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nearby, animated and made of straw or clay, not flesh. A spotlight lights up her window randomly. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot that contains many more letters. Great emphasis is placed on extreme close-ups of the objects central to her existence: the pencils, the sharpener, the paper, her cramped, clenching hands, blackened fingernails, endless stubs of broken-off lead, and finally the letters themselves, packaged up and 'posted' uselessly into a grandfather clock.
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200:. The image was so powerful of letters written to her husband that were deeply disturbed writing, where she would write over the top of the original letter again and again until it became a graphite blur of imagery. So we said ‘this is what the film would be about.’" The film is dedicated to "E.H. who lived and wrote to her husband from an asylum."
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found their film compelling on a more intimate level. They later said, "The surprising thing is that when
Stockhausen saw the film at an avant-premiere he was moved to tears. We only later learned that his mother was imprisoned by the Nazis in an asylum, where she later died. Even for us this was a
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A seated woman, alone in a chair at a table in a room on one of the top floors of an asylum, repeatedly writes on a piece of paper and sharpens pencils. The pencil point often breaks under her fingers' force. She places the broken points outside the window on the sill. A satanic figure is somewhere
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set up the collaboration in 1999. The story found its inspiration in an exhibition in the
Hayward Gallery called ‘Art and Psychosis’ or ‘Beyond Reason’ (1996–7), which consisted of works from the Prinzhorn Collection, a collection of artworks and artifacts created by the inhabitants of mental
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as a part of a series called "Sound on Film
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very moving moment, especially because we directed the film without knowing any of this."
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in 1991, plays throughout the film and inspired the imagery and style in it. BBC producer
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said, "In particular there was one set of drawings by a woman called ‘EH’, which was
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The black and white film, with some parts in colour, was originally created in
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The Epic of
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format and is twenty minutes long. It was released by
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16:2000 short film by Stephen Quay and Timothy Quay
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343:. Zeitgeist Films. Archived from
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341:"In Absentia Synopsis"
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206:Karlheinz Stockhausen
177:Karlheinz Stockhausen
157:Karlheinz Stockhausen
76:Karlheinz Stockhausen
470:Street of Crocodiles
427:Institute Benjamenta
246:"In Absentia (2000)"
347:on 10 November 2011
508:(2015 documentary)
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116:Running time
93:Release date
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486:In Absentia
478:The Sandman
446:Short films
371:In Absentia
351:15 November
322:15 November
318:. Cinelogue
299:15 November
274:15 November
252:15 November
144:In Absentia
52:Produced by
38:Directed by
24:In Absentia
528:2000 films
522:Categories
229:References
194:Emma Hauck
120:20 minutes
225:in 2000.
172:Influence
133:Language
72:Music by
62:Starring
136:English
125:Country
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489:(2000)
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473:(1986)
465:(1985)
457:(1984)
438:(2005)
430:(1995)
270:. IMDb
505:Quay
376:IMDb
353:2011
324:2011
301:2011
276:2011
254:2011
219:35mm
163:Plot
104:2000
100:2000
374:at
149:BBC
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