actresses.
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Piotrowska's 2014 series "FROWST" is a series of staged family portraits. The photos were published in a book by the same name, which won the First Book Award in 2014.
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303:, with texts by Sara De Chiara, Anouchka Grose, Pier Paolo Tamburelli. Milan: Humboldt Books, 2017. 108p. ISBN 9788899385354
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Alexander García Düttmann, Joanna
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684:"Black and White Photos That Show the Disturbing Side of Being a Teenage Girl"
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236:, Hannover, Germany, 2022. Curated by Adam Budak and Robert Knoke
261:, Paris, France, 2023. Curated by Diane Dufour and Julie Héraut.
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16th Lyon
Biennale of Contemporary Art: Manifesto of Fragility
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196:, London, 2019. Curated by Sofia Karamani and Zuzana Flaskov.
608:"The Talented Photographer Using Gesture to Empower Women"
658:"Winners of the Jerwood/Photoworks Awards 2015 announced"
220:, Warsaw, Poland, 2020. Curated by Magdalena Komornicka.
321:, with essays from Sara De Chiara, Joanna Bednarek and
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190:Art Now: Joanna Piotrowska – All Our False Devices
251:, Venice, Italy, 2022. Curated by Ceclia Alemani.
230:Joanna Piotrowska: Sleeping Throat, Bitter Thirst
111:Art Now. Joanna Piotrowska: All Our False Devices
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226:Göteborgs Konsthall, Göteborg, Sweden. 2020/21.
315:, 2017. Silver gelatine hand print, 21 x 27cm.
169:, New York City, 2018. Curated by Lucy Gallun.
248:Venice Biennale of Art: The Milk of Dreams
206:, Basel, Switzerland, 2019/20. Curated by
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411:"Biennale Arte 2022 | Joanna Piotrowska"
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633:"Winner: FROWST by Joanna Piotrowska"
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470:"Joanna Piotrowska | Tate Britain"
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498:"Stable Vices • Kunsthalle Basel"
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440:"Joanna Piotrowska – Entre nous"
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319:Joanna Piotrowska: Stable Vices
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218:Zachęta National Gallery of Art
200:Joanna Piotrowska: Stable Vices
150:Joanna Piotrowska: Stable Vices
132:After winning one of the three
16:Polish photographer (born 1985)
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325:, London: Mack, 2021, 176 p.,
271:Joanna Piotrowska: Entre Nous,
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735:"Joanna Piotrowska: FROWST"
182:, Berlin, 2018. Curated by
163:Being: New Photography 2018
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301:Joanna Piotrowska: Frantic
152:, Kunsthalle Basel (2019).
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284:Joanna Piotrowska: FROWST
214:Joanna Piotrowska: FROWST
134:Jerwood/Photoworks Awards
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167:Museum of Modern Art
119:Royal College of Art
774:"Joanna Piotrowska"
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311:Joanna Piotrowska,
148:Installation View,
121:, London, in 2013.
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849:1985 births
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184:Gabi Ngcobo
157:Exhibitions
65:Photography
52:Nationality
843:Categories
662:Photoworks
349:References
286:, London:
101:Education
744:2 August
313:Untitled
93:sphere.
719:9 April
693:9 April
688:Broadly
667:9 April
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617:9 April
612:AnOther
372:9 April
70:Website
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819:Portal
468:Tate.
444:LE BAL
367:frieze
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259:Le BaL
125:Career
113:(2019)
56:Polish
714:Artsy
392:(PDF)
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173:10th
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474:Tate
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327:ISBN
292:ISBN
288:Mack
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