Knowledge

I Got Rhythm

Source πŸ“

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best to give a pleasant and jingly Mother Goose quality to a tune which should throw its weight around more". Finally, he began to experiment with leaving most of the lines unrhymed. "This approach felt stronger," he wrote, "and I finally arrived at the present refrain, with only 'more-door' and 'mind him-find him' the rhymes." He added that this approach "was a bit daring for me who usually depended on rhyme insurance".
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As usual, George Gershwin wrote the melody first and gave it to Ira to set, but Ira found it an unusually hard melody for which to compose lyrics. He experimented for two weeks with the rhyme scheme he felt the music called for β€” sets of triple rhymes β€” but found that the heavy rhyming "seemed at
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The song immediately became a jazz standard with recordings occurring already the year of publication. One of the first in jazz style is by Loring β€œRed” Nichols and his Orchestra on Brunswick (4957) recorded 23 October 1930. Many songs use its chord progression, such as
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Ira also wrote that, although the phrase "Who could ask for anything more?" is repeated four times in the song, he decided not to make it the title because "somehow the first line of the refrain sounded more arresting and provocative".
911: 273:, while French-speaking children whom he had just taught a few words of English shouted the words "I got" each time they appeared in the lyrics. This version finished at #32 in 2171: 819: 1775: 1129: 2234: 2220: 187:" and is the foundation for many other popular jazz tunes. The song was used as the theme in Gershwin's last concert piece for piano and orchestra, 843: 425: 175:, first rising, then falling. A rhythmic interest in the song is that the tune keeps behind the main pulse, with the three "I got..." phrases 985: 179:, appearing one beat behind in the first bar, while the fourth phase "Who could..." rushes in to the song. The song's chorus is in a 34-bar 2336: 1225: 226:
and speculated that Gershwin may have borrowed the melody from his improvisations in the pit, which were later used in his own symphony.
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attempt to perform it but Fozzie is unable to keep in tempo. To compensate, Rowlf has him change the lyrics to "I don't got rhythm".
299: 2227: 1534: 887: 183:. Its chord progression (although often reduced to a standard 32-bar structure for the sake of improvised solos) is known as the " 2291: 1992: 1428: 1901: 1219: 1050: 689: 2097: 1824: 1442: 1247: 2366: 2213: 2104: 1712: 1477: 1407: 1306: 500: 189: 1964: 1449: 307: 2069: 1887: 1838: 1204: 751: 2157: 1719: 957:, Track 7. 1979 recording reissued on CD in 2002 by Universal Music Enterprises, a division of UMG Recordings, Inc. 2356: 2055: 2034: 1435: 1414: 2351: 2346: 1915: 1747: 1733: 1693: 1382: 597: 430: 274: 2326: 1810: 1552: 1503: 229:
In 1987 Still's daughter, Judith Anne Still, wrote in a letter that Gershwin stole the song from her father.
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The four-note opening riff bears a striking resemblance to the opening melody of the third movement of
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Another version of the song was arranged for solo guitar by Ton Van Bergeyk. It appears on the album
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An extensive list of notable singers have recorded this song. The most popular versions are those of
252: 820:"The Dean Of African-American Composers Didn't Think He'd Be Remembered: William Grant Still At 125" 2301: 1626: 1496: 1240: 2090: 2020: 1566: 1559: 1314: 1171: 981: 967: 406: 1950: 1831: 1817: 1298: 1290: 474: 462: 291: 213: 327:, during a dinner scene in which the grandmother sings it, oblivious of the other characters. 140:", and has been sung by many jazz singers since. It was originally written as a slow song for 2331: 2199: 1971: 1943: 1859: 1754: 1368: 319: 193:, written in 1934. The song has become symbolic of the Gershwins, of swing and of the 1920s. 137: 2083: 2048: 1922: 1894: 1873: 1634: 1573: 916: 390: 306:) daydreams about performing β€œI Got Rhythm” as a Broadway-style song-and-dance number with 286: 20: 8: 2321: 2206: 2192: 2178: 1880: 1591: 1233: 723: 684: 533: 489: 323:, during a scene in which students are trying out for a Gershwin revue, and in the movie 210: 1143: 1796: 1666: 645: 617: 281: 2164: 2027: 1978: 1908: 1768: 1726: 1340: 1215: 1200: 1046: 837: 772: 747: 95: 2274: 2268: 2041: 1618: 367: 172: 155: 2262: 2006: 1999: 1789: 1642: 1519: 1354: 1347: 1256: 1168:"I Got Rhythm - Tony Glausi, Julian Lee, Joel Wenhardt, Russell Hall, TJ Reddick" 888:"'The Boys' Star Karen Fukuhara Breaks Down the Dildo Fight and Hospital Musical" 678: 659: 583: 527: 521: 439: 343: 159: 133: 107: 83: 56: 1066: 2251: 2185: 2118: 2013: 1936: 1650: 1599: 1421: 1375: 669: 603: 587: 539: 509: 505: 396:
A version of the song set to a disco beat was recorded by Ethel Merman for her
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Covach, John (2005), "Form in Rock Music: A Primer", in Stein, Deborah,
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An instrumental arrangement for piano and orchestra appears in the 1945
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This article is about the song. For the album by Teddy Wilson, see
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for a premiere performance by the Kansas Philharmonic, now the
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The song appears in the fifth episode of the third season of
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Ella Fitzgerald Sings the George and Ira Gershwin Song Book
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alone based many songs on its chord progression, such as "
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major. The song melody uses four notes of the five-note
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Front Row Center: The Broadway Gold Box, 1935 – 1988
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In the 1920s, Still played in the pit orchestra for
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The Memory of All That: The Life of George Gershwin
454:The song has appeared in several film versions of 2235:Rosemary Clooney Sings the Lyrics of Ira Gershwin 2221:Oscar Peterson Plays the George Gershwin Songbook 2313: 1128:: CS1 maint: others in cite AV media (notes) ( 1067:"The Happenings Official Website - Discography" 876:, 2004 pressing, Diamond Entertainment, Disk 1. 165:The piece was originally penned in the key of D 259:The song is featured in the 1951 musical film 1504: 1241: 1043:The Jazz Standards: A Guide to the Repertoire 1036: 1034: 1032: 1030: 1028: 1026: 1024: 1022: 1020: 1018: 1016: 1014: 1012: 1010: 1008: 1006: 931:""Violinist Arranges Laughter at Symphony:" 842:: CS1 maint: multiple names: authors list ( 146:(1928) and found another, faster setting in 132:, which also includes two other hit songs, " 874:Hollywood Goes to War: Collector's Edition 762: 760: 746:, New York: Oxford University Press, p.70, 2287: 1511: 1497: 1248: 1234: 870:Hollywood Victory Caravan and Bond Rallies 1003: 1535:Gershwin Plays Gershwin: The Piano Rolls 766: 757: 744:Engaging Music: Essays in Music Analysis 437:The song was satirized in an episode of 277:survey of top tunes in American cinema. 158:production and Broadway lore holds that 2292:List of compositions by George Gershwin 2228:Red Hot + Rhapsody: The Gershwin Groove 789: 2314: 1993:The Real American Folk Song (is a Rag) 885: 204: 90:and published in 1930, which became a 1492: 1229: 1108: 1040: 817: 790:Johnson, Lawrence (August 21, 2005). 1429:The Real American Folk Song Is a Rag 1212:The Complete Gershwin Keyboard Works 616:included the song in his 1976 album 571:Esquire All Stars (Louis Armstrong, 16:1930 song by George and Ira Gershwin 2337:Songs with music by George Gershwin 1518: 771:(First ed.). New York: Knopf. 515: 116:"Anthropology (Thrivin' on a Riff)" 13: 1902:Liza (All the Clouds'll Roll Away) 428:performed a version on Oldfield's 14: 2378: 2362:Jazz compositions in B-flat major 2342:Songs with lyrics by Ira Gershwin 2098:They Can't Take That Away from Me 1443:They Can't Take That Away from Me 1214:. Warner Brothers Publications. 385:was arranged and orchestrated by 2297: 2296: 2286: 2158:Brian Wilson Reimagines Gershwin 1839:How Long Has This Been Going On? 886:Moreau, Jordan (June 18, 2022). 626:– including a disco version for 317:It is also featured in the film 1713:Aren't You Kind of Glad We Did? 1174:from the original on 2021-12-13 1160: 1136: 1083: 1059: 974: 960: 948: 334:(#3 on the US charts in 1967), 126:The song came from the musical 1888:Let's Call the Whole Thing Off 1825:'The Half of It, Dearie' Blues 1748:Boy! What Love Has Done to Me! 1383:Boy! What Love Has Done to Me! 923: 905: 879: 863: 850: 811: 783: 736: 545:Jimmy Dorsey and his Orchestra 154:sang the song in the original 121: 1: 1811:For You, For Me, For Evermore 729: 1930:Love Is Sweeping the Country 1478:Variations on "I Got Rhythm" 1307:When the Boys Meet the Girls 955:The Ethel Merman Disco Album 719:List of 1930s jazz standards 629:The Ethel Merman Disco Album 501:When the Boys Meet the Girls 190:Variations on "I Got Rhythm" 7: 2214:Nice Work If You Can Get It 1965:Nice Work If You Can Get It 1450:Nice Work If You Can Get It 769:Lyrics on Several Occasions 712: 374:referenced the song in the 275:AFI's 100 Years...100 Songs 10: 2383: 2367:Cashbox number-one singles 1720:(I've Got) Beginner's Luck 1195:Greenberg, Rodney (1998). 1189: 818:Harpstead, Jen Hitt,Ella. 797:South Florida Sun-Sentinel 582:Jazz at the Philharmonic ( 409:featured the song sung by 243: 18: 2283: 2244: 2149: 1704: 1677: 1610: 1583: 1544: 1526: 1463: 1392: 1332: 1325: 1282: 1210:Gershwin, George (1996). 253:Hollywood Victory Caravan 82:" is a piece composed by 62: 48: 40: 33: 28: 2302:Category:George Gershwin 2035:Someone to Watch Over Me 1415:Someone to Watch Over Me 399:Ethel Merman Disco Album 2140:You've Got What Gets Me 2021:Somebody from Somewhere 1867:I've Got a Crush on You 1846:I Can't Be Bothered Now 1560:Gershwin Piano Concerto 1472:You've Got What Gets Me 1401:I Can't Be Bothered Now 1170:. YouTube. 2020-03-22. 792:"FASCINATIN' FILCHIN'?" 598:Willie "The Lion" Smith 2357:Barbra Streisand songs 1951:My Cousin in Milwaukee 1895:Let's Kiss and Make Up 1832:He Loves and She Loves 933:The Milwaukee Sentinel 920:. Accessed 2007-10-03. 912:"See You in September" 767:Gershwin, Ira (1959). 492:, The Music Maids and 2352:Ella Fitzgerald songs 2347:Songs from Girl Crazy 2200:The Glory of Gershwin 2105:Things Are Looking Up 1860:I Was Doing All Right 1408:Things Are Looking Up 824:Colorado Public Radio 556:Metronome All Stars ( 504:(1965), performed by 418:Black and Tan Fantasy 290:. While watching the 211:William Grant Still's 2327:1930s jazz standards 2084:That Certain Feeling 2049:Stairway to Paradise 1923:Love Is Here to Stay 1635:An American in Paris 1553:An American in Paris 860:, 1998, ch. 1, p. 43 391:Kansas City Symphony 346:and, more recently, 284:’s streaming series 262:An American in Paris 21:I Got Rhythm (album) 2207:Ira, George and Joe 2179:Ella Sings Gershwin 1881:Just Another Rhumba 1694:French Ballet Class 1124:cite AV media notes 1041:Gioia, Ted (2012). 724:Thirty-two-bar form 685:The Puppini Sisters 675:Hiromi's Sonicbloom 534:Casa Loma Orchestra 490:Six Hits and a Miss 205:Disputed authorship 2063:Strike Up the Band 1797:Fascinating Rhythm 1678:Piano compositions 1659:Strike Up the Band 646:Stephane Grappelli 618:At My Time of Life 496:with his Orchestra 405:In 1992, the show 320:Mr. Holland's Opus 269:sang the song and 2309: 2308: 2028:Somebody Loves Me 1979:Oh, Lady Be Good! 1909:Looking for a Boy 1486: 1485: 1459: 1458: 1220:978-1-57623-743-4 1199:. Phaidon Press. 1071:Thehappenings.com 1052:978-0-19-993739-4 935:, April 11, 1984" 706:My Favorite Tunes 96:chord progression 76: 75: 2374: 2300: 2299: 2290: 2289: 2275:Gershwin Theatre 2269:Frances Gershwin 2245:Related articles 2193:Gershwin's World 2091:They All Laughed 1874:Isn't It a Pity? 1619:Rhapsody in Blue 1611:Orchestral works 1513: 1506: 1499: 1490: 1489: 1330: 1329: 1250: 1243: 1236: 1227: 1226: 1183: 1182: 1180: 1179: 1164: 1158: 1157: 1155: 1154: 1140: 1134: 1133: 1127: 1119: 1112: 1106: 1105: 1103: 1102: 1087: 1081: 1080: 1078: 1077: 1063: 1057: 1056: 1038: 1001: 1000: 978: 972: 971: 964: 958: 952: 946: 945: 943: 942: 927: 921: 909: 903: 902: 900: 898: 883: 877: 867: 861: 854: 848: 847: 841: 833: 831: 830: 815: 809: 808: 806: 804: 787: 781: 780: 764: 755: 740: 516:Other recordings 368:Moose the Mooche 217:"Afro-American." 173:pentatonic scale 170: 169: 98:, known as the " 67: 53: 26: 25: 2382: 2381: 2377: 2376: 2375: 2373: 2372: 2371: 2312: 2311: 2310: 2305: 2279: 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Index

I Got Rhythm (album)
Song
Composer(s)
George Gershwin
Lyricist(s)
Ira Gershwin
George Gershwin
Ira Gershwin
jazz standard
chord progression
rhythm changes
Charlie Parker
Dizzy Gillespie
bebop
"Anthropology (Thrivin' on a Riff)"
Girl Crazy
Embraceable You
But Not for Me
Treasure Girl
Ethel Merman
Broadway
George Gershwin
pentatonic scale
syncopated
AABA form
rhythm changes
Variations on "I Got Rhythm"
William Grant Still's
Symphony No. 1, "Afro-American."
Shuffle Along

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