152:, a series first displayed in 2010, shifts the focus of Steinkamp's subject to life and death. She explores this topic with projections of slithering veins and arteries that evoke the eerie inspiration of her work. Her work has the power to communicate to a broader public, to “convert” a more traditional art audience, familiar with the use of computer graphics for video games but unaware of other creative applications.
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Steinkamp uses digital projection to transform architectural space, providing the viewer with a synaesthetic experience, often working in collaboration with musicians Jimmy
Johnson and Andrew Bucksbarg to integrate sound into her work. While her career began with brightly colored abstract
132:, where she studied experimental animation. Steinkamp returned to Art Center to earn her BFA in 1989 and her MFA in 1991. In 2011, Art Center recognized Steinkamp with an Honorary Doctorate. She is currently a professor in the department of Design Media Arts at
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projections, since 2003 she has increasingly incorporated nature-based imagery into her work — gnarled trees that twist, turn, and change seasons; rooms filled with undulating strands of flowers. In doing so she has brought
174:, a permanent outdoor installation in Hollywood, California. The Valentino 2010 Spring/Summer couture show featured projections of Steinkamp's trees against the walls of the runway. In 2011, Jennifer Steinkamp exhibited at
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world has a two-sided relation with
Steinkamp, since her work is not technically interactive and she uses the computer not as a tool to comment on technology, but rather one to create imagery.
186:. Stephanie Hanor and Lucia Sanromán also curated a solo show of her work at the Museum of Contemporary Art, San Diego the same year. In 2013, Steinkamp projected her work
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Steinkamp has exhibited her work internationally in a variety of venues and contexts, but her work is still difficult to categorize. She is often described as a
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into the mainstream of contemporary art. Her use of vernacular imagery and embrace of beauty result in environments that reference the sublime, as did the
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In 2008, Steinkamp was selected as the United States representative in the 11th
International Cairo Biennale. In 2009, she was commissioned to make
104:, Colorado in 1958, Steinkamp is the eldest of five children, three girls and two boys. Her family lived in a number of areas before settling in
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painters. Like her art historical precedents, Steinkamp conveys the magnitude and power of nature—a nature that is not always benign.
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who works with video and new media in order to explore ideas about architectural space, motion, and perception.
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although her work is not photo or video-based; her recent inclusion in the
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suggests that her connection to the genre is unlikely to change. The
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Snap to Grid: A User's Guide to
Digital Arts, Media, and Culture
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Brunnier Art Museum, University
Museums, Iowa State University
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Kerry
Brougher, Jeremy Strick, Ari Weisman, Judith Zilczer.
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417:"6EQUJ5, Jennifer Steinkamp ^ Minneapolis Institute of Art"
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Psychedelic: Optical and
Visionary Art Since the 1960s,
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Douglas
Dreishpoon, Louis Grachos, and Heather Pesanti.
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108:. In 1979, Steinkamp moved to Los Angeles to attend
736:UCLA School of the Arts and Architecture faculty
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591:OPTIC NERVE: Perceptual Abstraction of the 1960s
513:Companion to Light, Sound and the Moving Image
252:Museo de Arte Contemporáneo de Castilla y León
646:Beau Monde: Toward a Redeemed Cosmopolitanism
616:Visual Music: Synaesthesia in Art Since 1900
485:MAK Center for Art and Architecture; 2008.
498:Decade: Contemporary Collecting 2002-2012
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73:(born December 22, 1958) is an American
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701:Jennifer Steinkamp at Soledad Lorenzo
578:McGraw-Hill Higher Education; 2007.
340:Lehmann Maupin Press Release. (2010.)
691:Jennifer Steinkamp at Lehmann Maupin
206:Representation in museum collections
756:21st-century American women artists
746:20th-century American women artists
726:American women installation artists
633:2nd edition, Prentice Hall; 2005.
546:Badlands: New Horizons in Landscape
500:, Albright Knox Art Gallery; 2012.
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776:ArtCenter College of Design alumni
481:Kimberli Meyer and Nizan Shaked.
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248:Madison Museum of Contemporary Art
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244:Los Angeles County Museum of Art
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196:American Consulate in Guangzhou
611:Soledad Lorenzo Gallery; 2006.
593:Columbus Museum of Art; 2007.
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655:Saint Louis Art Museum; 2000.
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766:People from Edina, Minnesota
681:Jennifer Steinkamp's Website
541:, Kunsthallen Brandts; 2010.
297:Steinkamp is represented by
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192:Minneapolis Institute of Art
110:Art Center College of Design
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618:Thames & Hudson; 2005.
563:Getty Publications; 2008.
190:on the central dome of the
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212:Albright–Knox Art Gallery
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280:Vero Beach Museum of Art
220:Experience Music Project
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288:Weatherspoon Art Museum
286:, Ames (Iowa), and the
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771:Artists from Minnesota
662:The MIT Press; 2000.
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272:San Jose Museum of Art
236:Honolulu Museum of Art
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522:The MIT Press; 2010.
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648:SITE Santa Fe; 2002.
629:Marilyn Stockstad.
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126:Jeremy Gilbert-Rolfe
761:Artists from Denver
651:Rochelle Steiner.
544:Denise Markonish.
329:. Germany: Prestel.
198:, China as part of
146:Hudson River School
75:installation artist
658:Peter Lunenfeld.
609:Jennifer Steinkamp
468:Jennifer Steinkamp
466:JoAnne Northrup.
404:Judy Crook 9, 2017
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533:Lene Burkard and
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226:(Las Vegas), the
216:Denver Art Museum
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539:Wild Things
303:greengrassi
184:Dan Cameron
182:curated by
142:digital art
118:Mike Kelley
91:, Colorado.
47:Nationality
710:Categories
653:Wonderland
450:2018-02-17
426:2018-02-17
390:2018-02-17
313:References
35:1958-12-22
165:media art
150:Premature
63:Media Art
114:Pasadena
100:Born in
50:American
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