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Jean Périer

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register. His was a declamatory art, and he created convincing characters with the help of his clear diction and his ability as an actor. In addition to his opera career, he acted in several films between 1900 and 1938. His voice on one of the seven published recordings he made (Act 2 of
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later that year on 16 December. He continued to perform at that opera house until 1920, with the exception of the years 1894 through 1900 when he principally sang at the
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A concise biographical dictionary of singers: from the beginning of recorded sound to the present. Translated from German, expanded and annotated by Harry Earl Jones
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parents. His father was an opera singer and repetiteur. After initially working at the Credit Lyonnais, he became a pupil of
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Although he performed a great deal of operetta, he also sang a number of operatic roles including the title role in
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in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938.
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In the second half of his career Périer appeared in over 30 French feature films, including:
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After retiring in 1938, Périer worked as an acting and singing teacher in Paris. He died in
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L'encyclopédie multimedia de la comédie musicale théâtrale en France (1918–1940)
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Cohen J, op cit. This article discusses Périer and the voice type for this role.
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Although described as a baritone, he created roles for Debussy and Ravel in the
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repertoire, Périer did portray a number of opera roles; mostly within operas by
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in 1902 (Périer also sang Pelléas in the American premiere in New York, 1908).
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Périer also played the speaking role of Brother Dominic in the premiere of
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Périer's other roles at the Opéra-Comique included Clément Marot in
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baryton-martin and actor. Although he sang principally within the
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Les Annales du Théâtre et de la Musique, 25eme edition, 1899.
209: 138: 50: 1014:. Amadeus Press, Portland, 1999 (translation Roger Nichols). 891: 817: 976:. Oxford University Press, Oxford, 1983; Barnes H, op cit. 829:. Philadelphia: Chilton Book Company. pp. 487pp. 49:(2 February 1869 – 3 November 1954) was a French 1034: 117:and other Parisian theatres specializing in 911:Un demi-siècle d'Opéra-Comique (1900–1950). 987:Un demi-siècle d'Opéra Comique (1900–1950) 273: 83:Jean Périer was born in Paris, the son of 813: 811: 152:. He repeated the role of Pelléas at the 890:ed. L. Macy (Accessed 30 January 2009), 854:The Encyclopedia of the Musical Theatre. 277: 20: 954:Librairie Paul Ollendorff, Paris, 1900. 882: 880: 878: 872:Bibliotheques Charpentier, Paris, 1893. 868:Les Annales du Théâtre et de la Musique 848: 846: 259:, 1904) is described as dry and husky. 1035: 808: 293:Among roles which Périer created are: 875: 843: 941:. 33 Édition, 4 Serie. Paris, 1899. 738:Le Destin fabuleux de Désirée Clary 13: 14: 1094: 1083:French people of Belgian descent 1078:20th-century French male actors 1017: 1004: 992: 979: 966: 939:Acteurs & Actrices de Paris 1063:French male silent film actors 957: 944: 931: 922:Cohen J. Sing high, sing low. 916: 903: 886:Harold Barnes: "Jean Périer", 859: 485:in Basle on 12 May 1938, with 1: 801: 665:L'Affaire du courrier de Lyon 115:Théâtre des Bouffes Parisiens 1026:, accessed 17 November 2008. 796:(1947, Périer plays himself) 704:Remontons les Champs-Élysées 319:Florestan de Valaincourt in 170:(1911) and leading roles in 78: 7: 989:. André Bonne, Paris, 1953. 10: 1099: 630:Compliments of Mister Flow 555:Prenez garde à la peinture 282:Jean Périer as Auguste in 25:Jean Périer as Pelléas in 1073:French operatic baritones 913:André Bonne, Paris, 1953. 865:Noel E & Stoullig E. 765:The Man Who Sold His Soul 427:Mârouf, savetier du Caire 226:Les rendez-vous bourgeois 928:, Spring 2007; 48:24–28. 925:Classic Record Collector 856:Blackwell, Oxford, 1994. 492: 1058:French male film actors 972:Traubner R. Operetta – 562:The Beautiful Adventure 382:Hans le joueur de flûte 274:Roles created by Périer 154:Manhattan Opera Company 59:Wolfgang Amadeus Mozart 1053:Male actors from Paris 744:Le Brigand gentilhomme 683:(1938) Original title 622:(1936) Original title 587:(1934) Original title 576:(1933) Original title 565:(1932) Original title 548:(1932) Original title 545:The Night at the Hotel 537:(1931) Original title 503:Monsieur Don Quichotte 482:Jeanne d'Arc au Bûcher 290: 241:Le légataire universel 89:Émile-Alexandre Taskin 35: 892:(subscription access) 870:, 9eme edition, 1892. 779:The Ménard Collection 751:Mademoiselle Béatrice 584:The Path to Happiness 404:Landry in Messager's 281: 204:Les contes d’Hoffmann 24: 974:A Theatrical History 672:The Novel of Werther 619:Forty Little Mothers 595:King of the Camargue 589:Le chemin du bonheur 539:Autour d'une enquête 346:Pelléas et Mélisande 158:Opéra de Monte-Carlo 149:Pelléas et Mélisande 91:(opéra comique) and 72:Pelléas et Mélisande 32:Pelléas et Mélisande 1068:French male singers 897:16 May 2008 at the 685:Les pirates du rail 578:Simone est comme ça 573:Simone Is Like That 437:Jérôme Coignard in 308:André (Massèna) in 303:Camille Saint-Saëns 156:in 1908 and at the 97:Paris Conservatoire 16:French opera singer 1024:cinema-francais.fr 1001:, accessed 8.12.08 888:Grove Music Online 637:Les Amants traqués 550:Une nuit à l'hôtel 459:Quand on est trois 424:The title role in 391:The title role in 359:La reine Fiammette 291: 36: 819:Karl-Josef Kutsch 710:Légions d'honneur 567:La belle aventure 468:by Szulc in 1925. 441:by Levadé in 1920 439:La reine Pédauque 414:L'heure espagnole 356:Giorgio d'Ast in 264:Neuilly-sur-Seine 167:L'heure espagnole 136:, and Scarpia in 95:(singing) at the 1090: 1027: 1021: 1015: 1008: 1002: 996: 990: 983: 977: 970: 964: 961: 955: 948: 942: 935: 929: 920: 914: 907: 901: 884: 873: 863: 857: 850: 841: 840: 815: 787:The Seventh Door 758:Les Roquevillard 731:Entente cordiale 724:La Mort du cygne 698:La Rue sans joie 534:About an Inquest 461:by Szulc in 1925 1098: 1097: 1093: 1092: 1091: 1089: 1088: 1087: 1033: 1032: 1031: 1030: 1022: 1018: 1012:Arthur Honegger 1009: 1005: 997: 993: 984: 980: 971: 967: 962: 958: 949: 945: 936: 932: 921: 917: 908: 904: 899:Wayback Machine 885: 876: 864: 860: 851: 844: 837: 816: 809: 804: 799: 521:Vingt ans après 495: 338:Gaston Serpette 276: 243:and Auguste in 106:The Magic Flute 81: 63:Giacomo Puccini 17: 12: 11: 5: 1096: 1086: 1085: 1080: 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1029: 1028: 1016: 1003: 991: 978: 965: 956: 943: 930: 915: 902: 874: 858: 842: 835: 806: 805: 803: 800: 798: 797: 791: 783: 775: 769: 761: 755: 747: 741: 735: 727: 721: 713: 707: 701: 695: 687: 676: 668: 662: 654: 646: 640: 634: 626: 615: 607: 599: 591: 580: 569: 558: 552: 541: 530: 524: 518: 512: 506: 499: 494: 491: 487:Ida Rubinstein 470: 469: 464:Le Marquis in 462: 455: 442: 435: 422: 409: 402: 389: 378: 375:Alfred Bruneau 367: 354: 351:Claude Debussy 341: 330: 327:André Messager 317: 306: 284:Alfred Bruneau 275: 272: 270:", 1856–1935. 252:Baryton-Martin 235:, Francois in 198:Le domino noir 93:Romain Bussine 80: 77: 15: 9: 6: 4: 3: 2: 1095: 1084: 1081: 1079: 1076: 1074: 1071: 1069: 1066: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1040: 1038: 1025: 1020: 1013: 1010:Halbreich H. 1007: 1000: 995: 988: 982: 975: 969: 960: 953: 947: 940: 934: 927: 926: 919: 912: 906: 900: 896: 893: 889: 883: 881: 879: 871: 869: 862: 855: 849: 847: 838: 836:0-8019-5516-5 832: 828: 824: 820: 814: 812: 807: 795: 792: 789: 788: 784: 781: 780: 776: 773: 772:Un seul amour 770: 767: 766: 762: 759: 756: 753: 752: 748: 745: 742: 739: 736: 733: 732: 728: 725: 722: 719: 718: 714: 711: 708: 705: 702: 699: 696: 693: 692: 691:Three Waltzes 688: 686: 682: 681: 677: 674: 673: 669: 666: 663: 660: 659: 655: 652: 651: 650:Parisian Life 647: 644: 641: 638: 635: 632: 631: 627: 625: 621: 620: 616: 613: 612: 608: 605: 604: 600: 597: 596: 592: 590: 586: 585: 581: 579: 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Ganne 369:Auguste in 343:Pelléas in 223:, César in 180:(1898) and 1037:Categories 802:References 527:Poker d'as 466:Mannequins 457:Livran in 447:Ciboulette 411:Ramiro in 332:Brutus in 192:La Basoche 985:Wolff S. 909:Wolff S. 852:Gänzl K. 717:Gibraltar 658:Boissière 643:Le Mioche 624:Le mioche 322:Véronique 257:Véronique 215:Télémaque 177:Véronique 79:Biography 895:Archived 825:(1969). 478:oratorio 474:Honegger 406:Fortunio 380:Hans in 268:Kam-Hill 186:(1907). 183:Fortunio 172:Messager 119:operetta 55:operetta 51:operatic 603:Pasteur 454:in 1923 434:in 1914 421:in 1911 408:in 1907 401:in 1906 388:in 1906 377:in 1905 366:in 1903 340:in 1899 329:in 1898 316:in 1896 305:in 1893 144:Debussy 109:at the 85:Belgian 27:Debussy 833:  790:(1947) 782:(1944) 774:(1943) 768:(1943) 760:(1943) 754:(1943) 746:(1941) 740:(1941) 734:(1939) 726:(1938) 720:(1938) 712:(1938) 706:(1938) 700:(1938) 694:(1938) 675:(1938) 667:(1937) 661:(1937) 653:(1936) 645:(1936) 639:(1936) 633:(1936) 614:(1936) 611:Martha 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Index


Debussy
Pelléas et Mélisande
operatic
operetta
Wolfgang Amadeus Mozart
Giacomo Puccini
Opéra-Comique
Pelléas et Mélisande
Belgian
Émile-Alexandre Taskin
Romain Bussine
Paris Conservatoire
Mozart
The Magic Flute
Opéra-Comique
Théâtre des Bouffes Parisiens
operetta
Don Giovanni
Manon Lescaut
Tosca
Debussy
Pelléas et Mélisande
Manhattan Opera Company
Opéra de Monte-Carlo
Ravel
L'heure espagnole
Messager
Véronique
Fortunio

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