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8 mm video format

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570: 510:(AFM) to record sound along the same helical tape path as that of the video signal. This meant that Video8's standard audio was of a far higher quality than that of its rivals. Early Video8 camcorders used mono AFM sound, but this was later made stereo. This cost less than including 8mm's optional digital stereo audio track. Linear audio did have the advantage that (unlike either AFM system) it could be re-recorded without disturbing the video, doing this in 8mm required a deck that supported digital audio. 852: 605:). First demonstrated in February 1989, it was initially endorsed by ten other manufacturers — Aiwa, Canon, Fuji, Hitachi, Konica, Matsushita, Maxell, Ricoh, Sanyo and TDK. Like S-VHS, Hi8 uses improved recorder electronics and media formulation to increase the recorded bandwidth of the luminance signal. The luminance carrier was shifted from 4.2 MHz for regular 8-mm up to 5.7 MHz for Hi8, and the frequency deviation was increased to 2 MHz from the 1.2 MHz of standard 8-mm. 156: 586: 806: 43: 822:"door" is open and in the "SAVE" position when it is closed. (Not all tape cases have markings for this information.) The tape can only be recorded onto (or recorded over) when this tab is in the "REC" position. This is an improved version of the VHS write-protect tab, which prevents erasure after it has been broken off, requiring covering with adhesive tape or filling with an obstruction to remove the write protection. 836: 147: 560: 865:-branded players and recorders, with and without a flip-up screen meant for video playback and limited recording. These have been adapted for Digital8 as well as MiniDV formats, even as portable DVD players have become popular in this application. Such players saw use in professional applications, particularly with airlines, which, during the 1980s, adopted 8mm as the format for 474: 1018: 650: 711:. These in turn have been largely displaced by high-definition camcorders that record to flash storage cards. Both Video8 and Hi8 blank media remain available and affordable but are increasingly rare. Tape-based camcorders are still readily available in the secondhand market. The last Hi8 camcorder (the Sony CCD-TRV238) and the last 446:– created a preliminary draft of the unified format and invited members of the Electronic Industries Association of Japan, the Magnetic Tape Industry Association, the Japan Camera Industry Association and other related associations to participate. As a result, a consortium of 127 companies endorsed 8-mm video format in April 1984. 536:
Ultimately, Video8's main rival in the camcorder market turned out to be VHS-C, with neither dominating the market completely. However, both formats (along with their improved descendants, Hi8 and S-VHS-C) were nevertheless very successful. Collectively, they dominated the camcorder market for almost
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Efforts were made to expand Video8 from only the camcorder market into mainstream home video. But as a replacement for full-size VCRs, Video8 failed. It lacks the long (5+ hours) recording times of both VHS and Betamax, offers no clear audio/video improvement, and cost more than equivalent full-size
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In April 1986 six Japanese electronics companies—Matsushita, Hitachi, Pentax, Minolta, Mitsubishi, Sharp and Toshiba—announced their lack of plans to embrace eight millimeter in the foreseeable future and instead adopted VHS-C format. Yet, several months later at the summer 1986 Consumer Electronics
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The first Sony camcorder capable of recording to standard 8mm videotape was the Sony CCD-V8, with 6x zoom but only manual focus, released in 1985 with an MSRP of approximately $ 1,175, ($ 3,329 in 2023) and a mass of 1.97 kg. The same year, Sony released the CCD-V8AF which added autofocus. Also
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are indistinguishable at the logical format level. To store the digitally encoded audio/video on a standard NTSC Video8 cassette, the tape must be run at double the Hi8 speed. Thus, a 120-minute NTSC Hi8 tape yields 60 minutes of Digital8 video. Most Digital8 units offer an LP mode, which increases
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Both S-VHS and Hi8 retain the audio recording systems of their base formats; VHS HiFi Stereo outperforms Video8/Hi8 AFM, but was rarely available on camcorders. In the late 1980s, digital (PCM) audio was introduced into some higher-grade models of Hi8 recorders. Hi8 PCM audio operates at a sampling
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Video8/Hi8's main drawback is that tapes made with Video8 camcorders cannot be played on VHS hardware. Instead it was assumed that the camcorder would be directly plugged into one's TV. Although it is possible to transfer tapes (using the VCR to rerecord the source video as it is played back by the
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shells, which consist of only a single piece of plastic that protects the part of the tape that is read by the player/recorder, Hi8's tape-protection mechanism consists of two pieces of plastic at the top of the shell that come together and form a casing that protects both sides of the tape, and a
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The Sony EV-S900 (Hi8), Sony EV-S800, Sony EV-S700U, and Pioneer VE-D77 (Video8) all support a mode called "PCM Multi Audio Recording". While other 8mm decks support only a single stereo PCM recording, these units provide five additional stereo PCM tracks that are recorded in the video area of the
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In terms of audio, Video8 generally outperforms its older rivals. Audio on Standard VHS and Beta is recorded along a narrow linear track at the edge of the tape, where it is vulnerable to damage. Coupled with the slow horizontal tape speed, the sound was comparable with that of a low-quality audio
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Video8 was launched in 1984, into a market dominated by the VHS-C and Betamax formats. The first two models were the Kodak Kodavision 2200 and 2400, both over US$ 1,500. The Kodak machines were produced by Matsushita Electric, but Matsushita itself had shown no interest in selling the same product
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To prevent the recording on the tape from being erased, there is a small write-protect tab that can be moved to one of two positions, labeled "REC" and "SAVE" (sometimes marked as "ERASE ON" and "OFF", respectively). Comparing the sliding tab to a door, the tape is in the "REC" position when the
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head drum (it having a small 40mm head) to read from and write to the magnetic tape. The drum rotates at high speed (one or two rotations per picture frame—about 1800 or 3600 rpm for NTSC, and 1500 or 3000 rpm for PAL) while the tape is pulled along the drum's path. Because the tape and drum are
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Sony has licensed Digital8 technology to at least one other firm (Hitachi), which marketed a few models for a while; but by 2005 only Sony sold Digital8 consumer equipment. Digital8's main rival is the consumer MiniDV format, which uses narrower tape and a correspondingly smaller cassette shell.
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The main disadvantage of the ATF system was that unlike in the case of a control track, an 8mm camera or player cannot keep track of where the tape is during fast forward and rewind (though it could during shuttle search). This made editing using a linear editing system problematic. Some later
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rate of 32 kHz with 8-bit samples and DBX dynamic range expansion. This was higher fidelity than the monaural linear dubbing offered by VHS/S-VHS camcorders. PCM-capable Hi8 recorders can simultaneously record PCM stereo in addition to the legacy (analog AFM) stereo audio tracks.
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Digital8 is the most recent 8mm video format. It retains the same physical cassette shell as its predecessors, and can even record onto Video8 (not recommended) or Hi8 cassettes. However, the format in which video is encoded and stored on the tape itself is the entirely digital
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Initially, many movies were prerecorded in 8mm format for home and rental use, but the rental market for Video8 never materialized. Sony maintained a line of Video8 home VCRs well into the 1990s, but unlike VHS, 8mm VCRs with timers were very expensive.
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For PAL, the Digital8 recorder runs 1½ times faster; thus, a 90-minute PAL Hi8 tape yields 60 minutes of Digital8 video. PAL LP mode returns the tape speed to the Hi8 SP speed, so a Hi8 90-minute tape yields 90 minutes of Digital8 video.
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signal. This allows 8mm tapes to hold 6 parallel tracks of audio, each up to 4 hours long (in LP mode). Only one stereo track can be recorded or listened to at a time, and tracks are selected with the "PCM Multi Audio" selector button.
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The small size of media means that many Video8 camcorders are small enough to hold in the palm of the user's hand. This was impossible with Betamax and full-sized VHS camcorders, with all of them having shoulder-mount form factor.
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compact camcorders introduced by the competition. It was followed by Hi8, a version with improved resolution. Although this was still analog, some professional Hi8 equipment could store additional digital stereo
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format (and thus very different from the analog Video8 and Hi8). Some Digital8 camcorders support Video8 and Hi8 with analog sound (for playback only), but this is not required by the Digital8 specification.
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All Hi8 equipment can record and play in the legacy Video8 format. The reverse is not usually the case though there are a few late-entry Video8 systems that recognize and play Hi8 recordings.
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on the tape to facilitate the head following the diagonal tracks. Instead 8mm recorded a sequence of four sine waves on each video track such that adjacent tracks would produce one of two
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By 2009, the popularity of the analog 8mm formats had dwindled considerably and new camcorders that support the format were unobtainable, having been superseded by digital formats, mainly
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In all three cases, a length of 8mm-wide magnetic tape is wound between two spools and contained within a hard-shell cassette. These cassettes share similar size and appearance with the
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frequencies if the head mistracked. The system automatically adjusted the tracking such that the two frequencies produced were of equal magnitude. This system was derived from the
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Among home and amateur videographers, Video8/Hi8 was popular enough for Sony to make equipment for video editing and production. The format also saw some use in professional
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in some cases. One difference between them is in the quality of the tape itself, but the main differences lie in the encoding of the video when it is recorded onto the tape.
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Show Olympus introduced an eight-millimeter camcorder manufactured by Matsushita, and Hitachi was reported to be making eight-millimeter machines for Minolta & Pentax.
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latch that prevents this casing from opening and exposing the tape. The playback/recording unit can depress this latch to open the casing and gain access to the tape.
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system. Sony rechristened the system as automatic track following (ATF) as the 8mm system lacked the ability of the heads to physically move within the head drum.
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VCRs. Even with all of the advanced features offered in high-end Video8 machines, there was no compelling reason to switch to Video8 for the home application.
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Video8 also has an advantage in terms of recording and playback time over VHS-C – 180 minutes vs 45 minutes in SP mode for standard cassettes for each format.
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range: the CCD-M8, which at one kilogram was half the mass of the CCD-V8, though it had no zoom and supported only manual focus with three focus settings.
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latimes.com Whatever happened to 8mm tape? : VIDEO'S 'FORMAT OF THE FUTURE' STILL LAGS BEHIND VHS, March 11, 1990|DENNIS HUNT | Times Staff Writer
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As with many other video cassette formats, 8mm videocassettes have a tape-protecting mechanism built into the shell. Unlike the ones on VHS and
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and similar models. While the cassettes are physically interchangeable, these recordings are not interchangeable with 8mm video formats.
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format, using similar technology (including U-shaped tape loading) but in a smaller configuration in response to the small configuration
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Video8 was the earliest of the three formats, and is entirely analog. The 8mm tape width was chosen as smaller successor to the 12mm
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cameras and players attempted to derive the tape position from the differential rotation of the spools with limited success.
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Since both technologies share the same logical audio/video format, Digital8 can theoretically equal MiniDV or even
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oriented at a slight angular offset, the recording tracks are laid down as parallel diagonal stripes on the tape.
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The heads on the drum of a Video8 recorder move across the tape at (a writing speed of) 3.75 meters per second.
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camcorder (the Sony DCR-TRV285) were both discontinued in 2007, ending the 8mm format's 22 years on the market.
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In terms of video quality, Video8 offers similar performance to Beta-II and VHS in their standard-play modes.
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in A/V performance. But by the year 2005, Digital8 had been relegated to the entry-level camcorder market.
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width and near-identical cassette shells, measuring 95 Ă— 62.5 Ă— 15 mm. This gives a measure of
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Besides the brands listed above, Hi8 equipment was also offered by Nikon, Samsung, Sharp and TEAC.
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camcorder), the VHS copy would lose some quality compared to the 8mm original. During the 1990s
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Hi8 tapes were also used for an 8-track professional digital audio format called
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In January 1984, Eastman Kodak announced the new technology in the U.S. In 1985,
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video cameras, Video8 became very popular in the consumer camcorder market.
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Both Hi8 and S-VHS were officially rated at a luminance resolution of 400
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VCRs that also feature an 8mm deck to allow convenient transfer to VHS.
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The three formats are physically very similar, featuring both the same
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Video Recording Technology: Its Impact on Media and Home Entertainment
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Fast forward: Hollywood, the Japanese, and the onslaught of the VCR
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users, although they also saw important use in the professional
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Sony Toshiba IBM Center of Competence for the Cell Processor
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The write-protect switch (right) prevents accidental erasure
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Canon ES-100A: High-end Video 8 VCR based on the Sony EV-S1
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quality. Chrominance resolution for both remain unchanged.
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the recording time on an NTSC P6-120 tape to 90 minutes.
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two decades before they were eventually crowded out by
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Magnetic tape-based videocassette format for camcorders
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cassette. By contrast, all Video8 machines used audio
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An amateur grade Video8 Camcorder from the early 1990s
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Like most other videocassette systems, Video8 uses a
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Their user base consisted mainly of amateur 2214: 2004: 1440: 1372: 1321: 888: 1410:ubergizmo.com sony ends support of 8mm video 1255:Video and Camcorder Servicing and Technology 777:Unlike preceding systems, 8mm did not use a 1208: 985:"Video camera technologies systematization" 953: 951: 949: 2221: 2207: 1447: 1433: 558: 154: 145: 2228: 127:Learn how and when to remove this message 1252: 1000: 982: 946: 850: 834: 804: 648: 584: 568: 533:also made a similar dual-deck machine. 472: 1298:Newnes Guide to TV and Video Technology 1294: 1248: 1246: 1137: 1135: 976: 957: 14: 3032: 2815:CBHD (China Blue High-definition Disc) 1348: 2202: 1428: 1239:from the original on 30 January 2012. 1034:"Kodak Unveils 8mm Video 'Camcorder'" 2772:HVD (High-Definition Versatile Disc) 1243: 1209:Braithwaite, Lancelot (April 1989). 1132: 1001:Nmungwun, Aaron Foisi (2012-11-12). 861:Sony also produced a line of Video8 825: 389:) format and its improved successor 65:adding citations to reliable sources 36: 1211:"Hi8 debut sets a new 8mm standard" 747:sound on a special reserved track. 664:is a form of the industry standard 593:To counter the introduction of the 377:refers informally to three related 24: 1141: 629: 25: 3066: 3040:Audiovisual introductions in 1985 1398: 581:field Hi8 camcorder. 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Entertainment 1493:Primary businesses 1148:DigicamHistory.com 1115:DigicamHistory.com 859: 841: 811: 791:Philips Video 2000 789:(DTF) used by the 658: 656:Digital8 Camcorder 591: 583: 479: 139: 3027: 3026: 2994: 2993: 2843: 2842: 2790:BD (Blu-ray Disc) 2760:MUSE Hi-Vision LD 2596: 2595: 2196: 2195: 2151:List of libraries 2079: 2078: 2019:PlayStation Video 1969:PlayStation Store 1233:HowStuffWorks.com 826:Non-camcorder use 693:analog recordings 541:formats, such as 525:did market a few 407:digital recording 371: 370: 137: 136: 129: 111: 16:(Redirected from 3062: 2852: 2851: 2804: 2801: 2708: 2705: 2607: 2606: 2243: 2242: 2223: 2216: 2209: 2200: 2199: 2084:Other businesses 2002: 2001: 1515:Sony Music Group 1500:Sony Corporation 1449: 1442: 1435: 1426: 1425: 1392: 1391: 1376: 1370: 1369: 1367: 1365: 1355: 1346: 1340: 1339: 1319: 1313: 1312: 1292: 1286: 1285: 1283: 1275: 1269: 1268: 1250: 1241: 1240: 1225: 1219: 1218: 1206: 1200: 1199: 1184: 1178: 1177: 1162: 1156: 1155: 1142:Carter, 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Routledge. 1006: 1005: 997: 990:. p. 49. 986: 979: 971: 969:9780393023893 965: 961: 954: 952: 950: 941: 937: 931: 927: 917: 914: 912: 909: 908: 902: 900: 886: 884: 880: 870: 868: 864: 857: 856:Video Walkman 853: 849: 845: 837: 823: 819: 816: 807: 798: 794: 792: 788: 784: 780: 779:control track 775: 772: 769: 764: 762: 757: 754: 748: 746: 741: 737: 732: 730: 726: 725:magnetic tape 716: 714: 710: 709:8 cm DVD 706: 696: 694: 689: 687: 681: 677: 674: 670: 667: 663: 655: 651: 646: 636: 627: 624: 621: 617: 615: 611: 606: 604: 600: 596: 587: 580: 576: 571: 561: 550: 548: 544: 540: 534: 532: 528: 524: 518: 515: 511: 509: 503: 500: 496: 494: 488: 475: 466: 464: 460: 456: 452: 447: 445: 441: 437: 433: 429: 424: 422: 418: 414: 413: 408: 404: 403:digital audio 400: 396: 392: 388: 384: 380: 379:videocassette 376: 366: 362: 359: 355: 351: 348: 340: 337: 334: 330: 294: 290: 287: 283: 280: 272: 269: 265: 262: 260: 256: 253: 250: 242: 239: 236: 228: 221: 216: 213:300 minutes ( 206: 203:120 minutes ( 201: 198: 194: 191: 187: 183: 180: 178: 174: 171: 168: 164: 157: 152: 148: 143: 131: 128: 120: 117:December 2022 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: â€“  77: 73: 72:Find sources: 66: 62: 56: 55: 50:This article 48: 44: 39: 38: 33: 19: 2404: 2309:Cartrivision 2128:Other assets 2005: 1776: 1757:Tunnel diode 1685:Memory Stick 1680:LocationFree 1585:Technologies 1479:Masaru Ibuka 1388:the original 1383: 1374: 1362:. Retrieved 1357: 1344: 1328:. Elsevier. 1324: 1317: 1301:. Elsevier. 1297: 1290: 1273: 1254: 1232: 1223: 1214: 1204: 1192:Sony Insider 1191: 1182: 1169: 1160: 1147: 1123:. Retrieved 1114: 1105: 1094:. Retrieved 1080: 1071: 1049:. Retrieved 1037: 1027: 1003: 996: 978: 959: 939: 930: 892: 876: 860: 846: 842: 820: 812: 795: 776: 773: 768:helical-scan 765: 758: 749: 733: 722: 702: 690: 682: 678: 661: 659: 633: 625: 622: 618: 607: 602: 598: 592: 564:Logo of Hi8 535: 519: 516: 512: 504: 501: 497: 489: 485: 448: 425: 410: 399:analog audio 395:analog video 390: 382: 374: 372: 252:Helical scan 238:Helical scan 219: 199: 123: 114: 104: 97: 90: 83: 71: 59:Please help 54:verification 51: 2965:Solid state 2803: 2006 2707: 1996 2617:Phonovision 2575:D6 HDTV VTR 2315:Philips VCR 1986:Crunchyroll 1924:Electronics 1762:TransferJet 1752:Sony Tablet 1715:PlayStation 1561:PlayStation 1484:Akio Morita 1144:"1984_1985" 873:Videography 831:Home market 601:(short for 336:Home movies 200:Video8/Hi8: 3034:Categories 2502:Betacam SX 2411:Betacam SP 2375:Video 2000 2255:Quadruplex 2188:Sony timer 2044:Funimation 1630:Cyber-shot 1587:and brands 1525:Publishing 1257:. Newnes. 1125:2024-02-10 1096:2015-04-20 1051:2017-06-07 940:Amazon.com 922:References 783:heterodyne 292:Dimensions 166:Media type 87:newspapers 3055:Videotape 3006:Kinescope 2936:AVC-Intra 2903:CamCutter 2886:DVCPRO HD 2653:Laserfilm 2635:LaserDisc 2602:Videodisc 2539:Sony HDVS 2238:Videotape 2091:Sony DADC 2069:Minisodes 1951:platforms 1888:FD series 1883:Trinitron 1843:Jumbotron 1833:Sony CLIÉ 1595:α (Alpha) 1549:Sony Bank 1544:Sony Life 1364:30 August 1046:0190-8286 614:LaserDisc 599:Video Hi8 595:Super-VHS 417:camcorder 274:Developed 268:625 lines 264:525 lines 248:mechanism 234:mechanism 220:Digital8: 32:8 mm film 2896:Tapeless 2880:DVCPRO50 2659:CD Video 2623:Ampex-HS 2587:HDCAM SR 2551:BCH 1000 2514:MPEG IMX 2508:Digital8 2039:AnimeLab 1910:Watchman 1782:Vision-S 1690:MiniDisc 1660:Handycam 1472:Founders 1237:Archived 1196:Archived 1174:Archived 1170:Sony.net 1152:Archived 1119:Archived 1090:Archived 1019:Archived 905:See also 713:Digital8 662:Digital8 645:Digital8 639:Digital8 531:GoldStar 493:Handycam 455:Handycam 412:Digital8 364:Released 354:Digital8 342:Extended 259:Standard 196:Capacity 177:Encoding 3014:(1950s) 2985:MicroP2 2906:Editcam 2848:Virtual 2700:MiniDVD 2688:MovieCD 2675:Digital 2520:MicroMV 2452:Digital 2429:S-VHS-C 2399:Betacam 2333:Betamax 2303:U-matic 2285:CV-2000 2114:(39.4%) 2064:Crackle 2049:Wakanim 2014:PlayNow 1981:SonyLIV 1900:U-matic 1863:Optiarc 1838:Discman 1828:Betamax 1818:CV-2000 1787:Walkman 1710:PlayNow 1700:MicroMV 1610:Blu-ray 1600:Betacam 1573:Aniplex 1465:History 1284:. Sony. 1111:"MSRPs" 863:Walkman 736:Betamax 699:Decline 654:Hitachi 547:8cm DVD 539:digital 469:History 463:Betamax 444:Philips 440:Hitachi 423:field. 322:⁄ 312:⁄ 302:⁄ 101:scholar 3020:(1967) 3008:(1947) 2987:(2012) 2981:(2007) 2975:(2004) 2956:(2012) 2950:(2009) 2948:iFrame 2944:(2007) 2938:(2006) 2932:(2006) 2926:(2005) 2920:(2004) 2918:GBA-TV 2914:(2003) 2908:(1995) 2888:(2000) 2882:(1997) 2876:(1996) 2870:(1995) 2868:DVCPRO 2864:(1995) 2836:(2016) 2817:(2008) 2811:(2007) 2796:MiniBD 2792:(2006) 2786:(2006) 2784:HD DVD 2780:(2006) 2774:(2004) 2768:(2003) 2762:(1994) 2745:(2005) 2739:(2004) 2733:(2003) 2727:(2003) 2721:(1998) 2715:(1998) 2696:(1996) 2690:(1996) 2684:(1993) 2667:(1990) 2661:(1987) 2655:(1984) 2649:(1983) 2643:(1981) 2637:(1978) 2631:(1975) 2625:(1967) 2619:(1927) 2610:Analog 2589:(2003) 2583:(2003) 2577:(2000) 2571:(1998) 2565:(1997) 2559:(1994) 2553:(1992) 2547:(1984) 2541:(1984) 2522:(2001) 2516:(2000) 2510:(1999) 2504:(1996) 2498:(1995) 2492:(1994) 2486:(1993) 2480:(1992) 2474:(1991) 2468:(1988) 2462:(1986) 2443:(1998) 2437:(1989) 2431:(1987) 2425:(1987) 2419:(1986) 2413:(1986) 2407:(1985) 2405:Video8 2401:(1982) 2395:(1982) 2389:(1982) 2383:(1980) 2377:(1980) 2371:(1979) 2365:(1977) 2359:(1976) 2353:(1976) 2351:Type C 2347:(1976) 2345:Type B 2341:(1975) 2335:(1975) 2329:(1974) 2323:(1974) 2321:V-Cord 2317:(1972) 2311:(1972) 2305:(1971) 2299:(1969) 2297:EIAJ-1 2293:(1967) 2287:(1965) 2281:(1965) 2279:Type A 2275:(1961) 2269:(1961) 2263:(1958) 2257:(1956) 2247:Analog 2120:(4.9%) 1868:Qualia 1853:Mavica 1797:Xperia 1725:S/PDIF 1720:Reader 1695:MiniDV 1675:Inzone 1670:HMZ-T1 1655:FeliCa 1615:Bravia 1332:  1305:  1261:  1044:  1011:  966:  719:Design 705:MiniDV 673:MiniDV 543:MiniDV 482:Video8 442:, and 383:Video8 344:  276:  246:  232:  103:  96:  89:  82:  74:  2930:AVCHD 2912:XDCAM 2874:DVCAM 2569:D-VHS 2563:HDCAM 2557:W-VHS 2545:UniHi 2423:S-VHS 2387:VHS-C 2176:Other 2108:(50%) 1938:(57%) 1878:TR-55 1873:Rolly 1848:Lissa 1792:XDCAM 1650:Exmor 1605:Bionz 1354:(PDF) 1282:(PDF) 1215:Video 988:(PDF) 911:Data8 899:DA-88 815:VHS-C 740:VHS-C 686:DVCAM 669:codec 610:lines 358:Data8 332:Usage 327:inch) 286:Kodak 244:Write 190:SECAM 108:JSTOR 94:books 2954:XAVC 2719:SVCD 2441:Ruvi 2291:Akai 2261:VERA 2118:Vaio 1915:WEGA 1905:Vaio 1858:NEWS 1813:AIBO 1772:Vaio 1747:SXRD 1730:SDDS 1705:mylo 1635:Dash 1625:Cell 1456:Sony 1366:2020 1330:ISBN 1303:ISBN 1259:ISBN 1042:ISSN 1009:ISBN 964:ISBN 916:Ruvi 895:DTRS 881:and 707:and 523:Sony 461:and 451:Sony 428:Sony 397:and 373:The 367:1984 284:and 282:Sony 230:Read 217:-LP) 215:NTSC 207:-SP) 182:NTSC 80:news 2979:SxS 2942:TOD 2924:MOD 2778:VMD 2743:FVD 2737:UMD 2725:EVD 2713:CVD 2694:DVD 2682:VCD 2665:VSD 2647:VHD 2641:CED 2629:TeD 2581:HDV 2478:DCT 2435:Hi8 2417:MII 2381:CVC 2369:SVR 2357:VHS 2339:IVC 2054:VRV 1823:DAT 1767:UMD 1645:DVD 1072:UPI 745:PCM 579:EFP 575:ENG 553:Hi8 527:VHS 459:VHS 436:JVC 391:Hi8 350:Hi8 307:Ă— 2 205:PAL 186:PAL 63:by 18:Hi8 3036:: 2973:P2 2862:DV 2800:c. 2704:c. 2490:D5 2472:D3 2466:D2 2460:D1 2363:VK 2327:VX 2112:M3 1620:CD 1382:. 1356:. 1245:^ 1231:. 1213:. 1194:. 1190:. 1172:. 1168:. 1150:. 1146:. 1134:^ 1117:. 1113:. 1060:^ 1040:. 1036:. 1017:. 948:^ 938:. 885:. 753:DV 666:DV 549:. 545:, 438:, 434:, 430:, 346:to 324:32 320:19 317:Ă— 304:16 300:11 297:(3 278:by 266:, 188:, 184:, 2805:) 2798:( 2709:) 2702:( 2393:M 2222:e 2215:t 2208:v 1997:) 1448:e 1441:t 1434:v 1368:. 1338:. 1311:. 1267:. 1217:. 1128:. 1099:. 1054:. 972:. 942:. 577:/ 393:( 385:( 314:8 310:3 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 57:. 34:. 20:)

Index

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Magnetic cassette tape
Encoding
NTSC
PAL
SECAM
PAL
NTSC
Helical scan
Helical scan
Standard
525 lines
625 lines
Sony
Kodak
Home movies

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