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Igor Kuljerić

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as a joint commission by Music Biennale Zagreb, Vatroslav Lisinski Concert Hall, and Croatian Radiotelevision. The music combines traditional elements of opera and the modern music hall, using the technique of "persiflage" on the melodic-harmonic-rhythmic patterns of the music of consumer society (S.
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Kuljerić composed a great deal of film and incidental music, arrangements and crossover projects with famous Croatian pop and rock stars, music for sport events, and television jingles and commercials. He insisted on the freedom to explore various musical styles and forms, searching for a fusion that
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Kuljerić felt definitive limitations of the avant-garde movement in the beginning of the '80s with its aesthetics not allowing him further development of his musical ideas. He investigated the deeper layers of his musical heritage with many references—direct and indirect—to Croatian folk music and
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After graduation Kuljerić felt intrigued by the new expressive and experimental musical tools that had become available. At that time Zagreb Biennale Music Festival of Contemporary Music was at the forefront of international avant garde movement hosting all of the important composers, musical
86:. From 1968 till the early '80s he served as the conductor of Croatian Radio Television Chorus and the Croatian Radio Television Symphony Orchestra. Kuljerić has held many important positions in Croatian cultural institutions, including music directorships of 230:
a monolithic work for soloists, choir, and orchestra written on an ancient Croatian glagolitic text of the Catholic mass (the live in concert recording CD published by Cantus – four nominations for PORIN – the most important Croatian discographic award) and
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tradition, trying to incorporate the positive experiences of musical avant-garde. Since then his output demonstrated a desire to write in a more direct and communicative style, reflecting the questioning of modernist theories and practice.
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based on Shakespeare's drama, premiered in 1987 at Zagreb's Croatian National Theater. The mechanism of the crimes that rule over human history and govern human destinies are the crucial themes of this
251:. Written in avant-garde style, the work speaks about evil times in which witch hunts occur, when collective hysteria becomes the source of individual suffering. The opera was awarded an INA award. 82:. His conducting debut in 1967 during the Zagreb soloists' tour in the United States, followed by positive reviews in the New York and Boston press led to his permanent appointment as conductor at 58:. Attracted by the new movements in contemporary music, he participated in the experiments held in the Studio di fonologia musicale (Studio for musical phonology) at RAI with Luigi Nono and in 105:
He established himself early as one of the most frequently performed Croatian composers, his pieces becoming part of the repertoire of many orchestras, chamber ensembles, and soloists.
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Reich's reference to "street music") and integrating them into an individual musical language. It is a familiar process to composers throughout the history of Western music.
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festival of contemporary music. Kuljerić was also active giving performances abroad in such countries as the United States, the former USSR, Spain, Italy, and Austria.
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Kuljerić was the recipient of UNESCO Award and many important Croatian awards. In 2004 he was admitted in the Croatian Academy of Arts and Sciences.
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would reach the contemporary audience and communicate the present human situation. Thus he was attracted to stage drama and authored three operas:
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composer and conductor. His large opus followed the stylistic changes and evolutions of 20th and 21st century music.
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owe much to academic influences while speaking of the young composer's particular talents and inventiveness.
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a monumental composition scored for soloists, chorus, and orchestra. The work on his new opera,
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A special part of Kuljerić's opus references national musical roots and religious practice,
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Kuljerić died in April 2006, only three weeks following the completion and premiere of his
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a ballet that premiered in 1991 in Sarajevo, with a later orchestra suite version,
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featuring the heroine in a historical drama on love and politics, is unfinished.
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Symphonic Variations, Concert Ouverture, Concerto for French Horn and Orchestra,
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and received a grant from the Italian government to study opera repertoire at
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opera fable based on George Orwell's novel. It premiered at the 2003
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writers, and performers. Some of the works from that period include
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Igor Kuljeric, Hrvatsko drustvo skladatelja, Cantus d.o.o. 2005
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ensemble as harpsichordist and assistant to the director
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premiered in 1977 at the Croatian National Theater in
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Members of the Croatian Academy of Sciences and Arts
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tape music (performed as contemporary dance music),
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Archived from 358: 352: 351: 340: 321:Music of Croatia 305:(Croatian Mass), 246: 1100: 1099: 1095: 1094: 1093: 1091: 1090: 1089: 1020: 1019: 1018: 1013: 878:Dalibor Pavičić 816: 806: 771:Živan Cvitković 741:Kornelije Kovač 693:Kornelije Kovač 681:Vojislav Kostić 591: 581: 576: 542: 531: 530: 522: 514: 504: 493: 473: 461: 459: 447: 428: 427: 418: 416: 407: 406: 402: 393: 391: 382: 381: 377: 360: 359: 355: 342: 341: 334: 329: 317: 262:The Animal Farm 80:Antonio Janigro 64:Igor Markevitch 32: 17: 12: 11: 5: 1098: 1088: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1015: 1014: 1012: 1011: 1001: 991: 981: 975: 969: 963: 953: 942:Stanko Kovačić 939: 933: 930:Alan Bjelinski 923: 917: 911: 905: 902:Tamara Obrovac 899: 893: 887: 881: 875: 869: 863: 857: 851: 845: 839: 833: 827: 820: 818: 817:(1992–present) 808: 807: 805: 804: 801:Goran Bregović 798: 792: 789:Gjon Gjevlekaj 786: 780: 774: 768: 765:Brane Živković 762: 756: 750: 744: 738: 732: 726: 720: 714: 708: 702: 696: 690: 684: 678: 672: 666: 660: 657:Tomica Simović 654: 648: 642: 636: 633:Branimir Sakač 630: 624: 618: 611:Borivoje Simić 608: 602: 595: 593: 583: 582: 575: 574: 567: 560: 552: 544: 543: 529: 526: 515: 512:Benoit Kaufman 503: 497: 496: 488: 479: 472: 471:External links 469: 468: 467: 445: 442: 439: 434: 426: 425: 400: 375: 372:on 2007-06-09. 353: 331: 330: 328: 325: 324: 323: 316: 313: 298: 297: 275: 274: 259: 252: 233:Croatian Mass. 31: 28: 15: 9: 6: 4: 3: 2: 1097: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1027: 1025: 1009: 1008:Nenad Sinkauz 1005: 1002: 999: 998:Nenad Sinkauz 995: 992: 989: 988:Nenad Sinkauz 985: 982: 979: 976: 973: 970: 967: 964: 961: 957: 954: 951: 947: 943: 940: 937: 934: 931: 927: 924: 921: 918: 915: 912: 909: 908:Andrija Milić 906: 903: 900: 897: 894: 891: 890:Igor Kuljerić 888: 885: 882: 879: 876: 873: 870: 867: 864: 861: 858: 855: 852: 849: 846: 843: 840: 837: 834: 831: 830:Igor Kuljerić 828: 825: 822: 821: 819: 814: 813:Croatian Film 809: 802: 799: 796: 793: 790: 787: 784: 783:Janez Gregorc 781: 778: 775: 772: 769: 766: 763: 760: 757: 754: 753:Bashkim Shehu 751: 748: 745: 742: 739: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 675:Zoran Hristić 673: 670: 667: 664: 663:Zoran Hristić 661: 658: 655: 652: 649: 646: 643: 640: 637: 634: 631: 628: 625: 622: 619: 616: 612: 609: 606: 605:Marjan Kozina 603: 600: 597: 596: 594: 589: 588:Yugoslav Film 584: 580: 573: 568: 566: 561: 559: 554: 553: 550: 540: 539:Bruno Canfora 535: 525: 521: 520: 513: 508: 500: 494:(in Croatian) 492: 489: 487: 483: 482:Igor Kuljerić 480: 478: 475: 474: 458: 457:Croatian Post 454: 450: 446: 443: 440: 438: 435: 433: 430: 429: 415:on 2009-11-07 414: 410: 404: 390:on 2008-06-13 389: 385: 379: 371: 367: 363: 357: 349: 345: 339: 337: 332: 322: 319: 318: 312: 310: 306: 303: 302:Hrvatska Misa 295: 294: 293: 290: 288: 284: 280: 271: 267: 263: 260: 256: 253: 250: 245: 241: 240: 239: 235: 234: 229: 225: 221: 217: 213: 209: 206: 202: 197: 196: 192: 188: 185: 181: 178: 174: 170: 166: 162: 158: 153: 149: 147: 143: 139: 135: 131: 127: 123: 117: 115: 111: 106: 103: 101: 97: 93: 89: 85: 81: 77: 73: 69: 65: 61: 57: 53: 49: 45: 41: 37: 27: 25: 21: 20:Igor Kuljerić 936:Dinko Appelt 926:Alfi Kabiljo 914:Mate Matišić 896:Darko Hajsek 889: 884:Mate Matišić 866:Mate Matišić 854:Zrinko Tutić 836:Zrinko Tutić 829: 747:Alfi Kabiljo 717:Alfi Kabiljo 687:Jože Privšek 621:Bojan Adamič 615:Bojan Adamič 599:Bojan Adamič 517: 460:. 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Index

Croatian
Šibenik
Adriatic Sea
Zagreb Academy of Music
La Scala
Milan
Italy
Monte Carlo
Igor Markevitch
Opera of Croatian National Theater
Zagreb
I Solisti di Zagreb
Antonio Janigro
Croatian Radiotelevision
Dubrovnik Summer Festival
Croatian National Theatre
Vatroslav Lisinski Concert Hall
Music Biennale Zagreb
Croatian glagolitic heritage
Zagreb
Music Biennale Zagreb
Vatroslav Lisinski Concert Hall
Music of Croatia


"HRT: Naslovnica"
"Cantus - Info naslova - Igor Kuljeri, HRVATSKI GLAGOLJAKI REKVIJEM"
the original
"Baron Artists - Animal Farm"
the original

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