197:, “Ms. Hammond to make paintings 'as complicated, inconsistent, varied, multifaceted as you are, as I am, as life is.... I think my work deals very directly with the time that we live in,' Ms. Hammond said. 'There's a surfeit of information, increasingly bodiless because of the computer, and I bring to this an interest in how meaning is constructed'.... The best metaphor for the method behind her rollicking, erudite, street-smart, angst-ridden, encyclopedic paintings is writing."
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124:. In 1977, she moved to New York and began compiling images from instructional or scientific manuals, children's books, books on puppetry and magic, as well as charts on alchemy, animals, religion, and phrenology. From this collection, she culled 276 images that functioned as her image bank for subject matter.
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In June 1993, Hammond asked
Ashbery to recommend titles for future paintings. A week later he faxed her 44 titles. By December 1994, she had employed 13 of the titles, "reusing one four times and another twice." In 1994, several of their collaborative paintings were exhibited at Jose Freire Fine Art,
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spoke of
Hammond's "predilection for systems. For decades it has been her practice to limit all her paintings to mix-and-match selections from a total of 276 found images." Since this article was written, Hammond has moved in new directions; she no longer limits her painting to a body of found
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Painting is a cross between high philosophy and cement work. My biggest way of relating to this concept of time and labor is that it is an entry point for reaching the unconscious. The layers of paint have more to do with duration than texture. I see it as a function of time, like the idea of
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Hammond's work "Fallen" is an installation acquired by the
Whitney Museum of American Art in 2006. The artist has added to the work over many years. Each leaf carries name of a U.S. soldier killed in Iraq. It was exhibited at the FLAG Art Foundation in 2011 and contained 4455 leaves when the
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244:“Jane Hammond: Paper Work” an exhibition which contained all manner of works on paper from 1989 through 2006 traveled with presentations at the Tucson Museum of Art; the Chazen Museum of Art, Madison, WI (formerly the Elvehjem Museum); the
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Ongoing, High density foam, cotton, muslin, cotton thread, foam core, hand-made cotton rag paper, archival digital inkjet prints on archival paper, acrylic paint, gouache, matt medium, Jade glue, fiberglass strand and sumi
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Many of her works are based on dreams, such as a recent series of works in which butterflies are laid over maps of various countries. She explains her approach to painting thus:
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and an interview with the artist by
Douglas Dreishspoon. The exhibition was organized and first presented by the Mt. Holyoke College Museum of Art (2006).
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chanting. Certain things can begin to happen because you're with the painting for long periods of time.
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magazine. Primarily a painter, Hammond also works with photographs and makes prints. She made prints at
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In 1989, Hammond received her first one-person exhibition at the New York alternative space,
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In 1989, Hammond was invited by Bill
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In 1993, the
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Hilarie M. Sheets. "Jane
Hammond: 'Down the Rabbit Hole of Photography'"
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In 2003, Hammond became the first woman to create the poster for the
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before earning her BA in art in 1972. After studying ceramics at
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to achieve the complex layering of her trademark images.
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Jane
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where she was a resident in 1997 and faculty in 2005.
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In 2015 Hammond spoke on a panel about drawing at the
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Acquired by the
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On August 11, 2007, Hammond's painting "All Souls (
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