326:. He carries her wrapped body through streets filled with revelers and deposits it on top of the largest bonfire. Having no memory of the killing, George is able to convince the police that he is innocent, but Middleton remains suspicious. He confronts George on the night of his concerto premiere and insists that he be taken in for his own protection. However, George locks Middleton in the flat and performs the concerto as planned. Middleton's banging is heard by a local workman, and he is freed. Midway through the performance, he enters the music salon with several other policemen, which causes George to remember his crimes. He stops playing and asks Barbara to carry the performance; however, when police question him in a separate room, he attacks them and throws a gas lamp, setting the building on fire. George returns to the salon and resumes playing the piano while the audience and musicians flee, heedless of the fire around him and ignoring Barbara's pleas to escape. As Middleton, Barbara, and Sir Henry look on from outside the burning building, Sir Henry asks why George did not try to get out. Middleton replies, "It's better this way, Sir." The concert hall fills with flame and smoke as George plays the last notes of his concerto.
498:, he accepted the role of Dr. Allan Middleton. However, he was unhappy with his script, particularly the final line in the film, which required him to justify the death of George Harvey Bone by saying, "He's better off this way." When shooting the scene, which was very expensive to film, Sanders repeatedly refused to say the line. He was later involved in an altercation with the film's producer Robert Bassler, with Sanders punching Bassler. The line was later changed to "It's better this way."
319:, George meets ambitious and conniving singer Netta Longdon, through his buddy, Mickey. Although Netta, who also lives in the square, is a mediocre talent, George becomes enamored of her. Netta finds George boring, but manipulates him for his composing ability. Meanwhile, Barbara is put off by George's interest in Netta, and Middleton tries to get closer to her. George is driven to another amnesia episode and almost strangles Barbara to death.
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Cregar, who had ambitions of being a leading man and was worried that he would always be cast as a villain, refused the role and was put on suspension. Glenn Langan was announced as his replacement. However, Cregar realized that he could use his romantic scenes with Linda
Darnell and Faye Marlowe to
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to aid his rapid weight loss, which led to erratic behavior. Brahm lost patience with Cregar and forced the entire cast and crew to sign a document stating that they were on Brahm's side in order to humiliate Cregar into submission. When filming ended, Cregar told Brahm: "Well, I think we've worked
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movements, which are typical as succeeding movements in a concerto, are compressed and presented in place of a central development). Slightly revised by the composer in 1973 for
Charles Gerhardt's RCA film music series and retitled "Concerto Macabre," it has been recorded by RCA, NaĂŻve, Koch and
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The film had to be shot entirely in sequence so as to be consistent with Cregar's real-life weight loss. This frustrated director Brahm, who frequently clashed with Cregar. As a musician, Cregar was eager to perform the musical pieces on his own; however, Brahm insisted that he
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to find his girlfriend, Barbara
Chapman, and her father, Sir Henry Chapman, inside. George admits privately to Barbara that there is "a whole day missing" from his memory. The newspaper has stories of the murder and fire, and George goes to see Dr. Allan Middleton, who works at
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Naxos, in addition to the recording paired with Hogger's suite. Except for the RCA releases, all of the recordings of the concerto rely on a version edited in 1992 by
Christopher Husted. The disc also includes Hogger's extended suite based on Herrmann's incidental music for
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yarns, of which this is another. And it doesn't make any pretense at mystery. The madman-murderer is known from the first reel...Production is grade A, and so is the direction by John Brahm, with particular bows to the music score by
Bernard Herrmann."
260:, who made a number of changes to the novel, including transforming George Harvey Bone into a classical composer-pianist and filming the story as a turn-of-the-20th-century period piece.
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is stabbed to death and his shop set on fire by distinguished composer George Harvey Bone, who stumbles out onto the street in a stupor. George eventually makes his way back to his
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his advantage in order to change his public image into a more romantic one. He thus accepted the role, but began a radical crash diet to give his character more physical appeal.
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Sanders also brought complications. Having been placed on suspension the previous year for refusing to perform in
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748:"Alexis Smith Gets Role of Nora in 'Human Bondage' -- Two New Films to Arrive Today".
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In 2010, British label
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Hollywood
Cauldron: Thirteen Horror Films from the Genre's Golden Age
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Hollywood
Cauldron: Thirteen Horror Films from the Genre's Golden Age
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together long enough to know we never want to work together again."
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831:. Staff film review, December 31, 1944. Accessed: February 4, 2023.
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said: "There is not a first-class shiver in the whole picture."
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information site and DVD review at DVD beaver (includes images)
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Twentieth
Century-Fox: A Corporate and Financial History
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London in the summer of 1903, a
Scottish shop owner in
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Laird Cregar, a fan of the original novel, encouraged
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National Theatre: Platform Papers: Stephen Sondheim
629:, assembled by Stephen Hogger. The film's musical
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530:The film received mixed reviews. The staff at
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817:. June 1993. Last accessed: July 16, 2008.
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613:Learn how and when to remove this message
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637:movement for piano and orchestra in the
585:Relevant discussion may be found on the
540:is eerie murder melodrama of the London
1348:English-language historical drama films
766:"Expert Laird Tells How to Lose Weight"
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437:J.W. Austin as Detective Inspector King
397:Clifford Brooke as Gas Company Watchman
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730:. McFarland & Company, pp. 327-28
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16:1945 American film noir by John Brahm
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595:adding citations to reliable sources
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536:magazine liked the film and wrote, "
527:The film made a profit of $ 27,700.
513:as a major influence on his musical
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1179:The Miracle of Our Lady of Fatima
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680:Laird Cregar: A Hollywood Tragedy
468:, who had all worked together in
1318:Films scored by Bernard Herrmann
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256:. The screenplay was written by
1288:American historical drama films
578:needs additional citations for
484:the piano playing. Cregar used
1293:American black-and-white films
840:Mank, Gregory William (1994).
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754:. August 12, 1944. p. 16.
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678:Mank, Gregory William (2018).
559:CD release of Herrmann's music
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322:George finally kills Netta on
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1308:Films based on British novels
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428:as William - Chapman's Butler
1338:1940s English-language films
1313:Films directed by John Brahm
1278:1940s historical drama films
874:AFI Catalog of Feature Films
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708:. Scarecrow Press, p. 220
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168:February 7, 1945
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227:$ 1,798,500 (worldwide)
1283:20th Century Fox films
1089:Tonight We Raid Calais
501:The American composer
355:as Dr. Allan Middleton
263:The film, which stars
422:Eric Wilton as Waiter
343:as George Harvey Bone
1343:1940s American films
1149:The Brasher Doubloon
771:The Pittsburgh Press
641:style (in which the
591:improve this article
373:as Sir Henry Chapman
1328:Films set in London
1303:Films about amnesia
1169:The Thief of Venice
1079:The Undying Monster
948:Hollywood Star Time
495:The Undying Monster
315:at a working-class
311:On August 29, at a
238:is a 1945 American
1119:Guest in the House
1069:Wild Geese Calling
984:Films directed by
908:TCM Movie Database
774:. December 3, 1944
751:The New York Times
552:The New York Times
367:as Barbara Chapman
361:as Eddie Carstairs
1323:Films set in 1899
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1219:The Golden Plague
1199:The Diamond Queen
1009:Counsel for Crime
714:978-0-8108-4244-1
689:978-1-4766-2844-8
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950:: April 7, 1946
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432:Jimmy Aubrey
417:Francis Ford
401:Ted Billings
386:Michael Dyne
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365:Faye Marlowe
359:Glenn Langan
341:Laird Cregar
321:
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277:heart attack
265:Laird Cregar
262:
258:Barré Lyndon
247:
242:directed by
234:
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189:Running time
177:
161:Release date
92:Laird Cregar
62:
53:Barré Lyndon
1039:Let Us Live
380:Uncredited:
371:Alan Napier
217:$ 1,154,400
78:Produced by
39:Directed by
1273:1945 films
1267:Categories
1139:The Locket
1109:The Lodger
1099:Wintertime
986:John Brahm
660:References
505:has cited
470:The Lodger
466:John Brahm
461:The Lodger
450:Production
244:John Brahm
222:Box office
193:78 minutes
172:1945-02-07
137:Production
68:1941 novel
43:John Brahm
1298:Film noir
1159:Singapore
587:talk page
523:Reception
419:as Ogilby
388:as Mickey
289:Edwardian
240:film noir
225:$ 850,000
116:Edited by
897:AllMovie
656:(1941).
639:Lisztian
542:gaslight
434:as Drunk
206:Language
126:Music by
88:Starring
59:Based on
1239:Bengazi
930:YouTube
906:at the
871:at the
828:Variety
800:May 16,
778:May 16,
643:scherzo
533:Variety
301:Chelsea
209:English
198:Country
170: (
139:company
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1012:(1937)
1002:(1936)
850:
734:
712:
686:
647:adagio
635:sonata
441:
293:Fulham
214:Budget
176: (
633:is a
886:IMDb
848:ISBN
802:2015
780:2015
732:ISBN
710:ISBN
684:ISBN
645:and
482:mime
330:Cast
283:Plot
271:and
1049:Rio
946:on
928:on
895:at
884:at
593:by
317:pub
287:In
252:by
178:NYC
70:by
1269::
768:.
668:^
519:.
279:.
267:,
977:e
970:t
963:v
804:.
782:.
738:.
692:.
616:)
610:(
605:)
601:(
583:.
180:)
174:)
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