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142:, but he was also a designer, a modeller in clay and an etcher, and was equally successful in all these branches of art. In his modest way he exerted a quiet but powerful influence on the development of local art, as exemplified by his lectures on the subject. He was a musician of considerable skill and an enthusiast for great literature, and very well-informed on a wide range of subjects.
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Barnes took up painting at a relatively late age, and some of his work suggests that had he lived longer he might have reached a higher position in
Australian art than is usually given him. Landscapes in oil were probably his
130:. He regularly exhibited rural landscapes with the South Australian Society of Arts. The gallery bought "Monarch of the Glen", "Morning in the Hills" and "Mount Barker from Crafers". He also played violin in
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On leaving school, Barnes had some training in modelling from his father, and was a fine musician, having studied violin under A. C. Quin, leader of the
Adelaide Grand Orchestra. He studied painting under
48:, the eldest son of John William Barnes (1854–1909), a builder and plasterer, and his wife Ann Eliza Barnes, née May (d. 1956). Around 1890 the family migrated to
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Barnes married Annie May while in
England in 1909 and his wife and two children survived him. In Adelaide, the family lived at West Terrace,
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campaign which was displayed at the
Library, and a relief map, which went to the Department of Defence's war museum.
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84:. In 1900 Gustave travelled to Europe to continue his study of the violin, and painting under Professor Herkomer.
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Painter L. J. Barnes of Sydney, and Doris Barnes, eminent photographer of
Adelaide, were his brother and sister.
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24:(9 May 1877 – 14 March 1921) was an English violinist, painter and sculptor with a significant career in
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second orchestra. His father died in 1909 and Barnes returned to
Adelaide to carry on his business.
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and served classifying and cataloguing prints and drawings until 1918, when he was appointed
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381:. Vol. LII, no. 15, 962. South Australia. 14 December 1909. p. 2
325:. Vol. XCIII, no. 27, 157. South Australia. 29 August 1928. p. 8
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437:. Vol. LXXVIII, no. 5851. South Australia. 19 March 1921. p. 31
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493:. Vol. XCV, no. 27, 633. South Australia. 10 March 1930. p. 26
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465:. Vol. LXXX, no. 5, 961. South Australia. 28 April 1923. p. 15
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353:. Vol. LVII, no. 3, 067. South Australia. 14 July 1900. p. 25
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as a designer, painter and modeller, and during his evenings studied at the
409:. No. 26, 104. New South Wales, Australia. 3 September 1921. p. 7
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549:. Vol. 5, no. 1456. South Australia. 21 November 1914. p. 4
577:. Vol. XII, no. 3432. South Australia. 19 March 1921. p. 4
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52:, where his father and William Neate (1848–1932) set up in business in
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as Barnes & Neate, modellers and plasterers. They specialised in
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The Art
Gallery of South Australia holds a number of his paintings:
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Barnes lived in the recently developed eastern
Adelaide suburb of
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268:"old boys" to produce a bronze bust of their retired headmaster
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149:, in his later years before his early death on 14 March 1921.
457:"Kensington—Old and New [cont. from previous page]"
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240:He painted backdrops for various exhibits in the
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228:and the State Library has an early watercolor:
521:. South Australia. 13 November 1917. p. 4
257:He built a large scale model illustrating the
272:, which was presented to the school in 1918.
188:Colonel Light's residence at Thebarton, S.A.
585:– via National Library of Australia.
557:– via National Library of Australia.
501:– via National Library of Australia.
473:– via National Library of Australia.
445:– via National Library of Australia.
417:– via National Library of Australia.
389:– via National Library of Australia.
361:– via National Library of Australia.
333:– via National Library of Australia.
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630:20th-century Australian male artists
286:Barnes, Gustave Adrian (1877 - 1921)
198:Hans Heysen painting at King's Sound
218:View of Adelaide from the Reed Beds
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291:Australian Dictionary of Biography
87:Barnes obtained employment at the
80:and was from 1896 a member of the
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675:20th-century English male artists
635:20th-century Australian sculptors
193:Frenchman's Rock, Kangaroo Island
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625:20th-century Australian painters
485:"Year's Motor Tour of Australia"
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70:Savings Bank of South Australia
690:British emigrants to Australia
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670:20th-century English painters
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28:, notably as curator at the
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490:The Register News-Pictorial
110:Barnes did a great deal of
103:. He also played violin in
22:Gustave Adrian "Gus" Barnes
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429:"National Gallery Curator"
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179:Painting by Gustave Barnes
518:The Express and Telegraph
406:The Sydney Morning Herald
378:The Advertiser (Adelaide)
203:Mount Barker from Crafers
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114:, much on rambles in the
665:Australian male painters
513:"Federal Art Exhibition"
650:British male violinists
640:Australian art curators
597:"Gustave Adrian Barnes"
462:The Observer (Adelaide)
322:The Register (Adelaide)
264:He was commissioned by
242:South Australian Museum
208:The Monarch of the Glen
248:Mount Barker Landscape
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685:English male painters
645:Australian violinists
266:Prince Alfred College
250:is on display at the
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101:Royal Academy of Arts
89:Doulton pottery works
223:Morning in the Hills
93:Royal College of Art
298:, 1979, pp 179–180.
234:Farm, Gilles Plains
82:Adelaide Easel Club
40:Barnes was born in
680:English violinists
529:– via Trove.
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159:Kensington Gardens
147:Kensington Gardens
112:landscape painting
105:Sir Edward Elgar's
434:Adelaide Observer
350:Adelaide Observer
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541:"New Pictures"
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601:. Retrieved
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579:. Retrieved
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469:20 September
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294:, Volume 7,
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252:Carrick Hill
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78:James Ashton
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60:and pressed
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21:
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660:1921 deaths
655:1877 births
525:18 February
282:Nancy Benko
120:Hans Heysen
66:Art Gallery
30:Art Gallery
619:Categories
569:"Personal"
317:"Personal"
303:References
213:The Quarry
259:Gallipoli
254:mansion.
46:Middlesex
42:Islington
36:Biography
50:Adelaide
276:Sources
128:curator
153:Family
62:cement
603:7 May
581:7 May
553:7 May
497:7 May
441:7 May
413:8 May
385:7 May
357:7 May
329:7 May
140:forté
118:with
605:2016
583:2016
555:2016
527:2020
499:2016
471:2020
443:2016
415:2016
387:2016
359:2016
331:2016
68:and
296:MUP
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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