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their attention for the years it would take to make a documentary, with Cohen being one artist she "thought it would be gratifying to plumb for that length of time". Initially, as Geller described, they "knew the incredible power of the song" but "we didn't know the crazy trajectory of that song when (we) first started talking about it". Soon, they discovered
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the film before his 80th birthday (September 2014). However, it took about two years to resolve licensing terms with Sony Music which controlled the rights to the singer's publishing. Interviews began in spring 2016, and shooting didn't begin until August 2016, not long before Cohen's death in
November.
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called the film an "illuminating, if occasionally too obliging, documentary" that "only obliquely considers how love for a piece of music can kill it as surely as the crassest record executive". She added, "What turns out to be the most moving and meaningful thing about the film isn’t the song at its
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said that the film "has a better grasp of the artist’s ineffable appeal than most (other films about Cohen), and a smarter approach. The documentary contains elements of a conventional biopic, but it probably won't satisfy audiences looking for a soup-to-nuts overview". Though the film is limited to
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Geller noted that the film includes not only several of Cohen's performances of "Hallelujah"—as he ages, singing it with different feelings and different verses—but also that there are 22 other songs. The last third of the documentary is devoted to Cohen's comeback in the 21st century, and includes
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Alan Light, who served as a consulting producer on the film, warned that Cohen would not consent be interviewed for a film, and that licensing "is going to be the most complicated thing you ever deal with in your career". Within a week after receiving Geller and
Goldfine's proposal, Cohen approved
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From a personal standpoint, I really would have loved to have interviewed (Cohen), but from the beginning this (film was) really to look at his life through the lens of the song and the spiritual quest and contradictions that are in the song rather than some comprehensive, 'He was born on such and
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Over time, Geller and
Goldfine were granted interviews with people associated with the song, and gained access to photographs, concert recordings, and archival material from Cohen's estate, including his notebooks and journals—actual hands-on drafts of the song. They said they collected over 100
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In summer 2014, film historian and writer David
Thomson suggested during a dinner with Geller and Goldfine that they do a film based on a single song. Goldfine related that "literally within 10 minutes at the dinner table" she thought they could do a film about "Hallelujah" since it could occupy
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Geller said "the real focus is
Leonard the man asking the deep questions about the purpose of life, the challenges of life, the holiness of life, and the brokenness of life". In a different focus, Goldfine remarked that the documentary "is about one's own center, and one's own role and place in
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said, "while it may be a fool's errand to frame
Leonard Cohen's life and times through the prism of just one song, directors Dan Geller and Dayna Goldfine make a decent fist of it here". Brooks added, "if this thorough, respectful documentary largely leaves its subject's mystery intact, that's
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said that the film was "endlessly fascinating", and, "focusing on the richness of an inspiration", is "one of the only films about Cohen that is worthy of its subject", adding that "the tale of its making... is equally compelling". Marlow said that "the film fortunately spares audiences the...
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that the film "trace(s) Cohen’s career from his early days in
Montreal to his 21st-century renaissance, exploring his creative process, his spiritual search and how his perhaps best-known song... took on a life of its own", the film taking "a deep dive" into Cohen's "writing and rewriting and
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said that the film "doesn't give deep consideration to the conditions that led to "Hallelujah" becoming a late career hit for Cohen", "though archival interviews with Cohen do effectively suggest that there’s more to his music—and that song, in particular—than the usual artistic triumph over
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said the film "documents the record’s long, strange trip to ubiquity. It's a tale about the vagaries of recording history and the foolishness of industry suits, but it's also about rediscovery and inspiration and reinvention".
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described the film as "wrapping a circumspect biography of the singer... around the story of the song", with archival footage and interviews with friends and admirers. Writer
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For Geller and
Goldfine, it was footage of Cohen singing Hallelujah on stage during a performance in Oakland, California, that partly inspired them to make the documentary.
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life". More broadly, Goldfine quipped that "although it's primarily looking at
Leonard through the prism of Hallelujah, we slyly stuck in another 22 Leonard Cohen songs".
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industrial exploitation narrative. Abrams added, "A lot of substantial or just different material might have enriched this documentary’s tidy fall-and-rise story."
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as "tak(ing) both a micro and macro view of the song and Cohen, along with their respective and deeply intertwined places in culture. Nicolas Rapold wrote in the
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hours of archival footage and audio, plus another 60 or 70 hours of original interview material, from which they formed the film of less than two hours.
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In addition to Cohen himself, various people affiliated with Cohen or associated with the song appear in the film, including artistic collaborator
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center, but the work ethic of a man who might have disappeared from the public eye for years at a time but never stopped sweating every word".
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without so much personal biography. Mainstream audiences, on the other hand, will appreciate the context and the pairing of song and subject:
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focusing on Cohen with only one song as a centerpiece, "two hours is insufficient, though there’s much to admire in the effort".
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is a 2022 feature-length documentary biographical film created by Dan Geller and Dayna
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and an updated version of Light's book. The film became available on Netflix in late January, 2023.
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calling the book "a fascinating study in the mechanics and metaphysics of pop-culture memory".
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530:"Stay-At-Home Seven - January 30 to February 5 / Films to stream or catch on telly this week"
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review concluded that "Cohen aficionados... might prefer a more focused and deeper dive into
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978:"Hallelujah: Leonard Cohen, a Journey, a Song review – a thorough, respectful documentary"
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504:"'Hallelujah: Leonard Cohen, A Journey, A Song': The Long Road to Making the Documentary"
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851:"'Fire of Love' and 'Good Night Oppy' Lead Critics Choice Documentary Award Nominations"
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montage of... amateur versions while focusing largely on the better renditions".
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877:"'Hallelujah: Leonard Cohen, a Journey, a Song': Film Review / Venice 2021"
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702:"Trying to Capture the Life and Lyrics of That Wry Sage Leonard Cohen"
679:"'More than a song': the enduring power of Leonard Cohen's Hallelujah"
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929:"Film looks at Leonard Cohen through the lens of his best-known song"
651:"'Hallelujah' Review: From Leonard Cohen to Cale to Buckley to Shrek"
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828:"Dan Geller and Dayna Goldfine Talk Leonard Cohen Film at Venice"
275:(who produced and arranged of the original version of the song),
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768:"Leonard Cohen's Enduring "Hallelujah" Celebrated In New Film"
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probably for the best and what the singer would have wanted".
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Hal Willner (music producer); John Lissauer (original score)
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in September 2021, and was shown on June 12, 2022 at the
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Hallelujah: Leonard Cohen, A Journey, A Song (2022)
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Hallelujah: Leonard Cohen, A Journey, A Song (2022)
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242:erasing" process to better understand him. In
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395:In October 2022, the film was nominated for
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193:Hallelujah: Leonard Cohen, A Journey, A Song
22:Hallelujah: Leonard Cohen, A Journey, A Song
1332:Judy Collins Sings Leonard Cohen: Democracy
334:which confirmed "there's something there".
1247:Can't Forget: A Souvenir of the Grand Tour
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1610:Ladies and Gentlemen... Mr. Leonard Cohen
1318:Tower of Song: The Songs of Leonard Cohen
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279:(a longtime interviewer), music producer
1571:Stranger Music: Selected Poems and Songs
988:from the original on September 19, 2022.
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466:mixes sex and spirituality, as did the
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536:from the original on January 30, 2023.
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528:Wilkinson, Amber (January 30, 2023).
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385:Hallelujah and Songs From His Albums,
838:from the original on April 21, 2022.
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714:(interview with Geller and Goldfine)
1212:Field Commander Cohen: Tour of 1979
962:from the original on July 17, 2022.
849:Davis, Clayton (October 17, 2022).
826:Simon, Alissa (September 3, 2021).
554:Benitez-Eves, Tina (May 26, 2022).
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1852:English-language documentary films
1832:Canadian musical documentary films
1827:American musical documentary films
1339:The Songs of Leonard Cohen Covered
976:Brooks, Xan (September 18, 2022).
939:from the original on July 9, 2022.
913:from the original on July 7, 2022.
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1441:Hey, That's No Way to Say Goodbye
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798:Marlow, Jonathan (July 5, 2022).
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700:Rapold, Nicolas (July 1, 2022).
590:. Nash Information Services, LLC
476:Xan Brooks' 3/5-star review for
435:Jonathan Marlow's review in the
73:Daniel Geller and Dayna Goldfine
50:Daniel Geller and Dayna Goldfine
42:Daniel Geller and Dayna Goldfine
1807:Documentary films about singers
950:Wheeler, Brad (July 14, 2022).
724:Dettmar, Kevin (July 1, 2022).
427:Simon Abrams' 2-star review on
16:2022 United States, Canada film
1226:Live at the Isle of Wight 1970
927:Hornaday, Ann (July 6, 2022).
901:Abrams, Simon (July 1, 2022).
677:LeDonne, Rob (June 29, 2022).
649:Scott, A. O. (June 30, 2022).
402:Daniel Fienberg's review for
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1103:New Skin for the Old Ceremony
502:Graff, Gary (June 30, 2022).
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259:clips of his later concerts.
1847:Sony Pictures Classics films
1822:2020s English-language films
1356:Leonard Cohen Tour 2008–2010
766:Chiu, David (July 9, 2022).
414:New York Times Critic's Pick
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1659:Leonard Cohen: I'm Your Man
1399:Dance Me to the End of Love
1325:Leonard Cohen: I'm Your Man
1286:The Essential Leonard Cohen
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1817:Films based on biographies
1522:Let Us Compare Mythologies
1279:More Best of Leonard Cohen
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140:January 27, 2023
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185:$ 2.5 million (worldwide)
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446:'s 2.5/4-star review in
399:Best Music Documentary.
377:Telluride Film Festivals
371:The film debuted at the
204:". The film is based on
200:, focusing on his song "
1420:First We Take Manhattan
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129:July 15, 2022
118:June 30, 2022
1797:2022 documentary films
1750:The Holy or the Broken
1624:Beware of a Holy Whore
1529:The Spice-Box of Earth
1378:Ain't No Cure for Love
1110:Death of a Ladies' Man
1096:Songs of Love and Hate
1082:Songs of Leonard Cohen
881:The Hollywood Reporter
437:San Francisco Examiner
405:The Hollywood Reporter
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330:The Holy or the Broken
211:The Holy or the Broken
104:Sony Pictures Classics
59:The Holy or the Broken
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169:United States, Canada
1842:2020s Canadian films
1837:2020s American films
1413:Famous Blue Raincoat
1361:Old Ideas World Tour
1304:Famous Blue Raincoat
1180:Thanks for the Dance
350:— Daniel Gellar, to
277:Larry "Ratso" Sloman
126: (United States)
1652:Looking for Leonard
1602:Film and television
1233:Songs from the Road
933:The Washington Post
560:American Songwriter
448:The Washington Post
309:Dominique Issermann
1592:A Ballet of Lepers
1543:Flowers for Hitler
1536:The Favourite Game
1504:You Want It Darker
1173:You Want It Darker
956:The Globe and Mail
706:The New York Times
655:The New York Times
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1729:Julie Christensen
1687:So Long, Marianne
1476:So Long, Marianne
1455:In My Secret Life
1272:So Long, Marianne
1124:Various Positions
1089:Songs from a Room
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1152:Dear Heather
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157:Running time
1645:Night Magic
1462:Joan of Arc
1190:Live albums
1060:Discography
587:The Numbers
422:A. O. Scott
301:Eric Church
281:Clive Davis
231:Rob LeDonne
227:A. O. Scott
161:115 minutes
70:Produced by
39:Directed by
1792:2022 films
1786:Categories
1745:Alan Light
1739:Blue Alert
1434:Hallelujah
1205:Cohen Live
1198:Live Songs
1138:The Future
485:References
468:libidinous
464:Hallelujah
460:Hallelujah
325:Alan Light
206:Alan Light
202:Hallelujah
182:Box office
144:2023-01-27
133:2022-07-15
122:2022-06-30
87:Production
64:Alan Light
47:Written by
1585:The Flame
1385:Avalanche
1159:Old Ideas
508:Billboard
391:Reception
352:Billboard
166:Countries
1770:Category
986:Archived
960:Archived
937:Archived
911:Archived
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836:Archived
808:Archived
776:Archived
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710:Archived
687:Archived
659:Archived
564:Archived
534:Archived
512:Archived
471:Buddhist
174:Language
78:Music by
55:Based on
1483:Suzanne
855:Variety
832:Variety
420:critic
416:, with
367:Release
246:critic
225:critic
218:Content
177:English
142: (
131: (
120: (
89:company
1734:Anjani
1065:Awards
772:Forbes
373:Venice
33:Poster
1617:Angel
1514:Books
1370:Songs
418:Times
239:Times
1013:IMDb
631:2022
624:IMDb
596:2022
375:and
263:Cast
1011:at
473:."
62:by
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