Knowledge

James Morwood

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662:: The only perfect textbook is an untried textbook, but after a year of using all three parts in different courses at the University of Wisconsin-Madison, I can say we were generally very satisfied. We wanted far more readings than most Latin grammars supply and in this we were not disappointed. In the course of two semesters (in which we covered most of the first two books), students read over 2000 lines of Latin. It is true that almost all of this was written by Balme and Morwood, but after the opening chapters the stories have a high level of Latinity (is this why the authors thank Prof. E.J. Kenney and Dr. Jonathan Powell?) and held student interest. 33: 723:(also 2017) was seen as a curious choice by some reviewers, because of the perceived “dullness” of Book 3 - there aren’t enough “Odyssean heroics”. Heyworth and Morwood reject this view as outdated, preferring to concentrate on Vergil’s poetics and influences, with James Taylor noting the usefulness of its "panoply of intertexts." 789:. "It is a form of drowning where the water hits his larynx and sends shockwaves to his heart.” His funeral, held at Oxford on 13 October, celebrated the warmth of his personality, his love of fun, and his role as an inspirational teacher, motifs which were reiterated in several obituaries. Ed Gorman in 321:
Summer School has played an important part in the preservation of ancient Greek as a significant subject in the UK. Morwood taught beginners, intermediate and advanced groups at the school regularly since 1970. He served as its Director of Studies, and on seven occasions as its director, starting in
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Kovacs, I learned at the ACA conference, is convinced that Euripides was the author of Rhesus. Having seen the tragedy, I appreciate his arguments but am not entirely convinced by them, since the play has as many differences from as similarities to extant Euripidean works. But even if we do not
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The many qualities of this volume will enable numerous readers to enjoy the discovery of this magnificent play which, as James Morwood reminds us, has too long been considered as a minor work by Euripides, a play of political propaganda. Each part of the book, the Introduction, Translation and
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The Oxford translations are in prose rather than verse, and Otto Steinmayer observes that "Morwood was quite plainly not attempting to translate Euripides in a striking, fanciful, poetic way. . . these versions are not for the stage." Nevertheless, the availability of a fresh translation of
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Morwood's work does not compete with Collard's: not only does he refer to recent studies which have made discussion about the play still richer over the last thirty years, but, more importantly, he has neither the same aim, nor does he have the same audience in mind. His book is a lot more
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It is rare to find a guide to Greek drama that stems from the author's unabashed ardor for its subject . . . such enthusiasm is certainly not out of place, and it is indeed welcome as it allows Morwood to provide brief introductions to all 19 extant dramas (including the disputed
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accept the tragedy as Euripidean, we should not do so on the grounds that it is a “bad” play. Rhesus is not “bad;” rather, I think, it does not conform to our now-cherished notions concerning the development of plot and character in Greek tragedy.
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wrote that working with James (on academic studies of Propertius and Vergil) was one of the best things he had done, ‘I learnt so much, not least about getting on with it and bringing work to completion . . . but above all I had enormous fun.’
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is split into three parts, the first two of which focus on a Latin narrative detailing the life of the poet Quintus Horatius Flaccus . The story is based closely on historical sources, which help to develop an understanding of the times of
698:, Morwood had the opportunity towards the end of his life of working on two more scholarly editions of Greek and Latin texts with outstanding collaborators. The first of these, published in 2017, was a translation and commentary on 850:
twenty years ago: ‘Morwood said to me, “When I die, Classics will long since have ceased to be taught in this country”. The opposite has been the case, an outcome that has been significantly enabled by his own efforts.’
127:(1987–92, with Maurice Balme, new ed, 2012), whose popularity in the USA led to the publication of a specifically American edition in 1996. Morwood is credited with helping to ensure the survival - even flourishing - of 817:
described Morwood as “A cultural omnivore, at all levels he impressed pupils with his tastes in drama, music (especially opera), film, freedom of ideas and principled mischief, inspiring as much by example as precept.”
674:, a specifically American Edition was published in 1996. A new College Edition adapted for an undergraduate readership and abbreviated so that it can be taught within two semesters (or a year) was published in 2012. 704:
with Christopher Collard, "required reading for anyone interested in this Greek tragedy." This work completed a project to produce new editions of all the extant plays of Euripides started by Collard 40 years ago.
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Morwood's many translations and commentaries on classical texts demonstrate his enthusiasm for both Latin poetry, and Greek tragedy. Robin Mitchell-Boyask has this to say about Morwood's book
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James Henry Weldon Morwood was born in 1943 in Belfast, the second son of James and Kathleen Morwood. His father was a doctor from Belfast, his mother a Californian and graduate of
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Commentary, aims to facilitate reading and stimulate interest, without drowning the reader in technical details concerning Euripides' language or the editing of his work.
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as ‘the evil Latin-for-idiots school textbooks’ is blind to the fact that it was this very course which rescued Latin from an apparently terminal decline in the 1960s.”
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from 1966 to 1996, and was Head of Classics from 1979. His additional role as school Librarian provided him with some of the material for his first book,
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contrasts this work with the rival edition from Christopher Collard (1975) which Morwood himself describes as "magnificent" in his introduction:
2515: 108:(25 November 1943 – 10 September 2017) was an English classicist and author. He taught at Harrow School, where he was Head of Classics, and at 2145: 270:
in charge of the language teaching for the Classics Faculty, retiring from this role in 2003. Also in 1996 he was elected to a Fellowship at
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after the Second World War. He attended Danes Hill preparatory school, where he studied Greek from the age of 11. He won a scholarship to
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in 2003, and became an Emeritus Fellow in 2006. He continued to teach Wadham undergraduates Greek tragedy, Homer and prose composition.
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Euripides series (republished in a revised edition in 2016). Morwood translated and provided notes for three volumes in the series:
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Morwood was appointed president of the London Association of Classical Teachers for 1995–1996, and subsequently president of the
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James Morwood died suddenly while swimming in the sea off northern Greece on 10 September 2017. At the inquest in
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with Morwood while at Harrow, saying, 'It's no exaggeration to say that everything I do now started with James.'
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fight for political dominance. He becomes a good friend of Octavian, who soon emerges as the first Roman Emperor
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Morwood produced many school and house plays at Harrow, in the process inspiring some notable thespians. He cast
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Collard, Christopher (1975). "Euripides, Supplices, edited with an introduction and commentary". Groningen.
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Harrow School Register 2002 8th edition edited by S W Bellringer & published by The Harrow Association
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Poole, Adrial (1999). "Translation and Literature, Vol. 8, No. 1". Edinburgh University Press: 57–65.
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Fifty Years of the Joint Association of Classical Teachers, JACT, Senate House, Malet Street, London
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Mayer, Roland (October 1999). "James Morwood (ed.): A Dictionary of Latin Words and Phrases".
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Perhaps the last word can be left to Edmund Stewart, who attended the Greek Summer School at
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On Sunday 4 February 2018, Wadham College hosted a memorial service for James Morwood in the
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Morwood was no ivory tower classicist, and he enjoyed a good fight. When the journalist
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and with its Greek Summer School, which was launched in London in 1968, continued at
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accessible, and less technical, but also less comprehensive in its approach. . . .
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attended Harrow School from 1762–68, and some of his papers were archived there.
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Morwood’s final collaboration was with Stephen Heyworth, his colleague at
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did lead to at least one new dramatisation of that play, presented at the
2406:"Review: S. J. Heyworth, James Morwood, A Commentary on Vergil, Aeneid 3" 732: 610: 246: 179: 79: 1998: 2217: 2204:
Wills, Jeffrey (November 1991). "A Review of the Oxford Latin Course".
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He also taught adult courses on Classics and English Literature at the
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by Maurice Balme and Gilbert Lawall, revised Morwood, (third edition,
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published in full under the title ‘’The pluperfect is doing nicely’’.
1844:"James Morwood (1943-2017) - Greek Summer School, Sheldonian Theatre" 791: 782: 502: 437: 391: 251: 241: 2379: 567:, who studies under the local schoolmaster, and learns the story of 474:. Introductions to all five volumes were provided by the classicist 671: 632: 627:
is an extensive reader with passages of both poetry and prose from
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is set in the late Republic, and introduces Quintus, the son of a
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by Euripides, translation and notes by Morwood, introduction by
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by Euripides, translation and notes by Morwood, introduction by
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by Euripides, translation and notes by Morwood, introduction by
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Cupid and Psyche, An adaptation from the Golden Ass of Apuleius
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Morwood was particularly incensed by Mount’s dismissal of the
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James Morwood was co-author with Maurice Balme (1925–2012) of
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into the twenty-first century, both in the UK and the USA.
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moves to Athens where Quintus completes his education at
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University of Cambridge Institute of Continuing Education
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1986 when he took over from the founder, David Raeburn.
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Morwood, James (2013). "The JACT Greek Summer School".
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Following the early adoption of the original course at
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The final chapter of his book 174:(taught by E.J.Kenney) and Part II of the English 2377: 2580:People educated at St John's School, Leatherhead 2526: 1410: 1408: 1406: 1172:by Euripides, translation and notes by Morwood ( 2138: 2084: 1966: 1610:The Life and Works of Richard Brinsley Sheridan 1119:The Pocket Oxford Dictionary of Classical Greek 878:The Life and Works of Richard Brinsley Sheridan 205:The Life and Works of Richard Brinsley Sheridan 2483: 2461:"Carpe Diem: Put a Little Latin in Your Life" 2429: 2330: 1892: 1867: 1606: 1499: 1497: 1495: 1493: 1491: 1489: 1487: 1485: 1483: 1403: 1236:(with Katharine Radice and Stephen Anderson, 199:James Morwood taught Classics and English at 2403: 2350: 2032: 682:After publishing nearly 30 books, including 432:was part of a major project undertaken with 2479: 2477: 2458: 2085:Scharffenberger, Elizabeth (October 2001). 1841: 1837: 1835: 1543: 1541: 1539: 1537: 1535: 1533: 1531: 1529: 134: 2423: 2176:"Deductive vs Inductive Language Learning" 2058: 1751:"London Association of Classical Teachers" 1480: 1445: 1443: 1441: 1439: 1437: 528: 370:In his review of Morwood's translation of 31: 2255:"Morwood, Pocket Oxford Latin Dictionary" 2178:. ELT Journal Volume 52/1. Archived from 1777:"Joint Association of Classical Teachers" 1394: 436:to provide new translations of all 19 of 2474: 2199: 2197: 1832: 1526: 1503: 422:Oxford World's Classics Euripides series 382: 297:Morwood had a long association with the 2107: 2035:"Euripides; Morwood, Slavitt and Bovie" 1969:"James Morwood, The Plays of Euripides" 1967:Mitchell-Boyask, Robin (January 2003). 1801: 1753:. King's College London. Archived from 1449: 1434: 1268:The Oxford Latin Course College Edition 963:A Dictionary of Latin Words and Phrases 688:A Dictionary of Latin Words and Phrases 440:’ extant plays, including the disputed 408:O love of women with its many troubles, 402:Euripides series 1996, new edition 2016 344: 299:Joint Association of Classical Teachers 287:Joint Association of Classical Teachers 2527: 2290: 2173: 1643:"Biography: Richard Brinsley Sheridan" 1547: 1506:"James Morwood, classicist – obituary" 1504:Heyworth, Stephen (20 November 2017). 1414: 716:six years previously. Their new book, 292: 2271: 2252: 2203: 2194: 1992: 692:The Oxford Grammar of Classical Greek 2118: 309:, and is currently held annually at 186:to obtain his Diploma of Education. 2174:Gollin, Jacqueline (January 1998). 1921:"Institute of Continuing Education" 1704:"Alumni Publications: Gazette 2017" 1155:edited Morwood with contributions ( 754:, saying: “His denunciation of the 490:Memorial University of Newfoundland 13: 2291:Roggen, Vibeke (29 October 2009). 1818:"Greek Summer School at Bryanston" 1251:A Commentary on Propertius, Book 3 929:The Pocket Oxford Latin Dictionary 854: 714:A Commentary on Propertius, Book 3 684:The Pocket Oxford Latin Dictionary 189: 14: 2601: 2575:Fellows of Wadham College, Oxford 2506: 2432:"'The pluperfect is doing nicely" 1417:"James Morwood by Richard Curtis" 1415:Curtis, Richard (27 March 2015). 1060:Oxford Grammar of Classical Greek 511:. In her review, Aurelie Wach of 412:how vast a history of catastrophe 146:Morwood spent his first years in 2545:Alumni of Merton College, Oxford 2513:Wadham College biographical note 2253:Wills, Jeffrey (29 March 1995). 1421:The Times Educational Supplement 1022:The Trojan Women and other plays 901:, 1987–92, second edition 1996) 505:with a new scholarly edition of 460:The Trojan Women and other plays 2550:Alumni of Peterhouse, Cambridge 2484:Isabel Morris (15 March 2018). 2452: 2430:James Morwood (17 April 2004). 2397: 2371: 2324: 2311:"Professor Christopher Collard" 2303: 2284: 2265: 2246: 2224: 2167: 2112: 2101: 2078: 2052: 2026: 1986: 1960: 1935: 1913: 1893:Chris Tryhorn (18 March 2021). 1886: 1861: 1810: 1795: 1769: 1743: 1696: 1674: 1362:A Commentary on Vergil Aeneid 3 1204:Virgil, a poet in Augustan Rome 795:quoted the comedy screenwriter 539:University of Wisconsin-Madison 2459:Harry Mount (2 January 2006). 2119:Wach, Aurelie (October 2007). 2059:Steinmayer, Otto (June 2000). 1870:"The JACT Greek Summer School" 1656: 1634: 1600: 1570: 1548:Gorman, Ed (7 November 2017). 1223:(Bristol Phoenix Press, 2008) 726: 1: 2234:. The Oxford University Press 1388: 918:, 1990, second edition 2008) 712:, with whom he had worked on 677: 337:, the on-line publication of 160:St John's School, Leatherhead 2404:James Taylor (August 2018). 2358:"Professor Stephen Heyworth" 2033:C.W.Marshall (August 1998). 240:’’, a controversial play by 16:British academic (1943–2017) 7: 2570:Schoolteachers from Belfast 2331:George Kovacs (June 2018). 1943:"James Morwood (1943-2017)" 1613:. Scottish Academic Press. 1338:(with Christopher Collard, 170:where he sat Part I of the 150:before his family moved to 112:, where he was a Fellow of 10: 2606: 2560:British classical scholars 2555:English classical scholars 2410:Bryn Mawr Classical Review 2378:Christine Perkell (2019). 2337:Bryn Mawr Classical Review 2297:Bryn Mawr Classical Review 2259:Bryn Mawr Classical Review 2155:, London. 10 February 2013 2125:Bryn Mawr Classical Review 2065:Bryn Mawr Classical Review 2039:Bryn Mawr Classical Review 1973:Bryn Mawr Classical Review 1588:, London. 25 November 2013 1550:"James Morwood – obituary" 1340:Liverpool University Press 1221:The Tragedies of Sophocles 1208:Cambridge University Press 1157:Cambridge University Press 1106:Cambridge University Press 950:Cambridge University Press 916:Cambridge University Press 501:In 2007 Morwood revisited 416:have you brought upon men! 106:James Henry Weldon Morwood 2590:Teachers at Harrow School 2518:15 September 2017 at the 2232:"The Oxford Latin Course" 2087:"Rhesus: A Greek Tragedy" 1664:"Joe Orton Life and Work" 1641:Cecil John Layton Price. 912:Our Greek and Latin Roots 785:that Morwood had died of 696:Our Greek and Latin Roots 470:which were translated by 262:In 1996 Morwood moved to 257: 194: 95: 87: 68: 46: 30: 23: 2448:(Subscription required.) 2384:Journal of Roman Studies 1895:"David Raeburn obituary" 1566:(Subscription required.) 1522:(Subscription required.) 1455:"James Morwood obituary" 1364:(with Stephen Heyworth, 1304:(with Stephen Anderson, 1189:(with Richard Ashdowne, 1153:The Teaching of Classics 772: 660:Professor Wills comments 468:Heracles and Other Plays 135:Early life and education 1366:Oxford University Press 1323:Oxford University Press 1306:Oxford University Press 1272:Oxford University Press 1255:Oxford University Press 1253:(with Stephen Heyworth 1140:Oxford University Press 1123:Oxford University Press 1064:Oxford University Press 1047:Oxford University Press 1030:Oxford University Press 1009:Oxford University Press 1001:Bacchae and other plays 988:Oxford University Press 967:Oxford University Press 933:Oxford University Press 899:Oxford University Press 895:The Oxford Latin Course 882:Scottish Academic Press 865:Oxford University Press 843:, paid tribute to him. 601:. He joins the army of 535:The Oxford Latin Course 529:The Oxford Latin Course 464:Orestes and Other Plays 456:Bacchae and other plays 448:Oxford World's Classics 434:Oxford University Press 400:Oxford World's Classics 182:). He then moved on to 125:The Oxford Latin Course 123:His best-known work is 2014:Cite journal requires 1923:. Cambridge University 1868:James Morwood (2013). 1779:. JACT. Archived from 1731:Cite journal requires 1607:James Morwood (1985). 1578:"Anne Barton Obituary" 1077:The Plays of Euripides 767:Cambridge Latin Course 756:Cambridge Latin Course 751:Cambridge Latin Course 710:Wadham College, Oxford 664: 526: 499: 403: 351:The Plays of Euripides 289:(JACT) for 1999–2001. 276:Dean of Wadham College 184:Merton College, Oxford 2206:The Classical Journal 1947:classicsforall.org.uk 1302:A Little Greek Reader 1289:Bloomsbury Publishing 1270:(with Maurice Balme, 1234:Key to Advanced Latin 1138:(with Maurice Balme, 1085:Bloomsbury Publishing 980:Medea and other plays 897:(with Maurice Balme, 863:(with Maurice Balme, 657: 517: 494: 452:Medea and other plays 386: 168:Peterhouse, Cambridge 37:James Morwood at the 2274:The Classical Review 1842:Peter Jones (2018). 1453:(14 November 2017). 1451:Tyerman, Christopher 1083:, 2002, 2nd edition 821:Stephen Heyworth in 345:Classical literature 216:Benedict Cumberbatch 1510:The Daily Telegraph 1121:(with John Taylor, 914:(with Mark Warman, 824:The Daily Telegraph 809:Christopher Tyerman 546:Oxford Latin Course 333:. He was editor of 293:Greek Summer School 244:, loosely based on 129:Classical education 2182:on 7 February 2011 2149:Newspaper obituary 1757:on 10 January 2017 1582:Newspaper obituary 1336:Iphigenia at Aulis 1238:Duckworth Overlook 1191:Duckworth Overlook 1081:Duckworth Overlook 833:Sheldonian Theatre 701:Iphigenia at Aulis 607:Battle of Philippi 579:’s assassination. 404: 238:The Erpingham Camp 91:Classicist, author 1382:978-0-19-872782-8 1374:978-0-19-872781-1 1356:978-1-911226-47-5 1348:978-1-911226-46-8 1104:and John Taylor, 1098:A Greek Anthology 686:, its successor, 670:, and schools in 668:Wisconsin-Madison 589:, and travels to 303:Dean Close School 264:Oxford University 162:, followed by an 110:Oxford University 103: 102: 96:Years active 72:10 September 2017 2597: 2501: 2500: 2498: 2496: 2481: 2472: 2471: 2469: 2467: 2456: 2450: 2449: 2446: 2444: 2442: 2427: 2421: 2420: 2418: 2416: 2401: 2395: 2394: 2392: 2390: 2375: 2369: 2368: 2366: 2364: 2354: 2348: 2347: 2345: 2343: 2328: 2322: 2321: 2319: 2317: 2307: 2301: 2300: 2288: 2282: 2281: 2269: 2263: 2262: 2250: 2244: 2243: 2241: 2239: 2228: 2222: 2221: 2201: 2192: 2191: 2189: 2187: 2171: 2165: 2164: 2162: 2160: 2142: 2136: 2135: 2133: 2131: 2116: 2110: 2109: 2105: 2099: 2098: 2096: 2094: 2082: 2076: 2075: 2073: 2071: 2056: 2050: 2049: 2047: 2045: 2030: 2024: 2023: 2017: 2012: 2010: 2002: 1990: 1984: 1983: 1981: 1979: 1964: 1958: 1957: 1955: 1953: 1939: 1933: 1932: 1930: 1928: 1917: 1911: 1910: 1908: 1906: 1890: 1884: 1883: 1881: 1879: 1874: 1865: 1859: 1858: 1856: 1854: 1848:Classics for All 1839: 1830: 1829: 1827: 1825: 1814: 1808: 1807: 1799: 1793: 1792: 1790: 1788: 1773: 1767: 1766: 1764: 1762: 1747: 1741: 1740: 1734: 1729: 1727: 1719: 1717: 1715: 1700: 1694: 1693: 1691: 1689: 1684:. 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Index


Ashmolean Museum
Belfast
Ouranoupoli
Oxford University
Wadham College
Dean
Classical education
UCLA
Ulster
Oxshott
Surrey
St John's School, Leatherhead
Exhibition
Peterhouse, Cambridge
Classical Tripos
Tripos
Anne Barton
Merton College, Oxford
Harrow School
Sheridan
Benedict Cumberbatch
Eliza Doolittle
Bernard Shaw
Pygmalion
Richard Curtis
The Erpingham Camp
Joe Orton
The Bacchae
Euripides

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