416:
interdisciplinary studies, originally also including the interactive study of objects and artistic techniques additionally to the usual curriculum of studying fine arts and architecture. However the institute teaching the creation of art rather than the studying its history moved to a different building in 1980. The interdisciplinary approach also facilitated the idea of photography as an important tool for art history, which led to producing and accumulating a large photographic archive. As "Bildarchiv Foto
Marburg - Deutsches Dokumentationszentrum für Kunstgeschichte" (
336:
66:
167:
109:
25:
269:
293:
415:
It is one of the first examples of a building designed specifically for art history research, teaching and the corresponding resources. The building was fully renovated between 2013 and 2018. The geographical closeness of various fields and archives housed in the building are meant to encourage
407:
developed the idea of an institute dedicated to the field of art and humanities. Since
Marburg was late in establishing a permanent professorial chair for art history compared to its counterparts elsewhere in Germany, Hamann as the first chair was able to design the institute without having to
513:
38:
517:, a yearly journal for art history, has been published in collaboration with Foto Marburg since 1924. It includes articles about the history of European arts and culture as well as theory from the
359:. It emphasizes an historical perspectives on and its influence.. This approach includes cooperation with other fields of research as well as museums and other art-related institutions in
1187:
130:
92:
44:
569:
231:
203:
388:
283:
210:
217:
448:
404:
372:
199:
188:
181:
526:
522:
853:
119:
1236:
486:
224:
408:
consider preexisting traditions. On the occasion of the university's 400th anniversary in July 1927 the building (which is now called the
126:
298:
1095:
573:
1129:
1021:
973:
925:
877:
775:
702:
322:
250:
148:
52:
581:
Richard Hamann und seine Schüler. Eine
Chronik des kunstgeschichtlichen Seminars der Philipps-Universität Marburg,
840:
Richard Hamann und seine Schüler. Eine
Chronik des kunstgeschichtlichen Seminars der Philipps-Universität Marburg
86:
1231:
1167:
813:
615:
621:
1153:
1045:
997:
949:
901:
799:
726:
82:
1059:
642:
1016:. Barbara Bauer, Jörg Jochen Berns, Ullrich Amlung. Marburg: Rathaus-Verl. 1996. pp. 320, 356.
177:
1124:. Barbara Bauer, Jörg Jochen Berns, Ullrich Amlung. Marburg: Rathaus-Verl. 1996. p. 327.
920:. Barbara Bauer, Jörg Jochen Berns, Ullrich Amlung. Marburg: Rathaus-Verl. 1996. p. 356.
740:
384:
1226:
8:
518:
1147:
1039:
991:
943:
895:
847:
793:
720:
667:
452:
387:
since the middle of the 19th century, when lectures on post-ancient art were given by
367:, which collects photographic sources on art and architecture from across Germany and
1135:
1125:
1101:
1091:
1027:
1017:
979:
969:
931:
921:
883:
873:
781:
771:
708:
698:
78:
1121:
Marburg-Bilder : eine
Ansichtssache : Zeugnisse aus fünf Jahrhunderten / 2
1013:
Marburg-Bilder : eine
Ansichtssache : Zeugnisse aus fünf Jahrhunderten / 2
917:
Marburg-Bilder : eine
Ansichtssache : Zeugnisse aus fünf Jahrhunderten / 2
490:
466:
456:
433:
279:
1087:
Der
Kunsthistoriker Richard Hamann : eine politische Biographie (1879-1961)
540:
Ein
Kunstinstitut für Marburg. Konzeptionen und ihr architektonischer Ausdruck.
400:
1220:
1202:
1189:
1139:
1105:
1031:
935:
363:
and Hesse. The
Institute shares the historical art building with the archive
983:
887:
785:
712:
335:
476:
1119:
1085:
1011:
915:
963:
867:
765:
692:
604:
462:
437:
396:
364:
348:
418:
Image archive photo Marburg - German documentary centrum for art history
495:
Representation of Foreignness and Strangers; cultural transfer between
392:
588:
Marburg, Harvard and purpose-built architecture for art history, 1927.
555:
Marburg-Bilder. Eine Ansichtssache. Zeugnisse auf fünf Jahrhunderten.
288:
166:
965:
Art history and its institutions : foundations of a discipline
869:
Art history and its institutions : foundations of a discipline
767:
Art history and its institutions : foundations of a discipline
694:
Art history and its institutions : foundations of a discipline
500:
461:
History of Architecture and images in Germany and France from the
360:
352:
610:
268:
496:
368:
566:
Der Jubiläumsneubau des Kunstinstituts der Universität Marburg
356:
339:
West view of the Institute of Art History and the art museum.
968:. Elizabeth Mansfield. London: Routledge. 2002. p. 77.
872:. Elizabeth Mansfield. London: Routledge. 2002. p. 73.
770:. Elizabeth Mansfield. London: Routledge. 2002. p. 65.
697:. Elizabeth Mansfield. London: Routledge. 2002. p. 67.
592:
Art History and Its Institutions. The Nineteenth Century.
395:. The history of art was originally treated as a part of
200:"Institute of Art History, Philipps-Universität Marburg"
420:) this collection continues to be used and increased.
561:, vol. 53.) vol. 2, Marburg 1996, pp. 321–356.
551:
Das Kunstinstitut der Philipps-Universität Marburg.
546:, Ausgabe Wintersemester 1998/1999, pp. 12–18.
559:Marburger Stadtschriften zur Geschichte und Kultur
345:Art History Institute of the University of Marburg
1218:
383:Art history has been a field of research at the
16:University institute for art history in Germany.
605:Website of the Institute of Art History Marburg
572:, vol. 80, 1930, pp. 1–12 (digitalized by
410:Kunstgebäude der Philipps-Universität Marburg
116:The examples and perspective in this article
611:Website of the Philipps-Universität Marburg
53:Learn how and when to remove these messages
1168:"Marburger Jahrbuch für Kunstwissenschaft"
852:: CS1 maint: location missing publisher (
323:Learn how and when to remove this message
251:Learn how and when to remove this message
149:Learn how and when to remove this message
622:The institut in "Portal Kunstgeschichte"
514:Marburger Jahrbuch für Kunstwissenschaft
334:
1083:
837:
445:Methods of art historical documentation
1219:
187:Please improve this article by adding
521:until today. Its current editors are
1052:
616:Website of the Art Museum in Marburg
574:Zentral- und Landesbibliothek Berlin
262:
160:
102:
59:
18:
1237:Buildings and structures in Marburg
598:
442:History of the field of art history
13:
842:(in German). Marburg. p. 163.
120:include all significant viewpoints
14:
1248:
423:
34:This article has multiple issues.
267:
165:
107:
64:
23:
1160:
1112:
1077:
1004:
956:
590:In: Elizabeth Mansfield (ed.):
506:
42:or discuss these issues on the
908:
860:
831:
806:
758:
733:
685:
660:
635:
399:, until in 1924 art historian
91:Please discuss further on the
1:
628:
553:In: Jörg Jochen Bruns (ed.):
532:
481:Arbeitskreis Kunst in der DDR
189:secondary or tertiary sources
1090:. Köln: Böhlau. p. 73.
1064:Philipps-Universität Marburg
745:Philipps-Universität Marburg
647:Philipps-Universität Marburg
594:London 2002, pp. 65–84.
489:and the concept of works in
7:
403:and the university curator
81:to comply with Knowledge's
10:
1253:
668:"Zeitschrift für Bauwesen"
643:"Geschichte des Instituts"
378:
570:Zeitschrift für Bauwesen
389:Johannes Friedrich Lange
838:Brandes, Karin (1990).
282:, as no other articles
1152:: CS1 maint: others (
1084:Hermand, Jost (2009).
1044:: CS1 maint: others (
996:: CS1 maint: others (
948:: CS1 maint: others (
900:: CS1 maint: others (
798:: CS1 maint: others (
725:: CS1 maint: others (
579:Karin Brandes et al.:
472:European court culture
432:History and theory of
340:
176:relies excessively on
73:This article contains
1232:University of Marburg
814:"Kunstmuseum Marburg"
544:alma mater philippina
385:University of Marburg
338:
87:neutral point of view
1060:"Forschungsprojekte"
1199: /
449:Digital art history
127:improve the article
75:paid contributions.
1203:50.8100°N 8.7748°E
538:Katharina Krause:
453:digital humanities
373:Marburg Art Museum
341:
301:for suggestions.
291:to this page from
1097:978-3-412-20398-6
674:(in German). 1930
371:, as well as the
351:institute in the
333:
332:
325:
315:
314:
261:
260:
253:
235:
159:
158:
151:
131:discuss the issue
101:
100:
57:
1244:
1214:
1213:
1211:
1210:
1209:
1204:
1200:
1197:
1196:
1195:
1192:
1179:
1178:
1176:
1175:
1164:
1158:
1157:
1151:
1143:
1116:
1110:
1109:
1081:
1075:
1074:
1072:
1071:
1056:
1050:
1049:
1043:
1035:
1008:
1002:
1001:
995:
987:
960:
954:
953:
947:
939:
912:
906:
905:
899:
891:
864:
858:
857:
851:
843:
835:
829:
828:
826:
825:
810:
804:
803:
797:
789:
762:
756:
755:
753:
752:
737:
731:
730:
724:
716:
689:
683:
682:
680:
679:
664:
658:
657:
655:
654:
639:
599:External sources
586:Kathryn Brusch:
491:contemporary art
457:cultural studies
434:Bildwissenschaft
405:Ernst von Hülsen
328:
321:
310:
307:
296:
294:related articles
271:
263:
256:
249:
245:
242:
236:
234:
193:
169:
161:
154:
147:
143:
140:
134:
111:
110:
103:
96:
83:content policies
68:
67:
60:
49:
27:
26:
19:
1252:
1251:
1247:
1246:
1245:
1243:
1242:
1241:
1217:
1216:
1208:50.8100; 8.7748
1207:
1205:
1201:
1198:
1193:
1190:
1188:
1186:
1185:
1183:
1182:
1173:
1171:
1166:
1165:
1161:
1145:
1144:
1132:
1118:
1117:
1113:
1098:
1082:
1078:
1069:
1067:
1058:
1057:
1053:
1037:
1036:
1024:
1010:
1009:
1005:
989:
988:
976:
962:
961:
957:
941:
940:
928:
914:
913:
909:
893:
892:
880:
866:
865:
861:
845:
844:
836:
832:
823:
821:
812:
811:
807:
791:
790:
778:
764:
763:
759:
750:
748:
739:
738:
734:
718:
717:
705:
691:
690:
686:
677:
675:
666:
665:
661:
652:
650:
641:
640:
636:
631:
601:
564:Hubert Lütcke:
535:
509:
426:
381:
329:
318:
317:
316:
311:
305:
302:
292:
289:introduce links
272:
257:
246:
240:
237:
194:
192:
186:
182:primary sources
170:
155:
144:
138:
135:
124:
112:
108:
97:
90:
85:, particularly
77:It may require
69:
65:
28:
24:
17:
12:
11:
5:
1250:
1240:
1239:
1234:
1229:
1181:
1180:
1159:
1130:
1111:
1096:
1076:
1051:
1022:
1003:
974:
955:
926:
907:
878:
859:
830:
805:
776:
757:
732:
703:
684:
659:
633:
632:
630:
627:
626:
625:
619:
613:
608:
600:
597:
596:
595:
584:
577:
562:
547:
534:
531:
508:
505:
504:
503:
493:
484:
473:
470:
459:
446:
443:
440:
425:
424:Research areas
422:
412:) was opened.
401:Richard Hamann
380:
377:
331:
330:
313:
312:
299:Find link tool
275:
273:
266:
259:
258:
173:
171:
164:
157:
156:
115:
113:
106:
99:
98:
72:
70:
63:
58:
32:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1249:
1238:
1235:
1233:
1230:
1228:
1225:
1224:
1222:
1215:
1212:
1169:
1163:
1155:
1149:
1141:
1137:
1133:
1131:3-923820-53-4
1127:
1123:
1122:
1115:
1107:
1103:
1099:
1093:
1089:
1088:
1080:
1065:
1061:
1055:
1047:
1041:
1033:
1029:
1025:
1023:3-923820-53-4
1019:
1015:
1014:
1007:
999:
993:
985:
981:
977:
975:0-203-99509-0
971:
967:
966:
959:
951:
945:
937:
933:
929:
927:3-923820-53-4
923:
919:
918:
911:
903:
897:
889:
885:
881:
879:0-203-99509-0
875:
871:
870:
863:
855:
849:
841:
834:
819:
815:
809:
801:
795:
787:
783:
779:
777:0-203-99509-0
773:
769:
768:
761:
746:
742:
736:
728:
722:
714:
710:
706:
704:0-203-99509-0
700:
696:
695:
688:
673:
672:-: -, -: - -.
669:
663:
648:
644:
638:
634:
623:
620:
617:
614:
612:
609:
606:
603:
602:
593:
589:
585:
583:Marburg 1990.
582:
578:
575:
571:
567:
563:
560:
556:
552:
549:Thomas Jahn:
548:
545:
541:
537:
536:
530:
528:
527:Hubert Locher
524:
523:Ingo Herklotz
520:
519:Classical Era
516:
515:
502:
498:
494:
492:
488:
485:
482:
478:
474:
471:
468:
464:
460:
458:
454:
450:
447:
444:
441:
439:
436:, especially
435:
431:
430:
429:
421:
419:
413:
411:
406:
402:
398:
394:
390:
386:
376:
374:
370:
366:
362:
358:
354:
350:
346:
337:
327:
324:
309:
306:February 2023
300:
295:
290:
286:
285:
281:
276:This article
274:
270:
265:
264:
255:
252:
244:
241:February 2023
233:
230:
226:
223:
219:
216:
212:
209:
205:
202: –
201:
197:
196:Find sources:
190:
184:
183:
179:
174:This article
172:
168:
163:
162:
153:
150:
142:
139:February 2023
132:
128:
122:
121:
114:
105:
104:
94:
88:
84:
80:
76:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1184:
1172:. Retrieved
1162:
1120:
1114:
1086:
1079:
1068:. Retrieved
1063:
1054:
1012:
1006:
964:
958:
916:
910:
868:
862:
839:
833:
822:. Retrieved
817:
808:
766:
760:
749:. Retrieved
744:
741:"Geschichte"
735:
693:
687:
676:. Retrieved
671:
662:
651:. Retrieved
646:
637:
624:(in German).
618:(in German).
607:(in German).
591:
587:
580:
565:
558:
554:
550:
543:
539:
512:
510:
507:Publications
480:
427:
417:
414:
409:
382:
365:Foto Marburg
344:
342:
319:
303:
277:
247:
238:
228:
221:
214:
207:
195:
175:
145:
136:
117:
74:
50:
43:
37:
36:Please help
33:
1227:Art history
1206: /
1170:(in German)
1066:(in German)
820:(in German)
747:(in German)
649:(in German)
487:Materiality
475:Art in the
463:Renaissance
438:photography
428:(Sources:)
349:art history
1221:Categories
1191:50°48′36″N
1174:2022-03-01
1070:2022-06-15
824:2022-06-15
751:2022-06-15
678:2022-06-15
653:2022-06-15
629:References
533:Literature
397:archeology
393:Carl Justi
391:and later
297:; try the
284:link to it
211:newspapers
178:references
39:improve it
1194:8°46′29″E
1148:cite book
1140:164829842
1106:428007464
1040:cite book
1032:164829842
992:cite book
944:cite book
936:164829842
896:cite book
848:cite book
818:AK Hessen
794:cite book
721:cite book
355:state of
287:. Please
93:talk page
45:talk page
984:61367611
888:61367611
786:61367611
713:61367611
501:Occident
118:may not
467:present
465:to the
379:History
361:Marburg
225:scholar
125:Please
79:cleanup
1138:
1128:
1104:
1094:
1030:
1020:
982:
972:
934:
924:
886:
876:
784:
774:
711:
701:
568:. In:
497:Orient
369:Europe
353:German
347:is an
280:orphan
278:is an
227:
220:
213:
206:
198:
357:Hesse
232:JSTOR
218:books
1154:link
1136:OCLC
1126:ISBN
1102:OCLC
1092:ISBN
1046:link
1028:OCLC
1018:ISBN
998:link
980:OCLC
970:ISBN
950:link
932:OCLC
922:ISBN
902:link
884:OCLC
874:ISBN
854:link
800:link
782:OCLC
772:ISBN
727:link
709:OCLC
699:ISBN
542:In:
525:und
511:The
499:and
455:and
343:The
204:news
557:(=
477:GDR
180:to
129:or
1223::
1150:}}
1146:{{
1134:.
1100:.
1062:.
1042:}}
1038:{{
1026:.
994:}}
990:{{
978:.
946:}}
942:{{
930:.
898:}}
894:{{
882:.
850:}}
846:{{
816:.
796:}}
792:{{
780:.
743:.
723:}}
719:{{
707:.
670:.
645:.
576:).
529:.
451:,
375:.
191:.
48:.
1177:.
1156:)
1142:.
1108:.
1073:.
1048:)
1034:.
1000:)
986:.
952:)
938:.
904:)
890:.
856:)
827:.
802:)
788:.
754:.
729:)
715:.
681:.
656:.
483:)
479:(
469:.
326:)
320:(
308:)
304:(
254:)
248:(
243:)
239:(
229:·
222:·
215:·
208:·
185:.
152:)
146:(
141:)
137:(
133:.
123:.
95:.
89:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
