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Happy-Go-Lucky (2008 film)

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481:, a bonus feature on the DVD release of the film, director Leigh, cinematographer Dick Pope, and stars Sally Hawkins and Eddie Marsan discuss the logistics of filming the lengthy scenes in which Poppy is learning how to drive. Five miniature cameras were hidden throughout the vehicle, and at times Leigh was wedged on the floor behind the front seats. Although the actors were required to adhere to basic plot premises, a large percentage of their dialogue was improvised, forcing them to react to stimuli outside the car and interact in character while concentrating on their driving. 314:
know him, it becomes evident that Scott believes in conspiracy theories. His beliefs are partly attributable to his racist and misogynistic views, which make it hard for him to get along with others. Scott seems to be angered by Poppy's sunny personality and what he perceives as a lack of responsibility and concern for driving safety. Scott is exceptionally irritated by Poppy's choice of footwear (a pair of high-heeled boots), which he feels compromises her ability to drive. From the outset, he feels Poppy does not take her lessons seriously and is careless.
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Sally Hawkins – a gurgling, burbling stream of gasps, giggles and words – Poppy . . . keeps moving forward and dancing and jumping and laughing and nodding her dark, delicate head as if she were agreeing not just with this or that friend but also with life itself. She's altogether charming or perhaps maddening – much depends on whether you wear rose-colored specs – recognizably human and every inch a calculated work of art."
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driving lesson, and she will drive him home. Scott tries to get his keys back and physically attacks Poppy. She manages to escape his grasp, then in a long, rambling diatribe Scott accuses Poppy of trying to seduce him, revealing his romantic feelings for her. Using patience and understanding to teach him a lesson, Poppy waits until he has calmed down, then gives the keys back, telling him this lesson will be their last.
488:, another DVD bonus feature, Leigh and the actors discuss how the director works with his cast one-on-one to help them fully create their characters before actual filming begins. Because Scott is such a troubled individual, Eddie Marsan thought he was preparing for a heavy drama, and it was not until he started working with Sally Hawkins that he realised how funny the film actually was. 657:, leaving you enchanted, enraged to the point of madness and utterly dazzled. No list of the year's best performances should be made without her." He added, "In lesser hands, the film would go off the deep end into cheap theatrics. But Leigh . . . keeps the emotions in balance by keeping them real. There's something raw in Hawkins that wins our empathy for Poppy. Thanks to her, 31: 566:
closed off a little too neatly, and Poppy seems eerily unaffected by this or anything else. The effect is a kind of odd and steely invulnerability: not unattractive exactly, but disconcerting. Hawkins plays it superbly though: exactly right for the part and utterly at ease with a role that is uniquely demanding. In the factory-farmed blandness of the movies,
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Poppy, however, does have the capacity to be responsible. At school, Poppy observes one of her pupils bullying one of his classmates. Rather than becoming angry, she worries about him and takes the appropriate action. After speaking with her pupil, she comes to the correct conclusion that he is being
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called the film "so closely tuned to the pulse of communal life, to the rhythms of how people work, play and struggle together, it captures the larger picture along with the smaller. Like Poppy, the bright focus of this expansive, moving film, Mr. Leigh isn't one to go it alone. Played by a glorious
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and is pregnant. Helen proves to be a very judgmental person and tells Poppy she needs to "take life seriously", "not get drunk every night" and plan for the future. Poppy responds that she is happy with her life as it is. Helen tries to convince Poppy to be more responsible, condescendingly telling
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compression and intensity to the proceedings, is an acquired taste and I have gladly acquired it, though some haven't. I am not quite sure what I think about the big, final confrontation between Poppy and Scott. It is well-acted and composed, and Marsan is ferociously convincing, yet the episode is
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at the time she saw him. Scott later sees Poppy with her new boyfriend, Tim, and he becomes angry. During Poppy's subsequent driving lesson, Scott drives erratically while ranting about other drivers and society. When he gives Poppy the keys to his car, she tells him he is in no condition to give a
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When Poppy takes driving lessons for the first time, her positive attitude contrasts starkly with her gloomy, intolerant and cynical driving instructor, Scott. He is emotionally repressed, has anger problems and becomes extremely agitated by Poppy's casual attitude towards driving. As Poppy gets to
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Thirty years old and single, Pauline "Poppy" Cross shares a London flat with her best friend Zoe, a fellow teacher. Poppy is free-minded, high-spirited and kind-hearted. The film opens with Poppy trying to engage a shop employee in conversation. He ignores her, yet his icy demeanour does not bother
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and refers to "the all-seeing eye" at the top of a "golden triangle" formed by a car's rearview mirror and side mirrors. Scott tells Poppy, "You see. You remember. You will remember Enraha till the day you die and I would have done my job." The name "En-ra-ha" was invented by Marsan during his
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the film has an approval rating of 92% based on 159 reviews, with an average rating of 7.73/10. The critical consensus states that "Mike Leigh's latest partially improvised film is a light-hearted comedy with moments that bite, and features a brilliant star turn by Sally Hawkins." On
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observed "You know you're watching something both delightfully light-footed and acutely meaningful when Leigh moves so nimbly between scenes at Poppy's school, her flamenco class and her driving lessons . . . It's a funny film . . . and, crucially, it aches with truth."
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her. She maintains her good mood even when she discovers her bicycle has been stolen. Her main concern is not getting a new one or finding the bicycle, but that she did not get a chance to say goodbye to it. This prompts her to decide to learn how to drive.
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abused at home. A social worker, Tim, is brought in to handle the boy's case. Through Tim and the pupil's interactions, the latter reveals that his mother's boyfriend has been beating him. Tim and Poppy begin dating.
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stated, "The key to enjoying the film, a minor effort by Leigh, is warming up to Poppy. Her bubbly personality may be too much for some. She's like a walking, talking smiley face. Fortunately, as Leigh proved in
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Returning home, Poppy sees Scott standing across the street from her flat, and when she calls his name, he runs away. When she confronts him he insists he had been visiting his mother in
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called the film "as funny, serious, life-affirming and beautifully performed as anything Leigh has done, but with a lightness of touch only previously found in his
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as Zoe advises Poppy she "can't make everyone happy." Poppy cheerfully dismisses the advice, then takes a mobile call from Tim and asks him, "Missing me already?".
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format with an audio track in English and subtitles in English and Spanish. Bonus features include commentary by screenwriter/director Mike Leigh,
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The film was cited as one of the ten best films of 2008 by many critics, including Manohla Dargis, Stephen Holden, and A.O. Scott of
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teaching tool used repeatedly by Marsan's character, Scott, as a reminder for the driver to look in the car's mirrors, has become a
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rated the film four stars and called Sally Hawkins "a joy to behold". He added, "This is Mike Leigh's funniest film since
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associated both with the film and with Marsan as an actor. During a lesson, Scott explains to Poppy that "En-ra-ha" is a
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out of four stars and commented, "Get ready for Sally Hawkins, a dynamo of an actress who will have her way with you in
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rated the film four out of five stars and said, "Mike Leigh's trademarked cartoony dialogue, as ever lending a neo-
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Poppy, Zoe, and Poppy's younger sister, Suzy, go to visit another sister, Helen, who lives with her husband in
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before going into theatrical release in the UK on 18 April 2008. It later was featured at the
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improvisational preparation for the film, inspired by a recording of the English occultist
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has scenes that are not funny, not at all. There are always undercurrents and oddness."
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her she is too childish, but Poppy insists that she is happy and ignores her advice.
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Films featuring a Best Musical or Comedy Actress Golden Globe winning performance
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Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy
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The film ends with Poppy and Zoe together maneuvering a rowboat in
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score of 84, based on 34 reviews, indicating "universal acclaim".
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The film is Mike Leigh's first film shot in the 2.35 aspect ratio
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The Region 1 DVD was released on 10 March 2009. It is in
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Index


Mike Leigh
Simon Channing Williams
Sally Hawkins
Eddie Marsan
Alexis Zegerman
Sylvestra Le Touzel
Samuel Roukin
Dick Pope
Jim Clark
Gary Yershon
Summit Entertainment
Ingenious Film Partners
Film4
UK Film Council
Thin Man Films
Momentum Pictures
BIFF
comedy-drama film
Mike Leigh
Mike Leigh
Sally Hawkins
Eddie Marsan
Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy
66th Golden Globe Awards
Silver Bear for Best Actress
Southend-on-Sea
Stevenage
Regent's Park
Sally Hawkins

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