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143:, (known as the "Old Watercolour Society or OWCS from 1831) for first time. He was to contribute to its exhibitions for the rest of his life. He was elected an associate of the society in 1820 and a full member in 1821. In 1843 he took up oil painting, and exhibited many landscapes in that medium at the Royal Academy. In 1847 he resigned his membership of the OWCS , hoping to be elected a member of the academy; but, after nine years without success, he withdrew his candidature, and was re-elected to the OWCS.
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became popular in
Britain, he quickly adopted it as a means of reproducing good examples for the use of pupils and students. His first productions were drawing-books, consisting of pencil sketches and studies of trees; they were printed in tints with two stones, allowing the reproduction of more
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206:. The papers, which proved popular amongst both amateur and professional artists, and which Harding used himself, were produced in white, and in shades of cream, buff and grey. They were marketed until around 1910. Winsor and Newton also produced pencils under Harding's name.
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In 1830, Harding exhibited a series of
Italian views sketched on papers of various colours and textures, the style of which was widely imitated. His use of opaque
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128:. At the age of thirteen he exhibited two drawings of buildings in the style of Prout at the Royal Academy.
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202:. From the 1830s a range of papers was produced under the name of "JDH pure drawing paper", initially for
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as "a skilful and rapid draughtsman, though somewhat mannered, and rarely rising above the commonplace."
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From an early on in his career
Harding was a successful and popular teacher. When
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Elementary Art, or the Use of the Chalk and Lead Pencil advocated and explained
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for Fisher's
Drawing Room Scrap Book, 1837 with a poetical illustration by
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528:., engraved by Frederick James Havell with a poetical illustration by
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124:. He was taught perspective by his father and had lessons from
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Harding was a prolific author of educational manuals, and his
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in 1798, the son of a drawing-master who had been a pupil of
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A Series of
Subjects from the Works of R. P. Bonington
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235:, were widely used both in Britain and abroad. His
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388:. London: Sampson Low, Marston & Co. p.
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44:Portrait of James Duffield Harding (c. 1840) by
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385:A History of Water Colour Painting in England
248:A History of Water Colour Painting in England
177:(1847, from drawings by C. S. Hardinge) and
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329:. Oxford University Press. 2001. pp.
188:watercolour, following the example set by
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19:For other people named James Harding, see
493:Works by or about James Duffield Harding
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257:, on 4 December 1863, and was buried in
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104:(1798 – 4 December 1863) was a British
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454:(1st ed.). New York: Dodd, Mead.
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233:The Principles and Practice of Art
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445:"Harding, James Duffield"
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325:The Oxford Companion to Turner
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21:James Harding (disambiguation)
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237:Drawing Models and Their Uses
139:. In 1818 he showed with the
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179:Picturesque Selections
175:Recollections of India
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102:James Duffield Harding
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551:English male painters
356:Turner's Later Papers
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214:In Barnham Marshes
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173:(1829–30);
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122:Paul Sandby
82:Nationality
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73:1863-12-04
181:(1861).
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
