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rifle, Milner sneaks back onto the boat, knowing that the only way out of his mess is to deal with
Ferraro once and for all. He is caught and brought to the crime lord. After killing two of the thugs and wounding and capturing Thompson, Cardigan mounts a rescue with the reluctant assistance of the Mexican police and a couple of the more adventurous guests. A gunfight breaks out aboard the boat, followed by a melee. Milner manages to break free and shoot Ferraro dead. Cardigan and his wife are reconciled. Milner and Lenore end the film in a clinch.
29:
487:. Mitchum had been patient for over a year, during the multiple rewrites and reshoots. However, he snapped on the penultimate day of shooting during a fight scene, and started fighting for real with the stunt men who were manhandling him. He destroyed the set and all the lighting and sound equipment on the stage, all the while cursing at everyone involved with the production. One modern source claims that in Mitchum's fight scene with Raymond Burr, Burr actually knocked out Mitchum.
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that she is really just a singer looking to hook a wealthy spouse. Milner shows his softer side when he helps unhappy newlywed Jennie Stone by cheating at poker to win back her husband's gambling losses from investment broker Myron Winton. Lusk sneaks into
Thompson's room but is caught and killed. Milner and Lenore stumble upon his body dumped on the beach; Milner is convinced that the dead man must have been telling the truth.
350:. He tells Milner that the U.S. government suspects that underworld boss Nick Ferraro, deported to Italy four years earlier, is scheming to get back into the country posing as Milner. The two men are a close physical match and Milner is a loner, so no one is likely to miss him. Krafft turns out to be a
468:
Robert
Mitchum, who referred to himself as "The Tall Dog", called Jane Russell "Hard John" because of her strict, straitlaced religious beliefs. When a male reporter questioned these in light of her image, she told the reporter, "Christians can have big breasts too." Whatever sexual chemistry Mitchum
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began on
December 3, 1950, and took several months to complete. Because of Hughes' obsession with the film, especially its ending, the meetings lasted 7 or 8 hours each. Hughes demanded that the film have more slapstick comedy, more death and brutality, and more fighting. He also added the character
361:
to get a divorce, though not really intending to go through with it, as she is still fond of her husband. Hobson also thinks it is a poor idea because
Cardigan's film contract is expiring and the bad publicity would make it hard to get a new one. With her own plans ruined, Lenore confesses to Milner
345:
Milner overhears two guests, self-proclaimed author Martin Krafft and a man named
Thompson, planning something which he suspects involves him. When Milner confronts them, he is given $ 10,000 and told that someone is on his way to Baja to see him. Seemingly drunk Bill Lusk flies in, despite warnings
670:
Critic Dennis
Schwartz called the film, "An oddball tongue-in-cheek crime thriller, filled with ad-libs, from Howard Hughes' RKO studio that strays from its conventional film noir plot to try its hand at comedy". Schwartz also appreciated the acting, writing, "It's a part where Mitchum is perfectly
666:
magazine lauded the pairing of Robert
Mitchum and Jane Russell as the lead characters, writing, " two strike plenty of sparks in their meetings as each waits out plot development ... Both Mitchum and Russell score strongly. Russell's full charms are fetchingly displayed in smart costumes that offer
638:
Hughes promoted the film with a giant firework-shooting billboard featuring
Mitchum and Russell that spanned Wilshire Boulevard, proclaiming the two as "the hottest combination to ever hit the screen". The same image of the two actors later caused problems in London, as it was decided that too much
609:
A new scene involved the sinking of a row boat; "After the boat reached a certain point, it had to sink fairly slowly, the water coming up to the chins of the smallest seated soldiers". This required that the tank with the yacht set be emptied, have a portion rebuilt to deepen it to accommodate the
601:
The changes added new action scenes on the yacht, of which a set of the bridge had been built for the original production. As action sequences were added in the rewrite, this set was expanded bit by bit to a set for a full-size 150-foot (46 m) yacht, including interiors. The yacht set was in a
337:
Down on his luck, professional gambler Dan Milner accepts a mysterious job that will take him out of the country for a year but pays $ 50,000. He accepts a $ 5,000 advance and tickets that will take him to an isolated
Mexican resort, Morro's Lodge, where he will receive further instructions. Milner
674:
Linda Rasmussen liked Mitchum's performance but as a film noir proper gave the film a lackluster review, "As a serious film-noir thriller, it lacks suspense and depth. However, the film has its moments, and Robert Mitchum is in his element as the loner anti-hero". Jane Russell later said "It was a
559:
Howard Hughes, the Texas billionaire who had bought RKO Pictures in 1948, loved Vincent Price's character, and demanded of director John Farrow that it be expanded. Farrow, however, had delivered a film he believed to be finished, and refused to make Hughes' changes, leaving the production. Hughes
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That night, Thompson and his men take Milner to a yacht, recently arrived in the bay. Milner is able to pass along a veiled plea for help to Lenore. She persuades Cardigan, who is tired of just pretending to be a hero, to help out. While the actor keeps the mobsters pinned down with his hunting
503:, the title of the unpublished story by Gerald Drayson it was based on – was announced in July 1949 with Jane Russell and Robert Mitchum already attached. For Howard Hughes, who owned RKO and acted as its executive producer, Mitchum and Russell were the epitome of sexual chemistry.
524:
and Jack Leonard, who co-wrote the screenplay, intended the film to be a send-up of the dark film noir crime movies which were popular at the time. The primary conduit of the comedy of the film was the character of the ham Shakespearean actor Mark Cardigan, played by Vincent Price.
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was chosen for the reshoot after a careful search and screen tests; this second reshoot involved nearly every scene of the new material and a number of scenes earlier in the picture. Three quarters of the way through this second reshoot, Hughes saw
598:
of Martin Krafft, the sadistic German plastic surgeon. Hughes wrote all of Krafft's lines, tape recorded himself saying them, and then sent the recordings to the production to ensure that the part was played exactly as he envisaged it.
314:, a film that Fleischer had just finished for RKO. This post-production process took a great deal of time and money, costing about the same amount – $ 850,000 – as the film lost at the box office in its initial release.
613:
After two months of shooting and a month of editing, an hour and 20 minutes of new material had been added to the film. When Hughes viewed the new material, he decided that he did not like the actor playing the character Ferraro,
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as “good course romantic-adventure nonsense, exploiting the expressive dead-pans of Robert Mitchum and Jane Russell, a young man and a young woman who would probably enjoy doing in real life what they have to do here for RKO.”
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at home with being a loner anti-hero and Russell is perfectly cast as the bouncy 'his kind of woman', who in the last shot kisses him while his pants are being scorched by the iron--a perfect metaphor to end on".
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as an "A" film with a million-dollar budget and RKO's top stars. Fleischer again refused, as he was satisfied with the film he had made. Hughes then coerced his acceptance by threatening not to release
630:
In total, the reshooting of the film cost about $ 850,000 to complete – which, coincidentally was approximately the amount of money which the film lost in its initial 1951 release.
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Vincent Price, a gourmet cook, prepares to cook a duck, and Raymond Burr, an orchid fancier, tends orchids. Jane Russell, who was a singer as well as an actor, sings two songs.
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the minimum of protection. Much is made of Vincent Price's scenery-chewing actor character and much of it supplies relief to the film's otherwise taut development".
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is attracted to the only other passenger on his chartered flight to the resort, Lenore Brent. When he arrives, Milner finds that several guests at the luxurious
546:“Vincent Price is superb in his one right role—that of a ham actor thrown suddenly into a situation calling for high melodramatic courage.”—Film critic
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sought to helm a remake in the 2000s and 2010s, though it was ultimately not produced because RKO refused to relinquish the rights to the property.
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that they signed him to a non-exclusive contract as a writer and director. In May 1951 it was announced further retakes would be done for the film.
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of very dangerous storm conditions. Milner thinks he must be the contact but when the two are alone, Lusk says he is an undercover agent for the
577:. Hughes and other RKO executives thought this was something special, which was why that Hughes approached Fleischer to reshoot the ending of
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resort have hidden agendas. He is disappointed to find that Lenore is the girlfriend of famous movie actor Mark Cardigan.
293:. The direction of the film, which was based on the unpublished story "Star Sapphire" by Gerald Drayson, is credited to
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Farber adds: “Russell’s petulant, toneless rendition of “Five Little Miles From San Berdoo” is high art of a sort.”
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Farber, 2009 p. 375 And: p. 786: Sources and Acknowledgments, The Nation, “Best Films of 1951” January 15, 1952
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1215:"Brian De Palma on Passion, His Updated Version of 2010's Love Crime, And Why He Still Loves Thrillers"
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good film until they took John Farrow off and put in this nonsense at the end, the gore and needles".
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to change and reshoot the ending, estimating that the reshoot would take ten days or two weeks.
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intervened and caused extensive re-writes, re-casting, and re-shooting under the supervision of
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in a film and ordered Ferraro's scenes reshot again, this time using Burr in the part.
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Vincent Price threw a party on the set celebrating his one-year anniversary working on
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Cardigan's wife Helen and his personal manager Gerald Hobson show up. She had gone to
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Filming took place in November 1950. In December, the production was doing retakes.
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to be a similar experience, shooting a straightforward adventure thriller. However,
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After Farrow had turned in what he thought was the finished film, RKO studio boss
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sinking as scripted and be refilled. Another new scene involved a massive brawl.
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at all, and Fleischer gave in. Fleischer ended up reshooting most of the film.
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very large water tank on Stage 22 of the RKO Culver City lot, the biggest
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and Russell had onscreen, the two performers were never more than friends.
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1144:. Staff film review, December 31, 1950. Last accessed: January 2, 2024.
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the year before, and the two had gotten along well. They expected
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information site and DVD review at DVD Beaver (includes images)
817:(January 6, 2019) Outro to the Turner Classic Movie showing of
782:(January 6, 2019) Intro to the Turner Classic Movie showing of
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Russell and Mitchum were promptly re-teamed in the 1951 film
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film review, August 5, 2019. Last accessed: January 2, 2024.
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Farber on Film: The Complete Film Writings of Manny Farber.
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Story conferences between Hughes, Fleischer and the writer
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1130:, Berkeley, California: University of California Press
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Slow Fade to Black: The Decline of RKO Radio Pictures
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New Rochelle, New York: Arlington House, 1982. p.259
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1951 crime thriller movie produced by Howard Hughes
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537:. RKO were so pleased with Price's performance in
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499:The film – which was at one stage known as
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281:. The film features supporting performances by
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794:Jewell, Richard & Harbin, Vernon. (1982)
1075:"28 stunt men required for mass movie brawl"
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510:to direct. Farrow had directed Mitchum in
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652:The film recorded a loss of $ 825,000.
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1189:Peary, Gerald (July 1992). "Russell".
660:In a review of the film, the staff at
348:Immigration and Naturalization Service
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1377:
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908:"New Disney Movie is Nearly Finished"
906:Brady, Thomas F. (December 12, 1950)
851:Brady, Thomas F. (December 23, 1949)
828:
826:
567:Fleischer had just finished making a
1213:Guerrasio, Jason (August 29, 2013).
801:
762:
655:
2653:Films directed by Richard Fleischer
1120:
735:'The Top Box Office Hits of 1951',
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639:of Russell's cleavage was showing.
433:as Jose Morro, the resort's manager
13:
1280:Just Tell Me when to Cry: A Memoir
1179:. Last accessed: January 15, 2008.
853:"Deal as Director Made by Colbert"
823:
14:
2689:
2245:
1299:
1284:. Carroll & Graf Publishers.
959:"Phyllis Thaxter Gets Movie Lead"
618:, and ordered the scenes reshot.
506:Robert Sparks was to produce and
1955:The Girl in the Red Velvet Swing
957:Brady, Thomas F. (May 24, 1951)
2582:Howard Hughes Medical Institute
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2638:American black-and-white films
1158:Dennis Schwartz Movie Reviews,
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1:
2663:Films scored by Leigh Harline
2648:Films directed by John Farrow
647:
494:
2678:English-language crime films
2668:1950s English-language films
2396:The Sin of Harold Diddlebock
1939:20,000 Leagues Under the Sea
1313:AFI Catalog of Feature Films
1193:(28.4 ed.). p. 31.
840:AFI Catalog of Feature Films
756:AFI Catalog of Feature Films
709:
633:
7:
1276:Fleischer, Richard (1993).
10:
2694:
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1126:Jewell, Richard B. (2016)
940:Staff (February 26, 1951)
889:Staff (November 12, 1950)
2602:Howard Hughes Corporation
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2511:The Amazing Howard Hughes
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2323:
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2147:The Prince and the Pauper
1829:
1658:Night Has a Thousand Eyes
1602:Two Years Before the Mast
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923:L. S. (August 27, 1950).
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213:August 25, 1951
202:August 21, 1951
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33:theatrical release poster
26:
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1570:Commandos Strike at Dawn
1466:Little Miss Thoroughbred
333:in a scene from the film
258:$ 2 million (US rentals)
2436:Two Tickets to Broadway
2261:Hughes Aircraft Company
1971:Between Heaven and Hell
723:American Film Institute
369:
317:
210: (Chicago premiere)
2203:Million Dollar Mystery
1506:The Saint Strikes Back
1073:Staff (June 10, 1951)
891:"Director and Players"
873:"Looking at Hollywood"
556:
334:
2404:The Tattooed Stranger
2388:Behind the Rising Sun
1546:A Bill of Divorcement
1079:Chicago Daily Tribune
925:"Long Vacation Ended"
895:Chicago Daily Tribune
877:Chicago Daily Tribune
643:Release and reception
544:
325:
2673:1950s American films
2633:American crime films
2569:Howard R. Hughes Sr.
2283:Trans World Airlines
2139:The Incredible Sarah
2043:The Boston Strangler
1995:These Thousand Hills
1474:The Invisible Menace
554:, January 15, 1952.
86:Gerald Drayson Adams
2577:Hughes Tool Company
2452:The Las Vegas Story
2332:Two Arabian Knights
2187:Conan the Destroyer
2067:10 Rillington Place
2003:Crack in the Mirror
1907:Armored Car Robbery
1859:So This Is New York
1746:A Bullet Is Waiting
1554:Married and in Love
1493:(1938) (uncredited)
1490:Comet Over Broadway
1458:Broadway Musketeers
1450:She Loved a Fireman
1418:The Spectacle Maker
977:Farber, 2009 p. 375
2658:RKO Pictures films
2288:Hughes Helicopters
2091:The New Centurions
1821:Films directed by
1762:Back from Eternity
1730:Plunder of the Sun
1682:Where Danger Lives
1634:Easy Come, Easy Go
1404:Films directed by
1347:TCM Movie Database
1256:Library of America
1169:Rasmussen, Linda.
963:The New York Times
929:The New York Times
912:The New York Times
857:The New York Times
739:, January 2, 1952.
513:Where Danger Lives
335:
189:RKO Radio Pictures
179:RKO Radio Pictures
2610:
2609:
2597:Summa Corporation
2573:
2565:
2543:Rules Don't Apply
2519:Melvin and Howard
2420:His Kind of Woman
2213:
2212:
2059:Tora! Tora! Tora!
1915:The Narrow Margin
1883:Follow Me Quietly
1823:Richard Fleischer
1788:
1787:
1706:His Kind of Woman
1698:Submarine Command
1666:Red, Hot and Blue
1498:Women in the Wind
1362:His Kind of Woman
1353:His Kind of Woman
1342:His Kind of Woman
1331:His Kind of Woman
1320:His Kind of Woman
1307:His Kind of Woman
1291:978-0-88184-944-8
1264:978-1-59853-050-6
1172:His Kind of Woman
946:Los Angeles Times
871:(July 21. 1949).
834:His Kind of Woman
819:His Kind of Woman
784:His Kind of Woman
750:His Kind of Woman
688:His Kind of Woman
656:Critical response
588:The Narrow Margin
583:The Narrow Margin
579:His Kind of Woman
574:The Narrow Margin
562:Richard Fleischer
539:His Kind of Woman
518:His Kind of Woman
485:His Kind of Woman
443:Carleton G. Young
409:as Helen Cardigan
407:Marjorie Reynolds
311:The Narrow Margin
306:Richard Fleischer
266:His Kind of Woman
262:
261:
150:Frederic Knudtson
47:Richard Fleischer
22:His Kind of Woman
2685:
2628:1951 crime films
2571:
2563:
2240:
2233:
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2217:
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2027:Fantastic Voyage
1947:Violent Saturday
1891:Make Mine Laughs
1851:Design for Death
1835:Child of Divorce
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1442:West of Shanghai
1429:(1936) (partial)
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1154:Schwartz, Dennis
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1105:, pp. 71–72
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445:as Gerald Hobson
439:as Martin Krafft
431:Philip Van Zandt
391:as Mark Cardigan
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2468:The French Line
2364:Cock of the Air
2348:The Mating Call
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2209:
2163:The Jazz Singer
2115:The Spikes Gang
2107:The Don Is Dead
2035:Doctor Dolittle
1875:The Clay Pigeon
1825:
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1778:John Paul Jones
1770:The Unholy Wife
1674:Alias Nick Beal
1586:The Hitler Gang
1530:Full Confession
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1270:Further reading
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427:as Myron Winton
421:as Jennie Stone
415:as Nick Ferraro
385:as Lenore Brent
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352:plastic surgeon
340:Baja California
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413:Raymond Burr
397:as Bill Lusk
383:Jane Russell
364:
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331:Jane Russell
309:
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287:Raymond Burr
279:Jane Russell
265:
264:
263:
230:Running time
108:Jane Russell
76:(uncredited)
75:
69:(uncredited)
68:
63:Jack Leonard
60:Frank Fenton
50:(uncredited)
49:
2561:Jean Peters
2535:The Aviator
2083:See No Evil
1979:The Vikings
1562:Wake Island
1406:John Farrow
1220:Vanity Fair
880:(1923-1963)
678:Writing in
604:sound stage
595:Earl Felton
560:then asked
508:John Farrow
463:Cast notes:
437:John Mylong
403:as Thompson
295:John Farrow
234:120 minutes
126:Narrated by
92:Produced by
66:Earl Felton
43:John Farrow
39:Directed by
2623:1951 films
2617:Categories
2587:Desert Inn
2372:Sky Devils
2340:The Racket
2313:The Outlaw
1987:Compulsion
1738:Botany Bay
1610:California
1250:Edited by
702:Filmmaker
686:describes
680:The Nation
648:Box office
552:The Nation
495:Production
449:Paul Frees
425:Jim Backus
269:is a 1951
255:Box office
217:1951-08-25
206:1951-08-21
171:Production
154:Eda Warren
2643:Film noir
2492:Jet Pilot
2273:H-1 Racer
2195:Red Sonja
1867:Bodyguard
710:Footnotes
634:Promotion
571:for RKO,
451:as Corley
273:starring
271:film noir
221: (US)
146:Edited by
2572:(father)
2412:Vendetta
2380:Scarface
2254:Aviation
2131:Mandingo
2019:Barabbas
1626:Calcutta
1336:AllMovie
1246:. 2009.
1177:AllMovie
478:Tim Holt
474:Westerns
395:Tim Holt
247:Language
160:Music by
116:Tim Holt
100:Starring
82:Story by
2554:Related
2155:Ashanti
1963:Bandido
1899:Trapped
1482:My Bill
1369:YouTube
1345:at the
1310:at the
1238:Sources
1226:June 8,
1141:Variety
942:"Drama"
837:at the
753:at the
737:Variety
663:Variety
569:B movie
457:as Tony
250:English
239:Country
215: (
204: (
173:company
2564:(wife)
2546:(2016)
2538:(2004)
2530:(1991)
2522:(1980)
2514:(1977)
2495:(1957)
2487:(1956)
2479:(1955)
2471:(1954)
2463:(1953)
2455:(1952)
2447:(1952)
2439:(1951)
2431:(1951)
2423:(1951)
2415:(1950)
2407:(1950)
2399:(1947)
2391:(1943)
2383:(1932)
2375:(1932)
2367:(1932)
2359:(1931)
2351:(1928)
2343:(1928)
2335:(1927)
2316:(1943)
2308:(1930)
2206:(1987)
2198:(1985)
2190:(1984)
2182:(1983)
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2030:(1966)
2022:(1961)
2014:(1961)
2006:(1960)
1998:(1959)
1990:(1959)
1982:(1958)
1974:(1956)
1966:(1956)
1958:(1955)
1950:(1955)
1942:(1954)
1934:(1953)
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1288:
1262:
2444:Macao
1931:Arena
1843:Banjo
1722:Hondo
1578:China
725:entry
534:Macao
329:with
2051:Che!
1538:Reno
1325:IMDb
1286:ISBN
1260:ISBN
1228:2023
476:for
370:Cast
359:Reno
318:Plot
289:and
277:and
1367:on
1334:at
1323:at
1175:at
550:in
2619::
1258:.
1254:.
1217:.
1156:.
982:^
970:^
825:^
803:^
764:^
354:.
297:.
285:,
2239:e
2232:t
2225:v
1814:e
1807:t
1800:v
1397:e
1390:t
1383:v
1294:.
1230:.
759:.
480:.
219:)
208:)
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