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When he returned to Brazil in 1877, he temporarily replaced
Meirelles as the Professor of history painting at AIBA; although his primary position was as a teacher of landscapes, nude figure painting and design at the
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In 1890, he became a deputy director at ENBA. Two years before his death, he was called upon to help restore his murals (already in poor condition after only thirty years), but his hands were so badly twisted by
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which, after a brief trip to Rome for inspiration, were done in collaboration with his students. His rendering of the Virgin Mary surrounded by the
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114:. While there, he won several awards and was granted a fellowship to study in Europe. In 1869, he went to Rome and enrolled at the
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is considered to be his masterpiece. Later, his works at the
General Exhibition of Fine Arts were heavily criticized by
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153:(who was impressed by Costa's Italian education) commissioned him to paint murals in
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165:, Brazil's first art historian. As a result, he never exhibited publicly again.
98:(August 25, 1840 – August 24, 1915) was a Brazilian painter and designer.
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João
Zeferino da Costa, sua vida de estudante e a de professor
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that other painters had to be employed to do the work.
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316:Mecanismos e proporções da figura humana
178:Mecanismos e proporções da figura humana
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106:He began his studies in 1857 at the
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264:: Brief biography and criticism.
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110:(AIBA) under the direction of
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236:Saint John the Baptist (1873)
80:Imperial Academy of Fine Arts
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285:Archived
151:Pedro II
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142:and
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