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I'll Do Anything

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779: 1154: 275:, Matt Hobbs proposes to his longtime girlfriend Beth. He says the only thing holding him back is his dedication to his career, one which may not always work out, and Beth says that's one of the things she loves most about him. Seven years later, with a baby crying and no job for Matt, Beth is overflowing with resentment. By 1993, the pair have been divorced for several years and are living on opposite coasts. 570:. When preview audience reactions to the music were overwhelmingly negative, all production numbers from the film were cut and Brooks wrote several new scenes, filming them over three days and spent seven weeks editing the film. Brooks noted: "Something like this not only tries one's soul - it threatens one's soul." He later said of the film, 574:
I conceived the story as a musical because musicals have a heightened sense of reality. Through song you can get closer to the truth. But even before I had any music I believed I had a complete script. I wrote it like any script. As far as the music was concerned, I only knew where I wanted the songs
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called it "one of those offcenter comedies that gets its best moments simply by looking at people and seeing how funny, how pathetic, how wonderful they sometimes can be . . . it's a bright, edgy, funny story about people who have all the talent they need, but not all the luck . . . It is helpful, I
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When Matt goes in to make a screen test for a lead in a film, he leaves Jeannie with a friend at the studio, and when he picks her up he's stunned to learn she's been cast in a sitcom. There are multiple sub-plots, including one focusing on Matt's relationship with staff script-reader Cathy Breslow
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of the film industry, it also skewers relationships from various angles. Its primary plot concerns a down-on-his-luck actor who suddenly finds himself the sole caretaker of his six-year-old daughter. The film starred
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In a 2013 interview, Zimmer said that a release of the musical version is unlikely: "The deal structure on those songs was so complicated and so expensive, and it would cost so much money in rights to put it out.”
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to pick up his daughter Jeannie for what he believes is a brief visit and discovers Beth is facing a prison term and Jeannie will be living with him for the duration of her sentence. The two return to
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was originally written to be the title song for the movie. It was to be a comedic song sung by Albert Brooks where he is begging a test audience to favorably review his latest film.
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Robert W. Butler (1994-02-03). "Anything to save the movie James L. Brooks dumped the music, rewrote the scenes and did more filming for 'I'll Do Anything'".
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of the original cut of the film with the musical numbers intact is known to exist. In April 2018, this version was watched and reviewed by the podcast
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Lovell, Glenn (December 25, 1994). "The Past Picture Show the Good, the Bad and the Ugly -- a Year Worth's of Movie Memories".
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grossed only a little over $ 10.4 million, making it one of the worst performing films of the year when compared to its cost.
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and struggle with their new circumstances and building a relationship (Matt hasn't seen the six-year-old since she was four).
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One of the original songs meant to be performed in the film is heard during the closing credits and is included on the
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with Sam Jones, Jackson Browne stated that his song "I'll Do Anything", released on the 1993 album
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and parody of "Hollywood lifestyles and movie clichés", costing $ 40 million. It featured songs by
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received mixed to positive reviews from critics. It currently holds a rating of 67% on
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Burke Adler's new project but fails to get the part. He does however agree to
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to go. The point is that with or without musical numbers, the story worked.
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The film was a box office failure. Produced on a budget of $ 40 million,
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think, to simply forget about the missing songs, and recognize that
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Although James L. Brooks has mentioned he would like to release a
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analyst Nan Mulhanney and her tumultuous relationship with Adler.
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Matt auditions for a role in pompous, self-absorbed, and clueless
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is a complete movie without them - smart, original, subversive."
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restoring the musical numbers and including a making-of
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It's Me, Margaret. 1526: 1227: 1121: 1059:soundtrack at SoundtrackCollector.com 1010: 959: 886: 884: 882: 880: 659:Honorable mention – Jeff Simon, 1045:(Morning Final ed.). p. 3. 801:adding citations to reliable sources 772: 758:Blank Check with Griffin & David 1967:English-language comedy-drama films 1253: 983:Maslin, Janet (December 27, 1994). 13: 1070:Kyle Buchanan (November 5, 2013). 877: 286:Adler occasionally. Matt flies to 247:, with supporting roles filled by 14: 1978: 1922:Films produced by James L. Brooks 1917:Films directed by James L. Brooks 1145: 1013:"Movies: Once More, with Feeling" 907: 641: 522:- Focus Group Member (uncredited) 1784:The Good, the Bart, and the Loki 1552: 1212:"They Just Gotta Trust This Guy" 1152: 1122:White, Adam (2 September 2020). 777: 667:7th worsts – Glenn Lovell, 594:In his three-star review in the 444:- Rainbow House Supporting Actor 1442:Paul Sand in Friends and Lovers 1115: 1089: 1063: 1011:Simon, Jeff (January 1, 1995). 972:. 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Index


James L. Brooks
Polly Platt
Nick Nolte
Albert Brooks
Julie Kavner
Joely Richardson
Tracey Ullman
Whittni Wright
Michael Ballhaus
Richard Marks
Hans Zimmer
Gracie Films
Columbia Pictures
comedy-drama
James L. Brooks
satire
Nick Nolte
Whittni Wright
Albert Brooks
Julie Kavner
Joely Richardson
Tracey Ullman
Emmy Award
film producer
chauffeur
Georgia
Hollywood
test screening
Nick Nolte

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