388:
25:
164:
ICF⁺C members personally identify as simply "Cinematographers"—without gender qualifiers. However, as a group, they have found it helpful to organize around gender until such time as women cease to be perceived as statistical anomalies or token hires behind the lens. In 2022 the group updated their
136:
from around the world that works to advance the careers of female cinematographers by connecting with filmmakers and production teams to find a qualified crew. In 2018 the top-grossing 100 films only 2% of them hired women cinematographers. That number was only up to 7% in 2022. The collective was
165:
name to include the " ⁺ " after "female" to reflect an expansion on the outdated language. They emphasize that the group exists to support and uplift cinematographers who are in a position to actively experience gender discrimination in their careers.
168:
The collective holds events for members to network, to explore various cinematography related topics, and new technology. Globally, they link film productions to a variety of
Cinematographers with specialties ranging from
137:
founded in 2016 by a group of female cinematographers who wanted to act as allies within the film industry and provide each other with community support and advocacy. Notable members include
92:
64:
71:
78:
458:
429:
448:
453:
60:
298:
197:
468:
224:
85:
463:
403:
45:
422:
111:
249:
415:
49:
395:
8:
322:
174:
34:
178:
138:
133:
399:
170:
442:
387:
274:
158:
150:
39:
323:"DP First: Women Who Shoot - The American Society of Cinematographers"
24:
275:"Research – Center for the Study of Women in Television & Film"
154:
146:
346:
225:"The International Collective of Female Cinematographers (ICFC)"
142:
299:"Female Cinematographers Band Together to Form New Collective"
374:
61:"International Collective of Female Cinematographers"
126:
International
Collective of Female⁺ Cinematographers
52:. Unsourced material may be challenged and removed.
440:
250:"Female Cinematographers – What's the big deal?"
32:An editor has performed a search and found that
423:
430:
416:
112:Learn how and when to remove this message
292:
290:
459:Film organizations in the United States
296:
454:Arts organizations established in 2016
441:
287:
198:"Women Cinematographer organisations"
382:
219:
217:
50:adding citations to reliable sources
18:
449:International women's organizations
13:
132:) is a collective of professional
14:
480:
366:
214:
177:, commercials, music videos, and
469:International organization stubs
386:
23:
339:
315:
267:
242:
190:
1:
184:
402:. You can help Knowledge by
297:Erbland, Kate (2016-05-05).
7:
38:to establish the subject's
10:
485:
464:Women's film organizations
396:international organization
381:
35:sufficient sources exist
394:This article about an
46:improve this article
16:Professional society
351:ICFCinematographers
411:
410:
122:
121:
114:
96:
476:
432:
425:
418:
390:
383:
378:
377:
375:Official website
361:
360:
358:
357:
343:
337:
336:
334:
333:
319:
313:
312:
310:
309:
294:
285:
284:
282:
281:
271:
265:
264:
262:
261:
246:
240:
239:
237:
236:
221:
212:
211:
209:
208:
194:
155:Natalie Kingston
134:cinematographers
117:
110:
106:
103:
97:
95:
54:
27:
19:
484:
483:
479:
478:
477:
475:
474:
473:
439:
438:
437:
436:
373:
372:
369:
364:
355:
353:
345:
344:
340:
331:
329:
321:
320:
316:
307:
305:
295:
288:
279:
277:
273:
272:
268:
259:
257:
248:
247:
243:
234:
232:
223:
222:
215:
206:
204:
196:
195:
191:
187:
179:virtual reality
147:Cynthia Pusheck
139:Nancy Schreiber
118:
107:
101:
98:
55:
53:
43:
28:
17:
12:
11:
5:
482:
472:
471:
466:
461:
456:
451:
435:
434:
427:
420:
412:
409:
408:
391:
380:
379:
368:
367:External links
365:
363:
362:
338:
314:
286:
266:
241:
213:
188:
186:
183:
171:narrative film
120:
119:
31:
29:
22:
15:
9:
6:
4:
3:
2:
481:
470:
467:
465:
462:
460:
457:
455:
452:
450:
447:
446:
444:
433:
428:
426:
421:
419:
414:
413:
407:
405:
401:
397:
392:
389:
385:
384:
376:
371:
370:
352:
348:
342:
328:
324:
318:
304:
300:
293:
291:
276:
270:
255:
251:
245:
230:
229:Screen Queens
226:
220:
218:
203:
202:www.imago.org
199:
193:
189:
182:
180:
176:
172:
166:
162:
160:
156:
152:
148:
144:
140:
135:
131:
127:
116:
113:
105:
94:
91:
87:
84:
80:
77:
73:
70:
66:
63: –
62:
58:
57:Find sources:
51:
47:
41:
37:
36:
30:
26:
21:
20:
404:expanding it
393:
354:. Retrieved
350:
341:
330:. Retrieved
326:
317:
306:. Retrieved
302:
278:. Retrieved
269:
258:. Retrieved
256:. 2018-02-02
253:
244:
233:. Retrieved
231:. 2016-05-24
228:
205:. Retrieved
201:
192:
167:
163:
129:
125:
123:
108:
99:
89:
82:
75:
68:
56:
44:Please help
33:
175:documentary
159:Ellen Kuras
151:Amy Vincent
443:Categories
356:2024-05-16
332:2019-03-10
327:ascmag.com
308:2019-03-10
280:2024-05-16
260:2020-01-23
235:2020-01-23
207:2019-03-10
185:References
143:Kira Kelly
72:newspapers
40:notability
303:IndieWire
254:FF2 Media
130:The ICF⁺C
102:June 2019
86:scholar
347:"JOIN"
157:, and
88:
81:
74:
67:
59:
398:is a
93:JSTOR
79:books
400:stub
124:The
65:news
48:by
445::
349:.
325:.
301:.
289:^
252:.
227:.
216:^
200:.
181:.
173:,
161:.
153:,
149:,
145:,
141:,
431:e
424:t
417:v
406:.
359:.
335:.
311:.
283:.
263:.
238:.
210:.
128:(
115:)
109:(
104:)
100:(
90:·
83:·
76:·
69:·
42:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
