Havergal Brian - Knowledge

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heard near the beginning and ending of the Eighth Symphony. Arguably, his music's most notable characteristic however is its restlessness: rarely does one mood persist for long before it is contrasted, often abruptly, with another. Even in Brian's slow movements, lyrical meditation does not often structure the music for long before restless thoughts intrude. Although the fragmentary nature of his music militates against classical thematic unity, he often employs structural blocks of sound, where similar rhythms and thematic material allude to previous passages (as opposed to classical statement and recapitulation). However fragmentary Brian's music is, he maintains symphonic cohesion by long-term tonal processes (similar to

579:) calls for a large choir and soprano soloist – and a typical Brian symphony lasts approximately 20 minutes in performance. Brian usually alludes to the classical four-movement structure of the symphony, even in single-movement works. His sixth symphony was composed at the age of 72, and the majority of Brian's symphonies were composed in rapid succession in the last two decades of his life, in his 80s and even into his 90s. Most were unperformed during Brian's own life, although all 32 have since been recorded. 33: 386:, conducted by Boult. The latter performance was broadcast live, encouraging considerable interest, and by his death six years later several of his works had been performed, along with the first commercial recordings of Brian's music. For a few years after Brian's death there was a revival of interest in Brian with a number of further recordings and performances; two biographies and a three-volume study of his symphonies appeared. 353:, Sussex. Freed from the requirement to work to make a living, he was able to devote all of his time to composition, and the bulk of his compositional output belongs to the last three decades of his life, including four of the five operas (composed between 1951 and 1957) and twenty-seven of the thirty-two symphonies (composed from 1948 onwards). Through most of the 1960s, Brian composed two or three symphonies each year. 425: 306:

went to Brian's estranged wife after 1913. The affair with Hilda turned into a lifelong relationship: Brian and she began living together as man and wife, and after Isabel's death in 1933 they were married, by which point Hilda had already borne him another five children. No longer able to rely on Robinson's support, in London Brian began composing copiously whilst living in poverty. On the outbreak of

657:, Andrew Clements described it as featuring "moments of striking originality, particularly the sparer, more spectral ideas, but much more is either entirely unmemorable or simply grotesquely odd, and often hopelessly over-scored. Ideas come and go; for a work that lasts nearly two hours, the music is surprisingly short-winded." 305:

Arguments over the money and an affair with a young servant, Hilda Mary Hayward (1894-1980), led to the collapse of his first marriage in 1913. Brian fled to London and, although Robinson (who disapproved of the incident) continued to provide him with money until his own death, most of the allowance

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In 1907 Brian was offered a yearly income of £500 (then a respectable lower-middle-class salary) by a local wealthy businessman, Herbert Minton Robinson, to enable him to devote all his time to composition. It seems Robinson expected Brian soon to become successful and financially independent on the

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Brian's music has several recognisable hallmarks: the liking of extreme dotted rhythms, deep brass notes, and various uncharacteristic harp, piano and percussion timbres, and other unusual orchestral sounds and textures. Also typical are moments of stillness, such as the slow harp arpeggio that is

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In July 2012, a documentary film, "The Curse of the Gothic Symphony" was released in Australian cinemas. Directed by Randall Wood, it is a dramatised documentary of the trials and tribulations of staging Brian's Gothic Symphony in Brisbane, Queensland. Filmed over five years, the enormous task of

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More of Brian's works have been published since the 1980s and '90s, and the scarcity of well-rehearsed performances or mature interpretations that had previously made the quality of his music difficult to assess has been partially corrected through the series of professional recordings of many of

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of Queen Victoria. This experience gave the boy an interest in large-scale musical effects. At the age of 12, after leaving the elementary school attached to the church, he started work (he tried a variety of trades). In his spare time, he continued to study music including the organ for which he

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Brian achieved "one of the world's artistic masterpieces, in vision, grandeur, and in the combination of complexity and luminosity worthy to stand alongside the great cathedrals of the age that inspired it... is arguably, more than any other late-Romantic work, the climax of the Romantic age.".

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Like Bach and Bruckner, Brian was an organist, and the organ repertoire influenced his musical habits (and the organ appears in several of his symphonies). Other sources of influence are late Victorian street music, and particularly brass and military bands: although he composed little dedicated

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in 1907. The work proved popular and Brian obtained a publisher and performances for his next few orchestral works, although this initial success was not maintained. For a while Brian worked on a number of ambitious large-scale choral and orchestral works, but felt no urgency to finish them, and

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and a number of other orchestral works, as well as songs, choral music and a small amount of chamber music. Brian enjoyed a period of popularity earlier in his career and rediscovery in the 1950s, but public performances of his music have remained rare and he has been described as a

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and 11th Symphony (with Harry Newstone conducting the London Symphony Orchestra) and the 9th Symphony (Norman del Mar and the LSO). This release followed on from Testament's reissue of the live recording of the 1966 Boult performance in the Royal Albert Hall of Brian's

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Brian's musical influence was limited by the fact that so little of his music was performed or recorded until after his death, by which time his stylistic idiom could be considered anachronistic. Nonetheless, he was held in high regard by composers such as

338:. In the 1920s he turned to composing symphonies, though he had written more than ten before one of them was first performed in the early 1950s. Brian eventually obtained work of a musical kind, copying and arranging, and writing for the journal 260:

was commissioned for the North Staffordshire Music Festival of 1896, where it was well received. Brian sent a sample composition to Elgar who gave him encouragement. Brian became a fervent enthusiast of the new music being produced by

2356:=recording from BBC radio 3 exists, not commercially released; a pirated LP (Aries LP-1607) with apocryphal attributions to Horst Werner (conductor)/ Hamburg Philharmonic is reported and refers to this Stokowski performance 570:

is by far Brian's best-known work, and perhaps the work by which he has come to be defined, it is not representative of his symphonies as a whole. Few of Brian's symphonies call for larger forces than a typical 20th-century

399:(No. 6) and let it be known that he would like to perform a Brian work. The result was the world premiere in 1973 of the 28th Symphony, in a BBC broadcast produced by Robert Simpson in Maida Vale Studio 1, and played by the 2845:"Havergal Brian: Symphonies Nos 13, 15, 17, 20, 24 & 26" Performed By Horst Werner/Hamburg Philharmonic, Peter Michaels/Lisbon Conservatory and John Freedman/Edinburgh Youth Symphony Orchestras, LP box Set: Music" 1118:

During the 1970s a number of unofficial releases of Brian symphonies were made. These generally were of BBC recordings, and the recordings were released under fictitious names. Several have now had official releases.

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Here is a partial list of known recordings for Havergal Brian's symphonies; many are out of print, others have never been released commercially; some have been released in bootleg format or exist in BBC archives:

1162:. The recordings were produced by David Kent-Watson with the Hull Youth Orchestra conducted by Geoffrey Heald-Smith. For the recording of Brian's complete piano music, Cameo Classics employed digital technology. 1188:

on CD. Many of the original recordings on various labels are being reissued, and by the end of 2018 all of Brian's symphonies had at least one official recording, although not necessarily in print.

619:. His music has generally been championed by a small number of enthusiasts rather than enjoying a more general popularity, and continues to divide opinion. To Mark Morris, writing in his 2844: 3047:(Discussion in 3 volumes—volume 1: Symphonies 1–12; volume 2: Symphonies 13–29; volume 3: Symphonies 30–32, Survey, and Summing-up.) London: Kahn & Averill, 1974–1983. 2925: 2231: 2661: 1305: 1204:. In the 2011 Proms concert season the symphony was conducted by Martyn Brabbins in the Royal Albert Hall; the performance is now available on a commercial recording. 638:

claimed that if Brian's 30th symphony were premiered today as the work of a 25-year-old composer, it "might even be hailed as the triumphant reinvention of tonality".

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In 1979, Cameo Classics embarked on a project to record all of Brian's orchestral music in collaboration with the Havergal Brian Society. It started with the

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gathering 200 musicians and 400 choristers came to fruition in 2010 in a triumphal performance and standing ovation in Brisbane's Performing Arts centre.

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gave considerable coverage to the recording session and a camera crew joined members of the orchestra during a visit they made to the composer's home in

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review wrote: "It was fascinating to contemplate the uniqueness of the event – a 91-year-old conductor learning a new work by a 91-year-old composer."

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In 1898, Brian married Isabel Priestley, by whom he had five children. One of his sons was named Sterndale after the English composer Sir

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Although he wrote music in a range of forms, Brian's most famous legacy are his 32 symphonies. His first canonical symphony – an earlier

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MacDonald, M. Brian, (William) Havergal (1876–1972), composer. Oxford Dictionary of National Biography. Retrieved 15 Oct. 2021, from

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to programme the Eighth Symphony in 1954. A number of Brian works received their public premieres during this time, including the

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Various on works by Arne, J.C. Bach, J.S. Bach, Berlioz, Elgar, Glinka, Gluck, Handel, Basil Maine, Spontini and Wagner.

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Stylistically, Brian's music could broadly be described as being in a late romantic idiom, exhibiting the influence of

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but saw no service before he was invalided out with a hand injury. He subsequently worked at the Audit Office of the

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and the British composers of the day. Through attending music festivals he began a lifelong friendship with composer

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described the work as a "terrible, inchoate mess" and "Big, long, and very short on great ideas"; writing in

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In August 2010, the Dutton CD label issued three works taken from 1959 BBC broadcasts: the Comedy Overture

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Reflections by a choral conductor involved in the 1970s recordings by the LSSO (Copper Magazine, Issue 77)

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showed talent at a young age; as a composer he was virtually self-taught. From 1896 he was organist of

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This late flurry of activity coincided with something of a rediscovery, in part due to the efforts of

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Symphonic Variations on "Has anybody here seen Kelly?", from "The Tigers" (1921–22) - Arrangement by

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Both the Leicestershire Schools Symphony Orchestra recordings have been remastered and rereleased.

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https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-30849

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36 accompanied partsongs, with piano, one with flute & harp; seven of which are unison songs

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Turandot Suite, from "Turandot" Acts II & III (1950–51) – Arrangement by Malcolm MacDonald

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in Longton. In 1887 he and other choristers from his home town participated in a concert in

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Matthew-Walker, Robert. "Havergal Brian: Reminiscences and Observations". DGR Books 1995.

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Symphony No. 4, "Das Siegeslied" (1932–33), for soprano, double choir & orchestra

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strength of his compositions, and initially Brian indeed found success: his first

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Many of the BBC recordings are freely available for download with registration.

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Cathedral scene, from "Faust" Act 3 (1956), soprano, bass, choir & orchestra

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These lists follow the Havergal Brian Society's Extant Works (ordered by type):

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Fanfare, from "The Cenci", Scene 7 (1951–52) – Arrangement by Malcolm MacDonald

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Others have been more critical, however. Reviewing the 2011 performance of the

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The first commercial recording of Havergal Brian's music was made by the

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Fantastic Variations on an Old Rhyme (1907) – Derived from the withdrawn

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Around the time he started at All Saints', he was influenced by hearing

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Fanfare, from "The Cenci", Banqueting Scene (1951–52) – Arrangement by

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Symphony No. 5, "Wine of Summer" (1937), for baritone & orchestra

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began to indulge in pleasures such as expensive foods and a trip to

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Imperial at the Northern College of Music earned high praise from

334:. His brief war service gave him the material for his first opera 2574:"Classical & Opera: The Gothic novelty of mass participation" 1011:

Psalm 23 (1901, reconstructed 1945), tenor, choir & orchestra

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Slovak Philharmonic Orchestra, Slovak Radio Symphony Orchestra

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Night Ride of Faust and Mephistopheles, from "Faust" (1955–56)

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In addition to symphonies, Brian also composed several large

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Brian's earliest musical education appears to have been as a

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Gretchen songs, from "Faust" (1956), soprano & orchestra

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Ordeal by Music: The Strange Experience of Havergal Brian.

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in the 1950s. In 1997, Brian's 1951 opera in eight scenes

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In 1940 he retired, living firstly in London, and then in

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The Battle Song, Symphonic Poem (1930–31) – Completed by

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Havergal Brian on music: selections from his journalism.

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are often prominent in Brian's orchestral music, as are

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in 1973. A special edition of the television programme

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Festal Dance (1908) – Also derived from the withdrawn

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in 1972, when Symphonies Nos. 10 and 21, conducted by

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William Havergal Brian was born on 29 January 1876 in

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church in Odd Rode, just across the county border in

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for violin and piano was featured in the BBC Proms.

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BBC National Chorus of Wales, BBC Concert Orchestra

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Herrick songs (1912), soprano, alto & orchestra

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Preludio Tragico, Overture to "The Cenci" (1951–52)

525:. Brian's music is fundamentally tonal rather than 2651: 928:The Tinker's Wedding, Comedy Overture No. 2 (1948) 891:Doctor Merryheart, Comedy Overture No. 1 (1911–12) 3158: 1184:Brian's symphonies that have been issued by the 980: 873:Burlesque Variations on an Original Theme (1903) 256:. Now one of the composer's lesser-known works, 2649: 2414:"Classical Net - Basic Repertoire List - Brian" 2363:=cd was made, but is now deleted from catalogue 1211: 2870: 2868: 2866: 967:The Jolly Miller, Comedy Overture No. 3 (1962) 318:until December 1915. The family then moved to 3147:Symphony No.10 Rehearsal, LSSO Reunion (1998) 814:Symphony No. 22, "Symphonia Brevis" (1964–65) 2653:"Classical: The new life of Brian's 'Cenci'" 2863: 973:Festival Fanfare (1967), for Brass Ensemble 931:Three Pieces from Turandot, Act I (1950–51) 918:English Suite 4 "Kindergarten" (circa 1924) 906:Green Pastures, from "The Tigers" (1921–22) 2839: 2837: 2021:Leicestershire Schools Symphony Orchestra 1031:Legend (circa 1919–24), violin & piano 952:English Suite No. 5 "Rustic Scenes" (1953) 915:Wild Horsemen, from "The Tigers" (1921–22) 31: 1983:Leicestershire Schools Symphony Orchestra 1652:Leicestershire Schools Symphony Orchestra 1148:Burlesque Variations on an Original Theme 1077:Leicestershire Schools Symphony Orchestra 1056:Prelude and Fugue in D minor/major (1924) 912:Shadow Dance, from "The Tigers" (1921–22) 861: 747:Symphony No. 6, "Sinfonia Tragica" (1948) 738:Symphony No. 3 in C-sharp minor (1931–32) 469:Learn how and when to remove this message 3087:Nettel, Reginald (also Foreman, Lewis). 3031:Havergal Brian, the making of a composer 2766: 2718: 2615: 1134:. In 1980 came the second LP containing 1044:Three Illuminations (1916), with speaker 615:and some of his contemporaries, such as 143:He is best known for having composed 32 2834: 808:Symphony No. 20 in C-sharp minor (1962) 777:Symphony No. 16 in C-sharp minor (1960) 605: 3227:Military personnel from Stoke-on-Trent 3159: 2699:"Guide to Twentieth Century Composers" 2321:National Symphony Orchestra of Ireland 2236:North Staffordshire Symphony Orchestra 1961:National Symphony Orchestra of Ukraine 1884:National Symphony Orchestra of Ireland 1780:National Symphony Orchestra of Ireland 1688:National Symphony Orchestra of Ireland 1462:Royal Liverpool Philharmonic Orchestra 1050:Prelude "John Dowland's Fancy" (1934) 996: 903:Gargoyles, from "The Tigers" (1921–22) 838:Symphony No. 30 in B-flat minor (1967) 835:Symphony No. 29 in E-flat major (1967) 811:Symphony No. 21 in E-flat major (1963) 762:Symphony No. 11 in B-flat minor (1954) 3222:Honourable Artillery Company soldiers 3217:British Army personnel of World War I 870:For Valour, Overture (1902, rev 1906) 753:Symphony No. 8 in B-flat minor (1949) 360:, himself a significant composer and 279: 2744: 2650:Martin Anderson (19 December 1997). 2552: 1132:Fantastic Variations on an Old Rhyme 940:Flourish, from "The Cenci" (1951–52) 909:Lacryma, from "The Tigers" (1921–22) 823:Symphony No. 25 in A minor (1965–66) 771:Symphony No. 14 in F minor (1959–60) 759:Symphony No. 10 in C minor (1953–54) 621:Guide to Twentieth Century Composers 529:and shows little or no influence of 418: 3212:20th-century English male musicians 2814:The Havergal Brian Society (2017). 2571: 2437: 2301:New Russia State Symphony Orchestra 2247:New Russia State Symphony Orchestra 2214:New Russia State Symphony Orchestra 2161:New Russia State Symphony Orchestra 2104:New Russia State Symphony Orchestra 2071:New Russia State Symphony Orchestra 2035:New Russia State Symphony Orchestra 1999:New Russia State Symphony Orchestra 1850:New Russia State Symphony Orchestra 1516:New Russia State Symphony Orchestra 1478:New Russia State Symphony Orchestra 1440:New Russia State Symphony Orchestra 1374:"Das Siegeslied" (Psalm of Victory) 1087:respectively, were recorded at the 1053:Prelude and Fugue in C minor (1924) 1025: 964:Prelude, from Faust Act 2 (1955–56) 485:in his ambitious orchestration and 13: 3207:People from Longton, Staffordshire 2696: 2686:, Toccata Classics TOCC0094 (2024) 1015: 888:In Memoriam, Symphonic Poem (1910) 497:in his fourth symphony is sung in 14: 3238: 3114: 2767:Clements, Andrew (18 July 2011). 2194:Royal Scottish National Orchestra 1939:Royal Scottish National Orchestra 1794:Royal Scottish National Orchestra 1745:Royal Scottish National Orchestra 1636:Royal Scottish National Orchestra 1402:Royal Scottish National Orchestra 1324:Royal Scottish National Orchestra 1060: 832:Symphony No. 28 in C minor (1967) 829:Symphony No. 27 in C major (1966) 820:Symphony No. 24 in D major (1965) 805:Symphony No. 19 in E minor (1961) 774:Symphony No. 15 in A major (1960) 768:Symphony No. 13 in C major (1959) 293:, who performed it at the London 3202:English male classical composers 3182:20th-century classical composers 3045:The Symphonies of Havergal Brian 2769:"Prom 4: Gothic Symphony Review" 2719:Thompson, Damian (12 May 2016). 844:Symphony No. 32 in A-flat (1968) 756:Symphony No. 9 in A minor (1951) 750:Symphony No. 7 in C major (1948) 667: 560:was withdrawn – is the colossal 423: 3065:London: Toccata Press, c 1986. 2994: 2969: 2944: 2918: 2893: 2807: 2786: 2760: 2738: 2712: 2690: 2676: 2664:from the original on 9 May 2022 2643: 2609: 2382: 1926:BBC Scottish Symphony Orchestra 1904:BBC Scottish Symphony Orchestra 1814:RTÉ National Symphony Orchestra 1382:Slovak Radio Symphony Orchestra 3187:20th-century English composers 3121:Havergal Brian Society website 2591: 2565: 2546: 2533: 2508: 2482: 2457: 2431: 2406: 976:Legend "Ave atque vale" (1968) 690:Turandot, Prinzessin von China 364:Music Producer, who asked Sir 1: 2399: 1834:London Philharmonic Orchestra 1424:London Philharmonic Orchestra 1070: 1041:Double Fugue in E-flat (1924) 986:Introit (1924), unaccompanied 981:Chorus, with or without piano 970:Concerto for Orchestra (1964) 958:Abend, from "Faust" (1955–56) 894:English Suite No. 3 (1919–21) 867:English Suite No. 1 (1902–04) 716: 174: 3089:Havergal Brian and his music 2745:Nice, David (17 July 2011). 2375: 2051:Royal Philharmonic Orchestra 1600:Royal Philharmonic Orchestra 1548:Royal Philharmonic Orchestra 1212:Recordings of the symphonies 955:Elegy, Symphonic Poem (1954) 316:Canadian Expeditionary Force 312:Honourable Artillery Company 7: 3197:English classical composers 2619:The Octogenarian Ski-Jumper 2146:New Philharmonia Orchestra 848: 449:the claims made and adding 289:attracted the attention of 10: 3243: 3091:. London: Dobson. c 1976. 3033:. London: Harrap. c 1976. 3002:"Unsung Composers - Index" 2599:"Havergal Brian and Elgar" 2469:The Havergal Brian Society 1870:New Philharmonic Orchestra 1344:New Philharmonic Orchestra 989:27 unaccompanied partsongs 401:New Philharmonia Orchestra 346:and moved back to London. 218:; he sang in the choir at 110:Symphony No. 1, The Gothic 2622:. Lulu.com. p. 172. 2616:McGovern, Martin (2008). 2354:&&&&& 2280: 2277: 2227: 2224: 2174: 2171: 2137: 2134: 2084: 2081: 2012: 2009: 1974: 1971: 1917: 1914: 1894: 1863: 1860: 1827: 1824: 1758: 1755: 1701: 1698: 1665: 1662: 1613: 1610: 1561: 1558: 1491: 1488: 1453: 1450: 1415: 1412: 1337: 1334: 1310:Moscow Symphony Orchestra 1301: 1298: 1245: 1242: 1099:. The LP was released by 1047:Four Miniatures (1919–20) 780:Symphony No. 17 (1960–61) 733:Symphony No. 2 in E minor 723:Symphony No. 1 in D minor 675: 274:William Sterndale Bennett 102: 94: 71: 42: 30: 23: 3023: 2555:"William Havergal Brian" 2520:Nssohistory.blogspot.com 1035: 414: 376:Westminster Central Hall 3082:Oxford University Press 1186:Marco Polo record label 310:he volunteered for the 205:Frances Ridley Havergal 169: 37:Havergal Brian, c. 1900 2952:"the official website" 2578:Lifestyle.scotsman.com 2181:Philharmonia Orchestra 1709:CSR Symphony Orchestra 1622:Philharmonia Orchestra 862:Other orchestral music 854:Violin Concerto (1935) 841:Symphony No. 31 (1968) 826:Symphony No. 26 (1966) 817:Symphony No. 23 (1965) 783:Symphony No. 18 (1961) 765:Symphony No. 12 (1957) 545:music for brass band, 211:hymn-writing family. 157:He also composed five 126:William Havergal Brian 61:Dresden, Staffordshire 47:William Havergal Brian 3177:People from Erdington 3080:London and New York: 1247:D minor, "The Gothic" 1166:'s performances on a 857:Cello Concerto (1964) 201:English working class 3043:MacDonald, Malcolm. 2388:The "Old Rhyme" is " 2349:&&&& 1396:"The Wine of Summer" 1156:Requiem for the Rose 606:Reception and legacy 600:Queen Elizabeth Hall 596:Percy Bysshe Shelley 487:progressive tonality 340:The British Bandsman 3192:Composers for piano 3134:The Unknown Warrior 3029:Eastaugh, Kenneth. 3006:Unsungcomposers.com 1124:English Suite No. 1 1109:The Unknown Warrior 1095:. The producer was 997:Voice and orchestra 389:Renowned conductor 224:Lichfield Cathedral 3076:Nettel, Reginald. 3059:MacDonald, Malcolm 2932:. 9 September 2009 2851:. 9 September 2009 2553:Clements, Robert. 2013:"Symphonia Brevis" 1416:"Sinfonia Tragica" 1174:in his review for 884:Fantastic Symphony 878:Fantastic Symphony 575:– although No. 4 ( 573:symphony orchestra 558:Fantastic Symphony 493:– the text of the 434:possibly contains 280:Full-time composer 185:Potteries district 3126:The Life of Brian 2956:Havergalbrian.org 2905:Havergalbrian.org 2880:Havergalbrian.org 2603:Havergalbrian.org 2572:Kenneth, Walton. 2444:Classicstoday.com 2331: 2330: 2284:Charles Mackerras 2178:Charles Mackerras 1458:Charles Mackerras 1194:Doctor Merryheart 1152:Two Herrick Songs 1128:Doctor Merryheart 945:Malcolm MacDonald 617:Granville Bantock 547:brass instruments 479: 478: 471: 436:original research 391:Leopold Stokowski 384:Royal Albert Hall 267:Granville Bantock 207:of the prominent 121: 120: 95:Years active 3234: 3148: 3137: 3017: 3016: 3014: 3012: 2998: 2992: 2991: 2989: 2987: 2973: 2967: 2966: 2964: 2962: 2948: 2942: 2941: 2939: 2937: 2922: 2916: 2915: 2913: 2911: 2897: 2891: 2890: 2888: 2886: 2872: 2861: 2860: 2858: 2856: 2841: 2832: 2831: 2829: 2827: 2811: 2805: 2804: 2802: 2800: 2790: 2784: 2783: 2781: 2779: 2764: 2758: 2757: 2755: 2753: 2742: 2736: 2735: 2733: 2731: 2716: 2710: 2709: 2707: 2705: 2694: 2688: 2680: 2674: 2673: 2671: 2669: 2655: 2647: 2641: 2640: 2638: 2636: 2613: 2607: 2606: 2595: 2589: 2588: 2586: 2584: 2569: 2563: 2562: 2550: 2544: 2537: 2531: 2530: 2528: 2526: 2512: 2506: 2505: 2503: 2501: 2494:ThePotteries.org 2486: 2480: 2479: 2477: 2475: 2461: 2455: 2454: 2452: 2450: 2438:Hurwitz, David. 2435: 2429: 2428: 2426: 2424: 2410: 2393: 2390:Three Blind Mice 2386: 2336:=out of print LP 2298:Alexander Walker 2244:Alexander Walker 2211:Alexander Walker 2157:Alexander Walker 2101:Alexander Walker 2068:Alexander Walker 2032:Alexander Walker 1995:Alexander Walker 1846:Alexander Walker 1512:Alexander Walker 1474:Alexander Walker 1436:Alexander Walker 1220: 1219: 1089:De Montfort Hall 1026:Chamber ensemble 899:Ronald Stevenson 660:In 2022 Brian's 474: 467: 463: 460: 454: 451:inline citations 427: 426: 419: 396:Sinfonia Tragica 220:St James' church 149:Symphony No. 1, 105: 78: 75:28 November 1972 56: 54: 35: 21: 20: 16:English composer 3242: 3241: 3237: 3236: 3235: 3233: 3232: 3231: 3157: 3156: 3146: 3132: 3117: 3026: 3021: 3020: 3010: 3008: 3000: 2999: 2995: 2985: 2983: 2975: 2974: 2970: 2960: 2958: 2950: 2949: 2945: 2935: 2933: 2924: 2923: 2919: 2909: 2907: 2899: 2898: 2894: 2884: 2882: 2874: 2873: 2864: 2854: 2852: 2843: 2842: 2835: 2825: 2823: 2812: 2808: 2798: 2796: 2792: 2791: 2787: 2777: 2775: 2765: 2761: 2751: 2749: 2743: 2739: 2729: 2727: 2717: 2713: 2703: 2701: 2695: 2691: 2681: 2677: 2667: 2665: 2658:The Independent 2648: 2644: 2634: 2632: 2630: 2614: 2610: 2597: 2596: 2592: 2582: 2580: 2570: 2566: 2551: 2547: 2538: 2534: 2524: 2522: 2514: 2513: 2509: 2499: 2497: 2488: 2487: 2483: 2473: 2471: 2463: 2462: 2458: 2448: 2446: 2436: 2432: 2422: 2420: 2412: 2411: 2407: 2402: 2397: 2396: 2387: 2383: 2378: 2371: 2369: 2364: 2358: 2352: 2347: 2344:&&& 2342: 2337: 2264:Martyn Brabbins 2191:Martyn Brabbins 1936:Martyn Brabbins 1791:Martyn Brabbins 1742:Martyn Brabbins 1633:Martyn Brabbins 1399:Martyn Brabbins 1321:Martyn Brabbins 1284:Martyn Brabbins 1214: 1201:Gothic Symphony 1101:Unicorn Records 1073: 1063: 1038: 1028: 1018: 1016:Voice and piano 999: 983: 864: 851: 796:Gothic Symphony 719: 678: 670: 643:Gothic Symphony 636:Damian Thompson 625:Gothic Symphony 608: 563:Gothic Symphony 475: 464: 458: 455: 440: 428: 424: 417: 409:Daily Telegraph 378:, conducted by 371:Gothic Symphony 351:Shoreham-by-Sea 344:Musical Opinion 282: 263:Richard Strauss 177: 172: 138:church organist 103: 90: 83:Shoreham-by-Sea 80: 76: 67: 58: 57:29 January 1876 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 3240: 3230: 3229: 3224: 3219: 3214: 3209: 3204: 3199: 3194: 3189: 3184: 3179: 3174: 3169: 3155: 3154: 3143: 3129: 3123: 3116: 3115:External links 3113: 3112: 3111: 3100: 3085: 3074: 3056: 3041: 3025: 3022: 3019: 3018: 2993: 2981:Klassichaus.us 2968: 2943: 2917: 2892: 2862: 2833: 2806: 2785: 2759: 2737: 2711: 2697:Morris, Mark. 2689: 2675: 2660:. 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July 2011 2465:"Biography" 2124:NSO Ukraine 1238:CD version 1168:Bösendorfer 1136:In Memoriam 628:Writing in 590:, based on 531:dodecaphony 308:World War I 233:All Saints' 191:, near the 98:1917 – 1968 3161:Categories 3011:26 October 2986:26 October 2930:Amazon.com 2849:Amazon.com 2525:16 October 2423:26 October 2400:References 2339:&& 1172:John Ogdon 1164:Peter Hill 1140:For Valour 1071:Recordings 727:The Gothic 717:Symphonies 683:The Tigers 602:, London. 443:improve it 393:heard the 336:The Tigers 324:Birmingham 195:suburb of 175:Early life 151:The Gothic 145:symphonies 134:librettist 115:The Tigers 53:1876-01-29 3084:. c 1945. 2977:"KH Home" 2778:8 January 2752:8 January 2730:8 January 2704:8 January 2684:The Cenci 2449:7 January 2376:Footnotes 1232:Orchestra 1229:Conductor 1093:Leicester 735:(1930–31) 710:Agamemnon 706:(1955–56) 700:(1951–52) 697:The Cenci 686:(1917–29) 647:BBC Proms 634:in 2016, 623:, in the 588:The Cenci 447:verifying 320:Erdington 258:King Olaf 249:King Olaf 183:, in the 89:, England 2961:23 March 2936:23 March 2910:23 March 2885:23 March 2855:23 March 2826:15 April 2662:Archived 2635:15 April 2315:untitled 2281:untitled 2138:untitled 2065:untitled 2027:Yes (d) 1898:untitled 1864:untitled 1828:untitled 1808:untitled 1731:Web (e) 1702:untitled 1666:untitled 1226:Key/name 1113:Shoreham 1105:Aquarius 1021:32 Songs 849:Concerti 507:Bruckner 459:May 2016 241:Cheshire 216:choirboy 209:Havergal 130:composer 3152:YouTube 3141:YouTube 2820:website 2799:31 July 2668:23 July 2208:C minor 2175:C minor 2118:A minor 2085:D major 1918:E minor 1759:F minor 1739:C major 1628:Web(e) 1614:C minor 1562:A minor 1538:Web(e) 1454:C major 1302:E minor 1160:The Hag 1107:called 925:in 1997 645:at the 551:marches 511:Strauss 441:Please 407:in his 322:, near 228:Jubilee 197:Longton 181:Dresden 65:England 3136:(1972) 3106: 3095: 3073:(v.1). 3069: 3061:, ed. 3051: 3037: 2626: 2500:28 May 2474:28 May 2312:No. 32 2278:No. 31 2258:No. 30 2228:E-flat 2225:No. 29 2205:No. 28 2172:No. 27 2135:No. 26 2115:No. 25 2082:No. 24 2062:No. 23 2010:No. 22 1975:E-flat 1972:No. 21 1950:No. 20 1915:No. 19 1895:No. 18 1861:No. 17 1825:No. 16 1805:No. 15 1756:No. 14 1736:No. 13 1699:No. 12 1663:No. 11 1611:No. 10 1150:, and 1142:, and 1130:, and 712:(1957) 692:(1951) 676:Operas 662:Legend 584:operas 568:Gothic 527:atonal 515:Mahler 503:Wagner 499:German 495:Psalms 332:Sussex 159:operas 136:, and 87:Sussex 3024:Books 2334:& 2239:1976 1559:No. 9 1532:BBCSO 1489:No. 8 1451:No. 7 1413:No. 6 1393:No. 5 1371:No. 4 1360:BBCSO 1335:No. 3 1299:No. 2 1256:BBCSO 1243:No. 1 1177:Tempo 1036:Piano 704:Faust 523:Elgar 415:Music 300:Italy 295:Proms 3104:ISBN 3093:ISBN 3067:ISBN 3049:ISBN 3035:ISBN 3013:2021 2988:2021 2963:2012 2938:2012 2912:2012 2887:2012 2857:2012 2828:2017 2822:. 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