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Hard, Fast and Beautiful

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442:] the average found in a production costing less than $ 300,000. The gimmick lies in the story, a clever combination of misguided mother love and an exposé of the amateur tennis business. The tennis scenes pack more excitement than one might expect...The finish is rather lame, the girl champion’s belated awakening to the unscrupulous deals put over by her mother being not especially convincing." 458:] sincerity in the game, as well as her love for a young man. It is not pleasant to see a grasping mother profiteering on her daughter’s fame. The action in the tennis sequences are so realistic that one is made to feel as if he is watching the playing of a real game, not a prearranged one. No fault can be found with the direction and acting. The photography is a treat to the eye." 31: 451:
article explained: "This is a tennis picture and, as such, should appeal strongly to the tennis fans, but it is doubtful whether those who are not especially interested in the game will derive much pleasure out of it, particularly since the story pits a mother’s ambition for worldly goods against her
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wrote: "Hard Fast and Beautiful is a modest, unpretentious endeavor from Filmakers ... Like the previous attractions in this outfit’s short history ('Not Wanted' and 'Outrage') this one is designed to get over the hump by means of special exploitation. The names are not strong, but the performances
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Her scheming, social-climbing mother Millie manages to include herself on the trip, leaving her ill husband Will behind. She flirts with Florence's new coach Fletcher Locke and accepts money and gifts, which could endanger her daughter's amateur status. When Millie realizes that Gordon is not
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wrote: "The script ... is a trite and foolish thing. It simply recounts the quick parabola that a girl tennis player describes in becoming a tennis champion and then chucking it all for love. And it is played with such lack of authority by everyone in the cast that it doesn't even carry the
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Florence has a chance meeting with Gordon McKay, the nephew of a wealthy town figure. Invited to play tennis at the local country club, she defeats him easily. Her prowess at the game causes J.R. Carpenter, the country club's manager, to offer Florence a membership there, plus a trip to
276:, an increasingly unhappy Florence wants to retire from tennis and get married. Her father, on his death bed, scolds Millie for looking out for her own interests rather than those of their girl. Florence wins the 429:
satisfaction that a well-acted romance might have. Under Miss Lupino's direction, Sally Forrest is a silly, callow child, given to such tedious explosions as 'Wouldn't that be WONDERFUL!' and 'Gee!'"
257:, is torn between fulfilling the dreams of her ambitious mother Millie, who has planned her tennis career, or her own dreams of being with the man whom she loves. 280:
women's singles title, then abruptly quits the game, announcing her impending marriage to Gordon and leaving her mother a forlorn figure on the sideline.
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is failing to keep up to opening day pace at Golden Gate. It equaled house record that day, and still will come in with smooth session, if not smash."
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article: "Despite big bally plus personals by Jane Greer, Robert Ryan, William Bendix, Pat O’Brien, Tony Martin and Harry Crocker, among others
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The film was Lupino's third as a director and was co-produced by The Filmakers, the company that she had founded with her husband, producer
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earned $ 14,000 during its first week in San Francisco and $ 25,000 for its first week in New York. A report in
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news article, technical advisor Eleanor Tennant coached Forrest for her tennis-playing scenes.
373: 325: 237:, which was an unflattering and thinly veiled fictionalization of the life of the tennis star 985: 447: 388:. Archival footage of tennis matches at Forest Hills and Wimbledon was included in the film. 545:
Oswald, G. K. (June 30, 1991). "Remembered, Yet Forgotten: The Writers Life of John Tunis".
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Sally Forrest was borrowed from MGM for the film. She had starred in two previous
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stated that box-office receipts were far below average in the Chicago market.
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wealthy, she discourages Florence from entertaining the idea of marrying him.
929: 407: 392: 319: 307: 295: 289: 234: 226: 101: 97: 87: 75: 262: 111: 704:. New York, Quigley Publishing Co. December 22, 1951 – via Lantern. 396: 238: 736: 888: 880: 861: 802: 794: 779: 367: 361: 356: 222: 218: 44: 747: 133: 395:. The film cost less than $ 300,000 to produce. Lupino and actor 380:
Most of the film was shot at the West Side Tennis Tennis Club in
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Crowther, Bosley (July 2, 1951). "The Screen in Review".
454: 438: 664:. New York, Harrison's Reports, Inc. June 2, 1951. 265:to compete for the national junior championship. 927: 682:. New York: Quigley Publishing Co. July 3, 1951. 646:. New York, Film Bulletin Company. June 4, 1951. 399:make a few cameos as tennis-match spectators. 763: 436:to a man, are degrees above above [ 770: 756: 565:"New York Times: Hard, Fast and Beautiful" 29: 559: 527: 229:. It is loosely based on the 1930 novel 777: 553: 928: 640:"Independent Exhibitors Film Bulletin" 544: 751: 523: 521: 504:"The Tattooed Stranger: Detail View" 13: 538: 518: 496: 14: 1017: 730: 340:The film had two working titles, 313:Kenneth Patterson as Will Farley 708: 686: 966:Films based on American novels 956:American black-and-white films 668: 650: 632: 614: 589: 382:Forest Hills, Queens, New York 316:Marcella Cisney as Miss Martin 1: 1006:Films set in Queens, New York 489: 461: 418:In a contemporary review for 335: 996:1950s English-language films 971:Films directed by Ida Lupino 476:According to a May 30, 1951 413: 371:(both 1949). According to a 7: 951:American sports drama films 662:New York Harrison's Reports 386:North Hollywood, California 10: 1022: 331:George Fisher as Announcer 872: 853: 786: 597:"Hard Fast and Beautiful" 506:. American Film Institute 408:San Francisco, California 233:by sports-fiction author 202: 194: 184: 149: 139: 129: 117: 107: 93: 81: 65: 55: 40: 28: 23: 961:Films scored by Roy Webb 946:1950s sports drama films 819:Hard, Fast and Beautiful 738:Hard, Fast and Beautiful 567:. Movies & TV Dept. 484:Hard, Fast and Beautiful 467:Hard, Fast and Beautiful 404:Hard, Fast and Beautiful 350:Hard, Fast and Beautiful 255:Santa Monica, California 214:Hard, Fast and Beautiful 24:Hard, Fast and Beautiful 976:Films set in California 843:The Trouble with Angels 694:"Motion Picture Herald" 601:American Film Institute 348:, before it was titled 283: 244: 169:June 30, 1951 402:The world premiere of 158:May 23, 1951 698:Motion Picture Herald 644:Film Bulletin Company 471:Motion Picture Herald 452:daughters’s [ 1001:1950s American films 680:Motion Picture Daily 658:"Harrison's Reports" 342:Mother of a Champion 166: (San Francisco) 981:Films set in London 626:Screenland Magazine 249:Florence Farley, a 217:is a 1951 American 991:RKO Pictures films 570:The New York Times 531:The New York Times 448:Harrison’s Reports 421:The New York Times 374:Hollywood Reporter 298:as Florence Farley 144:RKO Radio Pictures 124:William H. Ziegler 923: 922: 547:Los Angeles Times 410:on May 23, 1951. 322:as J.R. Carpenter 304:as Fletcher Locke 302:Carleton G. Young 272:After winning at 239:Helen Wills Moody 210: 209: 121:George C. Shrader 1013: 941:1951 drama films 772: 765: 758: 749: 748: 724: 723: 712: 706: 705: 690: 684: 683: 672: 666: 665: 654: 648: 647: 636: 630: 629: 618: 612: 611: 609: 607: 593: 587: 586: 584: 582: 573:. Archived from 561:Crowther, Bosley 557: 551: 550: 542: 536: 535: 525: 516: 515: 513: 511: 500: 292:as Millie Farley 176: 174: 165: 163: 60:Martha Wilkerson 33: 21: 20: 1021: 1020: 1016: 1015: 1014: 1012: 1011: 1010: 926: 925: 924: 919: 913:Private Hell 36 905:The Hitch-Hiker 868: 849: 827:The Hitch-Hiker 782: 776: 733: 728: 727: 714: 713: 709: 692: 691: 687: 674: 673: 669: 656: 655: 651: 638: 637: 633: 620: 619: 615: 605: 603: 595: 594: 590: 580: 578: 577:on May 20, 2011 558: 554: 543: 539: 526: 519: 509: 507: 502: 501: 497: 492: 464: 426:Bosley Crowther 416: 338: 310:as Gordon McKay 286: 247: 187: 180: 177: (New York) 172: 170: 161: 159: 152: 122: 100: 86: 73: 47: 36: 17: 12: 11: 5: 1019: 1009: 1008: 1003: 998: 993: 988: 983: 978: 973: 968: 963: 958: 953: 948: 943: 938: 921: 920: 918: 917: 909: 901: 893: 885: 876: 874: 870: 869: 867: 866: 857: 855: 851: 850: 848: 847: 839: 831: 823: 815: 807: 799: 790: 788: 784: 783: 775: 774: 767: 760: 752: 746: 745: 732: 731:External links 729: 726: 725: 707: 685: 667: 649: 631: 613: 588: 552: 537: 517: 494: 493: 491: 488: 463: 460: 415: 412: 406:took place in 337: 334: 333: 332: 329: 326:William Hudson 323: 317: 314: 311: 305: 299: 293: 285: 282: 246: 243: 208: 207: 204: 200: 199: 196: 192: 191: 188: 185: 182: 181: 179: 178: 167: 155: 153: 150: 147: 146: 141: 140:Distributed by 137: 136: 131: 127: 126: 119: 115: 114: 109: 108:Cinematography 105: 104: 95: 91: 90: 85:Norman A. Cook 83: 79: 78: 67: 63: 62: 57: 53: 52: 49:James Anderson 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1018: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 969: 967: 964: 962: 959: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 933: 931: 915: 914: 910: 907: 906: 902: 899: 898: 894: 891: 890: 886: 883: 882: 878: 877: 875: 871: 864: 863: 859: 858: 856: 852: 845: 844: 840: 837: 836: 832: 829: 828: 824: 821: 820: 816: 813: 812: 808: 805: 804: 800: 797: 796: 792: 791: 789: 785: 781: 773: 768: 766: 761: 759: 754: 753: 750: 744: 740: 739: 735: 734: 721: 717: 711: 703: 699: 695: 689: 681: 677: 671: 663: 659: 653: 645: 641: 635: 627: 623: 617: 602: 598: 592: 576: 572: 571: 566: 562: 556: 548: 541: 534:. p. 16. 533: 532: 524: 522: 505: 499: 495: 487: 485: 481: 480: 474: 472: 468: 459: 457: 456: 450: 449: 443: 441: 440: 434: 433:Film Bulletin 430: 427: 423: 422: 411: 409: 405: 400: 398: 394: 393:Collier Young 389: 387: 383: 378: 376: 375: 370: 369: 364: 363: 358: 353: 351: 347: 343: 330: 327: 324: 321: 320:Joseph Kearns 318: 315: 312: 309: 308:Robert Clarke 306: 303: 300: 297: 296:Sally Forrest 294: 291: 290:Claire Trevor 288: 287: 281: 279: 275: 270: 266: 264: 258: 256: 253:prodigy from 252: 242: 240: 236: 235:John R. Tunis 232: 231:American Girl 228: 227:Claire Trevor 225:and starring 224: 220: 216: 215: 205: 201: 198:United States 197: 193: 189: 183: 168: 157: 156: 154: 151:Release dates 148: 145: 142: 138: 135: 132: 128: 125: 120: 116: 113: 110: 106: 103: 102:Sally Forrest 99: 98:Claire Trevor 96: 92: 89: 88:Collier Young 84: 80: 77: 76:John R. Tunis 71: 70:American Girl 68: 64: 61: 58: 56:Screenplay by 54: 50: 46: 43: 39: 32: 27: 22: 19: 986:Tennis films 911: 903: 895: 887: 879: 860: 841: 835:The Bigamist 833: 825: 818: 817: 809: 801: 793: 737: 719: 710: 701: 697: 688: 679: 670: 661: 652: 643: 634: 625: 622:"Screenland" 616: 606:December 18, 604:. Retrieved 600: 591: 579:. Retrieved 575:the original 568: 555: 546: 540: 529: 508:. 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Index


Ida Lupino
James Anderson
Martha Wilkerson
John R. Tunis
Collier Young
Claire Trevor
Sally Forrest
Archie Stout
William H. Ziegler
Roy Webb
RKO Radio Pictures
drama film
Ida Lupino
Claire Trevor
John R. Tunis
Helen Wills Moody
tennis
Santa Monica, California
Philadelphia
Forest Hills
Wimbledon
Claire Trevor
Sally Forrest
Carleton G. Young
Robert Clarke
Joseph Kearns
William Hudson
Ida Lupino
Not Wanted

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