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Jherek Bischoff

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the city back to the Pacific Ocean". Bischoff recorded the album with the New York-based Contemporaneous ensemble at Future-Past in Hudson, NY, a recording studio housed in an historic 19th-century church. Upon release of the album, Bischoff was the featured artist for Times Square Arts Midnight Moment for the month of August and the video for "Cistern" played on screens throughout Times Square. On August 21 and 22, Bischoff performed the album in the middle of Times Square accompanied by his Silent Orchestra on electronic instruments with the audio streamed to wireless headphones.
306:, where Bischoff learned to play a wide variety of instruments. Bischoff has some fluency on a number of woodwinds (saxophone, clarinet), brass (tuba, trombone, trumpet) and stringed instruments (electric bass, guitar, ukulele, banjo, stand-up bass, cello, violin). As a composer, Bischoff is largely self-taught having attended part-time college classes on the topic and gaining experience by writing arrangements and compositions for fellow artists in the Seattle music scene. Music was also a family tradition. His father, who had studied music at the 22: 217:(born September 11, 1979) is an American composer, arranger, producer, and multi-instrumental performer based in Los Angeles. His credits include over seventy albums and compositions for orchestra, opera, film, theater, and ballet. Utilizing orchestral, electronic and rock instrumentation, Bischoff blends contemporary classical, ambient and experimental rock music. 299:. When he was a young child his parents decided they wanted to move aboard a sailboat, and eventually sailed up the coast to the Pacific Northwest. Bischoff spent his early years on the boat and when he was 14 years old, the family departed on a two-year sailing trip to Central America, through the Panama Canal and into the Caribbean. 450:
is an absolutely wild environment to try to create music in". This led to "a record intrinsically linked to the space in which it was conceived. A space which forced Bischoff to slow down, to reflect, to draw on his childhood growing up on a sailing boat – an unexpected journey of rediscovery, from
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wrote that listening to the album whilst being aware of the process "is like imagining someone filling an Olympic-sized pool with an eye dropper: the mind balks, both at the enormity of the undertaking and at the disposition of the person behind it". Bischoff was interviewed by
446:. The size of the space was a huge factor in the development of the album. In an interview Bischoff described how "the vast emptiness of the cistern generates a reverb decay that lasts 45 seconds. That means, if you snap your fingers, the sound lasts 45 seconds. That amount of 409:). The album was first composed by Bischoff on a ukulele. He then orchestrated, engineered, and mastered the album, achieving an orchestral sound at a low cost by recording the instrumentalists one at a time using a single microphone and a laptop computer recording set-up. 220:
Bischoff has released over a dozen studio albums as a solo artist and band member and has credits as a musician, arranger, producer or engineer on over sixty albums. He has written several orchestral commissions for the likes of
72: 1224: 353:. The album features nine orchestral pieces with a different vocalist on eight of the nine tracks. Many of the vocalists are well known, and included 1219: 428:, where he spoke largely about his unique childhood growing up on a sailboat, and the unconventional process by which he recorded his album 909: 1069: 279: 1229: 1182: 588: 496: 442:
an ambient orchestral album inspired by time he spent in an empty two million gallon underground water tank under Fort Worden in
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Bischoff performs with Amanda Palmer and the Grand Theft Orchestra at the Roxy Theater in West Hollywood, California.
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Bischoff was nominated for The Stage Debut Awards 2020 in the Best Composer or Lyricist category for his score for
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Bischoff first emerged as a musician in the first decade of the 2000s. He was a member and collaborator with
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and Stanley Lunetta, had been in avant garde and experimental bands throughout the 1970s.
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Chestnuts Roasting on an Open Fire Walk with Me - Deluxe Version / Remastered
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The Ocean at the End of the Lane - Music from the National Theatre Production
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Bischoff gained attention as a solo artist upon the 2012 release of
1047: 934:"David Byrne Takes It in the Face in Fidgety, Literal 'Eyes' Video" 568:). He "is known for pushing the limits of orchestral music" (NPR). 539: 398: 31:
may have been created or edited in return for undisclosed payments
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Bischoff's work for theater includes his 2015 debut
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Guest soloists included 14: 1241: 765:"The Leaf Label: Jherek Bischoff" 347:and a related instrumental album 1165:Crepuscule with the Dead Science 1013:. seattleweekly.com. 2014-08-06. 890:"Classical Music/Opera Listings" 689:Jherek Bischoff vs Konono N°1 – 656:– Split with Richard Webb (2009) 589:The Ocean at the End of the Lane 538:Bischoff has been called a "pop 497:The Ocean at the End of the Lane 247:The Ocean at the End of the Lane 20: 1230:21st-century American composers 1017: 1011:"Best of Seattle: Collaborator" 965: 951: 926: 308:University of California, Davis 166:Bass, Guitar, Percussion, Synth 999:. thestranger.com. 2013-06-05. 902: 882: 858: 840: 818: 779: 757: 753:. thestranger.com. 2012-11-28. 707:"Super Blue Blood Moon" (2017) 691:Kule Kule (Orchestral Version) 621:Scores: Composed Instrumentals 350:Scores: Composed Instrumentals 1: 734: 304:Bainbridge Island, Washington 290: 33:, a violation of Knowledge's 866:"Times Square Arts: Cistern" 787:"Jherek Bischoff – Composed" 571:Bischoff was a finalist for 558:and the unpredictability of 285: 7: 466:, a children's musical for 435:In 2016, Bischoff released 272:A Futile and Stupid Gesture 235:National Symphony Orchestra 10: 1246: 1158:Bird Bones in the Bughouse 683:Singles as Jherek Bischoff 520:Sonia Friedman Productions 1174: 1142: 1110: 1085: 601:Albums as Jherek Bischoff 444:Port Townsend, Washington 317: 195: 191: 180: 170: 162: 154: 120: 97: 87: 82: 70: 63: 595: 239:Royal National Theatre's 227:Pacific Northwest Ballet 870:arts.timessquarenyc.org 828:. Stereogum. 3 May 2016 526:, his second opera for 332:Degenerate Art Ensemble 93:Jherek Brandon Bischoff 1210:Musicians from Seattle 814:. npr.org. 2013-04-09. 693:– Song on Compilation 648:EPs as Jherek Bischoff 502:Royal National Theatre 490:, his first opera for 297:Sacramento, California 260:Exhibiting Forgiveness 252:Andersen's Erzahlungen 231:BBC Symphony Orchestra 114:Sacramento, California 83:Background information 695:Tradi-Mods vs Rockers 295:Bischoff was born in 268:The Devil Makes Three 43:neutral point of view 664:Angelo Badalementi's 654:Under the Sour Trees 524:Kasimir und Karoline 518:in partnership with 464:The Flying Classroom 565:New Musical Express 528:Staatsoper Hannover 514:, a production for 482:, for Düsseldorf's 387:Parenthetical Girls 385:), Zac Pennington ( 324:Parenthetical Girls 895:The New York Times 767:. Theleaflabel.com 701:"Red Cloak" (2017) 545:The New York Times 534:Critical reception 488:Andersen's Stories 456:Johnny Breitwieser 381:), Dawn McCarthy ( 108:September 11, 1979 1192: 1191: 973:"Jherek Bischoff" 722:Albums as Ribbons 704:"Reminder" (2017) 371:Geraldine Fibbers 209: 208: 59: 58: 1237: 1079:The Dead Science 1072: 1065: 1058: 1049: 1048: 1039: 1038: 1036: 1035: 1021: 1015: 1014: 1007: 1001: 1000: 993: 987: 986: 984: 983: 969: 963: 962: 955: 949: 948: 946: 945: 930: 924: 923: 921: 920: 906: 900: 899: 886: 880: 879: 877: 876: 862: 856: 855: 844: 838: 837: 835: 833: 822: 816: 815: 808: 802: 801: 799: 797: 783: 777: 776: 774: 772: 761: 755: 754: 747: 715:Devendra Banhart 713:"Celebration" – 458:, a musical for 379:Shudder to Think 336:The Dead Science 205: 202: 187:, The Leaf Label 173: 137:Alternative rock 111: 107: 105: 90: 75: 61: 60: 54: 51: 39:content policies 24: 16: 1245: 1244: 1240: 1239: 1238: 1236: 1235: 1234: 1195: 1194: 1193: 1188: 1170: 1138: 1106: 1091:Jherek Bischoff 1081: 1076: 1042: 1033: 1031: 1023: 1022: 1018: 1009: 1008: 1004: 995: 994: 990: 981: 979: 971: 970: 966: 957: 956: 952: 943: 941: 932: 931: 927: 918: 916: 908: 907: 903: 888: 887: 883: 874: 872: 864: 863: 859: 846: 845: 841: 831: 829: 824: 823: 819: 810: 809: 805: 795: 793: 785: 784: 780: 770: 768: 763: 762: 758: 749: 748: 741: 737: 724: 685: 650: 607:Jherek Bischoff 603: 598: 556:Ennio Morricone 548:), a "phenom" ( 536: 320: 293: 288: 215:Jherek Bischoff 212: 199: 171: 112: 109: 103: 101: 88: 78: 66: 65:Jherek Bischoff 55: 49: 46: 41:, particularly 25: 12: 11: 5: 1243: 1233: 1232: 1227: 1222: 1217: 1212: 1207: 1190: 1189: 1187: 1186: 1178: 1176: 1172: 1171: 1169: 1168: 1161: 1154: 1146: 1144: 1140: 1139: 1137: 1136: 1129: 1122: 1114: 1112: 1108: 1107: 1105: 1104: 1099: 1097:Nick Tamburro 1094: 1086: 1083: 1082: 1075: 1074: 1067: 1060: 1052: 1046: 1045: 1041: 1040: 1016: 1002: 988: 964: 950: 925: 914:The New Yorker 901: 881: 857: 852:The Leaf Label 839: 817: 803: 778: 756: 738: 736: 733: 732: 731: 723: 720: 719: 718: 711: 708: 705: 702: 699: 684: 681: 680: 679: 673: 657: 649: 646: 645: 644: 638: 635:Improvisations 632: 624: 618: 610: 602: 599: 597: 594: 580:Seattle Weekly 551:The New Yorker 535: 532: 484:Schauspielhaus 369:(Evangelista, 367:Carla Bozulich 359:Caetano Veloso 319: 316: 292: 289: 287: 284: 250:and an opera, 241:production of 223:Kronos Quartet 211:Musical artist 210: 207: 206: 201:jherekbischoff 197: 193: 192: 189: 188: 182: 178: 177: 174: 168: 167: 164: 160: 159: 156: 152: 151: 122: 118: 117: 99: 95: 94: 91: 85: 84: 80: 79: 76: 68: 67: 64: 57: 56: 28: 26: 19: 9: 6: 4: 3: 2: 1242: 1231: 1228: 1226: 1223: 1221: 1218: 1216: 1215:Living people 1213: 1211: 1208: 1206: 1203: 1202: 1200: 1185: 1184: 1180: 1179: 1177: 1173: 1167: 1166: 1162: 1160: 1159: 1155: 1153: 1152: 1148: 1147: 1145: 1141: 1135: 1134: 1130: 1128: 1127: 1123: 1121: 1120: 1116: 1115: 1113: 1111:Studio albums 1109: 1103: 1100: 1098: 1095: 1093: 1092: 1088: 1087: 1084: 1080: 1073: 1068: 1066: 1061: 1059: 1054: 1053: 1050: 1044: 1043: 1030: 1026: 1020: 1012: 1006: 998: 992: 978: 974: 968: 960: 954: 939: 935: 929: 915: 911: 905: 898:. 2012-02-02. 897: 896: 891: 885: 871: 867: 861: 854:. 2016-05-03. 853: 849: 843: 827: 821: 813: 807: 792: 788: 782: 766: 760: 752: 746: 744: 739: 729: 726: 725: 716: 712: 710:"Gobo" (2018) 709: 706: 703: 700: 698: 694: 690: 687: 686: 677: 674: 671: 670: 665: 661: 658: 655: 652: 651: 642: 639: 636: 633: 630: 629: 625: 622: 619: 616: 615: 611: 608: 605: 604: 593: 591: 590: 584: 582: 581: 576: 575: 569: 567: 566: 561: 557: 553: 552: 547: 546: 541: 531: 529: 525: 521: 517: 513: 512: 507: 503: 499: 498: 493: 492:Theater Basel 489: 485: 481: 477: 476:Robert Wilson 473: 469: 468:Theater Basel 465: 461: 460:Theater Basel 457: 452: 449: 448:reverberation 445: 441: 439: 433: 431: 427: 426: 421: 417: 412: 408: 404: 400: 396: 392: 388: 384: 380: 376: 372: 368: 364: 360: 356: 352: 351: 346: 345: 339: 337: 333: 329: 325: 315: 313: 309: 305: 300: 298: 283: 281: 277: 273: 269: 265: 261: 257: 256:Theatre Basel 253: 249: 248: 244: 243:Neil Gaiman's 240: 236: 232: 228: 224: 218: 216: 204: 198: 194: 190: 186: 183: 179: 175: 169: 165: 163:Instrument(s) 161: 157: 155:Occupation(s) 153: 150: 146: 142: 138: 134: 130: 126: 125:Neo-classical 123: 119: 115: 110:(age 45) 100: 96: 92: 86: 81: 74: 69: 62: 53: 44: 40: 36: 32: 29:This article 27: 23: 18: 17: 1181: 1175:Split albums 1163: 1156: 1149: 1131: 1124: 1117: 1102:Sam Mickens 1101: 1096: 1090: 1089: 1032:. 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neutral point of view
Bischoff performs with Amanda Palmer and the Grand Theft Orchestra at the Roxy Theater in West Hollywood, California.
Sacramento, California
Neo-classical
Experimental
Ambient
Alternative rock
Indie rock
Indie pop
Synth-pop
Brassland
jherekbischoff.com
Kronos Quartet
Pacific Northwest Ballet
BBC Symphony Orchestra
National Symphony Orchestra
Royal National Theatre's
Neil Gaiman's
The Ocean at the End of the Lane
Theatre Basel
A Futile and Stupid Gesture
Glow
Wet Hot American Summer: First Day of Camp
Sacramento, California
Bainbridge Island, Washington
University of California, Davis
John Cage

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