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Isabella (commedia dell'arte)

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20: 217: 67:, Pierre Louis Duchartre writes that Isabella changed from being mainly tender and loving in the 16th century to a more flirtatious and strong-willed woman with a "lively, picturesque wit" by the end of the 17th century. 70:
Although actress Vittoria degli Amorevoli also played an inamorata named Isabella in the 16th century, the character Isabella is named in honor of the actress and writer
277: 198: 171: 258: 188: 161: 144: 78:, who popularized the role. A latter Isabella was played by Françoise Biancolelli of the Biancolelli acting family. 102: 163:
The Art of Commedia: A Study in the Commedia Dell'Arte 1560-1620 with Special Reference to the Visual Records
232: 251: 190:
Women's Comedic Art as Social Revolution: Five Performers and the Lessons of Their Subversive Humor
136: 130: 282: 39: 8: 244: 19: 194: 167: 140: 97: 71: 34: 228: 271: 24: 63:(old men) characters, but they are reunited in the end. In his 1929 book 45: 75: 224: 59: 216: 269: 252: 259: 245: 16:Stock character used in commedia dell'arte 186: 159: 128: 57:, or lovers, is often threatened by the 18: 95: 270: 278:Commedia dell'arte female characters 211: 124: 122: 120: 13: 14: 294: 187:Radulescu, Domnica (2014-01-10). 117: 215: 129:Duchartre, Pierre Louis (1966). 180: 153: 103:The Metropolitan Museum of Art 89: 1: 82: 231:. You can help Knowledge by 135:. New York: Dover. pp.  7: 10: 299: 210: 96:Meagher, Jennifer (2007). 53:, the relationship of the 160:Katritzky, M. A. (2006). 74:of the commedia troupe 49:(female lover). In the 23:Drawing of Isabella by 227:-related article is a 27: 22: 98:"Commedia dell'arte" 132:The Italian Comedy 65:The Italian Comedy 51:commedia dell'arte 43:, in the class of 40:commedia dell'arte 28: 240: 239: 200:978-0-7864-8858-2 173:978-90-420-1798-6 72:Isabella Andreini 290: 261: 254: 247: 219: 212: 205: 204: 184: 178: 177: 157: 151: 150: 126: 115: 114: 112: 110: 93: 298: 297: 293: 292: 291: 289: 288: 287: 268: 267: 266: 265: 209: 208: 201: 185: 181: 174: 158: 154: 147: 127: 118: 108: 106: 94: 90: 85: 79: 35:stock character 17: 12: 11: 5: 296: 286: 285: 280: 264: 263: 256: 249: 241: 238: 237: 220: 207: 206: 199: 179: 172: 152: 145: 116: 87: 86: 84: 81: 15: 9: 6: 4: 3: 2: 295: 284: 283:Theatre stubs 281: 279: 276: 275: 273: 262: 257: 255: 250: 248: 243: 242: 236: 234: 230: 226: 221: 218: 214: 213: 202: 196: 193:. McFarland. 192: 191: 183: 175: 169: 165: 164: 156: 148: 146:9780486216799 142: 138: 134: 133: 125: 123: 121: 105: 104: 99: 92: 88: 80: 77: 73: 68: 66: 62: 61: 56: 52: 48: 47: 42: 41: 36: 32: 26: 21: 233:expanding it 222: 189: 182: 162: 155: 131: 107:. Retrieved 101: 91: 69: 64: 58: 54: 50: 44: 38: 30: 29: 25:Maurice Sand 272:Categories 166:. Rodopi. 109:29 January 83:References 55:innamorati 46:innamorata 76:I Gelosi 37:used in 31:Isabella 225:theatre 137:272-276 197:  170:  143:  60:vecchi 223:This 33:is a 229:stub 195:ISBN 168:ISBN 141:ISBN 111:2020 274:: 139:. 119:^ 100:. 260:e 253:t 246:v 235:. 203:. 176:. 149:. 113:.

Index


Maurice Sand
stock character
commedia dell'arte
innamorata
vecchi
Isabella Andreini
I Gelosi
"Commedia dell'arte"
The Metropolitan Museum of Art



The Italian Comedy
272-276
ISBN
9780486216799
The Art of Commedia: A Study in the Commedia Dell'Arte 1560-1620 with Special Reference to the Visual Records
ISBN
978-90-420-1798-6
Women's Comedic Art as Social Revolution: Five Performers and the Lessons of Their Subversive Humor
ISBN
978-0-7864-8858-2
Stub icon
theatre
stub
expanding it
v
t
e

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