Howard Hawks - Knowledge

2275:(1939). Hawks also produced many of his own films, preferring not to work under major film studios, because it allowed him creative freedom in his writing, directing, and casting. Hawks would sometimes walk out on films that he wasn't producing himself. Hawks, however, never considered producing to come before his directing. For example, several of the film cards for his films show "Directed and produced by Howard Hawks" with "produced" underneath "directed" in much smaller font. Sometimes his films wouldn't credit any producer. Hawks discovered many well known film stars such as Paul Muni, George Raft, Ann Dvorak, Carole Lombard, Frances Farmer, Jane Russell, Montgomery Clift, Joanne Dru, Angie Dickinson, James Caan, and most famously, Lauren Bacall. 1814: 2531:

thrillers. Hawks worked across many genres including gangster, film noir, musical comedy, romantic comedy, screwball comedy, Western, aviation, and combat. Moreover, Hawks preferred not to associate with major studios during his film production. He worked for all major studios at least once on short term contract, but many of his films were produced under his own name. The simplicity of his narratives and stories may also have contributed to his under-recognition. Commercially, his films were successful, but he received little critical acclaim except for one Academy Award nomination for Best Director for

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because there is no recognizable relationship between his visual and narrative style as in the films of his contemporary directors. Because his camera style was derived more from his working method rather than anecdotal or visual realization, his camera work is unobtrusive, making his films appear to have little to no cinematographic style. Hawks's style can, rather, be characterized as improvisational and collaborative. Hawks's directorial style and the use of natural, conversational dialogue in his films are cited as major influences on many noted filmmakers, including

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Due to the failing business of silent films, it was never released in the US and only briefly screened in England where critics hated it. The film was believed lost until the mid-1970s and was screened for the first time in the US at a Hawks retrospective in 1974. Hawks was in attendance of the screening and attempted to have the only print of the film destroyed. Hawks's contract with Fox ended in May 1929, and he never again signed a long-term contract with a major studio. He managed to remain an independent producer-director for the rest of his long career.

5388: 1962: 2032: 2224:, apparently a Western – everyone wears a cowboy hat – is a comedy conversation piece. The ostensible comedies are shot through with exposed emotions, with the subtlest views of the sex war, and with a wry acknowledgment of the incompatibility of men and women." David Boxwell argues that the filmmaker's body of work "has been accused of a historical and adolescent escapism, but Hawks's fans rejoice in his oeuvre's remarkable avoidance of Hollywood's religiosity, bathos, flag-waving, and sentimentality. 1137: 1032: 1154: 1534: 44: 2157: 1285: 930: 1193:. He harassed Hawks and other studio personnel, hired a spy that was quickly caught, and finally sued First National for copyright infringement. Hughes eventually dropped the lawsuit in late 1930—he and Hawks had become good friends during the legal battle. Filming was finished in late May 1930, and it premiered in July, setting a first-week box office record at the 876:. Hawks signed a new one-year contract with Famous-Players in the fall of 1924. He broke his contract to become a story editor for Thalberg at MGM, having secured a promise from Thalberg to make him a director within a year. In 1925, when Thalberg hesitated to keep his promise, Hawks broke his contract at MGM and left. 798:. The company made 14 films between 1920 and 1923, with eight directed by Neilan, three by Dwan and three by Holubar. More of a "boy's club" than a production company, the four men gradually drifted apart and went their separate ways in 1923, by which time Hawks had decided that he wanted to direct rather than produce. 1150:

financially successful films, Hawks found he had to prove himself an asset to the studios once again. Leaving Fox on sour terms did not help his reputation, but Hawks never backed down from fights with studio heads. After several months of unemployment, Hawks renewed his career with his first sound film in 1930.

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good director as "someone who doesn't annoy you". In Hawks's own words, his directing style is based on being enjoyable and straightforward. His style was very actor-focused, and he made it a point to take as few shots as possible, thereby preserving an inherent and natural humor for his comedic pieces.

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In addition to his career as a film director, Howard Hawks either wrote or supervised the writing for most of his films. In some cases, he would rewrite parts of the script on set. Due to the Screen Writer's Guild's rule that the director and producer couldn't receive credit for writing, Hawks rarely

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is considered by scholars to be the most important of Hawks's silent films. It is the first to feature many of the themes and archetypes that would define much of his subsequent work. It was his first "love story between two men", with two men bonding over their duty, skills and careers, who consider

782:. Hawks later stated that he personally directed "three or four" of the shorts, though no documentation exists to confirm the claim. The films were profitable, but Hawks soon left to form his own production company using his family's wealth and connections to secure financing. The production company, 2675:

placed Hawks fourth on their list of greatest directors, writing: "His hallmarks are more thematic than visual: men who adhere to an understated code of manliness; women who like to yank the rug out from under those men's feet; a mistrust of pomposity; a love of sly, leg-pulling wit. Yet there's the

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cited Howard Hawks as "the least known and least appreciated Hollywood director of any stature". According to professor of film studies Ian Brookes, Hawks is not as well known as other directors, because of his lack of association with a particular genre such as Ford with Westerns and Hitchcock with

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screenplay, was not invited to help adapt his best selling novel. The plot is notoriously convoluted; Hawks recalled that "I never figured out what was going on, but I thought the basic thing had great scenes in it, and was good entertainment. After that I said, 'I'm never going to worry about being

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By 1930, Hollywood was in upheaval over the coming of "talkies", and the careers of many actors and directors were ruined. Hollywood studios were recruiting stage actors and directors that they believed were better suited for sound films. After working in the industry for 14 years and directing many

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of that voice." However, after shooting only a few scenes, Fox shut Hawks down and ordered him to make a silent film, both because of Griffith's voice and because they only owned the legal rights to make a silent film. The film did have a musical score and synchronized sound effects but no dialogue.

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said that the film "definitely marked the first appearance of contemporary cinema." Hawks went over budget once again with this film, and his relationship with Sol Wurtzel deteriorated. After an advance screening that received positive reviews, Wurtzel told Hawks, "This is the worst picture Fox has

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and (unofficially) Hawks. Reportedly, Hawks paid Saunders to put his name on the film, so that Hawks could direct the film without arousing concern due to his lack of writing experience. Accounts vary on who came up with the idea of the film, but Hawks and Saunders developed the story together and

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Hawks was a versatile director whose career includes comedies, dramas, gangster films, science fiction, film noir, and Westerns. Hawks's own functional definition of what constitutes a good film is characteristic of his no-nonsense style: "three good scenes, and no bad ones." Hawks also defined a

478:. He was the first-born child of Frank Winchester Hawks (1865–1950), a wealthy paper manufacturer, and his wife, Helen Brown (née Howard; 1872–1952), the daughter of a wealthy industrialist. Hawks's family on his father's side were American pioneers, and his ancestor John Hawks had emigrated from 1197:

in New York. The film became one of the biggest hits of 1930. The success of this film allowed Hawks to gain respect in the field of filmmaking and allowed him to spend the rest of his career as an independent director without the necessity to sign any long-term contracts with specific studios.

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Some critics limit Hawks by his action films, describing Hawks as a director who produced films with a "masculine bias", however action scenes in Hawks's films were often left to second-unit directors, and Hawks actually preferred to work indoors. Howard Hawks's style is difficult to interpret

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in 1940. Bogart and Bacall fell in love on the set of the film and married soon afterwards. The greatest strength of the movie has been said to come from its atmosphere and use of wit that really plays on the strengths of Bacall and helps the movie solidify the theme of beauty in perpetual

951:, his first (and, until 1935, only) comedy. It received positive reviews, particularly for the art direction and costume designs. It was released in July 1926 and was Hawks's first hit as a director. Although he mainly dismissed his early work, Hawks praised this film in later interviews. 2148:. He had spent two weeks in the hospital recovering from his concussion when he asked to be taken home, dying a few days later. His death was attributed directly to "arteriosclerotic vascular disease with stroke". He was working with his last protégée discovery at the time, Larraine Zax. 1028:. Hawks again worked with Seton Miller on the script. Hawks was over schedule and over budget on the film, which began a rift between him and Sol Wurtzel that would eventually lead to Hawks leaving Fox. The film was finished in August 1927, though it was not released until June 1928. 1085:, a variation of the theme of male friendship about two young pilots. The film was shot from April to June 1928, but Fox ordered an additional 15 minutes of dialogue footage so that the film could compete with the new talkies being released. Hawks hated the new dialogue written by 1202: 1975:, again with Wayne, who plays a wild animal catcher in Africa. It was also written by Leigh Brackett. Hawks's knowledge of mechanics allowed him to build the camera-car hybrid that allowed him to film the hunting scenes in the film. In 1964, Hawks made his final comedy, 1945:

and Walter Brennan as four lawmen "defending the fort" of their local jail in which a local criminal is awaiting a trial while his family attempt to break him out. The screenplay was written by Furthman and Leigh Brackett, who had collaborated with Hawks previously on

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prevented it from being released as Hawks and Hughes had originally intended. The two men fought, negotiated, and made compromises with the Hays Office for over a year, until the film was eventually released in 1932, after such other pivotal early gangster films as

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was a box office flop when initially released and, subsequently, RKO fired Hawks due to extreme losses; however, the film has become regarded as one of Hawks's masterpieces. Hawks followed this with 11 consecutive hits up to 1951, starting with the aviation drama

509:(January 29, 1901 – January 10, 1969), Grace Louise Hawks (October 17, 1903 – December 23, 1927), and Helen Bernice Hawks (1906 – May 4, 1911). In 1898, the family moved back to Neenah where Frank Hawks began working for his father-in-law's Howard Paper Company. 1720:. An early 1945 version was substantially recut to comprise the final 1946 U.S. release with additional scenes emphasizing the special repartee chemistry between Bogart and Bacall. The screenplay for the film also reteamed Faulkner and Furthman, in addition to 1632:. Cooper plays a sheltered, intellectual linguist who is writing an encyclopedia with six other scientists, and hires street-wise Stanwyck to help them with modern slang terms. In 1941, Hawks began work on the Howard Hughes-produced (and later directed) film 2526:, Archer learned that the French film scene was more interested in Alfred Hitchcock and Howard Hawks. Books were not written on Hawks until the 1960s, and a full biography on Hawks wasn't published until 1997, twenty years after his death. Film critic 2083:

Hawks was also known for maintaining close friendships with many American writers such as Ben Hecht, Ernest Hemingway, and William Faulkner. Hawks credited himself with the discovery of William Faulkner and introducing the then-unknown writer to the

516:, during the cold Wisconsin winters in order to improve Helen Hawks's ill health. Gradually, they began to spend only their summers in Wisconsin before permanently moving to Pasadena in 1910. The family settled in a house down the street from 1498:

revolved around the raw natural chemistry between Grant and Hepburn. With Grant portraying the paleontologist and Hepburn as an heiress, the roles only add to the movie's purpose of disintegrating the line between the real and the imaginary.

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was looking for a new Production Editor in the story department of his studio, and Thalberg suggested Hawks. Hawks accepted and was immediately put in charge of over 40 productions, including several literary acquisitions of stories by

967:. In a later interview, Hawks commented, "It isn't my type of stuff, at least I got it over in a hurry. You know the idea of wanting the camera to do those things: Now the camera's somebody's eyes." Hawks worked on the script with 1416:

and reportedly convinced them to work on the film by promising to teach them a marble game. They would switch off between working on the script and playing with marbles during work days. In 1936, he made the aviation adventure

652:—bought for him by his grandfather C.W. Howard—during his 1916 summer vacation in California. He allegedly met Fleming when the two men raced on a dirt track and caused an accident. This meeting led to Hawks's first job in the 2676:

ease of the complete filmmaker in his Westerns, dramas, musicals, detective films, and supremely confident comedies. No wonder the French adored the guy: His casual profundity was the studio's best advertisement for itself."

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in the lead role of Phillip Trent. Griffith's throat had been damaged by poison gas during World War I, and his voice was a hoarse whisper, prompting Hawks to later state, "I thought he ought to be great in talking pictures

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movement. Another notable theme carried throughout his work included the relationship of morality and human interaction. In this sense, he tended to portray more dramatic elements of a concept or a plot in a humorous way.

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discovered a print in 20th Century Fox's film vaults, although it was missing part of reel three and all of reel four. In March 1927, Hawks signed a new one-year, three-picture contract with Fox and was assigned to direct

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both because of his recognizable style and frequent use of specific thematic elements, and because of his attention to all aspects of his films, not merely directing. Hawks was venerated by French critics associated with

2088:. Hawks and Faulkner had mutual interests in flying and drinking, and Faulkner admired the films of Hawks, asking Hawks to teach him how to write screenplays. Faulkner wrote five screenplays for Hawks, the first being 801:

Beginning in early 1920, Hawks lived in rented houses in Hollywood with the group of friends he was accumulating. This rowdy group of mostly macho, risk-taking men included his brother Kenneth Hawks, Victor Fleming,

2183:, a portrayal of women in stronger, less effeminate roles. Such an emphasis had never been done in the 1920s and therefore was seen to be a rarity and, according to Naomi Wise, has been cited as a prototype of the 2131:

By the mid 1970s, Hawks's health began to decline, though he remained active. In addition to being in the early stages of Parkinson's disease in the years leading up to his death, an injury suffered on the set of

702:. According to Hawks, Neilan did not show up to work one day, so the resourceful Hawks offered to direct a scene himself, to which Pickford consented. Hawks began directing at age 21 after he and cinematographer 922:, which premiered in April 1926. The screenplay was based on a 35-page composition written by Hawks, making it one of the only films on which Hawks had extensive writing credit. Today, it is one of Hawks's two 2080:. Hawks and his son Gregg were members of Checkers Motorcycle Club. Hawks continued riding until the age of 78. His other hobbies included golf, tennis, sailing, horse racing, carpentry, and silversmithing. 2496:

in 1960. He was inducted into the Online Film and Television Association's Hall of Fame for his directing in 2005. For his contribution to the motion picture industry, Howard Hawks has a star on the

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was based on a 1925 hit stage play by Russell G. Medcraft and Norma Mitchell. The film was shot in early 1927. The film was released in May 1927 and was a minor hit. It was believed to be lost until

1838:, take credit. But the kind of feeling between the male characters—the camaraderie, the group of men that has to fight off the evil—it's all pure Hawksian." He followed this with the 1952 Western 2023:, Hawks planned a project relating to Ernest Hemingway and "Now, Mr. Gus", a comedy about two male friends seeking oil and money. He died in December 1977, before these projects were completed. 1224:. The film opened in January 1931 and was a hit. The film was banned in Chicago, and experienced censorship, which would continue in his next film project. In 1930, Hughes hired Hawks to direct 2072:

Along with his love of flying machines, Hawks also had a passion for cars and motorcycles. He built the race car that won the 1936 Indianapolis 500, as well as enjoyed riding motorcycles with

1866:) who creates a formula that increases his vitality. Film critic John Belton called the film Hawks's "most organic comedy". Hawks's third film of 1952 was a contribution to the omnibus film 555:

from 1913 to 1914; his family's wealth may have influenced his acceptance to the elite private school. Even though he was 17, he was admitted as a lower middleclassman, the equivalent of a

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was unavailable, so Hawks volunteered to do the job himself, much to Fairbanks's satisfaction. He was next employed as a prop boy and general assistant on an unspecified film directed by

2108:. Hawks found it difficult to forgive Hemingway for his suicide. After coming to terms with it in the 1970s, he began to plan a film project about Hemingway and his relationship with 987:

love interest, Dolores. The characters played by Valli and O'Brien anticipate those found in later films by Hawks: a sexually aggressive showgirl, who is an early prototype of the "

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and other industrial endeavors. Frank Hawks and Helen Howard met in the early 1890s and married in 1895. Howard Hawks was the eldest of five children, and his birth was followed by

4529: 620:(1930). Like many college students who joined the armed services during the war, he received a degree in absentia in 1918. Before Hawks was called for active duty, he returned to 682:. (Hawks never named the film in later interviews, and DeMille made roughly five films in that time period). By the end of April 1917, Hawks was working on Cecil B. DeMille's 2310:

For marketing purposes, Paramount paid for part of the exhibition, which was held in 1962. The exhibition traveled to Paris and London. For the event, Bogdanovich prepared a

7063: 1185:, which had been in production since September 1927. Shrewdly, Hawks began to hire many of the aviation experts and cameramen that had been employed by Hughes, including 1494:. Grant plays a near-sighted paleontologist who suffers one humiliation after another due to the lovestruck socialite played by Hepburn. Hawks's artistic direction for 735:

in the Air Service. When Pickford visited Hawks at basic training, his superior officers were so impressed by the appearance of the celebrity that they promoted him to

6953: 2879: 1089:, and he refused to participate in the re-shoots. It was released in September 1928 and was a moderate hit and is one of two Hawks films that are lost. After seeing 540:, where Frank Hawks owned orange groves. Hawks finished his junior year of high school at Citrus Union High School in Glendora. During this time he worked as a 2298:

as "a giant of the American cinema whose pictures, taken as a whole, represent one of the most consistent, vivid, and varied bodies of work in world cinema."

896:, invited Hawks to join his company with the promise of letting him direct. Over the next three years, Hawks directed his first eight films (six silent, two " 1313:

demonstrated Hawks's ability to incorporate touches of humor into dramatic, tense and even tragic story lines. In 1933, Hawks signed a three-picture deal at

2202:: "Hawks is great prose; Ford is poetry." Despite Hawks's work in a variety of Hollywood genres, he still retained an independent sensibility. Film critic 1081:

was one of the most popular films of the year. Wanting to capitalize on the country's aviation craze, Fox immediately bought Hawks's original story for

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In the 1950s, Eugene Archer, a film fan, was planning on writing a book on important American film directors such as John Ford. However, after reading

900:"). Hawks reworked the scripts of most of the films he directed without always taking official credit for his work. He also worked on the scripts for 7018: 2065:, was a result of his second marriage to "Slim" Keith. Hawks had one son with his last wife, Dee Hartford, who was named Gregg after cinematographer 5831: 4715: 4552: 1706:

is the only film with contributions from two Nobel laureates, Hemingway and Faulkner. Hawks reunited with Bogart and Bacall in 1945 and 1946 with

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from 1953 to 1959. Hawks had two children with Shearer, Barbara and David. David Hawks worked as an assistant director for the television series

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tried to sell it to several studios before First National agreed to produce it. Shooting began in late February 1930, about the same time that

4585: 1685:. Hawks was a close friend of Hemingway and made a bet with the author that he could make a good film out of Hemingway's "worst book". Hawks, 1123:. Hawks considered the novel to be "one of the greatest detective stories of all time" and was eager to make it his first sound film. He cast 591:

and drinking alcohol than studying, although Hawks was also known to be a voracious reader of popular American and English novels in college.

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as two cabaret performing best friends; many critics argue that the film is the only female version of the "buddy film" genre. Choreographer

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stated: "And let's get the record straight. The movie was directed by Howard Hawks. Verifiably directed by Howard Hawks. He let his editor,

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and subsequent productions. Hawks was nicknamed "The Gray Fox" by members of the Hollywood community, thanks to his prematurely gray hair.

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is generally credited with staging the musical numbers while Hawks is credited with directing the non-musical scenes. In 1955, Hawks made

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After the war, Hawks was eager to return to Hollywood. His brother Kenneth Hawks, who had also served in the Air Service, graduated from

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to teach new recruits. Bored by this work, Hawks attempted to secure a transfer during the first half of 1918 and was eventually sent to

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Hawks died on December 26, 1977, at the age of 81, from complications arising from a fall when he tripped over his dog at his home in

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soldier. Hawks directed the film and cast Cooper as a specific favor to Lasky. This was the highest-grossing film of 1941 and won two

4088: 7008: 6030: 2120: 2098:. With a mutual interest in fishing and skiing, Hawks was also close with Ernest Hemingway and was almost made the director of the 762:

in 1919, and the two of them moved to Hollywood together to pursue their careers. They quickly made friends with Hollywood insider

2916: 7073: 7058: 7033: 6998: 6993: 6978: 6963: 5906: 3248: 1650:, Hughes continued to re-shoot and re-edit the film until 1943, when it was finally released with Hawks uncredited as director. 7043: 7028: 6988: 6973: 5452: 1263:, Hawks left Hughes to fight the legal battles and returned to First National to fulfill his contract, this time with producer 724: 1216:, and his contract allowed him to be loaned out to other studios. Hawks took the opportunity to accept a directing offer from 7053: 6933: 5356: 5341: 5333: 5321: 5306: 5291: 5276: 5205: 5180: 5123: 5102: 5054: 5031: 5005: 4984: 4922: 4894: 4866: 4835: 4808: 4782: 3846: 3799: 2713: 641:

Howard Hawks's interest and passion for aviation led him to many important experiences and acquaintances. In 1916, Hawks met

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from the Academy. He was cited as "a master filmmaker whose creative efforts hold a distinguished place in world cinema."

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From the film industry, he received three nominations for Outstanding Directorial Achievement in Motion Pictures from the

963:. Hawks's film includes atypical tracking shots, expressionistic lighting and stylistic film editing that was inspired by 7048: 5978: 2622:, who intellectualized his work in a way that Hawks himself found moderately amusing (his work was promoted in France by 1601: 1267:. For his next film, Hawks wanted to make a film about his childhood passion: car racing. Hawks developed the script for 727:, so the only account of his military service is his own. According to Hawks, he spent 15 weeks in basic training at the 611: 4884: 1273:

with Seton Miller for their eighth and final collaboration. Hawks used real race car drivers in the film, including the

862:. Hawks worked on the scripts for all of the films produced, but he had his first official screenplay credit in 1924 on 381:

critics because he found his own laconic values in so many different kinds of genre material." He was nominated for the

872: 645:, a Hollywood cinematographer who had been an auto mechanic and early aviator. Hawks had begun racing and working on a 517: 1646:. Hawks completed initial shooting of the film in early 1941, but due to perfectionism and battles with the Hollywood 1354:. Studio interference on both films led Hawks to walk out on his MGM contract without completing either film himself. 594:

While working in the film industry during his 1916 summer vacation, Hawks made an unsuccessful attempt to transfer to

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has said that if he "were asked to choose a film that would justify the existence of Hollywood ... it would be

732: 5533: 5509: 5417: 3913: 1746: 1398:(released the same year), is considered to be the defining film of the screwball comedy genre. In 1935, Hawks made 1111: 1043: 1189:, Harry Reynolds and Ira Reed. When Hughes found out about the rival film, he did everything he could to sabotage 6523: 6076: 5817: 2501: 2351: 2347: 1605: 694: 398:

A versatile film director, Hawks explored many genres such as comedies, dramas, gangster films, science fiction,

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wrote of Hawks: "Far from being the meek purveyor of Hollywood forms, he always chose to turn them upside down.

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as a tuna fisherman. In these early films, Hawks established the prototypical "Hawksian Man", which film critic

6388: 2537: 2099: 720: 715: 532:. In 1911, Hawks's youngest sibling, Helen, died suddenly of food poisoning. From 1910 to 1912, Hawks attended 4997:

Currents of Comedy on the American Screen: How Film and Television Deliver Different Laughs for Changing Times

3527: 830:. Hawks admired his intelligence and sense of story. Hawks also became friends with barn stormers and pioneer 6549: 5613: 5477: 3635: 1341: 959:

is notable in Hawks's filmography, because it was a highly stylized, experimental film, à la German director

614:. During World War I, he taught aviators to fly, and these experiences influenced future aviation films like 4314: 486:

in 1630. The family eventually settled in Goshen and by the 1890s was one of the wealthiest families in the

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Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy

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was completed by September 1926, but remained unreleased until July 1927. It was financially unsuccessful.

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included Hawks in the "pantheon" of the 14 greatest film directors who had worked in the United States.

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polls of the greatest films ever made, six films directed by Hawks were in the critics' top 250 films:

1575: 811: 366: 3762: 571:, at 18 Hawks won the United States Junior Tennis Championship. That same year, Hawks was accepted to 5916: 5772: 5685: 2401: 2239: 1977: 1910: 1708: 972: 766:. Hawks landed his first important job when he used his family's wealth to loan money to studio head 434: 180: 567:. In 1914, Hawks returned to Glendora and graduated from Pasadena High School that year. Skilled in 5589: 5461: 5425: 3764:

When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics

2658: 2623: 2461: 2284: 2145: 1868: 1372: 842: 770:. Warner quickly paid back the loan and hired Hawks as a producer to "oversee" the making of a new 752: 671: 487: 90: 6822: 5974: 5064: 2666: 2569: 2265: 2104: 1519: 1181: 803: 795: 548: 6762: 5197: 5191: 4827: 4289: 4264: 4239: 6589: 6306: 5840: 5709: 5637: 5325: 2511: 2497: 2470: 2389: 2295: 2253: 1802: 1506: 1428: 910: 889: 748: 621: 580: 462:(1959). His frequent portrayals of strong, tough-talking female characters came to define the " 416: 392: 156: 4912: 2243:(1939), the screenplay was actually written by a myriad of Hollywood screenwriters including, 1848:. Later in 1952, Hawks worked with Grant for the fifth and final time in the screwball comedy 524:

in 1907. Hawks was an average student and did not excel in sports, but by 1910 had discovered

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were deemed "culturally, historically, or aesthetically significant" by the United States

2411:(number 235). Six of his films currently hold a 100% rating on Rotten Tomatoes. His films 2316: 2251:, and Howard Hawks. Hawks was an uncredited contributor to many other screenplays such as 8: 6280: 6067: 6060: 6044: 4100: 2633: 2466: 2057: 1951: 1527: 1314: 1259:, who became a close friend and collaborator for 20 years. After filming was complete on 827: 684: 666: 657: 646: 595: 584: 4187: 4009: 1578:. Not forgetting the influence Jesse Lasky had on his early career, in 1941, Hawks made 6742: 6421: 6121: 5717: 5573: 5387: 5247: 5217: 5142: 5043: 4963: 4820: 1840: 1405: 1302: 1297: 1171: 867: 599: 587:. His college friend Ray S. Ashbury remembered Hawks spending more of his time playing 572: 521: 102: 6844: 5408: 1048:

their friendship to be more important than their relationships with women. In France,

6850: 6812: 6798: 6770: 6360: 6320: 6230: 6099: 6026: 5966: 5883: 5549: 5374: 5352: 5337: 5329: 5317: 5302: 5287: 5272: 5224: 5201: 5176: 5149: 5119: 5098: 5069: 5050: 5027: 5001: 4980: 4918: 4890: 4862: 4831: 4804: 4778: 3852: 3842: 3805: 3795: 3768: 2709: 2702: 2662: 2557: 2553: 2299: 2244: 2195: 1933: 1511: 1479: 1385: 1363: 1346: 1221: 1077: 1072: 1010: 736: 661: 494: 2852: 6734: 6724: 6660: 6577: 6501: 6474: 6376: 6310: 6260: 6246: 6218: 6167: 6144: 6132: 6091: 6081: 5902: 5888: 5756: 5669: 5629: 5493: 5403: 4955: 4889:(Third ed.). Jefferson, North Carolina: McFarland & Company. p. 243. 2638: 2628: 2379: 2373: 2355: 2271: 2073: 1961: 1920: 1755: 1726: 1717: 1686: 1682: 1659: 1623: 1615: 1565: 1541: 1466: 1332: 1264: 1241: 1124: 1005: 893: 819: 679: 625: 576: 458: 410: 377:

called Hawks "one of the greatest American directors of pure movies, and a hero of

198: 150: 3662:"Racing History...Checkers MC who are they? Just the winningest club in the sport" 1824:

In 1951, Hawks produced, and according to some, directed, a science-fiction film,

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collaborated on the script, about an American fishing boat captain working out of

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cinema). Although he was not at first taken seriously by British critics of the

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in his first leading role. Hawks's final two films were both Western remakes of

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magazine ranked Hawks as No. 4 in its "100 Greatest Film Directors Ever" list.

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playing themselves. In 1949, Hawks reteamed with Grant in the screwball comedy

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to do a retrospective on Howard Hawks, who was in the process of releasing

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starring John Wayne and written by Leigh Brackett. In 1966, Hawks directed

1942: 1928: 1924: 1906: 1889: 1885: 1845: 1807: 1797: 1781: 1654: 1643: 1619: 1610: 1471: 1424: 1419: 1086: 1016: 960: 955: 675: 598:. He returned to Cornell that September, leaving in April 1917 to join the 541: 497:, in 1862 at age 17. Within 15 years he had made his fortune in the town's 493:

Hawks's maternal grandfather, C. W. Howard (1845–1916), had homesteaded in

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called him "the greatest American director who is not a household name."

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His work has influenced various popular and respected directors such as

1776:. This version follows the same plot but pays more attention to popular 6882: 6872: 6854: 6756: 6617: 6533: 6478: 6398: 6392: 6264: 6206: 6050: 5936: 5485: 5370: 4967: 2338: 2048: 1996: 1881: 1769: 1751: 1694: 1634: 1628: 1537: 1475: 1217: 1186: 992: 947: 923: 763: 498: 332: 246: 5336:. New Edition, Detroit, Michigan: Wayne State University Press, 2006. 1234:. The film was completed in September 1931, but the censorship of the 991:", and a shy man disinterested in sex, found in later roles played by 6840: 6776: 6565: 6513: 3836: 3789: 3687: 2595: 2474: 2311: 2248: 2219: 2199: 2180: 1256: 1235: 1231: 859: 556: 399: 4959: 4861:. New Brunswick, New Jersey: Rutgers University Press. p. 101. 512:

Between 1906 and 1909, the Hawks family began to spend more time in

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was signed in November of that year, and Hawks was discharged as a

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A Music, Cinema, Theatre and Broadcasting Guide, 1928 through 2003

1989:. Hawks then returned to his childhood passion for car races with 1490:. It has been called "the screwiest of the screwball comedies" by 929: 353:(May 30, 1896 – December 26, 1977) was an American 5998: 5764: 2156: 1971: 984: 479: 2013:, and Caan, which was released the following year. He then made 1201: 3528:"Hidden Values: The movies of the '50s(Television production).' 2612: 1336: 1230:, a gangster film loosely based on the life of Chicago mobster 568: 564: 5238:

Wollen, Peter (Spring 2002). "Who the Hell is Howard Hawks?".

4522:"John Carpenter: 10 modern films inspired by the genre master" 3070: 3068: 3066: 3064: 3062: 490:, due mostly to the highly profitable Goshen Milling Company. 6545: 4372:. Academy of Motion Picture Arts and Sciences. Archived from 3060: 3058: 3056: 3054: 3052: 3050: 3048: 3046: 3044: 3042: 2346:(1938) was listed number 97 on the American Film Institute's 740: 588: 5271:. Santa Barbara, California: Garland-Clarke Editions, 1987. 4402:. Academy of Motion Picture Arts and Sciences. July 17, 2014 2961: 2959: 3394: 3367: 3355: 3343: 3319: 3307: 1862:. Grant plays a scientist (reminiscent of his character in 1777: 1574:

by Hecht and MacArthur, which had already been made into a

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was the first film in which Hawks worked with screenwriter

870:) for almost two years, occasionally editing such films as 834:

at Rogers Airport in Los Angeles, getting to know men like

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A Third Face: My Tale of Writing, Fighting, and Filmmaking

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was published, and Hawks was featured on his own issue of

402:, war films, and westerns. His most popular films include 6022: 4852:

Dixon, Wheeler Winston; Foster, Gwendolyn Audrey (2008).

4553:"Why Quentin Tarantino wants to be the next Howard Hawks" 3224: 3188: 3176: 3164: 3152: 3140: 3128: 3104: 3092: 3080: 3027: 3003: 2956: 2944: 2897: 2834: 2832: 2314:. As a result of the retrospective, a special edition of 1457:

in the middle of shooting, and the film was completed by

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described as "upheld by an instinctive professionalism."

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The American Cinema: Directors and Directions: 1929–1968

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Hawks has been considered by some film critics to be an

1985:(since Cary Grant felt he was too old for the role) and 5328:, 1981, revised with addition of chapter "Retrospect". 5301:. New Haven, Connecticut: Yale University Press, 2010. 5086:. Berkeley, California: University of California Press. 4018: 3936: 3934: 3379: 3280: 3241: 3239: 2582:

The American Cinema: Directors and Directions 1929–1968

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for directing the most films that are in the registry.

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Hawks did not get along with Warner Brothers executive

4716:"Rio Bravo tops late critic Robin Wood's Top 10 list." 4696: 4629: 3452:. "At 100, Hawks remains ever modern, ever a master". 3430: 3212: 3200: 3116: 3015: 2829: 2598:. Altman was influenced by the fast-paced dialogue of 1608:. Later that year, Hawks worked with Cooper again for 1568:. The film was an adaptation of the hit Broadway play 1558:

In 1940, Hawks returned to the screwball comedy with

866:. Hawks was the Story Editor at Famous Players (later 520:, and the Hawks children began attending the school's 4732:"The 50 Greatest Directors and Their 100 Best Movies" 4591:(London), December 29, 2010. Retrieved: July 1, 2016. 4472: 4455: 4443: 4426: 4207: 4063:"The 50 Greatest Directors and Their 100 Best Movies" 3742: 2917:"Only Angels Have Wings: Hawks's Genius Takes Flight" 2789: 2765: 1758:

in his first film. Later that year, Hawks remade his

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United States Army Air Service pilots of World War I

4042: 4030: 3946: 3931: 3593: 3591: 3474: 3406: 3297: 3295: 3236: 2934: 2932: 2722: 1604:), as well as earning Hawks his only nomination for 4662:"Genius Uncovered: The Film Legacy of Howard Hawks" 4617: 4580: 4578: 4140: 2680:called him "the greatest of all American artists". 2632:circle, other independent British writers, such as 2047:, from 1928 to 1940; to socialite and fashion icon 1281:. The film was released in March and became a hit. 6303:Society of Motion Picture and Television Engineers 5460: 5216: 5164: 5141: 5068: 5042: 4819: 3914:"Genius Uncovered: The Film Legacy of Howard Hawk" 3816: 3730: 3706: 3615: 3603: 3462: 3418: 3331: 2701: 1901:, which famously featured Marilyn Monroe singing " 3718: 3588: 3292: 2929: 2039:Howard Hawks was married three times: to actress 1667:and written by Nichols, Hawks did two films with 1412:. Hawks collaborated with Hecht and MacArthur on 1179:was finishing his epic World War I aviation epic 786:, was a joint venture between Hawks, Allan Dwan, 723:. Hawks's military records were destroyed in the 6954:Cornell University College of Engineering alumni 6900: 5939:, Devereaux Jennings, Irmin Roberts, Art Smith, 4975:Hillier, Jim; Wollen, Peter, eds. (April 1997). 4575: 4148:"AFI's 100 Funniest American Movies of All Time" 4123:"AFI's 100 Greatest American Movies of All Time" 1357: 1144: 826:, the vice-President in charge of production at 624:and, by the end of April 1917, was working on a 4763: 4115: 3905: 3863: 3554: 2510:, but he received his only Oscar in 1974 as an 713:Hawks worked with Pickford and Neilan again on 5394:Bibliography of books and articles about Hawks 5196:. New York: The H.W. Wilson Company. pp. 3509: 1876:made by various directors. Hawks's short film 563:, Hawks often attended the theaters in nearby 6070:, and the Republic Studio Sound Department / 5825: 5446: 5118:. University of Wisconsin Press. p. 57. 4974: 3976: 3838:Howard Hawks : the Grey Fox Of Hollywood 3791:Howard Hawks : the Grey Fox Of Hollywood 3245: 1872:, which includes short stories by the writer 1588:as a pacifist farmer who becomes a decorated 636: 4979:. British Film Institute. pp. 111–119. 4757:, December 2, 2011. Retrieved: July 1, 2016. 4358: 4332: 3999:, January 18, 2011. Retrieved: July 1, 2016. 3535:, April 9, 2001. Retrieved: January 4, 2009. 2708:. New York: St. Martin's Press. p. 67. 1384:. It was based on a stage play by Hecht and 536:. In 1912, the Hawks family moved to nearby 469: 5026:. Ann Arbor, Michigan: UMI Research Press. 4851: 4721:, January 8, 2010. Retrieved: July 1, 2016. 3964: 3899: 3871:"Howard Hawks, age 81 dies in Palm Springa" 1056:of the cinema" and Swiss novelist and poet 914:in 1927, famous for being one of the first 879: 5839: 5832: 5818: 5453: 5439: 5386: 5240:Framework: The Journal of Cinema and Media 4586:"Howard Hawks: The king of American cool." 3633: 3551:, May 25, 1997. Retrieved: April 20, 2012. 3492: 2926:, April 12, 2016. Accessed April 19, 2021. 2580:in his influential book of film criticism 2500:at 1708 Vine Street. He was nominated for 2336:s list of 50 greatest directors. In 2007, 42: 7069:United States Army Signal Corps personnel 5193:World Film Directors, Volume 1, 1890–1945 4315:"Film Hall of Fame Inductees: Architects" 4215:"Complete National Film Registry Listing" 3761:Critchlow, Donald T. (October 21, 2013). 3760: 2371:(1941) was listed number 92. In the 2012 2327:In 1996, Howard Hawks was voted No. 4 on 2289: 1335:. Hawks's next two films at MGM were the 975:as the introverted Crown Prince Michael, 7019:Pasadena High School (California) alumni 5090: 4770: 4686: 4319:Online Film & Television Association 3895: 3834: 3787: 3582: 3400: 3388: 3373: 3361: 3349: 3325: 3313: 3286: 3262: 3230: 3218: 3206: 3194: 3182: 3170: 3158: 3146: 3134: 3122: 3110: 3098: 3086: 3033: 3021: 3009: 2993: 2981: 2977: 2965: 2950: 2903: 2838: 2819: 2807: 2795: 2783: 2771: 2759: 2636:, admired his films. Wood named Hawks's 2227: 2155: 2121:1944 United States presidential election 2030: 1960: 1812: 1780:music and includes such jazz legends as 1532: 1283: 1200: 1152: 1135: 1030: 928: 6483:Museum of Modern Art Department of Film 5189: 5162: 5094:Howard Hawks: The Grey Fox of Hollywood 5079: 5063: 4938: 4798: 4752:"Jean-Luc Goddard: Bravo, 'RIO BRAVO'." 4647: 4478: 4466: 4437: 4036: 3980: 3952: 3940: 3634:Wilmington, Michael (October 7, 1998). 3274: 3249:The New Biographical Dictionary of Film 3074: 2997: 2823: 2517: 1075:was the world's most famous person and 1067:was Hawks's first film centered around 778:comedies starring the Italian comedian 14: 6901: 5396:via UC Berkeley Media Resources Center 5316:. London: Secker & Warburg, 1968. 5237: 5214: 5139: 5075:. Englewood Cliffs, NJ: Prentice-Hall. 5021: 4910: 4882: 4817: 4690: 4635: 4623: 4449: 4420: 4048: 3636:"Howard Hawks: Master of Storytelling" 3480: 3424: 3412: 2880:"Hollywood Director Howard Hawks Dies" 2877: 2844: 2728: 1071:, one of his early passions. In 1928, 7079:Writers from Palm Springs, California 5813: 5434: 5115:Giant: George Stevens, a Life on Film 5049:. New York: Oxford University Press. 4993: 4941:""The Long Goodbye" by Robert Altman" 4550: 4060: 3520: 3436: 2740: 1464:In 1938, Hawks made screwball comedy 945:, Hawks began writing his next film, 505:(August 12, 1898 – January 2, 1930), 5111: 5040: 4702: 4659: 4024: 4015:, May 2002. Retrieved: July 1, 2016. 3911: 3822: 3794:. Grove/Atlantic, Inc. p. 654. 3748: 3736: 3724: 3712: 3621: 3609: 3597: 3468: 3448: 3337: 3301: 2938: 2695: 2035:Howard Hawks with Slim Keith and dog 1923:epic about ancient Egypt that stars 1431:. Also in 1936, Hawks began filming 822:. During this time, Hawks first met 729:University of California in Berkeley 474:Howard Winchester Hawks was born in 6924:20th-century American screenwriters 6307:Gilbert M. "Broncho Billy" Anderson 4777:. University Press of Mississippi. 4532:from the original on March 10, 2017 2172:While Hawks was not sympathetic to 612:Aviation Section, U.S. Signal Corps 610:. He served as a lieutenant in the 24: 7004:Military personnel from California 6949:American people of English descent 6919:20th-century American male writers 5260: 3659: 2878:Arnold, Gary (December 28, 1977). 2850: 2473:. With eleven films, he ties with 2136:severely damaged one of his legs. 2051:from 1941 to 1949; and to actress 979:as his happy-go-lucky brother and 27:American film director (1896–1977) 25: 7095: 7084:Writers from Pasadena, California 7014:Military personnel from Wisconsin 6929:Academy Honorary Award recipients 6261:Bausch & Lomb Optical Company 6243:20th Century-Fox Film Corporation 6029:and his associates / Rey Scott / 5907:Museum of Modern Art Film Library 5414:Material relating to Howard Hawks 5364: 5223:. Metuchen, NJ: Scarecrow Press. 5167:A Biographical Dictionary of Film 5112:Moss, Marilyn Ann (August 2015). 5024:Ben Hecht: Hollywood Screenwriter 4771:Breivold, Scott (February 2006). 3562:"Review: 'O. Henry's Full House'" 2853:"Howard Hawks, American director" 1903:Diamonds Are a Girl's Best Friend 1164:Hawks's first all-sound film was 755:without having seen active duty. 5418:L. Tom Perry Special Collections 5351:. London: BFI Publishing, 2003. 5286:. London: BFI Publishing, 2000. 5163:Thomson, David (November 1994). 4911:Fuller, Samuel (November 2002). 4822:Reel Winners: Movie Award Trivia 4818:Crouse, Richard (October 2005). 4744: 4724: 4708: 4680: 4653: 4641: 4594: 4544: 4514: 4484: 4414: 4388: 4188:"Howard Hawks – Rotten Tomatoes" 4089:"The Greatest Directors Ever by 2365:(1940) was listed number 19 and 2026: 1317:Studios, the first of which was 1170:, based on an original story by 892:'s studio superintendent at the 794:, with a distribution deal with 291: 262: 233: 7009:Military personnel from Indiana 6524:National Endowment for the Arts 6031:British Ministry of Information 4551:Child, Ben (January 12, 2010). 4346:. Hollywood Chamber of Commerce 4307: 4282: 4257: 4232: 4180: 4165: 4081: 4054: 4002: 3986: 3970: 3889: 3828: 3781: 3754: 3680: 3653: 3627: 3538: 3503: 3486: 3442: 2987: 2971: 2909: 2871: 2502:Academy Award for Best Director 2112:. He never filmed the project. 1905:". The film starred Monroe and 1629:Snow White and the Seven Dwarfs 383:Academy Award for Best Director 287: 258: 229: 7074:Western (genre) film directors 7059:American silent film directors 7034:Phillips Exeter Academy alumni 6999:German-language film directors 6994:French-language film directors 6979:Film producers from California 6964:Film directors from California 6021:, John N. A. Hawkins, and the 5022:Martin, Jeffrey Brown (1985). 4801:Howard Hawks: New Perspectives 4366:"The 14th Academy Awards 1942" 3767:. Cambridge University Press. 2813: 2734: 2689: 2556:. His work is also admired by 2278: 721:United States Army Air Service 716:Amarilly of Clothes-Line Alley 13: 1: 7044:Screenwriters from California 7029:People from Neenah, Wisconsin 6989:Film producers from Wisconsin 6974:Film directors from Wisconsin 6550:National Film Board of Canada 5269:Howard Hawks, A Jungian Study 5171:(3 ed.). Knopf. p. 5000:. McFarland. pp. 27–29. 4977:Howard Hawks: American Artist 4602:"The Genius of Howard Hawks." 2698:"Howard Hawks and Mary Astor" 2642:as his top film of all time. 2233:received credit. Even though 2126: 1358:Later sound films (1935–1970) 1342:The Prizefighter and the Lady 1145:Early sound films (1930–1934) 941:Immediately after completing 731:where he was trained to be a 522:Polytechnic Elementary School 7054:Screenwriters from Wisconsin 6934:Accidental deaths from falls 4994:Laham, Nicholas (May 2009). 4764:General and cited references 4061:Staff, EW (April 19, 1996). 3912:Farr, John (April 5, 2013). 3564:. Variety. December 31, 1951 2683: 2456:The Thing from Another World 2352:AFI's 100 Years...100 Laughs 2348:AFI's 100 Years...100 Movies 2237:received credit for writing 2019:, with Wayne in 1970. After 1965:Howard Hawks on a motorcycle 1827:The Thing from Another World 1818:The Thing From Another World 1140:Howard Hawks in 1929 or 1930 518:Throop Polytechnic Institute 447:The Thing from Another World 7: 7039:Racing drivers from Indiana 7024:People from Goshen, Indiana 6984:Film producers from Indiana 6969:Film directors from Indiana 6944:American male screenwriters 6290:Samurai I: Musashi Miyamoto 5282:Liandrat-Guigues, Suzanne. 4660:Farr, John (May 21, 2012). 3526:Carpenter, John (speaker). 2294:In 1974, he was awarded an 1995:in 1965, featuring a young 1380:and Hawks's distant cousin 1295:Later in 1932, he directed 1121:1913 novel of the same name 965:German expressionist cinema 10: 7100: 7049:Screenwriters from Indiana 5979:Motion Picture Relief Fund 5215:Willis, Donald C. (1975). 4614:. Retrieved: July 1, 2016. 4294:Directors Guild of America 4269:Directors Guild of America 4244:Directors Guild of America 4177:. Retrieved: July 1, 2016. 3546:"A 'Thing' to his credit." 2535:(he lost to John Ford for 2482:Directors Guild of America 2282: 1618:. The film was written by 725:1973 Military Archive Fire 710:dream sequence Pickford. 637:Entering films (1916–1925) 6643: 6457: 6247:Bell & Howell Company 6199: 6023:RCA Manufacturing Company 5847: 5472: 5219:The Films of Howard Hawks 5097:. New York: Grove Press. 5045:Howard Hawks, Storyteller 4939:Gregory, Charles (1973). 3977:Hillier & Wollen 1997 2859:. Encyclopædia Britannica 2704:Debrett Goes to Hollywood 2588:dedicated his version of 1626:and is a playful take on 918:. Hawks's first film was 902:Honesty – The Best Policy 631: 470:Early life and background 313: 302: 206: 136: 128: 108: 98: 79: 53: 41: 34: 5741:Gentlemen Prefer Blondes 5426:Brigham Young University 5080:McBride, Joseph (1982). 4774:Howard Hawks: Interviews 2659:Rainer Werner Fassbinder 2624:The Studio des Ursulines 2285:Howard Hawks filmography 2151: 2146:Palm Springs, California 2139: 1898:Gentlemen Prefer Blondes 880:Silent films (1925–1929) 453:Gentlemen Prefer Blondes 193:Gentlemen Prefer Blondes 91:Palm Springs, California 5975:William Cameron Menzies 5734:The Ransom of Red Chief 5140:Sarris, Andrew (1968). 5091:McCarthy, Todd (1997). 4855:A Short History of Film 4152:American Film Institute 4127:American Film Institute 3965:Dixon & Foster 2008 3900:Dixon & Foster 2008 3841:. Grove/Atlantic, Inc. 3835:McCarthy, Todd (2007). 3788:McCarthy, Todd (2007). 3510:Joseph McBride (1982). 2857:Encyclopedia Britannica 2538:How Green Was My Valley 2194:, in conversation with 2105:For Whom the Bell Tolls 2061:. His second daughter, 1878:The Ransom of Red Chief 1638:, based on the life of 1362:In 1934, Hawks went to 549:Phillips Exeter Academy 507:William Bellinger Hawks 351:Howard Winchester Hawks 58:Howard Winchester Hawks 6590:Michelangelo Antonioni 6114:William Nicholas Selig 5841:Academy Honorary Award 5710:I Was a Male War Bride 5638:Only Angels Have Wings 5326:British Film Institute 5190:Wakeman, John (1987). 4917:. Knopf. p. 101. 4526:British Film Institute 4344:Hollywood Walk of Fame 4069:. Meredith Corporation 3902:, pp. 99–101, 289 3875:Frederick Daily Leader 3246:David Thomson (2010). 2696:Kidd, Charles (1986). 2498:Hollywood Walk of Fame 2471:National Film Registry 2469:and inducted into the 2429:Only Angels Have Wings 2390:Only Angels Have Wings 2359:was listed number 14, 2296:Honorary Academy Award 2290:Awards and recognition 2198:, compared Hawks with 2165: 2036: 1966: 1821: 1803:I Was a Male War Bride 1555: 1507:Only Angels Have Wings 1453:. But he was fired by 1292: 1209: 1161: 1141: 1039: 938: 933:Poster for the comedy 873:Heritage of the Desert 581:mechanical engineering 579:, where he majored in 417:Only Angels Have Wings 393:Honorary Academy Award 391:(1941) and earned the 157:Only Angels Have Wings 6546:Eastman Kodak Company 6189:The Walls of Malapaga 5773:Man's Favorite Sport? 5422:Harold B. Lee Library 5071:Focus on Howard Hawks 5041:Mast, Gerald (1982). 4799:Brookes, Ian (2016). 3532:Turner Classic Movies 2922:The Criterion Channel 2741:Ebert, Roger (2002). 2228:Writing and producing 2176:, he popularized the 2159: 2086:Algonquin Round Table 2034: 1978:Man's Favorite Sport? 1964: 1869:O. Henry's Full House 1854:, which also starred 1816: 1768:, this time starring 1614:, which also starred 1564:, starring Grant and 1536: 1395:It Happened One Night 1287: 1275:1930 Indianapolis 500 1204: 1195:Winter Garden Theatre 1156: 1139: 1034: 932: 745:Fort Monroe, Virginia 367:classic Hollywood era 6763:Jean-Claude Carrière 6353:/ Fred L. Metzler / 6351:William L. Hendricks 6229:/ George Mitchell / 5749:Land of the Pharaohs 5678:To Have and Have Not 5510:A Girl in Every Port 5148:. New York: Dutton. 4883:Franks, Don (2004). 4803:. London: Palgrave. 4737:Entertainment Weekly 4067:Entertainment Weekly 3992:Bogdanovich, Peter. 3979:, pp. 111–119; 2672:Entertainment Weekly 2518:Influence and legacy 2330:Entertainment Weekly 2304:Museum of Modern Art 2209:To Have and Have Not 2096:Land of the Pharaohs 1969:In 1962, Hawks made 1916:Land of the Pharaohs 1895:In 1953, Hawks made 1747:Mutiny on the Bounty 1734:In 1948, Hawks made 1704:To Have and Have Not 1678:To Have and Have Not 1514:and starring Grant, 1327:film was based on a 1115:is an adaptation of 1095:A Girl in Every Port 1044:A Girl in Every Port 1036:A Girl in Every Port 1020:, based on the play 906:Joseph von Sternberg 894:Fox Film Corporation 843:Famous Players–Lasky 784:Associated Producers 672:Famous Players–Lasky 583:and was a member of 538:Glendora, California 534:Pasadena High School 514:Pasadena, California 429:To Have and Have Not 290: 1953; 261: 1941; 232: 1928; 175:To Have and Have Not 6420:Charles S. Boren / 6077:The House I Live In 6068:Daniel J. Bloomberg 6045:Metro-Goldwyn-Mayer 4826:. Dundurn. p. 4666:The Huffington Post 4589:The Daily Telegraph 4502:on January 28, 2017 4376:on October 11, 2014 4219:Library of Congress 4172:"Critics' top 100." 4027:, pp. 8–9, 28. 3877:. December 28, 1977 3403:, pp. 173–187. 3376:, pp. 156–162. 3364:, pp. 120–121. 3352:, pp. 118–119. 3328:, pp. 111–115. 3316:, pp. 102–105. 3077:, pp. 446–451. 2884:The Washington Post 2467:Library of Congress 2094:and the last being 1716:detective novel by 1528:Richard Barthelmess 1510:, made in 1939 for 1482:and was adapted by 1315:Metro-Goldwyn-Mayer 828:Metro-Goldwyn-Mayer 719:before joining the 695:The Little Princess 685:The Little American 667:In Again, Out Again 596:Stanford University 585:Delta Kappa Epsilon 528:, an early form of 6743:George Stevens Jr. 6422:Edward G. Robinson 6122:George Kirke Spoor 5959:and Allen Davey / 5955:, Walter Oberst / 5951:, Harry D. Mills, 5384:TCM Movie Database 5297:Pippin, Robert B. 4607:2012-08-27 at the 4600:Rivette, Jacques. 3265:, pp. 97–101. 3252:. p. 426-428. 3000:, pp. 446–451 2996:, pp. 45–47; 2826:, pp. 446–451 2822:, pp. 34–36; 2405:(number 202), and 2240:Gone with the Wind 2166: 2037: 2009:, starring Wayne, 1967: 1822: 1556: 1406:Edward G. Robinson 1366:to make his first 1303:Edward G. Robinson 1293: 1210: 1172:John Monk Saunders 1162: 1142: 1052:called Hawks "the 1040: 939: 868:Paramount Pictures 733:squadron commander 688:. Hawks worked on 573:Cornell University 503:Kenneth Neil Hawks 103:Cornell University 48:Hawks in the 1940s 6959:Deaths from falls 6939:American aviators 6896: 6895: 6851:Samuel L. Jackson 6813:Donald Sutherland 6799:Frederick Wiseman 6361:William J. Tuttle 6321:Maurice Chevalier 6231:Joseph M. Schenck 6173:The Bicycle Thief 6100:Claude Jarman Jr. 6066:Republic Studio, 6027:Leopold Stokowski 5967:Douglas Fairbanks 5884:The March of Time 5807: 5806: 5614:The Road to Glory 5590:Twentieth Century 5550:The Criminal Code 5534:Trent's Last Case 5478:The Road to Glory 5357:978-0-85170-966-6 5342:978-0-8143-3276-4 5334:978-0-85170-111-0 5322:978-0-85170-111-0 5307:978-0-300-14577-9 5292:978-0-85170-819-5 5277:978-0-88496-261-8 5207:978-0-8242-0757-1 5182:978-0-679-75564-7 5125:978-0-299-20434-1 5104:978-0-8021-3740-1 5056:978-0-19-503091-4 5033:978-0-8357-1571-3 5007:978-0-7864-4264-5 4986:978-0-85170-593-4 4924:978-0-375-40165-7 4896:978-0-7864-1798-8 4868:978-0-8135-4269-0 4837:978-1-55002-574-3 4810:978-1-84457-542-8 4784:978-1-57806-833-3 4705:, pp. 27–35. 4103:on April 26, 2014 3994:"The Southerner." 3848:978-0-8021-9640-8 3801:978-0-8021-9640-8 3751:, pp. 10–11. 3549:Los Angeles Times 3544:Fuhrmann, Henry. 3439:, pp. 27–29. 3277:, pp. 44–45. 3233:, pp. 92–94. 3197:, pp. 86–91. 3185:, pp. 84–86. 3173:, pp. 76–78. 3161:, pp. 72–75. 3149:, pp. 69–71. 3137:, pp. 65–68. 3113:, pp. 71–74. 3101:, pp. 60–63. 3089:, pp. 59–60. 3036:, pp. 57–58. 3012:, pp. 49–52. 2968:, pp. 42–44. 2953:, pp. 39–42. 2915:Sragow, Michael. 2906:, pp. 36–39. 2851:Barson, Michael. 2810:, pp. 34–35. 2786:, pp. 27–29. 2762:, pp. 18-–9. 2749:. pp. 72–73. 2715:978-0-312-00588-7 2663:Quentin Tarantino 2629:Sight & Sound 2619:Cahiers du cinéma 2566:François Truffaut 2558:Peter Bogdanovich 2554:Quentin Tarantino 2524:Cahiers du Cinéma 2462:Twentieth Century 2374:Sight & Sound 2317:Cahiers du Cinéma 2302:suggested to the 2300:Peter Bogdanovich 2245:David O. Selznick 2196:Peter Bogdanovich 1731:logical again.'" 1663:(1943), starring 1653:After making the 1512:Columbia Pictures 1480:Katharine Hepburn 1386:Charles MacArthur 1373:Twentieth Century 1364:Columbia Pictures 1222:Columbia Pictures 1206:The Criminal Code 1112:Trent's Last Case 1073:Charles Lindbergh 1011:Peter Bogdanovich 943:The Road to Glory 920:The Road to Glory 884:In October 1925, 753:Second Lieutenant 737:flight instructor 662:Douglas Fairbanks 495:Neenah, Wisconsin 348: 347: 129:Years active 83:December 26, 1977 16:(Redirected from 7091: 6735:D. A. Pennebaker 6725:James Earl Jones 6578:Federico Fellini 6502:Barbara Stanwyck 6475:Laurence Olivier 6377:Y. Frank Freeman 6311:Charles Brackett 6219:Merian C. Cooper 6168:Cecil B. DeMille 6145:Monsieur Vincent 6092:Laurence Olivier 6082:Peggy Ann Garner 6061:Margaret O'Brien 5903:W. Howard Greene 5889:W. Howard Greene 5834: 5827: 5820: 5811: 5810: 5630:Bringing Up Baby 5494:Cradle Snatchers 5455: 5448: 5441: 5432: 5431: 5404:Senses of Cinema 5390: 5267:Branson, Clark. 5255: 5234: 5222: 5211: 5186: 5170: 5159: 5147: 5136: 5134: 5132: 5108: 5087: 5076: 5074: 5060: 5048: 5037: 5018: 5016: 5014: 4990: 4971: 4945: 4935: 4933: 4931: 4907: 4905: 4903: 4879: 4877: 4875: 4860: 4848: 4846: 4844: 4825: 4814: 4795: 4793: 4791: 4758: 4750:Brody, Richard. 4748: 4742: 4741: 4728: 4722: 4712: 4706: 4700: 4694: 4684: 4678: 4677: 4675: 4673: 4657: 4651: 4645: 4639: 4633: 4627: 4621: 4615: 4598: 4592: 4582: 4573: 4572: 4570: 4568: 4559:. Archived from 4548: 4542: 4541: 4539: 4537: 4518: 4512: 4511: 4509: 4507: 4498:. 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Archived from 4085: 4079: 4078: 4076: 4074: 4058: 4052: 4046: 4040: 4034: 4028: 4022: 4016: 4013:Senses of Cinema 4008:Boxwell, David. 4006: 4000: 3990: 3984: 3974: 3968: 3962: 3956: 3950: 3944: 3938: 3929: 3928: 3926: 3924: 3909: 3903: 3893: 3887: 3886: 3884: 3882: 3867: 3861: 3860: 3832: 3826: 3820: 3814: 3813: 3785: 3779: 3778: 3758: 3752: 3746: 3740: 3734: 3728: 3722: 3716: 3710: 3704: 3703: 3701: 3699: 3684: 3678: 3677: 3675: 3673: 3657: 3651: 3650: 3648: 3646: 3631: 3625: 3619: 3613: 3607: 3601: 3595: 3586: 3580: 3574: 3573: 3571: 3569: 3558: 3552: 3542: 3536: 3524: 3518: 3517: 3507: 3501: 3500: 3493:Joseph McBride. 3490: 3484: 3478: 3472: 3466: 3460: 3459: 3446: 3440: 3434: 3428: 3422: 3416: 3410: 3404: 3398: 3392: 3386: 3377: 3371: 3365: 3359: 3353: 3347: 3341: 3335: 3329: 3323: 3317: 3311: 3305: 3299: 3290: 3284: 3278: 3272: 3266: 3260: 3254: 3253: 3243: 3234: 3228: 3222: 3216: 3210: 3204: 3198: 3192: 3186: 3180: 3174: 3168: 3162: 3156: 3150: 3144: 3138: 3132: 3126: 3120: 3114: 3108: 3102: 3096: 3090: 3084: 3078: 3072: 3037: 3031: 3025: 3019: 3013: 3007: 3001: 2991: 2985: 2975: 2969: 2963: 2954: 2948: 2942: 2936: 2927: 2913: 2907: 2901: 2895: 2894: 2892: 2890: 2875: 2869: 2868: 2866: 2864: 2848: 2842: 2836: 2827: 2817: 2811: 2805: 2799: 2793: 2787: 2781: 2775: 2769: 2763: 2757: 2751: 2750: 2743:The Great Movies 2738: 2732: 2726: 2720: 2719: 2707: 2693: 2421:Bringing Up Baby 2385:Bringing Up Baby 2356:Bringing Up Baby 2344:Bringing Up Baby 2335: 2266:Shanghai Express 2115:Hawks supported 2074:Barbara Stanwyck 1937:, also starring 1921:sword-and-sandal 1864:Bringing up Baby 1806:, also starring 1756:Montgomery Clift 1727:Double Indemnity 1718:Raymond Chandler 1687:William Faulkner 1683:Ernest Hemingway 1624:Charles Brackett 1616:Barbara Stanwyck 1566:Rosalind Russell 1542:Rosalind Russell 1501:Bringing Up Baby 1496:Bringing Up Baby 1467:Bringing Up Baby 1388:and, along with 1368:screwball comedy 1333:William Faulkner 1265:Darryl F. Zanuck 1242:The Public Enemy 1125:Raymond Griffith 1061:made in years." 1006:Cradle Snatchers 820:Eddie Sutherland 739:and sent him to 680:Cecil B. DeMille 626:Cecil B. DeMille 577:Ithaca, New York 411:Bringing Up Baby 295: 293: 289: 266: 264: 260: 237: 235: 231: 151:Bringing Up Baby 139: 86: 67: 65: 46: 32: 31: 21: 7099: 7098: 7094: 7093: 7092: 7090: 7089: 7088: 6899: 6898: 6897: 6892: 6887:Carol Littleton 6845:Lina Wertmüller 6805:Charles Burnett 6791:Lynn Stalmaster 6749:Angela Lansbury 6715:Jean-Luc Godard 6691:Robert F. Boyle 6685:Ennio Morricone 6639: 6453: 6415:Charlie Chaplin 6267:/ Kemp Niver / 6236:Forbidden Games 6195: 6118:Albert E. Smith 6009:Nathan Levinson 5957:Oliver T. Marsh 5941:Farciot Edouart 5933:Gordon Jennings 5859:Charlie Chaplin 5843: 5838: 5808: 5803: 5726:Monkey Business 5646:His Girl Friday 5622:Come and Get It 5566:The Crowd Roars 5542:The Dawn Patrol 5468: 5459: 5367: 5362: 5263: 5261:Further reading 5258: 5231: 5208: 5183: 5156: 5130: 5128: 5126: 5105: 5065:McBride, Joseph 5057: 5034: 5012: 5010: 5008: 4987: 4960:10.2307/1211501 4943: 4929: 4927: 4925: 4901: 4899: 4897: 4873: 4871: 4869: 4858: 4842: 4840: 4838: 4811: 4789: 4787: 4785: 4766: 4761: 4749: 4745: 4730: 4729: 4725: 4714:Howell, Peter. 4713: 4709: 4701: 4697: 4685: 4681: 4671: 4669: 4658: 4654: 4646: 4642: 4634: 4630: 4622: 4618: 4609:Wayback Machine 4599: 4595: 4584:Horne, Philip. 4583: 4576: 4566: 4564: 4563:on June 4, 2017 4549: 4545: 4535: 4533: 4520: 4519: 4515: 4505: 4503: 4490: 4489: 4485: 4477: 4473: 4465: 4456: 4448: 4444: 4436: 4427: 4419: 4415: 4405: 4403: 4394: 4393: 4389: 4379: 4377: 4364: 4363: 4359: 4349: 4347: 4338: 4337: 4333: 4323: 4321: 4313: 4312: 4308: 4298: 4296: 4288: 4287: 4283: 4273: 4271: 4263: 4262: 4258: 4248: 4246: 4238: 4237: 4233: 4223: 4221: 4213: 4212: 4208: 4198: 4196: 4193:Rotten Tomatoes 4186: 4185: 4181: 4170: 4166: 4156: 4154: 4146: 4145: 4141: 4131: 4129: 4121: 4120: 4116: 4106: 4104: 4087: 4086: 4082: 4072: 4070: 4059: 4055: 4047: 4043: 4035: 4031: 4023: 4019: 4010:"Howard Hawks." 4007: 4003: 3991: 3987: 3975: 3971: 3963: 3959: 3951: 3947: 3939: 3932: 3922: 3920: 3918:Huffington Post 3910: 3906: 3894: 3890: 3880: 3878: 3869: 3868: 3864: 3849: 3833: 3829: 3821: 3817: 3802: 3786: 3782: 3775: 3759: 3755: 3747: 3743: 3735: 3731: 3723: 3719: 3711: 3707: 3697: 3695: 3686: 3685: 3681: 3671: 3669: 3658: 3654: 3644: 3642: 3640:Chicago Tribune 3632: 3628: 3620: 3616: 3608: 3604: 3596: 3589: 3585:, p. xxvi. 3581: 3577: 3567: 3565: 3560: 3559: 3555: 3543: 3539: 3525: 3521: 3508: 3504: 3491: 3487: 3479: 3475: 3467: 3463: 3447: 3443: 3435: 3431: 3423: 3419: 3411: 3407: 3399: 3395: 3387: 3380: 3372: 3368: 3360: 3356: 3348: 3344: 3336: 3332: 3324: 3320: 3312: 3308: 3300: 3293: 3285: 3281: 3273: 3269: 3261: 3257: 3244: 3237: 3229: 3225: 3217: 3213: 3205: 3201: 3193: 3189: 3181: 3177: 3169: 3165: 3157: 3153: 3145: 3141: 3133: 3129: 3121: 3117: 3109: 3105: 3097: 3093: 3085: 3081: 3073: 3040: 3032: 3028: 3020: 3016: 3008: 3004: 2992: 2988: 2976: 2972: 2964: 2957: 2949: 2945: 2937: 2930: 2914: 2910: 2902: 2898: 2888: 2886: 2876: 2872: 2862: 2860: 2849: 2845: 2837: 2830: 2818: 2814: 2806: 2802: 2794: 2790: 2782: 2778: 2770: 2766: 2758: 2754: 2739: 2735: 2727: 2723: 2716: 2694: 2690: 2686: 2678:Jean-Luc Godard 2647:Martin Scorsese 2600:His Girl Friday 2574:Jacques Rivette 2562:Martin Scorsese 2520: 2425:His Girl Friday 2396:His Girl Friday 2362:His Girl Friday 2350:. On the AFI's 2333: 2292: 2287: 2281: 2230: 2154: 2142: 2129: 2100:film adaptation 2029: 1851:Monkey Business 1790:Louis Armstrong 1744:reminiscent of 1712:, based on the 1669:Humphrey Bogart 1648:Production Code 1561:His Girl Friday 1551:His Girl Friday 1520:Thomas Mitchell 1434:Come and Get It 1360: 1270:The Crowd Roars 1191:The Dawn Patrol 1167:The Dawn Patrol 1158:The Dawn Patrol 1147: 1058:Blaise Cendrars 1026:Pierre Frondaie 969:Seton I. Miller 882: 824:Irving Thalberg 788:Marshall Neilan 708:double exposure 690:Marshall Neilan 639: 634: 617:The Dawn Patrol 547:He was sent to 476:Goshen, Indiana 472: 423:His Girl Friday 344: 341:(sister-in-law) 335:(sister-in-law) 298: 297: 294: 1959) 285: 281: 278: 268: 265: 1949) 256: 252: 249: 239: 236: 1940) 227: 223: 220: 202: 163:His Girl Friday 137: 124: 99:Alma mater 94: 88: 84: 75: 72:Goshen, Indiana 69: 63: 61: 60: 59: 49: 37: 28: 23: 22: 15: 12: 11: 5: 7097: 7087: 7086: 7081: 7076: 7071: 7066: 7061: 7056: 7051: 7046: 7041: 7036: 7031: 7026: 7021: 7016: 7011: 7006: 7001: 6996: 6991: 6986: 6981: 6976: 6971: 6966: 6961: 6956: 6951: 6946: 6941: 6936: 6931: 6926: 6921: 6916: 6911: 6894: 6893: 6891: 6890: 6879:Angela Bassett 6876: 6862: 6848: 6834: 6820: 6802: 6795:Anne V. Coates 6784: 6774: 6771:Maureen O'Hara 6767:Hayao Miyazaki 6760: 6746: 6732: 6722: 6711:Kevin Brownlow 6708: 6694: 6688: 6682: 6676: 6670: 6664: 6658: 6655:Robert Redford 6651:Sidney Poitier 6647: 6645: 6641: 6640: 6638: 6637: 6627: 6621: 6615: 6609: 6603: 6593: 6587: 6581: 6575: 6569: 6559: 6556:Akira Kurosawa 6553: 6543: 6537: 6527: 6517: 6511: 6505: 6499: 6493: 6486: 6468: 6465:Margaret Booth 6461: 6459: 6455: 6454: 6452: 6451: 6445: 6435: 6428:Henri Langlois 6425: 6418: 6412: 6402: 6396: 6386: 6380: 6370: 6364: 6358: 6355:Jerome Robbins 6348: 6334: 6324: 6318: 6300: 6294: 6286: 6277:Vincent Winter 6258: 6240: 6216: 6203: 6201: 6197: 6196: 6194: 6193: 6180:Louis B. Mayer 6177: 6157: 6137: 6103: 6096:Ernst Lubitsch 6088:Harold Russell 6085: 6064: 6054: 6048: 6034: 6019:William Garity 6012: 6002: 5999:Technicolor SA 5964: 5953:Louis Mesenkop 5949:Loren L. Ryder 5917:J. Arthur Ball 5914: 5896: 5880: 5877:D. W. Griffith 5874: 5871:Shirley Temple 5868: 5862: 5851: 5849: 5845: 5844: 5837: 5836: 5829: 5822: 5814: 5805: 5804: 5802: 5801: 5793: 5785: 5777: 5769: 5761: 5753: 5745: 5737: 5730: 5722: 5714: 5706: 5702:A Song Is Born 5698: 5690: 5682: 5674: 5666: 5658: 5650: 5642: 5634: 5626: 5618: 5610: 5602: 5594: 5586: 5578: 5570: 5562: 5554: 5546: 5538: 5530: 5526:The Air Circus 5522: 5514: 5506: 5498: 5490: 5482: 5473: 5470: 5469: 5462:Films directed 5458: 5457: 5450: 5443: 5435: 5429: 5428: 5411: 5406: 5397: 5391: 5377: 5366: 5365:External links 5363: 5361: 5360: 5345: 5310: 5295: 5280: 5264: 5262: 5259: 5257: 5256: 5235: 5229: 5212: 5206: 5187: 5181: 5160: 5154: 5137: 5124: 5109: 5103: 5088: 5083:Hawks on Hawks 5077: 5061: 5055: 5038: 5032: 5019: 5006: 4991: 4985: 4972: 4948:Film Quarterly 4936: 4923: 4908: 4895: 4880: 4867: 4849: 4836: 4815: 4809: 4796: 4783: 4767: 4765: 4762: 4760: 4759: 4755:The New Yorker 4743: 4723: 4707: 4695: 4679: 4652: 4640: 4638:, p. xii. 4628: 4616: 4593: 4574: 4543: 4513: 4492:"Howard Hawks" 4483: 4471: 4454: 4442: 4425: 4413: 4387: 4357: 4340:"Howard Hawks" 4331: 4306: 4281: 4256: 4231: 4206: 4179: 4164: 4139: 4114: 4080: 4053: 4041: 4029: 4017: 4001: 3985: 3969: 3967:, p. 101. 3957: 3945: 3930: 3904: 3898:, p. 63; 3888: 3862: 3847: 3827: 3815: 3800: 3780: 3773: 3753: 3741: 3729: 3717: 3705: 3679: 3660:Sieman, Rick. 3652: 3626: 3624:, pp. 14. 3614: 3602: 3587: 3575: 3553: 3537: 3519: 3513:Hawks on Hawks 3502: 3496:Hawks on Hawks 3485: 3473: 3461: 3450:McCarthy, Todd 3441: 3429: 3417: 3405: 3393: 3391:, p. 172. 3378: 3366: 3354: 3342: 3330: 3318: 3306: 3291: 3289:, p. 102. 3279: 3267: 3255: 3235: 3223: 3211: 3199: 3187: 3175: 3163: 3151: 3139: 3127: 3115: 3103: 3091: 3079: 3038: 3026: 3014: 3002: 2986: 2980:, p. 44; 2970: 2955: 2943: 2928: 2908: 2896: 2870: 2843: 2828: 2812: 2800: 2788: 2776: 2764: 2752: 2747:Broadway Books 2733: 2731:, p. 250. 2721: 2714: 2687: 2685: 2682: 2655:John Carpenter 2586:Brian De Palma 2550:John Carpenter 2519: 2516: 2512:Honorary Award 2399:(number 171), 2393:(number 154), 2387:(number 110), 2291: 2288: 2283:Main article: 2280: 2277: 2229: 2226: 2178:Hawksian woman 2153: 2150: 2141: 2138: 2128: 2125: 2041:Athole Shearer 2028: 2025: 2011:Robert Mitchum 1987:Paula Prentiss 1950:. Film critic 1856:Marilyn Monroe 1836:Christian Nyby 1832:John Carpenter 1794:Lionel Hampton 1765:A Song Is Born 1722:Leigh Brackett 1714:Philip Marlowe 1699:Fall of France 1691:Jules Furthman 1594:Academy Awards 1571:The Front Page 1484:Dudley Nichols 1455:Samuel Goldwyn 1451:Walter Brennan 1447:Frances Farmer 1410:Miriam Hopkins 1382:Carole Lombard 1378:John Barrymore 1359: 1356: 1323:in 1933. This 1146: 1143: 1083:The Air Circus 1064:The Air Circus 1050:Henri Langlois 989:Hawksian woman 981:Virginia Valli 977:William Powell 973:George O'Brien 916:gangster films 881: 878: 812:Richard Rosson 796:First National 768:Jack L. Warner 704:Charles Rosher 643:Victor Fleming 638: 635: 633: 630: 530:soapbox racing 526:coaster racing 471: 468: 464:Hawksian woman 371:Leonard Maltin 346: 345: 343: 342: 336: 330: 324: 317: 315: 311: 310: 304: 300: 299: 283: 279: 274: 273: 272: 271: 254: 250: 245: 244: 243: 242: 225: 221: 218:Athole Shearer 216: 215: 214: 213: 210: 208: 204: 203: 142: 140: 134: 133: 130: 126: 125: 123: 122: 119: 116: 112: 110: 106: 105: 100: 96: 95: 89: 87:(aged 81) 81: 77: 76: 70: 57: 55: 51: 50: 47: 39: 38: 35: 26: 9: 6: 4: 3: 2: 7096: 7085: 7082: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7055: 7052: 7050: 7047: 7045: 7042: 7040: 7037: 7035: 7032: 7030: 7027: 7025: 7022: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6995: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6906: 6904: 6888: 6884: 6880: 6877: 6874: 6870: 6866: 6863: 6860: 6856: 6852: 6849: 6846: 6842: 6838: 6835: 6832: 6828: 6827:Lalo Schifrin 6824: 6821: 6818: 6814: 6810: 6806: 6803: 6800: 6796: 6792: 6788: 6785: 6782: 6781:Gena Rowlands 6778: 6775: 6772: 6768: 6764: 6761: 6758: 6754: 6750: 6747: 6744: 6740: 6736: 6733: 6730: 6726: 6723: 6720: 6716: 6712: 6709: 6706: 6705:Gordon Willis 6702: 6698: 6697:Lauren Bacall 6695: 6692: 6689: 6686: 6683: 6680: 6679:Robert Altman 6677: 6674: 6671: 6668: 6667:Blake Edwards 6665: 6662: 6661:Peter O'Toole 6659: 6656: 6652: 6649: 6648: 6646: 6642: 6635: 6634:Ernest Lehman 6631: 6628: 6625: 6624:Andrzej Wajda 6622: 6619: 6616: 6613: 6612:Stanley Donen 6610: 6607: 6604: 6601: 6597: 6594: 6591: 6588: 6585: 6582: 6579: 6576: 6573: 6570: 6567: 6563: 6560: 6557: 6554: 6551: 6547: 6544: 6541: 6540:Ralph Bellamy 6538: 6535: 6531: 6528: 6525: 6521: 6520:James Stewart 6518: 6515: 6512: 6509: 6508:Mickey Rooney 6506: 6503: 6500: 6497: 6494: 6491: 6490:Alec Guinness 6487: 6484: 6480: 6476: 6472: 6469: 6466: 6463: 6462: 6460: 6456: 6449: 6448:Mary Pickford 6446: 6443: 6439: 6436: 6433: 6429: 6426: 6423: 6419: 6416: 6413: 6410: 6406: 6403: 6400: 6397: 6394: 6390: 6389:John Chambers 6387: 6384: 6381: 6378: 6374: 6373:Yakima Canutt 6371: 6368: 6365: 6362: 6359: 6356: 6352: 6349: 6346: 6342: 6338: 6335: 6332: 6331:Lee de Forest 6328: 6327:Buster Keaton 6325: 6322: 6319: 6316: 6312: 6308: 6304: 6301: 6298: 6295: 6292: 6291: 6287: 6284: 6283: 6278: 6274: 6270: 6266: 6262: 6259: 6256: 6252: 6248: 6244: 6241: 6238: 6237: 6232: 6228: 6224: 6220: 6217: 6214: 6213: 6208: 6205: 6204: 6202: 6198: 6191: 6190: 6185: 6184:George Murphy 6181: 6178: 6175: 6174: 6169: 6165: 6161: 6160:Jean Hersholt 6158: 6155: 6151: 6147: 6146: 6141: 6140:Walter Wanger 6138: 6135: 6134: 6129: 6128: 6123: 6119: 6115: 6111: 6107: 6106:James Baskett 6104: 6101: 6097: 6093: 6089: 6086: 6083: 6079: 6078: 6073: 6072:Walter Wanger 6069: 6065: 6062: 6058: 6055: 6052: 6049: 6046: 6042: 6038: 6037:Charles Boyer 6035: 6032: 6028: 6024: 6020: 6016: 6013: 6010: 6006: 6003: 6000: 5996: 5992: 5988: 5984: 5983:Jean Hersholt 5980: 5976: 5972: 5968: 5965: 5962: 5958: 5954: 5950: 5946: 5942: 5938: 5934: 5930: 5929:Mickey Rooney 5926: 5925:Deanna Durbin 5922: 5918: 5915: 5912: 5908: 5904: 5900: 5897: 5894: 5893:Harold Rosson 5890: 5886: 5885: 5881: 5878: 5875: 5872: 5869: 5866: 5863: 5860: 5856: 5853: 5852: 5850: 5846: 5842: 5835: 5830: 5828: 5823: 5821: 5816: 5815: 5812: 5799: 5798: 5794: 5791: 5790: 5786: 5783: 5782: 5781:Red Line 7000 5778: 5775: 5774: 5770: 5767: 5766: 5762: 5759: 5758: 5754: 5751: 5750: 5746: 5743: 5742: 5738: 5735: 5731: 5728: 5727: 5723: 5720: 5719: 5715: 5712: 5711: 5707: 5704: 5703: 5699: 5696: 5695: 5691: 5688: 5687: 5686:The Big Sleep 5683: 5680: 5679: 5675: 5672: 5671: 5667: 5664: 5663: 5659: 5656: 5655: 5654:Sergeant York 5651: 5648: 5647: 5643: 5640: 5639: 5635: 5632: 5631: 5627: 5624: 5623: 5619: 5616: 5615: 5611: 5608: 5607: 5603: 5600: 5599: 5598:Barbary Coast 5595: 5592: 5591: 5587: 5584: 5583: 5582:Today We Live 5579: 5576: 5575: 5571: 5568: 5567: 5563: 5560: 5559: 5555: 5552: 5551: 5547: 5544: 5543: 5539: 5536: 5535: 5531: 5528: 5527: 5523: 5520: 5519: 5515: 5512: 5511: 5507: 5504: 5503: 5499: 5496: 5495: 5491: 5488: 5487: 5483: 5480: 5479: 5475: 5474: 5471: 5467: 5463: 5456: 5451: 5449: 5444: 5442: 5437: 5436: 5433: 5427: 5423: 5419: 5415: 5412: 5410: 5409:BBC interview 5407: 5405: 5401: 5398: 5395: 5392: 5389: 5385: 5381: 5378: 5376: 5372: 5369: 5368: 5358: 5354: 5350: 5347:Wood, Robin. 5346: 5343: 5339: 5335: 5331: 5327: 5323: 5319: 5315: 5312:Wood, Robin. 5311: 5308: 5304: 5300: 5296: 5293: 5289: 5285: 5281: 5278: 5274: 5270: 5266: 5265: 5253: 5249: 5245: 5241: 5236: 5232: 5230:9780810808607 5226: 5221: 5220: 5213: 5209: 5203: 5199: 5195: 5194: 5188: 5184: 5178: 5174: 5169: 5168: 5161: 5157: 5155:9780525472278 5151: 5146: 5145: 5138: 5127: 5121: 5117: 5116: 5110: 5106: 5100: 5096: 5095: 5089: 5085: 5084: 5078: 5073: 5072: 5066: 5062: 5058: 5052: 5047: 5046: 5039: 5035: 5029: 5025: 5020: 5009: 5003: 4999: 4998: 4992: 4988: 4982: 4978: 4973: 4969: 4965: 4961: 4957: 4953: 4949: 4942: 4937: 4926: 4920: 4916: 4915: 4909: 4898: 4892: 4888: 4887: 4881: 4870: 4864: 4857: 4856: 4850: 4839: 4833: 4829: 4824: 4823: 4816: 4812: 4806: 4802: 4797: 4786: 4780: 4776: 4775: 4769: 4768: 4756: 4753: 4747: 4739: 4738: 4733: 4727: 4720: 4717: 4711: 4704: 4699: 4693:, p. 101 4692: 4688: 4687:McCarthy 1997 4683: 4667: 4663: 4656: 4649: 4644: 4637: 4632: 4625: 4620: 4613: 4612:dvdbeaver.com 4610: 4606: 4603: 4597: 4590: 4587: 4581: 4579: 4567:September 20, 4562: 4558: 4554: 4547: 4536:September 20, 4531: 4527: 4523: 4517: 4506:September 20, 4501: 4497: 4493: 4487: 4480: 4475: 4468: 4463: 4461: 4459: 4452:, p. 53. 4451: 4446: 4439: 4434: 4432: 4430: 4423:, p. 243 4422: 4417: 4401: 4397: 4391: 4375: 4371: 4367: 4361: 4345: 4341: 4335: 4320: 4316: 4310: 4295: 4291: 4285: 4270: 4266: 4260: 4245: 4241: 4235: 4220: 4216: 4210: 4195: 4194: 4189: 4183: 4176: 4173: 4168: 4153: 4149: 4143: 4128: 4124: 4118: 4102: 4098: 4094: 4092: 4084: 4068: 4064: 4057: 4051:, p. 14. 4050: 4045: 4038: 4033: 4026: 4021: 4014: 4011: 4005: 3998: 3997:Indiewire.com 3995: 3989: 3982: 3978: 3973: 3966: 3961: 3954: 3949: 3942: 3937: 3935: 3919: 3915: 3908: 3901: 3897: 3896:Breivold 2006 3892: 3881:September 30, 3876: 3872: 3866: 3858: 3854: 3850: 3844: 3840: 3839: 3831: 3825:, p. 16. 3824: 3819: 3811: 3807: 3803: 3797: 3793: 3792: 3784: 3776: 3774:9781107650282 3770: 3766: 3765: 3757: 3750: 3745: 3739:, p. 10. 3738: 3733: 3726: 3721: 3715:, p. 11. 3714: 3709: 3694:. Checkers MC 3693: 3689: 3683: 3668:. Checkers MC 3667: 3663: 3656: 3641: 3637: 3630: 3623: 3618: 3612:, p. 15. 3611: 3606: 3599: 3594: 3592: 3584: 3583:Breivold 2006 3579: 3563: 3557: 3550: 3547: 3541: 3534: 3533: 3529: 3523: 3515: 3514: 3506: 3499:. p. 57. 3498: 3497: 3489: 3483:, p. 74. 3482: 3477: 3471:, p. 57. 3470: 3465: 3458:. p. 63. 3457: 3456: 3455:Daily Variety 3451: 3445: 3438: 3433: 3426: 3421: 3415:, p. 94. 3414: 3409: 3402: 3401:McCarthy 1997 3397: 3390: 3389:McCarthy 1997 3385: 3383: 3375: 3374:McCarthy 1997 3370: 3363: 3362:McCarthy 1997 3358: 3351: 3350:McCarthy 1997 3346: 3340:, p. 71. 3339: 3334: 3327: 3326:McCarthy 1997 3322: 3315: 3314:McCarthy 1997 3310: 3303: 3298: 3296: 3288: 3287:McCarthy 1997 3283: 3276: 3271: 3264: 3263:McCarthy 1997 3259: 3251: 3250: 3242: 3240: 3232: 3231:McCarthy 1997 3227: 3221:, p. 91. 3220: 3219:McCarthy 1997 3215: 3209:, p. 92. 3208: 3207:McCarthy 1997 3203: 3196: 3195:McCarthy 1997 3191: 3184: 3183:McCarthy 1997 3179: 3172: 3171:McCarthy 1997 3167: 3160: 3159:McCarthy 1997 3155: 3148: 3147:McCarthy 1997 3143: 3136: 3135:McCarthy 1997 3131: 3125:, p. 76. 3124: 3123:McCarthy 1997 3119: 3112: 3111:McCarthy 1997 3107: 3100: 3099:McCarthy 1997 3095: 3088: 3087:McCarthy 1997 3083: 3076: 3071: 3069: 3067: 3065: 3063: 3061: 3059: 3057: 3055: 3053: 3051: 3049: 3047: 3045: 3043: 3035: 3034:McCarthy 1997 3030: 3024:, p. 56. 3023: 3022:McCarthy 1997 3018: 3011: 3010:McCarthy 1997 3006: 2999: 2995: 2994:McCarthy 1997 2990: 2983: 2982:Breivold 2006 2979: 2978:McCarthy 1997 2974: 2967: 2966:McCarthy 1997 2962: 2960: 2952: 2951:McCarthy 1997 2947: 2940: 2935: 2933: 2925: 2923: 2918: 2912: 2905: 2904:McCarthy 1997 2900: 2885: 2881: 2874: 2858: 2854: 2847: 2841:, p. 36. 2840: 2839:McCarthy 1997 2835: 2833: 2825: 2821: 2820:McCarthy 1997 2816: 2809: 2808:McCarthy 1997 2804: 2798:, p. 31. 2797: 2796:McCarthy 1997 2792: 2785: 2784:McCarthy 1997 2780: 2774:, p. 25. 2773: 2772:McCarthy 1997 2768: 2761: 2760:McCarthy 1997 2756: 2748: 2744: 2737: 2730: 2725: 2717: 2711: 2706: 2705: 2699: 2692: 2688: 2681: 2679: 2674: 2673: 2668: 2664: 2660: 2656: 2652: 2651:Robert Altman 2648: 2643: 2641: 2640: 2635: 2631: 2630: 2625: 2621: 2620: 2614: 2609: 2607: 2606: 2601: 2597: 2594:to Hawks and 2593: 2592: 2587: 2583: 2579: 2578:Andrew Sarris 2575: 2571: 2567: 2563: 2559: 2555: 2551: 2548: 2547:Robert Altman 2542: 2540: 2539: 2534: 2533:Sergeant York 2529: 2528:Andrew Sarris 2525: 2515: 2513: 2509: 2508: 2507:Sergeant York 2503: 2499: 2495: 2492:in 1953, and 2491: 2487: 2483: 2478: 2476: 2472: 2468: 2464: 2463: 2458: 2457: 2452: 2451: 2450:Sergeant York 2446: 2445: 2440: 2436: 2435: 2430: 2426: 2422: 2418: 2417:The Big Sleep 2414: 2410: 2409: 2404: 2403: 2402:The Big Sleep 2398: 2397: 2392: 2391: 2386: 2383:(number 63), 2382: 2381: 2376: 2375: 2370: 2369: 2364: 2363: 2358: 2357: 2353: 2349: 2345: 2341: 2340: 2332: 2331: 2325: 2323: 2319: 2318: 2313: 2309: 2305: 2301: 2297: 2286: 2276: 2274: 2273: 2268: 2267: 2262: 2261: 2256: 2255: 2250: 2246: 2242: 2241: 2236: 2235:Sidney Howard 2225: 2223: 2222: 2217: 2216: 2215:The Big Sleep 2211: 2210: 2205: 2204:David Thomson 2201: 2197: 2193: 2189: 2186: 2185:post-feminist 2182: 2179: 2175: 2170: 2163: 2162:Lauren Bacall 2158: 2149: 2147: 2137: 2135: 2124: 2122: 2118: 2113: 2111: 2107: 2106: 2101: 2097: 2093: 2092: 2091:Today We Live 2087: 2081: 2079: 2075: 2070: 2068: 2064: 2060: 2059: 2054: 2050: 2046: 2045:Norma Shearer 2042: 2033: 2027:Personal life 2024: 2022: 2018: 2017: 2012: 2008: 2007: 2002: 1998: 1994: 1993: 1992:Red Line 7000 1988: 1984: 1980: 1979: 1974: 1973: 1963: 1959: 1957: 1953: 1949: 1948:The Big Sleep 1944: 1940: 1936: 1935: 1930: 1926: 1922: 1918: 1917: 1912: 1908: 1904: 1900: 1899: 1893: 1891: 1887: 1883: 1879: 1875: 1871: 1870: 1865: 1861: 1860:Ginger Rogers 1857: 1853: 1852: 1847: 1843: 1842: 1837: 1833: 1829: 1828: 1819: 1815: 1811: 1809: 1805: 1804: 1799: 1795: 1791: 1787: 1786:Benny Goodman 1783: 1779: 1775: 1774:Virginia Mayo 1771: 1767: 1766: 1761: 1757: 1753: 1749: 1748: 1743: 1739: 1738: 1732: 1729: 1728: 1723: 1719: 1715: 1711: 1710: 1709:The Big Sleep 1705: 1700: 1696: 1692: 1688: 1684: 1680: 1679: 1674: 1673:Lauren Bacall 1670: 1666: 1665:John Garfield 1662: 1661: 1656: 1651: 1649: 1645: 1642:and starring 1641: 1640:Billy the Kid 1637: 1636: 1631: 1630: 1625: 1621: 1617: 1613: 1612: 1607: 1606:Best Director 1603: 1599: 1595: 1591: 1587: 1583: 1582: 1581:Sergeant York 1577: 1573: 1572: 1567: 1563: 1562: 1553: 1552: 1547: 1546:Ralph Bellamy 1543: 1539: 1535: 1531: 1529: 1525: 1524:Rita Hayworth 1521: 1517: 1513: 1509: 1508: 1502: 1497: 1493: 1492:Andrew Sarris 1489: 1485: 1481: 1477: 1474:. It starred 1473: 1469: 1468: 1462: 1460: 1459:William Wyler 1456: 1452: 1448: 1444: 1440: 1439:Edward Arnold 1436: 1435: 1430: 1426: 1422: 1421: 1415: 1414:Barbary Coast 1411: 1407: 1403: 1402: 1401:Barbary Coast 1397: 1396: 1391: 1387: 1383: 1379: 1375: 1374: 1369: 1365: 1355: 1353: 1352: 1348: 1344: 1343: 1338: 1334: 1330: 1326: 1322: 1321: 1320:Today We Live 1316: 1312: 1308: 1307:Andrew Sarris 1304: 1300: 1299: 1290: 1286: 1282: 1280: 1276: 1272: 1271: 1266: 1262: 1258: 1254: 1250: 1249: 1248:Little Caesar 1244: 1243: 1237: 1233: 1229: 1228: 1223: 1219: 1215: 1214:Hal B. Wallis 1207: 1203: 1199: 1196: 1192: 1188: 1184: 1183: 1182:Hell's Angels 1178: 1177:Howard Hughes 1173: 1169: 1168: 1159: 1155: 1151: 1138: 1134: 1131: 1126: 1122: 1118: 1117:E. C. Bentley 1114: 1113: 1108: 1106: 1105: 1104:Pandora's Box 1100: 1096: 1092: 1091:Louise Brooks 1088: 1084: 1080: 1079: 1074: 1070: 1066: 1065: 1059: 1055: 1051: 1046: 1045: 1037: 1033: 1029: 1027: 1023: 1019: 1018: 1012: 1008: 1007: 1002: 998: 994: 990: 986: 983:as Michael's 982: 978: 974: 970: 966: 962: 958: 957: 952: 950: 949: 944: 936: 931: 927: 925: 921: 917: 913: 912: 907: 903: 899: 895: 891: 887: 877: 875: 874: 869: 865: 861: 857: 853: 852:Joseph Conrad 848: 844: 839: 837: 836:Moye Stephens 833: 829: 825: 821: 817: 816:Arthur Rosson 813: 809: 808:Harold Rosson 805: 799: 797: 793: 792:Allen Holubar 790:and director 789: 785: 781: 777: 773: 769: 765: 761: 756: 754: 750: 746: 742: 738: 734: 730: 726: 722: 718: 717: 711: 709: 705: 701: 700:Mary Pickford 697: 696: 691: 687: 686: 681: 677: 673: 669: 668: 663: 659: 655: 654:film industry 651: 648: 644: 629: 627: 623: 619: 618: 613: 609: 605: 604:United States 601: 597: 592: 590: 586: 582: 578: 574: 570: 566: 562: 558: 554: 553:New Hampshire 550: 545: 543: 539: 535: 531: 527: 523: 519: 515: 510: 508: 504: 500: 496: 491: 489: 485: 484:Massachusetts 481: 477: 467: 465: 461: 460: 455: 454: 449: 448: 443: 442: 437: 436: 435:The Big Sleep 431: 430: 425: 424: 419: 418: 413: 412: 407: 406: 401: 396: 394: 390: 389: 388:Sergeant York 384: 380: 376: 372: 368: 364: 360: 356: 355:film director 352: 340: 337: 334: 331: 328: 327:William Hawks 325: 322: 321:Kenneth Hawks 319: 318: 316: 312: 309: 306:3, including 305: 301: 277: 270: 269: 248: 241: 240: 219: 212: 211: 209: 205: 201: 200: 195: 194: 189: 188: 183: 182: 181:The Big Sleep 177: 176: 171: 170: 165: 164: 159: 158: 153: 152: 147: 146: 141: 135: 131: 127: 120: 117: 115:Film director 114: 113: 111: 107: 104: 101: 97: 92: 82: 78: 73: 56: 52: 45: 40: 33: 30: 19: 6869:Diane Warren 6865:Euzhan Palcy 6831:Cicely Tyson 6809:Owen Roizman 6753:Steve Martin 6701:Roger Corman 6673:Sidney Lumet 6644:2001–present 6630:Jack Cardiff 6606:Michael Kidd 6596:Kirk Douglas 6584:Deborah Kerr 6572:Satyajit Ray 6562:Sophia Loren 6488:Hal Elias / 6471:Walter Lantz 6438:Howard Hawks 6437: 6432:Groucho Marx 6409:Orson Welles 6405:Lillian Gish 6383:Arthur Freed 6345:Hayley Mills 6315:B. B. Kahane 6297:Eddie Cantor 6288: 6282:Gate of Hell 6281: 6273:Jon Whiteley 6251:Joseph Breen 6234: 6227:Harold Lloyd 6210: 6187: 6171: 6164:Fred Astaire 6154:Adolph Zukor 6143: 6131: 6127:Bill and Coo 6125: 6110:Thomas Armat 6075: 5995:Conrad Nagel 5987:Ralph Morgan 5971:Judy Garland 5961:Harry Warner 5945:Loyal Griggs 5911:Mack Sennett 5899:Edgar Bergen 5882: 5855:Warner Bros. 5795: 5787: 5779: 5771: 5763: 5755: 5747: 5739: 5724: 5716: 5708: 5700: 5692: 5684: 5676: 5668: 5662:Ball of Fire 5660: 5652: 5644: 5636: 5628: 5620: 5612: 5606:Ceiling Zero 5604: 5596: 5588: 5580: 5572: 5564: 5556: 5548: 5540: 5532: 5524: 5516: 5508: 5502:Paid to Love 5500: 5492: 5484: 5476: 5466:Howard Hawks 5465: 5380:Howard Hawks 5371:Howard Hawks 5348: 5314:Howard Hawks 5313: 5298: 5283: 5268: 5243: 5239: 5218: 5192: 5166: 5143: 5131:September 8, 5129:. Retrieved 5114: 5093: 5081: 5070: 5044: 5023: 5013:September 8, 5011:. Retrieved 4996: 4976: 4954:(4): 46–48. 4951: 4947: 4928:. Retrieved 4913: 4900:. 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Retrieved 4066: 4056: 4044: 4039:, p. 1. 4037:McBride 1982 4032: 4020: 4012: 4004: 3996: 3988: 3983:, p. 70 3981:McBride 1982 3972: 3960: 3955:, p. 4. 3953:McBride 1982 3948: 3943:, p. 2. 3941:McBride 1982 3921:. Retrieved 3917: 3907: 3891: 3879:. Retrieved 3874: 3865: 3837: 3830: 3818: 3790: 3783: 3763: 3756: 3744: 3732: 3727:, p. 8. 3720: 3708: 3696:. Retrieved 3691: 3682: 3670:. Retrieved 3665: 3655: 3643:. Retrieved 3639: 3629: 3617: 3605: 3600:, p. 6. 3578: 3566:. Retrieved 3556: 3548: 3540: 3530: 3522: 3516:. p. 8. 3511: 3505: 3494: 3488: 3476: 3464: 3453: 3444: 3432: 3420: 3408: 3396: 3369: 3357: 3345: 3333: 3321: 3309: 3304:, p. 7. 3282: 3275:Wakeman 1987 3270: 3258: 3247: 3226: 3214: 3202: 3190: 3178: 3166: 3154: 3142: 3130: 3118: 3106: 3094: 3082: 3075:Wakeman 1987 3029: 3017: 3005: 2998:Wakeman 1987 2989: 2984:, p. 74 2973: 2946: 2941:, p. 5. 2920: 2911: 2899: 2889:September 4, 2887:. Retrieved 2883: 2873: 2863:September 7, 2861:. 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