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126:(1901–1910) in England. A young woman, Caroline, who is engaged to marry a man she does not love, has come to say goodbye to her friends and, particularly, Her Lover. She steals brief moments with him during the gathering, while The Man She Must Marry himself privately encounters An Episode in His Past, also present at the party. Attempts at intimacy are constantly interrupted by other guests. Caroline ultimately bids Her Lover a halted farewell as The Man She Must Marry takes her on his arm and leads her away in their betrothal of convenience. Her Lover, having secretly given Caroline a gift of lilacs at the last possible moment, is left alone as the curtain closes.
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was a perfect fit for the situation he wished to portray. His ballet about unrequited love is as much about the necessity of people of the
British upper classes to suppress their emotions and yield to the constraints of social convention. As a psychological study, it is a mirror of the interior
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is an early example of Tudor's mastery of conveying profound psychological meaning and nuance through ballet vocabulary. Among his earlier works, it is also one of his most beloved. Mounted by numerous companies around the world, including
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is ideally suited to performance in a small theater, where the audience has a clear view of the subtle, emotionally wrought exchanges among the four principal characters. The original cast included
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as An
Episode in His Past. In January 1940, the American premiere was given by Ballet Theatre during its inaugural season in New York, with Tudor and Laing in their original roles,
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189:, edited by Selma Jeanne Cohen and others (New York: Oxford University Press, 1998), vol. 3, p. 597.
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as Her Lover, Tudor himself as The Man She Must Marry, and
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The
Ballets of Antony Tudor: Studies in Psyche and Satire
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as
Caroline, and Karen Conrad as An Episode in His Past.
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Elizabeth Sawyer, "The
Enigmatic Garden: Antony Tudor's
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The ballet is set at an evening garden party during the
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161:Two versions of this dance were documented in
282:"On-line Notated Theatrical Dances Catalog"
256:"On-line Notated Theatrical Dances Catalog"
232:(New York), 26.1 (Spring 2001), pp. 31-84.
215:(New York: Oxford University Press, 1994).
82:came from a novella by the Russian writer
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319:Ballets to the music of Ernest Chausson
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185:David Vaughan, "Jardin aux Lilas," in
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200:Shadowplay: The Life of Antony Tudor
99:monologue of its heroine, Caroline.
243:International Encyclopedia of Dance
187:International Encyclopedia of Dance
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78:The inspiration for Chausson's
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202:(New York: Viking, 1991),
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211:Judith Chazin-Bennahum,
314:Ballets by Antony Tudor
245:(1998), vol. 3, p. 597.
108:American Ballet Theatre
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324:1936 ballet premieres
286:Dance Notation Bureau
260:Dance Notation Bureau
167:Dance Notation Bureau
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292:12 December
266:12 December
151:Viola Essen
139:Maude Lloyd
308:Categories
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143:Hugh Laing
24:Hugh Laing
56:entitled
118:Synopsis
110:and the
165:by the
74:History
66:at the
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157:Legacy
46:ballet
96:Poème
80:Poème
59:Poème
294:2015
268:2015
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