Knowledge

Joachim von Sandrart

Source đź“ť

421: 405: 437: 374: 390: 362: 42: 683: 278:
and beyond, searching for literary sights to see and paint, and wherever he went he paid his way by selling portraits. Only when he was done traveling did he finally return to Frankfurt, where he married Johanna de Milkau in 1637.
420: 466:, published between 1675 and 1680, and in more recent editions. This work is an educational compilation of short biographies of artists, as "a printed supplement to or surrogate for an academic course," inspired by 324:
at the time and never returned to France. This piece cemented his reputation as a leading painter, and in 1645 Sandrart decided to cash in and go home when he received an inheritance in Stockau, outside
549:
whom De Bie has erroneously called "Verbrugghen". De Bie corrects this mistake in a manuscript and attacks Sandrart for having copied the mistake without proper research in a later work of his.
329:, he sold his things and moved there. He received 3000 guilders for 2 books of his Italian drawings, that according to Houbraken were resold in his lifetime for 4555 guilders. 404: 698: 436: 219:
Making all of those copies only served to arouse more curiosity in the young adventurer, and in 1627 Sandrart booked a passage on a ship from London to
243: 373: 930: 427: 294:, and portraits. He won a very good following as a painter, winning a lucrative commission for a large commemorative piece for the state visit by 842: 824: 703: 940: 925: 880: 727: 910: 762: 746: 657: 895: 213: 905: 618: 801: 890: 411: 344:, where he married Hester Barbara Bloemaart, the daughter of a magistrate there. This is where he started writing. 337: 17: 791: 389: 875: 80: 62: 312:
hanging below it. The state visit was a big deal for Amsterdam, as it meant the first formal recognition of the
915: 885: 900: 935: 645: 811:
Teutsche Academie der Bau-, Bild- und Mahlerey-KĂĽnste, Joachim von Sandrart, NĂĽrnberg 1675, 1679, 1680
361: 201: 176:, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to 775: 209: 920: 101: 258:(whose bent name was "Bamboccio"). After a few years he undertook a tour of Italy, traveling to 821: 633: 200:
when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his
558: 546: 688:
One or more of the preceding sentences incorporates text from a publication now in the
140:. He is most significant for his collection of biographies of Dutch and German artists the 870: 865: 822:
Sandrart's commemorative painting of Maria de Medici's visit in 1638, Rijksmuseum Amsterdam
309: 193: 332:
Though he rebuilt the old homestead, it was burned by the French. He sold it and moved to
8: 742: 352: 850: 541: 321: 112: 235: 173: 837: 723: 614: 453: 164: 155: 142: 282:
Afraid of political unrest and plague, he moved to Amsterdam with his wife in 1637.
653: 483: 467: 181: 137: 828: 608: 591: 536: 295: 255: 308:, and shows the members posing around a bust of Maria of Medici, with a poem by 846: 479: 313: 263: 189: 185: 169: 859: 758: 694: 689: 159: 228: 299: 291: 707:. Vol. 24 (11th ed.). Cambridge University Press. p. 141. 340:, the Elector of Bavaria. When his wife died in 1672, Sandrart moved to 326: 304: 650:
De groote schouburgh der Nederlantsche konstschilders en schilderessen
833: 610:
Double Agents Cultural and Political Brokerage in Early Modern Europe
341: 302:. This piece was commissioned by the Bicker Company of the Amsterdam 133: 41: 333: 247: 129: 267: 239: 224: 208:. There he worked with Honthorst and spent time making copies of 125: 188:. Sadeler in turn urged him to paint, whereupon he travelled to 458:
He is best known as an author of books on art, some of them in
317: 271: 259: 246:, a celebrated engraver. With him, he crossed the mountains to 220: 205: 197: 177: 204:. Honthorst took Sandrart along with him when he travelled to 475: 459: 275: 464:
Teutsche Academie der edlen Bau-, Bild- und Mahlerey-KĂĽnste
251: 668: 577: 482:. His work in turn became one of the primary sources for 722:. Princeton: Princeton University Press. p. 138. 442:
High altarpiece for the Schottenkirche in Vienna, 1671
242:, where he was met by his uncle on his mother's side 669:Sandrart.net - online version of Teutsche Academie 578:Sandrart.net - online version of Teutsche Academie 857: 671:in German, but with some English navigation aids 580:in German, but with some English navigation aids 162:. According to his dictionary of art called the 834:Link to the Sandrart.net digitalization project 168:, he learned to read and write from the son of 606: 462:, and especially for his historical work, the 428:Archduchess Maria Anna of Austria (1610–1665) 124:(12 May 1606 – 14 October 1688) was a German 172:, Johann Theodoor de Brie and his associate 607:Noldus, Badeloch; Keblusek, Marika (2011). 596:(in German). Oxford University. p. 92. 474:. Both Sandrart and van Mander based their 27:German artist and art historian (1606–1688) 99:Johanna von Milkau (m. 1637–1672; death), 40: 529:The one who has taken it in hand himself. 931:German expatriates in the Dutch Republic 693: 91:St. Johannisfriedhof, Nuremberg, Germany 589: 355:, now hangs in Nuremberg's town hall. 290:In Amsterdam he worked as a painter of 14: 858: 212:portraits for the portrait gallery of 552: 490:, who wrote a little poem about him: 336:, where he painted for the family of 320:. However, Maria herself was fleeing 266:, believed to be the entrance to the 717: 658:Digital library for Dutch literature 447: 499:What work, trouble, and dedication, 146:, published between 1675 and 1680. 24: 285: 214:Henry Howard, 22nd Earl of Arundel 25: 952: 815: 788:De Spiegel vande Verdrayde Werelt 600: 583: 158:, but the family originated from 941:German people of Belgian descent 681: 524:Als die 't zelf neemt ter hand. 514:Steets doen moet, weet niemant; 435: 419: 412:Maximilian I, Elector of Bavaria 403: 388: 372: 360: 926:German male non-fiction writers 795: 780: 768: 752: 81:Free Imperial City of Nuremberg 63:Free Imperial City of Frankfurt 736: 711: 674: 662: 639: 627: 571: 13: 1: 718:Wood, Christopher S. (2019). 564: 535:Sandrart copied a mistake in 494:Wat arbeid, moeite, en yver, 192:in 1625 to become a pupil of 881:17th-century German painters 590:Sponsel, Jean Louis (1896). 298:in 1638, which hangs in the 274:. From there he traveled to 149: 7: 911:Members of the Bentvueghels 504:En nazoek dat een Schryver 262:, where he drew studies of 223:, where he was welcomed by 10: 957: 646:Joachim Sandrart biography 509:And research that a Writer 451: 426:Pendant marriage portrait 316:of the seven provinces by 896:Dutch Golden Age painters 634:TA 1675, Lebenslauf, S. 7 196:, and through him he met 108: 95: 87: 69: 48: 39: 32: 906:German portrait painters 776:Royal Library of Belgium 761:online version from the 745:online version from the 720:A History of Art History 478:sections on the work of 347:His large 1649 painting 891:German Baroque painters 704:Encyclopædia Britannica 383:(one of a series), 1642 250:, and from there on to 102:Esther Barbara Bloemart 876:Artists from Frankfurt 802:Collection Rijksmuseum 613:. Brill. p. 162. 533: 238:. He then set out for 202:Marie de' Medici cycle 916:German art historians 699:Sandrart, Joachim von 559:Rijksmuseum Amsterdam 547:Hendrick ter Brugghen 519:Has to do, knows only 492: 367:Self-portrait in 1641 234:name was "Pan"), and 180:to become a pupil of 154:Sandrart was born in 104:(m. 1673–1688; death) 886:German male painters 849:after a painting by 310:Joost van den Vondel 194:Gerrit van Honthorst 122:Joachim von Sandrart 34:Joachim von Sandrart 901:Dutch male painters 790:, 1708, p. 274-275 379:Personification of 936:Rembrandt scholars 851:Johann Ulrich Mayr 827:2012-10-10 at the 656:, courtesy of the 553:Public collections 542:Het Gulden Cabinet 351:commemorating the 128:art-historian and 113:Jacob von Sandrart 838:Teutsche Academie 786:Cornelis de Bie, 729:978-0-691-15652-1 593:Teutsche Academie 454:Teutsche Academie 448:Teutsche Academie 254:, where they met 165:Teutsche Academie 156:Frankfurt am Main 143:Teutsche Academie 119: 118: 16:(Redirected from 948: 804: 799: 793: 784: 778: 772: 766: 756: 750: 740: 734: 733: 715: 709: 708: 687: 685: 684: 678: 672: 666: 660: 654:Arnold Houbraken 643: 637: 631: 625: 624: 604: 598: 597: 587: 581: 575: 484:Arnold Houbraken 468:Karel van Mander 439: 423: 407: 392: 376: 364: 353:Peace of MĂĽnster 244:Michael le Blond 182:Aegidius Sadeler 138:Dutch Golden Age 76: 73:October 14, 1688 58: 56: 44: 30: 29: 21: 18:Joachim Sandrart 956: 955: 951: 950: 949: 947: 946: 945: 856: 855: 829:Wayback Machine 818: 808: 807: 800: 796: 785: 781: 773: 769: 757: 753: 741: 737: 730: 716: 712: 697:, ed. (1911). " 682: 680: 679: 675: 667: 663: 644: 640: 636:on Sandrart.net 632: 628: 621: 605: 601: 588: 584: 576: 572: 567: 555: 537:Cornelis de Bie 456: 450: 443: 440: 431: 424: 415: 408: 399: 393: 384: 377: 368: 365: 296:Maria of Medici 288: 286:Painting career 256:Pieter van Laer 236:Nicolas RĂ©gnier 174:Matthäus Merian 152: 100: 83: 78: 74: 65: 60: 54: 52: 35: 28: 23: 22: 15: 12: 11: 5: 954: 944: 943: 938: 933: 928: 923: 921:Artist authors 918: 913: 908: 903: 898: 893: 888: 883: 878: 873: 868: 854: 853: 847:Philipp Kilian 840: 831: 817: 816:External links 814: 813: 812: 806: 805: 794: 779: 767: 751: 743:Schilder-boeck 735: 728: 710: 695:Chisholm, Hugh 673: 661: 638: 626: 619: 599: 582: 569: 568: 566: 563: 562: 561: 554: 551: 532: 531: 522: 521: 512: 511: 502: 501: 480:Giorgio Vasari 472:Schilder-boeck 452:Main article: 449: 446: 445: 444: 441: 434: 432: 425: 418: 416: 409: 402: 400: 398:(same series). 394: 387: 385: 378: 371: 369: 366: 359: 314:Dutch Republic 287: 284: 268:Elysian fields 264:Mount Vesuvius 186:Sadeler family 170:Theodor de Bry 151: 148: 117: 116: 110: 106: 105: 97: 93: 92: 89: 85: 84: 79: 77:(aged 82) 71: 67: 66: 61: 50: 46: 45: 37: 36: 33: 26: 9: 6: 4: 3: 2: 953: 942: 939: 937: 934: 932: 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 877: 874: 872: 869: 867: 864: 863: 861: 852: 848: 844: 841: 839: 835: 832: 830: 826: 823: 820: 819: 810: 809: 803: 798: 792: 789: 783: 777: 771: 764: 760: 755: 748: 744: 739: 731: 725: 721: 714: 706: 705: 700: 696: 691: 690:public domain 677: 670: 665: 659: 655: 651: 647: 642: 635: 630: 622: 620:9789004202696 616: 612: 611: 603: 595: 594: 586: 579: 574: 570: 560: 557: 556: 550: 548: 544: 543: 538: 530: 527: 526: 525: 520: 517: 516: 515: 510: 507: 506: 505: 500: 497: 496: 495: 491: 489: 485: 481: 477: 473: 469: 465: 461: 455: 438: 433: 429: 422: 417: 413: 406: 401: 397: 391: 386: 382: 375: 370: 363: 358: 357: 356: 354: 350: 349:Peace-Banquet 345: 343: 339: 335: 330: 328: 323: 319: 315: 311: 307: 306: 301: 297: 293: 283: 280: 277: 273: 270:described by 269: 265: 261: 257: 253: 249: 245: 241: 237: 233: 230: 226: 222: 217: 215: 211: 207: 203: 199: 195: 191: 187: 183: 179: 175: 171: 167: 166: 161: 157: 147: 145: 144: 139: 135: 131: 127: 123: 114: 111: 107: 103: 98: 94: 90: 88:Resting place 86: 82: 72: 68: 64: 51: 47: 43: 38: 31: 19: 845:engraved by 843:His portrait 797: 787: 782: 770: 754: 738: 719: 713: 702: 676: 664: 649: 641: 629: 609: 602: 592: 585: 573: 540: 534: 528: 523: 518: 513: 508: 503: 498: 493: 487: 471: 463: 457: 410:Painting of 395: 380: 348: 346: 338:Maximilian I 331: 303: 289: 281: 231: 229:Bentvueghels 218: 163: 153: 141: 132:, active in 121: 120: 75:(1688-10-14) 59:May 12, 1606 871:1688 deaths 866:1606 births 470:'s similar 300:Rijksmuseum 292:genre works 136:during the 860:Categories 774:KBR14648, 652:(1718) by 565:References 327:Ingolstadt 305:schutterij 55:1606-05-12 759:Schouburg 488:Schouburg 342:Nuremberg 322:Richelieu 150:Biography 134:Amsterdam 109:Relatives 96:Spouse(s) 836:for the 825:Archived 396:November 381:February 334:Augsburg 248:Florence 115:(nephew) 692::  476:Italian 430:, 1643. 414:, 1643. 240:Bologna 227:(whose 225:Jan Lis 210:Holbein 190:Utrecht 184:of the 130:painter 126:Baroque 726:  686:  617:  318:France 272:Virgil 260:Naples 221:Venice 206:London 198:Rubens 178:Prague 460:Latin 276:Malta 763:DBNL 747:DBNL 724:ISBN 615:ISBN 252:Rome 232:bent 160:Mons 70:Died 49:Born 701:". 648:in 545:on 539:'s 486:'s 862:: 216:. 765:. 749:. 732:. 623:. 57:) 53:( 20:)

Index

Joachim Sandrart

Free Imperial City of Frankfurt
Free Imperial City of Nuremberg
Esther Barbara Bloemart
Jacob von Sandrart
Baroque
painter
Amsterdam
Dutch Golden Age
Teutsche Academie
Frankfurt am Main
Mons
Teutsche Academie
Theodor de Bry
Matthäus Merian
Prague
Aegidius Sadeler
Sadeler family
Utrecht
Gerrit van Honthorst
Rubens
Marie de' Medici cycle
London
Holbein
Henry Howard, 22nd Earl of Arundel
Venice
Jan Lis
Bentvueghels
Nicolas RĂ©gnier

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑