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High Spirits (musical)

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After dinner Madame Arcati breezes in on her bicycle, explains the details of the forthcoming séance, and begins the session to communicate with a spirit in the unknown. The spirit is Charles’ late wife, Elvira, whose voice is audible only to Charles. Unexpectedly, Elvira, clad in a greenish cloud-like garment, flies across the room, unseen by the guests. Charles sees Elvira and has a lengthy conversation with her. He even tries to introduce her to Ruth, who is upset, thinking her husband has gone slightly daffy. Ruth storms out of the room, leaving Charles with Elvira. The next morning at breakfast, Ruth feels that Charles’ unusual behavior was due to the effects of alcohol, but when Elvira shoves a bowl of flowers in her face, Ruth believes. Ruth goes to Madame Arcati’s coffee shop, where she is surrounded by her student spiritualists, to plead with her to get rid of Elvira. Madame Arcati has bungled the job; she doesn’t know how to do it. While Ruth and Madame Arcati are having their difficulties, Charles and Elvira reminisce about their marriage. Charles agrees to take Elvira to the Penthouse Club for old times’ sake. She tries to convince Charles to forget everything and follow her, as she describes her astral activities. Excited about the wonderful things that Elvira describes, and encouraged by her, he mounts the parapet, extends his arms in an attempt to fly, and plunges out of sight.
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been successful in bringing Charles to her world. She confesses homesickness and sings about the extraordinary environment of her "Home Sweet Heaven." Charles and Elvira arrive at Madame Arcati’s coffee shop to try to send Elvira back home. To Madame Arcati’s delight, Charles’ consternation and Elvira’s disgust, Ruth suddenly appears, fully materialized. Ruth bemoans the fact that she will have to spend eternity alone with Elvira. By mystical machinations, Elvira places an "extremely long distance call" to Merlin the Magician, somewhere in the great beyond. Merlin immediately dispenses a deadly poison, "instant" hemlock, which is poured into the brandy decanter. Charles and his two ectoplasmic wives try to make the best of an impossible situation. Madame Arcati attempts to untangle the mess. She discovers that Edith, the maid, unknown even to herself, is a natural medium. She dematerializes the two ghostly wives. As the dematerialized spirits romp around the house, playing havoc with the furnishings, Charles and Madame Arcati drink a toast to their success. The poisoned brandy acts quickly with Charles and Madame Arcati joining Elvira and Ruth in the celestial world of the unknown, where they will all fly faster than sound forever.
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Ruth points out to Charles, who as a result of his plunge has a bandaged head, that Elvira is attempting to kill him off. Elvira tampers with Charles’ car, hoping to kill him when he drives it. Instead Ruth drives it first and is killed. Elvira declares her spiritual return a flop because she hasn’t
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to work with, and I never want to do anything else with him. I'd have to be starving, I really would." After the opening night, Coward wrote in his diary, "Cis also got some well-deserved cracks for vulgarizing Madame Arcati, and serve her bloody well right." The notices for the piece were dreadful,
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Hampstead Heath, in the north of London, claims as two of its more distinguished residents the best-selling author of mystery novels, Charles Condomine, and his second wife, Ruth. They are preparing to entertain at dinner, and Madame Arcati is expected later to conduct one of her famous séances.
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accepted the role of Madame Arcati. This was an unhappy episode in her career. Coward himself co-directed, and the two clashed constantly in rehearsal. Courtneidge later said, "Everyone
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commented, "The sight of Cicely Courtneidge hamming it until she drops in purple harem knickers with diamanté cycle clips isn't honestly hilarious enough to carry the evening."
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in San Francisco, California presented a staged concert version of the musical in August, 1997 and in March and April 2009.
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was music director, scenic and costumes design were by Robert Fletcher, lighting design was by
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as director. Coward's dream cast failed to materialize, but he continued with the project.
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on April 7, 1964, and closed on February 27, 1965, after 375 performances and 14 previews.
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Martin and Gray adhered closely to Coward's original text, while expanding the
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was delighted with their adaptation and agreed to direct it himself.
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and those for Courtneidge's performance scarcely better:
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Open a New Window: The Broadway Musical of the 1960s
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Best Performance by a Featured Actress in a Musical
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"High Spirits", 777:"High Spirits - Original Broadway Cast" 183:aided Coward in directing the musical. 1773: 925: 748: 746: 977: 807:Reissued on LP on DRG SL 5180 in 1978 210:Originally, Coward had mentally cast 501:"The Sandwich Man" - Ensemble member 474: 743: 699:Best Conductor and Musical Director 268:adore him – me included – but he's 191:, and Tammy Grimes' costume was by 13: 719: 531:"If I Gave You" - Ruth and Charles 130:with a book, lyrics, and music by 14: 1807: 948: 485:"Was She Prettier Than I?" - Ruth 732:, Palgrave (2001), pages 38–40 ( 919: 901: 887: 868: 854: 241:label and the subsequent CD by 1487:Pretty Polly and Other Stories 841: 828: 819: 810: 801: 782: 770: 166: 1: 712: 543:"The Exorcism" - instrumental 513:"Something Tells Me" - Elvira 510:"Forever and a Day" - Charles 1548:The Queen Was in the Parlour 1241:The Queen Was in the Parlour 570: 567:Original Broadway production 537:"Home Sweet Heaven" - Elvira 469: 314:Original cast and characters 7: 1158:The Girl Who Came to Supper 909:Playbill 1964 Bio Cast List 895:Playbill 1964 Bio Cast List 669:Best Direction of a Musical 290: 10: 1812: 1068:Noël Coward's Sweet Potato 961:Internet Broadway Database 956:​High Spirits​ 629:Best Composer and Lyricist 369: 364: 354: 349: 1745: 1670: 1539: 1532: 1497: 1470: 1419: 1168: 1093: 1012: 969:guidetomusicaltheatre.com 613: 598: 593: 585: 582: 579: 576: 534:"Talking to You" - Arcati 462: 459: 451: 448: 440: 435: 427: 422: 412: 409: 399: 394: 384: 379: 339: 334: 320: 248:Coward also directed the 103: 86: 70: 56: 42: 30: 21: 851:, 8 November 1964, p. 25 759:, Applause Books, 1994. 757:My Life with Noël Coward 573: 304: 295: 1791:Musicals based on plays 1522:The Noël Coward Diaries 838:, 21 October 1964, p. 9 235:original cast recording 226:as Madame Arcati, with 37:Original Cast Recording 1796:Musicals set in London 562:Awards and nominations 171:The musical opened on 1479:Pomp and Circumstance 933:. London: W H Allen. 798:, musical-theatre.net 1719:Waiting in the Wings 1460:The Astonished Heart 1401:Waiting in the Wings 1185:I'll Leave It to You 493:You'd Better Love Me 138:, based on the play 1409:Suite in Three Keys 912:accessed 07/10/2023 898:accessed 07/10/2023 789:"London production" 420:Dr. George Bradman 1506:Present Indicative 1110:Conversation Piece 1037:This Year of Grace 880:2009-01-02 at the 794:2007-09-28 at the 362:Charles Condomine 341:Cicely Courtneidge 262:Cicely Courtneidge 1786:Broadway musicals 1768: 1767: 1764: 1763: 1604:Design for Living 1514:Future Indefinite 1428:In Which We Serve 1361:Peace in Our Time 1313:Design for Living 1029:On with the Dance 940:978-0-491-00534-0 710: 709: 684:Best Choreography 558: 557: 467: 466: 347:Elvira Condomine 157:Faster Than Sound 119: 118: 1803: 1735:Look After Lulu! 1727:Present Laughter 1711:Nude with Violin 1695:South Sea Bubble 1537: 1536: 1436:This Happy Breed 1393:Look After Lulu! 1385:Nude with Violin 1369:South Sea 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Index


Hugh Martin
Timothy Gray
Hugh Martin
Timothy Gray
Book
Hugh Martin
Timothy Gray
Blithe Spirit
Noël Coward
Broadway
West End
musical
Hugh Martin
Timothy Gray
Blithe Spirit
Noël Coward
medium
playwright
Broadway
Alvin Theatre
Gower Champion
Fred Werner
Jules Fisher
Valentina
Funny Girl
Hello, Dolly!
Keith Michell
Gwen Verdon
Celeste Holm

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