2338:
46:
898:
clear that Don Alvaro and the Count are rivals for the
Marquise's affections. They are all waiting for the new horses which will be necessary for the continuation of the journey, but Madame Cortese, who now arrives, says that she cannot understand why they have not arrived. Alvaro and Libenskof quarrel, the ladies are alarmed, and the Baron and Don Profondo are amused by the idiocy of lovers. ("Non pavento alcun periglio")
2364:
2032:
1836:
953:
The
Countess steps forward to invite the entire company to her home in Paris for the celebrations. A stagecoach will convey them there on the following day, but in the meantime a grand banquet, with invitations to the public, will be held at the Golden Lily, paid for with the money that would have been spent at the coronation. Any money left over will be given to the poor.
868:. ("Presto, presto ... su, corraggio") The servants repudiate her assertions. The hotel's doctor, Don Prudenzio, announces that, because of the impending arrivals, the normal business of the spa will be suspended. The spa attendants rejoice and depart. He checks with Antonio that his instructions about the necessary meals for the visitors have been followed.
199:
Since the opera was written for a specific occasion, with a plot about
European aristocrats, officers – and one poetess – en route to join in the French coronation festivities that the opera itself was composed for, Rossini never intended it to have a life beyond a few performances in Paris. He later
952:
Everyone is horrified. ("Ah! A tal colpo inaspettato") But Madame
Cortese appears with a letter from Paris. Don Profondo reads it out: the King will return from Reims in a few days and there will be great festivities. Anyone who was unable to get to Reims will be consoled by an even finer spectacle.
939:
Don
Profondo, who has seen the Chevalier with Corinna, reflects that the Countess will scratch the Chevalier's eyes out if she finds out what he has been doing. He then turns his attention to enumerating the effects of his fellow-travellers (as requested by the Baron), noting that their possessions
888:
Maddalena, Antonio, Don
Prudenzio and the servants arrive, together with Baron Trombonok. Don Prudenzio and the Baron argue about how to resuscitate the Countess, but she recovers sufficiently to lament the loss of her garments. ("Partir, o ciel! desio") However, when Modestina appears with a large
880:
The
Countess calls for her maid, Modestina, and Madame Cortese goes to search for her. Modestina appears, and the Countess, worried that her clothes have not yet arrived, asks why there has been no reply to a letter that she had sent. Modestina had entrusted the letter to the Countess's cousin, Don
897:
After agreeing with the Baron the arrangements for the party's departure in the evening, Antonio leaves. The Baron cannot help laughing at the
Countess's sudden recovery and the insanity of the world in general. He is joined by Don Profondo, Don Alvaro, the Marquise Melibea, Count Libenskof. It is
999:
duet for Madame
Cortese and Don Profondo, and finally an improvised solo for Corinna on one of a number of mostly French subjects suggested by each traveller and drawn from an urn. The winning subject turns out, appropriately enough, to be "Charles X, King of France". The opera ends with a chorus
943:
The
Countess appears, looking for the Chevalier. She is not pleased when Don Profondo tells her that he has been having a poetry lesson. Don Alvaro and Count Libenskof join them, asking about the horses, and the Baron, too, appears, looking woebegone. What has happened? The rest of the travellers
871:
Madame Cortese, the proprietress of the hotel, appears. She regrets that she will be unable to attend the coronation ("Di vaghi raggi adorno"), but is keen to show off the hotel to the visitors in the hope that they will return some day to take the waters. She particularly requests that everyone
918:
Sidney, alone, laments his situation. ("Invan strappar dal core") His mood lifts when girls singing in praise of Corinna enter with flowers, but then he is disturbed by Don Profondo's strange requests for information about the location of antiquities, and departs.
195:
in May 1825 and has been acclaimed as one of Rossini's finest compositions. A demanding work, it requires 14 soloists (three sopranos, one contralto, two tenors, four baritones, and four basses). At its premiere, it was sung by the greatest voices of the day.
889:
box containing a beautiful Paris bonnet, she rejoices that it, at least, has been saved from the accident. ("Che miro! Ah! Quel sorpresa!") Everyone is amused by this sudden turn of events, and all except Antonio and the Baron depart.
966:
When everyone else has left, the Baron tries to reconcile the jealous Count with the Marquise, who has been seen with Don Alvaro. When he departs, the misunderstanding is resolved and harmony is restored. ("D'alma celeste, oh Dio!")
970:
They depart, and the scene changes to the hotel's garden. Antonio and Maddalena ensure that all is prepared for the banquet. The Baron has engaged a travelling company to provide entertainment with singing and dancing.
914:
Madame Cortese is still waiting for the return of her servant Gelsomino with news of the horses. Lord Sidney approaches, and she muses on his unwillingness to approach Corinna who, she is sure, reciprocates his love.
930:
Corinna is joined by the Chevalier, who declares his love. ("Nel suo divin sembiante") She is taken aback and repudiates him. The Chevalier retreats, hoping to try again later, and Corinna returns to her room.
944:
arrive, and the Baron produces the courier Zefirino, who is obliged to report that there are no horses to be had anywhere, not even for ready money. There will be no journey to Reims for the coronation!
927:
Profondo is joined by Corinna and her companion Delia. Corinna asks when the party is to depart, and he and Delia leave Corinna alone while they go to see whether the horses have arrived.
979:
After the opening chorus ("L'allegria è un sommo bene"), the Baron introduces a series of short national songs sung by each of the travellers, some of them set to well-known tunes (
222:, is a twentieth-century invention or an erroneous attribution. It was published in Milan, in 1938, in a revision by Giuseppe Piccioli, which was first performed in the
2266:
992:
698:
420:. The Wiener Staatsoper produced the opera in its Rossini Festival conducted by Claudio Abbado, with Montserrat Caballé and again Ruggero Raimondi. The
234:, until it was finally possible to reconstruct the original score of the opera. The attributed overture remains one of Rossini's most recorded works.
646:
276:
The different parts of the manuscript, assumed lost, were re-found and re-assembled in the 1970s by the musicologist Janet Johnson, with the help of
150:
59:
860:
The housekeeper Maddalena is unhappy with the preparations made by the servants for the arrival of the important people who are travelling to
1474:, styled by the libretto "nuovo Enrico", was dubbed the "miracle child", as his birth possibly continued the direct Bourbon line of Kings.
1637:
1599:
1657:
1605:
1462:
Marie-Caroline de Bourbon-Sicile, duchesse de Berry, was discovered to be pregnant in 1820 after the assassination of her husband,
2414:
257:
as Corinna. There were only four original performances. It was expensive to stage, but Rossini resisted moving it to the larger
1355:
Il viaggio a Reims, ossia, L'albergo del Giglio d'oro, dramma giocoso in un atto di Luigi Balocchi, musica di Gioachino Rossini
940:
tend to sum up each of their nations' characteristics. ("Medaglie incomparabili") He looks forward to the impending departure.
2394:
246:
901:
A harp prelude is heard, and the poetess Corinna sings offstage of brotherly love, to everyone's delight. ("Arpa gentil")
1813:
1662:
2212:
1835:
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1549:
1518:
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which he had hired to carry the boxes had overturned on the way. The Countess faints and Don Luigino calls for help.
2404:
1463:
1440:
1630:
1388:
872:
should be enthusiastic about each of the travellers' specific interests. Everyone agrees, and she is left alone.
1535:
1523:
173:
Rossini's last opera in the Italian language (all of his later works were in French) premiered under the title
2419:
981:
2424:
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1702:
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449:
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1471:
1414:
1335:
Per un catalogo del “Fondo Giuseppe Piccioli”: inquadramento delle opere e catalogo delle edizioni
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2145:
1766:
1051:
822:
Four strolling players, chorus of countrymen and women, gardeners, hotel staff, dancers, servants
433:
351:
332:
180:
2001:
840:
214:
2276:
2137:
2090:
1734:
1506:
1187:
284:
162:
85:
2298:
1829:
1254:
1193:
485:
465:
2310:
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1229:, Saint Petersburg, with singers from the Academy of Young Singers of the Mariinsky Theatre.
355:
2384:
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2025:
1882:
1789:
1449:
1392:
554:
457:
167:
112:
91:
8:
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2038:
1906:
1821:
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188:
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1954:
1922:
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1938:
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338:
Other performances have followed. The American premiere was given on 14 June 1986 by
328:
312:
269:
223:
155:
142:
64:
37:
2009:
1890:
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1726:
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in Antwerp in December, where the action took place inside a jumbo jet, and at the
417:
320:
296:
258:
212:
does not have an overture. Its so-called overture, derived from a set of dances in
359:
2409:
1001:
473:
437:
347:
261:
with the potential of raising more money, because he had learned that his operas
227:
2104:
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1866:
1858:
1498:
1248:
1220:
1177:
1089:
1047:
996:
608:
570:
536:
444:, Argentina, in 2011. During the 2011/12 season, productions were given by the
425:
413:
394:
308:
288:
277:
254:
138:
33:
452:, in January where the action was staged in an early 20th-century luxury spa.
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1898:
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1283:
1260:
1128:
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1119:
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in Washington, DC, in January 2007. The work was produced in Tel Aviv by the
409:
398:
386:
363:
300:
250:
1168:
995:) sung by the Countess Folleville and the Chevalier Belfiore, then a rustic
390:
2368:
2271:
2017:
1071:
371:
343:
324:
292:
218:(1826), one of which Rossini had reworked from the dances in the finale to
202:
1173:
464:
in 2017. This production was also used for the Australian premiere at the
1946:
1842:
1369:, revisione di Giuseppe Piccioli – Partitura – Milan : Carisch, 1938
421:
405:
2322:
1970:
1805:
882:
511:
481:
2063:
1347:
online Library of the Faculty of Musicology of the University of Pavia
2054:
1084:
1080:
585:
367:
316:
304:
1615:
1353:) to the critical edition of the opera, edited by Janet J. Johnson:
2186:
1758:
379:
375:
230:. It was later also recorded repeatedly as the alleged overture of
146:
45:
1962:
1914:
1338:
531:
283:
The first performance after the reconstruction was given at the
1337:, Thesis for the triennial degree in musicology, University of
1104:
184:
1568:, Vol. Four, p. 981. London: Macmillan Publishers, Inc.
861:
603:
192:
135:
131:
The Journey to Reims, or The Hotel of the Golden Fleur-de-lis
2363:
432:
in November 2007. The African premiere was presented by the
440:
in 2010. The South American premiere was presented by the
836:
385:
The Polish premiere was given in April 2003, directed by
1343:
Catalogo delle opere edite del “Fondo Giuseppe Piccioli”
1318:, pp. 37–38 of the liner notes to the 1984 DG recording.
342:
at the Loretto-Hilton Theater in St. Louis, directed by
1528:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
1000:("Viva il diletto augusto regnator" to the tune of the
991:), and ending with, first, a French song (praising the
1743:
L'occasione fa il ladro, ossia Il cambio della valigia
2352:
1466:, the third son of the future king Charles X and the
1994:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1830:
Il barbiere di Siviglia, ossia L'inutile precauzione
1530:, London: Methuen; Portland, Oregon: Amadeus Press.
125:
Il viaggio a Reims, ossia L'albergo del giglio d'oro
2267:
Conservatorio Statale di Musica "Gioachino Rossini"
1544:, Ithaca, New York: Northeastern University Press.
923:
Scene 2: Corinna's duet with the Chevalier Belfiore
456:directed the opera, set in an art gallery, for the
1955:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
1341:, Faculty of Musicology, academic year 2009–2010:
1367:Il viaggio a Reims. Sinfonia / Gioacchino Rossini
1273:, Virtuosi Brunensis, Camerata Bach Choir, Poznań
881:Luigino, who immediately arrives to say that the
404:In November 2005 there was another production in
2376:
1751:Il signor Bruschino, ossia Il figlio per azzardo
1719:Ciro in Babilonia, ossia La caduta di Baldassare
311:(Corinna), Eduardo Gimenez (Cavalier Belfiore),
2010:MoĂŻse et Pharaon, ou Le passage de la mer rouge
1883:Adelaide di Borgogna, ossia Ottone, re d'Italia
1484:Recordings on operadis-opera-discography.org.uk
948:Scene 4: Grand concerted ensemble for 14 voices
378:, on 9 January 2003, the opera was directed by
1357:, Pesaro, Fondazione Rossini, 1999, I, p. xxxv
1939:Bianca e Falliero, ossia Il consiglio dei tre
1843:La gazzetta, ossia Il matrimonio per concorso
1631:
1470:to the throne of France: the new-born child,
1349:). Maietta's declared source is the preface (
876:Scene 2: The Countess of Folleville's arrival
24:
962:Scene 1: Duet for the Count and the Marquise
807:young Greek girl who is Corinna's travelling
346:and conducted by Richard Buckley. In 1992,
1678:
1638:
1624:
44:
1859:La Cenerentola, ossia La bontĂ in trionfo
1606:International Music Score Library Project
1326:
1324:
1310:
1308:
721:the Contessa di Folleville's chamber maid
273:were more effective in smaller theatres.
176:Le voyage Ă Reims, ou l'HĂ´tel du Lys-d'Or
141:, originally performed in three acts, by
1217:Vladislav Ouspenski, AlexeĂŻ Safiouline
287:on 18 August 1984. It was conducted by
2377:
1321:
1305:
1027:Cavalier Belfiore, Conte di Libenskof,
1023:Contessa di Folleville, Madame Cortese
237:
1645:
1619:
581:general killed on their wedding night
350:, London, gave several performances:
1211:Larissa Youdina, Anastasia Belyaeva,
1165:Elena de la Merced, Paula Rasmussen,
737:cousin of the Contessa di Folleville
1231:(Recording of a performance at the
226:, on 5 November 1938, conducted by
200:re-used about half of the music in
13:
1611:Italian libretto at Di Cose Un Po’
1345:, p. 22, note 5 (published in the
1209:Irma Guigolachvili, Anna Kiknadze,
689:scholar and lover of antiquities,
160:, based in part on the 1807 novel
14:
2436:
1899:Adina, ossia Il califfo di Bagdad
1593:
1565:The New Grove Dictionary of Opera
1418:, London, April 2012, pp. 430–431
1215:Edouard Tsanga, NikolaĂŻ Kamenski,
635:English colonel secretly in love
502:Roles, voice types, premiere cast
354:conducted, and the cast included
2362:
2337:
2336:
2030:
1851:Otello, ossia Il Moro di Venezia
1834:
1814:Elisabetta, regina d'Inghilterra
1464:Charles Ferdinand, Duke of Berry
1477:
1265:Mirco Palazzi, Bruno De Simone,
1213:Dmitri Voropaev, Daniil Shtoda,
1139:Samuel Ramey, Ruggero Raimondi,
1097:and Prague Philharmonic Chorus,
1031:Baron di Trombonok, Don Alvaro
751:hotel housekeeper from Normandy
579:the Polish widow of an Italian
382:and conducted by Pietro Rizzo.
253:, Paris, on 19 June 1825, with
16:1825 opera by Gioachino Rossini
2415:Operas set in the 19th century
1501:; Brauner, Patricia (2001), "
1456:
1434:
1421:
1406:
1381:
1372:
1360:
1267:Bruno Praticò, Gezim Myshketa
1182:SimĂłn Orfila, Nicola Ulivieri,
617:handsome young French officer
518:Conductor: Gioacchino Rossini
1:
1293:
1007:
982:Gott erhalte Franz den Kaiser
655:Spanish admiral in love with
488:; Daniel Smith conducted the
1513:, New York: Penguin Putnam.
1431:, London, April 2012, p. 442
1316:A Lost Masterpiece Recovered
1225:Orchestra and Chorus of the
935:Scene 3: Don Profondo's aria
525:Tyrolean hostess of the spa
442:Teatro Argentino de La Plata
340:Opera Theatre of Saint Louis
7:
2395:Operas by Gioachino Rossini
1587:Rossini: His Life and Works
1511:The New Penguin Opera Guide
1095:Chamber Orchestra of Europe
910:Scene 1: Lord Sidney's aria
829:
516:Premiere cast, 19 June 1825
245:was first performed at the
10:
2441:
1589:, Oxford University Press.
1122:, Lucia Valentini-Terrani,
1036:opera house and orchestra
1029:Lord Sidney, Don Profondo,
1020:Corinna, Marchesa Melibea,
599:love with Marchesa Melibea
303:(Contessa di Folleville),
2332:
2305:Duetto buffo di due gatti
2290:
2259:
2224:
2205:
2156:
2121:
2082:
2053:
1985:
1781:
1695:La cambiale di matrimonio
1671:
1653:
1585:Osborne, Richard (2007),
1554:Osborne, Richard (1998),"
1540:Osborne, Richard (1990),
820:
450:Teatro Comunale, Florence
179:. It was commissioned to
97:
80:
72:
55:
43:
32:
23:
2244:(1991 biographical film)
2236:(1942 biographical film)
1472:Henri, Count of Chambord
1378:Osborne 2007, pp. 95–96.
1192:Orchestra and Chorus of
956:
904:
850:
543:Contessa di Folleville,
495:
408:, with a cast including
393:as Marchesa Melibea and
181:celebrate the coronation
2405:Italian-language operas
2146:Petite messe solennelle
1184:Enzo Dara, Àngel Òdena
1141:Enzo Dara, Lucio Gallo
1052:Lucia Valentini Terrani
835:Place: The Golden Lily
434:University of Cape Town
333:Lucia Valentini Terrani
307:(Barone di Trombonok),
2277:Rossini Opera Festival
2091:Ecco, ridente in cielo
1735:La pietra del paragone
1703:L'equivoco stravagante
864:for the coronation of
619:and spare-time painter
563:a famous Roman poetess
436:in collaboration with
389:, with, among others,
331:(Madama Cortese), and
299:(Conte di Libenskof),
285:Rossini Opera Festival
102:19 June 1825
25:
2299:La boutique fantasque
2214:The Barber of Seville
1447:by Patricia Maunder,
1275:Recorded live at the
1255:Alessandra Marianelli
1253:Sofia Mchedlishvili,
1251:, Marianna Pizzolato,
1194:Gran Teatre del Liceu
856:Scene 1: Introduction
671:Barone di Trombonok,
590:Adelaide Schiassetti
466:Arts Centre Melbourne
397:as Count Libenskoff (
2420:Operas set in France
2195:Péchés de vieillesse
2002:Le siège de Corinthe
1790:Aureliano in Palmira
1767:L'italiana in Algeri
1658:List of compositions
1393:Teatr Wielki, Warsaw
841:Plombières-les-Bains
615:Chevalier Belfiore,
595:Conte di Libenskof,
555:Laure Cinti-Damoreau
460:in 2015 and for the
458:Dutch National Opera
424:performed it at the
335:(Marchesa Melibea).
295:. The cast included
215:Le siège de Corinthe
2425:Charles X of France
2390:Fiction set in 1825
2311:Matinées musicales
2225:Cultural depictions
2179:La regata veneziana
1907:Ricciardo e Zoraide
1822:Torvaldo e Dorliska
1235:, Paris, December)
1233:Théâtre du Châtelet
1167:Mariola Cantarero,
1155:CD: Sony Classical,
1151:Rundfunkchor Berlin
1147:Berlin Philharmonic
866:Charles X of France
597:Russian general in
504:
454:Damiano Michieletto
238:Performance history
163:Corinne ou l'Italie
86:Corinne ou l'Italie
2282:Rossini in Wildbad
2164:Six string sonatas
1923:Eduardo e Cristina
1798:Il turco in Italia
1687:Demetrio e Polibio
1601:Il viaggio a Reims
1556:Il viaggio a Reims
1503:Il viaggio a Reims
1445:(Opera Australia)"
1443:Il Viaggio a Reims
1277:Rossini in Wildbad
682:Vincenzo Graziani
577:Marchesa Melibea,
500:
490:Orchestra Victoria
470:Sydney Opera House
462:Royal Danish Opera
356:Montserrat Caballé
243:Il viaggio a Reims
232:Il viaggio a Reims
220:Il viaggio a Reims
210:Il viaggio a Reims
26:Il viaggio a Reims
2350:
2349:
2317:Messa per Rossini
2260:Named for Rossini
2241:Rossini! Rossini!
2198:(1857–1868)
2098:Largo al factotum
2049:
2048:
1981:
1980:
1931:La donna del lago
1777:
1776:
1647:Gioachino Rossini
1333:Roberto Maietta,
1291:
1290:
1271:Antonino Fogliani
1227:Mariinsky Theatre
1188:JesĂşs LĂłpez-Cobos
1135:William Matteuzzi
1065:Eduardo Giménez,
1061:Katia Ricciarelli
993:Duchesse de Berry
988:God Save the King
827:
826:
707:doctor at the spa
699:Felice Pellegrini
691:friend of Corinna
665:Nicolas Levasseur
627:Domenico Donzelli
478:Teddy Tahu Rhodes
329:Katia Ricciarelli
313:William Matteuzzi
270:La donna del lago
224:Teatro alla Scala
168:Germaine de Staël
143:Gioachino Rossini
121:
120:
92:Germaine de Staël
38:Gioachino Rossini
2432:
2367:
2366:
2358:
2340:
2339:
2291:Related articles
2206:Film adaptations
2112:Una voce poco fa
2039:Ugo, re d'Italia
2034:
1983:
1982:
1838:
1779:
1778:
1727:La scala di seta
1711:L'inganno felice
1676:
1675:
1640:
1633:
1626:
1617:
1616:
1604:: Scores at the
1524:Osborne, Charles
1486:
1481:
1475:
1468:heir presumptive
1460:
1454:
1438:
1432:
1427:Matteo Sansone,
1425:
1419:
1410:
1404:
1403:
1401:
1399:
1385:
1379:
1376:
1370:
1364:
1358:
1332:
1328:
1319:
1312:
1287:Cat: 8660382-84
1157:Cat: S2K 53 336
1101:Rossini Festival
1099:Recorded at the
1076:Ruggero Raimondi
1067:Francisco Araiza
1024:
1012:
1011:
657:Marchesa Melibea
523:Madame Cortese,
505:
503:
499:
418:Ruggero Raimondi
412:, RaĂąl Gimenez,
323:(Don Profondo),
321:Ruggero Raimondi
297:Francisco Araiza
291:and directed by
259:Salle Lepeletier
159:
109:
107:
68:
48:
28:
21:
20:
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2255:
2249:Rossini's Ghost
2220:
2201:
2152:
2130:Messa di Gloria
2117:
2078:
2045:
1977:
1773:
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1314:Janet Johnson:
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1252:
1240:Cat: OA 0967 D
1239:
1238:DVD: Opus Arte,
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1201:Cat: DVUSOPVAR
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1144:Claudio Abbado,
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1111:Cat: 415 498-4
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1002:Marche Henri IV
975:Scene 2: Finale
959:
907:
893:Scene 3: Sextet
853:
832:
808:
758:Caterina Rossi
730:Marietta Dotti
705:Don Prudenzio,
690:
675:and music lover
674:
656:
647:Carlo Zucchelli
636:
618:
598:
580:
546:
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517:
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474:Opera Australia
438:Cape Town Opera
348:The Royal Opera
327:(Lord Sidney),
247:Théâtre Italien
240:
228:Richard Strauss
153:
117:
116:
113:Théâtre Italien
110:
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89:
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50:Rossini c. 1820
17:
12:
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5:
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1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1903:
1895:
1891:Mosè in Egitto
1887:
1879:
1871:
1867:La gazza ladra
1863:
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1666:
1665:
1663:List of operas
1660:
1654:
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1643:
1642:
1635:
1628:
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1595:
1594:External links
1592:
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1507:Holden, Amanda
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1203:
1202:
1197:
1185:
1178:Kenneth Tarver
1163:
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1142:
1133:Raúl Giménez,
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1107:
1090:Claudio Abbado
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760:
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755:mezzo-soprano
753:
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732:
731:
728:
723:
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714:Luigi Profeti
712:
709:
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687:Don Profondo,
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609:Marco Bordogni
606:
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588:
583:
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573:
571:Giuditta Pasta
568:
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558:
557:
552:
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545:a fashionable
540:
539:
537:Ester Mombelli
534:
529:
520:
519:
514:
509:
497:
494:
426:Kennedy Center
414:Rockwell Blake
395:Rockwell Blake
319:(Don Alvaro),
309:Cecilia Gasdia
289:Claudio Abbado
278:Philip Gossett
264:Mosè in Egitto
255:Giuditta Pasta
239:
236:
151:Luigi Balocchi
145:to an Italian
139:dramma giocoso
119:
118:
111:
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99:
95:
94:
82:
78:
77:
74:
70:
69:
60:Luigi Balocchi
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34:Dramma giocoso
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1581:1-56159-228-5
1578:
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1574:0-333-73432-7
1571:
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1560:Stanley Sadie
1557:
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1550:1-55553-088-5
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1453:, 26 May 2019
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1412:John McCann,
1409:
1394:
1391:(in Polish).
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1125:Luciana Serra
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1120:Sylvia McNair
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1057:Lella Cuberli
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735:Don Luigino,
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446:Vlaamse Opera
443:
439:
435:
431:
430:Israeli Opera
427:
423:
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411:
410:June Anderson
407:
402:
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399:Alberto Zedda
396:
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387:Tomasz Konina
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364:Sylvia McNair
361:
360:Renée Fleming
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301:Lella Cuberli
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251:Salle Louvois
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2272:Prix Rossini
2247:
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2231:
2213:
2193:
2185:
2177:
2169:
2149:(1864, 1867)
2144:
2141:(1831, 1841)
2138:Stabat mater
2136:
2128:
2122:Sacred music
2105:Sombre forĂŞt
2072:Robert Bruce
2070:
2062:
2042:(unfinished)
2037:
2024:
2018:Le comte Ory
2016:
2008:
2000:
1993:
1992:
1969:
1961:
1953:
1945:
1937:
1929:
1921:
1913:
1905:
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1865:
1857:
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1841:
1828:
1820:
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1733:
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1717:
1709:
1701:
1693:
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1555:
1541:
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1502:
1492:
1491:
1479:
1458:
1448:
1442:
1436:
1428:
1423:
1413:
1408:
1396:. Retrieved
1383:
1374:
1366:
1362:
1354:
1350:
1342:
1334:
1331:(in Italian)
1315:
1298:
1297:
1196:, Barcelona
1072:Samuel Ramey
986:
980:
978:
974:
973:
969:
965:
961:
960:
951:
947:
946:
942:
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926:
922:
921:
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913:
909:
908:
900:
896:
892:
891:
887:
879:
875:
874:
870:
859:
855:
854:
821:
816:Maria Amigo
806:
792:
778:
764:
750:
744:Piero Scudo
736:
720:
706:
688:
672:
654:
653:Don Alvaro,
637:with Corinna
634:
616:
596:
578:
562:
544:
524:
472:in 2019 for
403:
401:conducted).
384:
372:Andrew Shore
344:Colin Graham
337:
325:Samuel Ramey
315:(Zefirino),
293:Luca Ronconi
282:
275:
268:
262:
242:
241:
231:
219:
213:
209:
208:
203:Le comte Ory
201:
198:
175:
174:
172:
161:
130:
129:
124:
123:
122:
84:
18:
2385:1825 operas
2252:(1996 film)
2216:(1947 film)
2157:Other works
1986:Later works
1947:Maometto II
1679:Early works
791:Gelsomino,
749:Maddalena,
719:Modestina,
547:young widow
422:Kirov Opera
406:Monte Carlo
352:Carlo Rizzi
154: [
63: [
2379:Categories
2323:Rossiniana
1971:Semiramide
1806:Sigismondo
1536:0931340713
1351:Prefazione
1294:References
1169:MarĂa Bayo
1034:Conductor,
1008:Recordings
883:stagecoach
846:Time: 1825
809:companion
786:Giovanola
777:Zefirino,
512:Voice type
482:Conal Coad
391:Ewa PodleĹ›
106:1825-06-19
56:Librettist
2055:Pastiches
1562:, (Ed.),
1450:Limelight
1441:"Review:
1389:"Obiekty"
1279:Festival
1199:DVD: TDK,
1174:José Bros
1085:Leo Nucci
1081:Enzo Dara
843:in France
839:hotel at
769:baritone
763:Antonio,
586:contralto
561:Corinna,
368:John Aler
317:Leo Nucci
305:Enzo Dara
189:Charles X
2342:Category
2187:La Danza
1782:Maturity
1759:Tancredi
1526:(1994),
1398:24 April
1109:CD: DGG,
997:Tyrolean
830:Synopsis
813:soprano
800:Trévaux
772:Auletta
567:soprano
551:soprano
468:and the
380:Dario Fo
376:Helsinki
147:libretto
136:operatic
134:) is an
98:Premiere
81:Based on
73:Language
2233:Rossini
2064:Ivanhoé
2029:(1829)
1963:Zelmira
1915:Ermione
1833:(1816)
1542:Rossini
1509:(ed.),
1493:Sources
1339:Cremona
805:Delia,
779:courier
532:soprano
115:, Paris
104: (
76:Italian
2410:Operas
2355:Portal
2190:(1835)
2182:(1835)
2174:(1817)
2166:(1804)
2133:(1820)
2075:(1846)
2067:(1826)
2021:(1828)
2013:(1827)
2005:(1826)
1997:(1825)
1974:(1823)
1966:(1822)
1958:(1821)
1950:(1820)
1942:(1819)
1934:(1819)
1926:(1819)
1918:(1819)
1910:(1818)
1902:(1826)
1894:(1818)
1886:(1817)
1878:(1817)
1875:Armida
1870:(1817)
1862:(1817)
1854:(1816)
1846:(1816)
1825:(1815)
1817:(1815)
1809:(1814)
1801:(1814)
1793:(1813)
1770:(1813)
1762:(1813)
1754:(1813)
1746:(1812)
1738:(1812)
1730:(1812)
1722:(1812)
1714:(1812)
1706:(1811)
1698:(1810)
1690:(1812)
1672:Operas
1579:
1572:
1558:", in
1548:
1534:
1517:
1105:Pesaro
1039:Label
797:tenor
783:tenor
741:tenor
623:tenor
416:, and
185:French
2369:Opera
2083:Arias
1505:" in
1429:Opera
1415:Opera
1299:Notes
1245:2016
1206:2005
1162:2003
1116:1992
1044:1984
1018:Cast:
1015:Year
957:Act 3
905:Act 2
862:Reims
851:Act 1
793:valet
711:bass
695:bass
679:bass
661:bass
604:tenor
527:hotel
508:Role
496:Roles
476:with
374:. In
193:Reims
187:King
158:]
67:]
1577:ISBN
1570:ISBN
1546:ISBN
1532:ISBN
1515:ISBN
1400:2017
1282:CD:
1149:and
985:and
642:bass
370:and
267:and
1004:).
837:spa
249:'s
191:in
183:of
166:by
149:by
90:by
36:by
2381::
1323:^
1307:^
1176:,
1127:,
1103:,
1083:,
1074:,
1059:,
1050:,
492:.
484:,
480:,
366:,
362:,
358:,
280:.
206:.
170:.
156:ca
65:ca
2357::
2114:"
2110:"
2107:"
2103:"
2100:"
2096:"
2093:"
2089:"
1639:e
1632:t
1625:v
1402:.
1263:,
1257:,
1223:,
1190:,
1180:,
1171:,
1137:,
1131:,
1092:,
1078:,
1069:,
1063:,
1054:,
1025:,
128:(
108:)
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