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but where one instrument, the hardart, uses different devices, such as plucked strings, blown whistles and popped balloons, to produce each note in its range. The name "hardart" and the name of the concerto is a play on the name of proprietors
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without telling
Schickele, who had to transpose at sight during the performance. As with other works that Schickele attributed to P. D. Q. Bach, "beneath the satire one finds very sound technique and invention in the music."
61:. Like the automat, the hardart had small windows in the front where the musician had to insert coins to remove implements needed to strike or otherwise play the devices that produced the notes. The composer
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that shows off the abilities of the hardart. The third movement, a minuet ("with cream and sugar"), ends with the bursting of the balloons on the hardart.
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which, as
Schickele notes, have no relationship to the initial theme. It quotes
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The Short-Tempered
Clavier and other dysfunctional works for keyboard
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Peter
Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?
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Grand
Serenade for an Awful Lot of Winds and Percussion
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The concert was released on
Schickele's first album,
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Echo Sonata for Two
Unfriendly Groups of Instruments
293:"Peter Schickele - The Classical Music Guide Forums"
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The
Definitive Biography of P.D.Q. Bach, 1807–1742?
149:A portion of the cadenza was sampled by the group
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667:Pervertimento for Bagpipes, Bicycle and Balloons
142:(1965), with Schickele playing the Hardart and
559:Music for an Awful Lot of Winds and Percussion
57:, who pioneered the North American use of the
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190:. Westport, Connecticut: Praeger. p. 5.
702:P. D. Q. Bach in Houston: We Have a Problem!
439:Report from Hoople: P. D. Q. Bach on the Air
363:(audio, with a 3 minute spoken introduction)
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334:"Jurassic 5 "Monkey Bars" – P. D. Q. Bach
252:: CS1 maint: location missing publisher (
113:, though with numerous mishaps. It quotes
599:The Ill-Conceived P. D. Q. Bach Anthology
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153:in the song "Monkey Bars" on their album
529:1712 Overture and Other Musical Assaults
539:Oedipus Tex and Other Choral Calamities
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319:"Concerto for Horn and Hardart, S. 27"
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589:The Dreaded P. D. Q. Bach Collection
509:Music You Can't Get Out of Your Head
188:Peter Schickele – A Bio-Bibliography
218:Words Without Music : A Memoir
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549:WTWP Classical Talkity-Talk Radio
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127:Piano Concerto No. 21 (Mozart)
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639:Concerto for Horn and Hardart
419:An Evening with P. D. Q. Bach
361:Concerto for Horn and Hardart
336:Concerto for Horn and Hardart
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33:Concerto for Horn and Hardart
267:Glass, Philip (2015-04-13).
166:on the hardart is Latin for
27:Composition by P. D. Q. Bach
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469:The Intimate P. D. Q. Bach
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121:. The second is a set of
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519:A Little Nightmare Music
48:of the classical double
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632:The Abduction of Figaro
297:classicalmusicguide.com
115:Wolfgang Amadeus Mozart
489:Black Forest Bluegrass
216:Glass, Philip (2015).
168:"Less Work for Mother"
129:. It concludes with a
67:transposing instrument
36:, S. 27, is a work of
202:citing Jean Oelrich,
186:Ravas, Tommy (2004).
499:Liebeslieder Polkas
87:Tema con variazione
429:An Hysteric Return
323:Carl Fischer Music
220:. London. p.
164:Minor Labor Matris
55:Horn & Hardart
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146:conducting.
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684:Videos/DVDs
660:Oedipus Tex
111:sonata form
746:Categories
727:(1976, by
302:2024-01-19
278:2024-01-19
174:References
151:Jurassic 5
123:variations
105:The first
248:cite book
240:908632624
338:, S. 27"
107:movement
99:Zucchero
91:Menuetto
50:concerto
368:YouTube
206:, p. 17
131:cadenza
59:automat
18:Hardart
706:(2006)
696:(1984)
613:(2007)
603:(1998)
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423:(1965)
411:Albums
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109:is in
83:brillo
46:parody
715:Books
273:Salon
95:Panna
254:link
236:OCLC
226:ISBN
192:ISBN
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30:The
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