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47:, Switzerland. He later adopted the French first name of Jean, and became a naturalized French citizen in 1922. At the age of fourteen, he began studying sculpture at the Geneva School of Industrial Arts, where he won several prizes and received his diploma. In 1897 he moved to Paris and began to work as a sculptor and a copper craftsman. He participated in the 1904 Salon of the National Society of Fine Arts, and in 1905 he was selected a member, after completing an interior for the Countess de Bearn. He worked with a very wide range of materials, including steel, copper, pewter and silver, which he worked with hammer and glided, and encrusted with gold or
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For the 1925 Paris
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painter who had emigrated to France, and began to use that ancient and almost forgotten technique in his own work, making large decorative panels and screens. He also sometimes decorated pieces of furniture by other designers, including
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His works can be found in museums in
Amsterdam, Denver, Detroit, Geneva, Lausanne, Le Havre, London, Miami, Minneapolis, New York, Paris, Pittsburg, Quimper, Reims, Richmond, San Francisco, Tokyo and Zurich.
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Exhibition
Catalogue "Madeleine Vionnet, Puriste de la Mode", Les Arts décoratifs, Paris, 24-06-2009 - 31-01-2010.
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24:(1924-26), screen of lacquered wood, eggshell, mother-of-pear, and gold leaf. (Metropolitan Museum of Art).
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31:(1877–1942) was a Swiss and French painter, sculptor, metal craftsman and interior designer during the
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Jean Dunand, Easy chair of lacquered wood and goatskin (1927-1928) (Metropolitan Museum).
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Jean Dunand, Tray of copper inlaid with silver, about 1920 (Metropolitan Museum of Art).
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period. He was particularly known for his lacquered screens and other art objects.
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FĂ©lix
Marcilhac, Jean Dunand: His Life and Work, London, Thames and Hudson, 1991
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E. Bénézit, "Dictionary of
Artists", Paris 2006, Vol. 4, p. 1338-1339.
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Jean Dunand, Vase of lacquered metal, c. 1935 (Metropolitan Museum).
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In about 1912, he began working with Seizo
Sugawara, a Japanese
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320:(in French). Somogy.
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