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an initiation fee, after which they became life members. Non-artists (referred to as "lay members") agreed to give a sum of money (initially $ 600, the equivalent of $ 7,500 in 2008) to purchase one of the donated works, but available only after the first year. As Clark wrote: "The beauty of this plan of operation is that it accomplishes results in a practical way and is free from the sting of charity because the artists are actually underwriting their own organization." Initial interest was strong, with many artists and lay members joining the new organization. "We had upward of one hundred names on each of the above lists," Clark wrote.
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343:" will be accomplished by placing the name of each lay member on a slip of paper in a sealed jar which will be shaken thoroughly. Then before the entire audience the seal will be broken and a child will draw the names, one at a time, and they will be read aloud and entered on a list. The name first drawn will have first choice of all the contributed works of art. The second name drawn will have a free choice after number one has made his selection and the third name will then have the privilege of making his choice from all the works that remain, and so on until the last name."
1221:, at 40 Vanderbilt Avenue. The new location, on the hotel's second floor, offered six exhibition rooms, a reserve storage room, and an office. In 1977, after 19 years at the Biltmore, an auction was held of 500 lots of unclaimed artwork donated by members through the years. The works were given a two-day preview and then sold to benefit the artist-membership program. The Galleries remained at the Biltmore for 23 years, until the structure was gutted and converted into an office building. The final show was "
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1020:"Pursuing our purpose of putting American art prominently before the world, the directors a few years ago appropriated the sum of $ 25,000 for the erection of an exhibition building in Venice on the grounds of the International Biennial. Messrs. Delano and Aldrich generously donated the plans for this building which is constructed of Istrian marble and pink brick and more than holds its own with the twenty-five other buildings in the Park owned by the various European governments."
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1178:"Although the lay membership subscription fee has been $ 600 annually during the ten years of the existence of the Galleries, it was deemed necessary by the management to reduce this subscription to $ 350 for 1933 and 1934, and we urgently invite those interested in American art and American artists to become members for this year on this new basis."
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the 1980s. During the steamship era the
Galleries also placed works in transatlantic liners and ships passing through the Panama Canal. "As someone has remarked, these are exhibitions which people attend without meaning to," Clark wrote in 1934. Among other locations, a permanent display of work was maintained in the Boca Raton Hotel.
1113:"These beautiful new Galleries with their many windows on Fifth Avenue and on 51st Street, have presented during the past eight months an ever-changing panorama of American Art which has been viewed by over one hundred thousand people daily. Quite a number of paintings and bronzes have been purchased by new clients."
1237:"Hardly since Samson tore down the great temple at Gaza has a building disappeared as rapidly as the Biltmore Hotel. But people have shown a rare persistence this last day or two in pushing their way upstairs at the entrance on Vanderbilt Avenue to where the Grand Central Galleries has been holding its own."
185:, and others. As stated in the Galleries' 1934 catalog, their goal was to "give a broader field to American art; to exhibit in a larger way to a more numerous audience, not in New York alone but throughout the country, thus displaying to the world the inherent value which our art undoubtedly possesses."
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delivering an eleventh hour informal lecture to salespeople on "how to sell modern art," and nearly a dozen pictures sold on the opening day along, and important
American collectors on hand who had probably never until that moment stepped foot in the premises, and for Monday's reception the gallery's
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and subject of an 1890 portrait by
Sargent. Separate rooms were dedicated to each country, and because of their number, the exhibition was divided into the exhibition into two parts. The first included America, Belgium, Germany, Holland, Italy, Poland, Russia, and Spain; the second showed works from
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was made available. The official street address was 15 Vanderbilt Avenue. The
Painters and Sculptors Gallery Association signed a 10-year lease, and together with the railroad company, invested more than $ 100,000 in preparations. The Galleries extended over most of the terminal's sixth floor, 14,000
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The founders envisioned a nonprofit, cooperative organization, but one firmly supported by the best business principles
Greacen, an artist, is credited with having suggested the Galleries' financial structure: Artists who wished to join were required to give a work of art each year for three years as
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Available works were placed on display prior to the drawing, and lay members were requested to "make a list of thirty choices, arranging same in the order of his preference." This pre-selection would allow the awarded paintings to be announced the evening of the drawing. Because of the wide range of
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In keeping with the founders' conception of the
Galleries as a commercial as well as artistic organization, the majority of the works on display were for sale. Prices ranged from $ 100 to $ 10,000, the most expensive one being by Hawthorne; Sargent's contribution was valued at $ 5,000. By 1934 Clark
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took over temporarily as manager. In 1976 James D. Cox became director, only the second in the
Galleries' history. Cox led their second relocation, this time to 24 West 57th Street. There the Galleries had the entire second floor, 9,000 square feet (840 m), extending from 57th to 56th Streets.
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What a week it has been at the Grand
Central Galleries, with thirty-three "radicals" from the Downtown Gallery occupying "an entire city block," and Grand Central attachés going about, as it were, brightly on tiptoe, tacitly exclaiming, "We feel actually devilish to be doing a thing like this!" and
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While they were founded during the 1920s boom, the Grand
Central Art Galleries were structured so that they could withstand economic downturns. Three funding streams were envisioned: members fees, which in the early years provided the majority of income; sales commissions; and proceeds from ticket
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The
Galleries also organized traveling shows in "all major American cities" to promote and sell the work of its artist-members. While this practice declined in the late 1940s as the United States railroad system was progressively dismantled and shipping costs increased, it continued until at least
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The Grand Central Art Galleries were founded on the idea of a respectful and mutually beneficial relationship between artists and those interested in art. Artist members donated one work a year for three years as their initiation fee; lay members gave a yearly sum in return for a work of art after
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November 13, 1926:* A film-related "symposium and supper" was held at the Galleries. Organized together with the Film Bureau, "a volunteer organization for the promotion of the best pictures," the event took place in the Sargent Room. Examples of motion pictures from several countries, including
307:"The initial exhibition, seen for its own sake, is a beauty. Every artist seems to have realized that it is an occasion for putting his best work forward, and his best work could not be more favorably shown to the public. Even the galleries of the newest museums are not quite so favorable."
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The former Union Club building was used for six years, until 1939, when Galleries' "uptown division" moved to the second floor of the Gotham Hotel on 5th Avenue. Eighty artists' works were shown at the new location's December 9 opening, including those by Eugene Higgins, Wayman Adams,
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and Friends," an exhibition of portraits, photographs and memorabilia relating to the actress and writer. She was to have attended the opening, but died on August 18. On view were oils, pastels, watercolors, and charcoal and pen-and-ink sketches by artists such as Raymond R. Kinstler,
709:." Sargent died in 1925, and three years later the Grand Central Art Galleries organized a posthumous exhibition of previously unseen sketches and drawings from throughout his career. The materials were found in the artist's London studio after his death, and Sargent's sisters chose
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square feet (1,300 m), and offered eight main exhibition rooms, a foyer gallery, and a reception area. A total of 20 display rooms were to be created for what was intended to be "the largest sales gallery of art in the world." The architect was Delano, best known for designing
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sales. Income remaining after expenses safeguarded in a conservatively managed "sinking fund" (reserve) that the founders established. This strategy served the gallery well, but five years into the Depression, the Galleries' management felt the need for extraordinary measures:
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The Galleries had built the pavilion with the hope that, like the other buildings at the Venice Biennale, it would eventually be run by nation whose art it showed. Support from the U.S. government was not forthcoming, however, and in 1954 the Galleries sold the pavilion to the
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The entrance on 57th featured an escalator, while that on 56th was at street level. There Cox worked to adjust the Galleries' approach to fit the times, holding shows such as "La Femme: The Influence of Whistler and Japanese Print Masters on American Art, 1880-1917."
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The Grand Central Galleries did not participate in the Biennale in 1936 in a protest to the rise of fascism in Italy. In 1948, after the war's end, the Galleries' sent 79 paintings to Venice. It ran the pavilion until the 1950s, inviting organizations such as the
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in 1923, opened a branch gallery at Fifth Avenue and 51st Street in 1933, and in 1947 established Grand Central Moderns to show non-figurative works. The Grand Central Art Galleries were also responsible for the creation, design, and construction of the
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to go through them. Clark selected several hundred works for consideration. They included early drawings made by Sargent when he was a teenager and experiments with watercolors from 1872, as well as preparatory sketches for celebrated paintings such as
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Throughout its history the Grand Central Art Galleries regularly held exhibitions large and small. Whether events were free or admission was charged, they helped to publicize the Galleries as well as advance the cause of the arts they championed.
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March 7, 1926: The Galleries were the site of the Carnegie International Exhibition, the first time it had ever been held outside Pittsburgh. The event featured works of artists from 12 countries. More than 500 paintings selected for the show by
141:, where they had six exhibition rooms and an office. They remained at the Biltmore for 23 years, until it was converted into an office building. The Galleries then moved to 24 West 57th Street, where they remained until they ceased activity.
1786:"Documenting the Gilded Age: New York City Exhibitions at the Turn of the 20th Century: Phase I | Exhibition of paintings and sculpture contributed by the founders of the galleries : commencing June 27, 1923. [detail]"
608:(1916) as well as 12 watercolors. The catalog noted that exhibition was a benefit for the endowment fund of the Painters and Sculptors Gallery Association, "with which Mr. Sargent has from the beginning been in active cooperation."
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wrote: "In the Grand Central Art Gallery, high in the terminal, 350 art lovers had gathered for the opening of an exhibit by Gordon Grant. Led by a single flashlight beam, they played follow-the-leader down dark stairways to the
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The Galleries' archives as well as those of Edmund Greacen are at the Smithsonian Archives of American Art. The archives of the Grand Central Moderns are at Syracuse University and the Smithsonian. The archives of the firm of
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April 22, 1986: "Realism From the People's Republic of China," featuring the work of artists then living in the United States. They included Jin Gao, a painter, and her husband, sculptor Wang Jida; and painters Li Quanwu,
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Prosperity returned to the Galleries as the Depression's effects lessened: By 1936 their lay membership had returned to 115, more than twice as they'd had in any year since 1929. Time brought new challenges, however:
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the first year's membership. Works donated by the artists were distributed to the lay members at an annual drawing. A yearly catalog indicated the works to be distributed at a drawing and reception at the gallery.
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The pavilion, owned and operated by the Galleries, opened on May 4, 1930. Approximately 90 paintings and 12 sculptures were selected by Clark to be shown for the opening exhibition. Artists featured included
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best china brought out, and tea poured in such quantities as are seldom exigent, and heaped plates of the most special kinds of cake, and everybody trying, generally in vain, to catch sight of the art over a
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December 13, 1988: "New York: Empire City in an Age of Urbanism, 1875-1945," an exhibition to benefit the Soviet-American Cultural Exchange Program. Tickets were $ 60 and included a buffet and entertainment.
1207:. While this plan came to nothing, in 1958 the company signed an agreement with developer Erwin S. Wolfson to demolish the colonnaded six-story building at the terminal's north end and build the 59-story
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as an instructor, one of the school's most prominent teachers; he remained with the school until 1931. It was in operation for almost 20 years, including a summer program in Maine, closing in 1944.
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March 23, 1923: "Exhibition of Paintings and Sculptures Contributed by the Founders of the Galleries." The Grand Central Art Galleries' opening exhibition featured 170 works, including Sargent's
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estimated that sales were $ 500,000 to $ 600,000 a year. Total sales up to that year were approximately $ 4,000,000. Two-thirds of proceeds on commercial sales were distributed to artists.
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1866:"Retrospective Exhibition of the Important Works of John Singer Sargent, February 23rd to March 22nd, 1924," Grand Central Art Galleries, 15 Vanderbilt Avenue, New York, New York.
814:"Things are at last beginning to be done in a really big way here," Jewell wrote later in the review of "33 Moderns," which was scheduled to run for three weeks at the Galleries.
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James D. Cox left the Grand Central Art Galleries in December 1989. After his departure they were managed by John Evans, a longtime salesman, until they closed in 1994.
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October 26, 1983: "La Femme: Influence of Whistler and Japanese Print Masters on American Art, 1880-1917" brought together paintings by American artists influenced by
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1926: "Modern Italian Art," an exhibition organized under the auspices of the Italian American Society with a wide range of recent works by Italian masters. Included
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February 2, 1930: "Thirty-three Moderns," a show of contemporary work from 33 artists of the avant-garde Downtown Gallery. More than 130 works were shown, included
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822:. Sixteen paintings were on display and all sold the opening day. The prices ranged from $ 3,500 up to $ 10,000 (the equivalent of more than $ 150,000 in 2009).
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will reveal many news items, events, and exhibitions listed under those names. Please note that the "Grand Central Gallery" in Palm Beach, Florida, and the "
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January 11, 1925: More than 4,000 people attended the Galleries' "Retrospective Edition of British Paintings," which was organized under the auspices of the
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Russia's Moscow Art Players, were shown. Tickets were $ 5 (the equivalent of $ 60 in 2008), and attendees were encouraged to bring their own amateur works.
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were the exhibition and administrative space of the nonprofit Painters and Sculptors Gallery Association, an artists' cooperative established in 1922 by
1016:. The purchase of the land, design, and construction was paid for by the Galleries and personally supervised by Clark. As he wrote in the 1934 catalog:
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May 16, 1989: "The Food Show: Painting From Soup to Nuts," an exposition of contemporary paintings, many of which were created especially for the show.
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The school enrolled more than 400 students its first year; this soon grew to 900, making it one of the largest art programs in New York City. In 1925
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and other publications as the "Grand Central Galleries," "Grand Central Gallery," and "Grand Central Art Gallery." Archive searches in the
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1823:"Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel -John Singer Sargent, American, 1856–1925 | Museum of Fine Arts, Boston"
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wrote that Jin brought "the era of (forced) Communist propaganda art to a virtual end," and called her "one of most successful artists."
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presided, "dressed in a simple black costume with a large black hat." The first name drawn was that of Arthur B. Davis, president of the
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1737:"Arshile Gorky: Water of the Flowery Mill (56.205.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art"
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In 1933 the Grand Central Art Galleries opened a second location at Fifth Avenue and on 51st Street in the former building of the
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2637:"Grand Central Art Galleries records, 1931-1968, bulk circa 1952-circa 1965; Archives of American Art, Smithsonian Institution"
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In addition to their main offices, the Grand Central Art Galleries directed a number of other enterprises. They launched the
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in its place. The decision pushed the Grand Central Art Galleries out of the terminal from which they had taken their name.
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1217:, who had served as director of the since the Galleries' 1922 founding, supervised their relocation in 1958 to the nearby
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374:. The works that year were reportedly worth $ 100,000. The person whose name was first chosen selected Chauncey Ryder's
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The Grand Central Art Galleries officially opened on March 23, 1923. The event featured paintings by Sargent,
2660:"Summary of the Edmund W. Greacen papers, 1905-1949 | Archives of American Art, Smithsonian Institution"
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To show modern art, in 1947 the Grand Central Art Galleries established Grand Central Moderns. Founded by
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and Friends." Describing the end of the Biltmore and the Grand Central Art Galleries' final show there,
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Entry to the Grand Central Art Galleries' midtown location at Fifth Avenue and 51st Street, circa 1934.
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The Galleries were active from 1923 until 1994. For 29 years they were located on the sixth floor of
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1362:"A Finding Aid to the Grand Central Art Galleries records, 1931-1968, bulk circa 1952-circa 1965"
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A year after the Galleries opened the Painters and Sculptors Gallery Association established the
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1927: The first name selected was that of Henry W. Cannon, who chose H. Bolton Jones's landscape
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1925: The name of Harold H. Swift, the Chicago meatpacker, was the first selected, and he chose
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or who were associated with the spirit of his work. Movements referenced in the show included
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During their operation the Grand Central Art Galleries were often incorrectly referred to by
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1930: The slips with the members' names were selected by Nancy Clark Dunn, granddaughter of
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had died in 1935, and Greacen followed in 1949. With the decline of railway traffic after
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works being offered, the drawing — and in particular, an early selection — was important.
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La Femme: The Influence of Whistler and Japanese Print Masters on American Art, 1880-1917
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January 31, 1934: "The Races of Man," a collection of 90 life-sized bronze sculptures by
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2161:"Founders' Exhibition Opens With Forty-seven Paintings at the Grand Central Galleries"
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Documenting the Gilded Age: New York City Exhibitions at the Turn of the 20th Century
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October 30, 1957: An exhibit of works by Gordon Grant. The evening of the opening,
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Floor plan of the Grand Central Art Galleries for their opening exhibition in 1923.
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2682:"Grand Central Moderns Records An inventory of its records at Syracuse University"
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1941: Works of 82 artist-members are distributed at the annual drawing. Film star
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Medal commemorating the founding of the Grand Central Art Galleries
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1342:"Grand Central Gallery Shows Material Found in Artist's Studio After His Death,"
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Downtown Moves Up: "Radicals" Invade Grand Central, and Everybody Is Pleased,"
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John Singer Sargent Letters Online at the Smithsonian Archives of American Art
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Grand Central Art Galleries online at the Smithsonian Archives of American Art
1690:"Lay Members of Grand Central Galleries Draw for Works of 82 Artist Members,"
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Barrie retired in 1975, having led the Galleries for more than 50 years, and
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Having worked tirelessly to promote American art at home the 1920s, in 1930
1675:"W.S. Gifford Draws First Choice for Art; He Selects Painting by Pushman,"
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742:. The exhibition catalog lists approximately 75 works as having been shown.
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1705:"New Art School Opens: Reception Held in Studios Over the Grand Central,"
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in London. Also shown were preparatory studies for the murals in both the
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The gala event attracted 5,000 people and received a positive review from
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The Painters and Sculptors Gallery Association was established in 1922 by
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October 30, 1962: "The Edge of Dreams," an exhibition of 32 paintings by
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February 23, 1924: "Retrospective Exhibition of the Important Works of
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1966:"Exhibition of Modern Italian Art," Grand Central Art Galleries, 1926.
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and the Grand Central Art Galleries spearheaded the creation of the
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2112:"Pushman, a Notable Artist, Shows Some New Canvases and Some Old,"
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proposed replacing the terminal with an 80-story tower designed by
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216:. The association's charter and bylaws were written by Gifford and
1893:"John Singer Sargent's Portrait of Ena Wertheimer: A Vele Gonfie"
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As described in the 1934 catalog, the procedure was as follows:
2493:"Colette Roberts papers and interviews with artists, 1918-1971"
2240:"Ruth Ray's Nativity Paintings Set in Red Barns of Connecticut"
1648:"John Singer Sargent, Works in Oil, 1910-1919," Jssgallery.org.
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was struck by a blackout, the result of a transformer fire. As
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showed 10 paintings, including his portrait of Ena Wertheimer,
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that was central and easily accessible. Through the support of
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The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant
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1327:"Painters and Sculptors' Gallery Association to Begin Work,"
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Grand Central Moderns records online at Syracuse University
2144:"Hovsep Pushman Dies at 89; Painter Known for Still Lifes,"
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Mrs. Fiske Warren (Gretchen Osgood) and Her Daughter Rachel
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June 7, 1932: Memorial exhibition of sculpture by the late
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Austria, Czechoslovakia, France, Great Britain, and Sweden.
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project. A Grand Central Art Galleries exhibition catalog.
1946:"The Collection | Medardo Rosso (Italian, 1858–1928)"
859:. During the exhibition, a special reception was held for
847:. Among many others, the opening was attended by Hoffman,
331:
at the Grand Central Art Galleries' 1933 members' drawing.
2055:
1525:
http://www.aaa.si.edu/collections/collection/grancent.htm
1073:. The Modern withdrew from the Biennale in 1964, and the
1012:, who also designed the Grand Central Art Galleries, and
2487:
2485:
1455:"Retaining Order to Block Biltmore Demolition Expires,"
1266:
are held by the Drawings and Archives Department in the
419:. The third name drawn was A.E. Clegg, president of the
2072:"Woman Reading in Bed by Morris Kantor / American Art"
592:. The exhibition featured 60 oil paintings, including
2482:
1077:
ran the Pavilion until 1983, when it was sold to the
2657:
2634:
2222:"Blackout Strikes Grand Central in the Rush Hour,"
1553:
1551:
1520:
1518:
1451:
1449:
1447:
991:
1671:
1669:
1516:
1514:
1512:
1510:
1508:
1506:
1504:
1502:
1500:
1498:
1195:sought to maximize the value of the land on which
1085:. In 2009 the Guggenheim sold the Pavilion to the
3524:Bringing Down Marble from the Quarries to Carrara
2402:"American Art Is Adrift for Biennale in Venice,"
2093:
2091:
2089:
1366:Archives of American Art, Smithsonian Institution
3689:Art museums and galleries disestablished in 1994
3665:
3319:Lady with the Rose (Charlotte Louise Burckhardt)
3088:Penn Central Transportation Co. v. New York City
2514:Archives of American Art, retrieved June 1, 2009
2138:
1548:
1444:
818:February 10, 1932: One-man show of paintings by
619:from the "Rake's Progress" series, portraits by
2526:"Colette Roberts | Jewish Women's Archive"
2411:
2284:
2282:
2280:
1666:
1535:
1533:
1495:
3674:Defunct art museums and galleries in Manhattan
2398:
2396:
2086:
1431:
1429:
705:February 14, 1928: "Exhibition of Drawings by
430:
3684:Art museums and galleries established in 1922
3255:
2775:
2365:
2363:
2051:Exhibition of Drawings by John Singer Sargent
1714:
1393:
1391:
1389:
1387:
1385:
1383:
791:started his review with unbridled enthusiasm:
2432:"79 Paintings on Way to Venice Exhibition,"
2277:
2187:"Races of Man: Sculpture by Malvina Hoffman"
2043:
1869:
1760:"John Singer Sargent's The Artist Sketching"
1530:
457:; its first year teachers included painters
192:The original board of trustees consisted of
2393:
1469:
1467:
1426:
1413:
1411:
1409:
1336:
3699:1994 disestablishments in New York (state)
3262:
3248:
2789:
2782:
2768:
2602:"Art: Things That Can Happen to a Print,"
2417:"Display of U.S. Art in Venice Blocked,"
2378:
2360:
2308:"How Chinese Artists Express Themselves,"
1994:http://jssgallery.org/Paintings/10072.html
1627:
1618:Dies at 97; Led Grand Central Galleries,"
1380:
1356:
1354:
602:Portrait of Mrs. Fiske Warren and Daughter
3219:Grand Central Terminal in popular culture
3146:New York, New Haven and Hartford Railroad
2238:Boros, Phyllis A.S. (November 26, 2010).
1806:"The World of Art: John Singer Sargent,"
1800:
1527:|1934 Grand Central Art Galleries catalog
1276:Avery Architectural and Fine Arts Library
1268:Avery Architectural and Fine Arts Library
499:
2611:
2540:
2034:"Sargent Sketches in New Exhibit Here,"
1589:Bulletin of the Art Institute of Chicago
1572:"Great Art Gallery Will Open March 21,"
1464:
1406:
1321:
1165:. Grand Central Moderns closed in 1967.
1096:
971:, and Zhang Hongnian. Four years later,
892:November 7, 1977: "Nick Eggenhoffer and
503:
319:
315:
164:
3694:1922 establishments in New York (state)
3269:
3003:InterContinental New York Barclay Hotel
2745:Archives of the Grand Central Terminal
2563:"Grand Central Terminal's Guided Tours"
2323:"Social events; Celebrating the Arts,"
1875:"British Paintings Draw Great Throng,"
1351:
1029:, Hector Caser, Lillian Westcott Hale,
380:1936: The first name drawn was that of
3666:
2473:"80 Artists Works in New Exhibition,"
2451:. Guggenheim-venice.it. Archived from
2384:"Venice to Exhibit Art of Americans,"
1975:"Carnegie Art Show Inaugurated Here,"
1657:"Here and There Among the Galleries,"
1557:"American Art Show Opened at Venice,"
1473:
1435:"Galleries to End 36 Years in Depot,"
1417:"New Home for Art to Cost $ 100,000,"
423:, who selected Frederick Judd Waugh's
403:; he chose H. Bolton Jones's painting
18:Art gallery in New York, United States
3383:Egyptians Raising Water from the Nile
3243:
3124:Metropolitan Transportation Authority
2763:
2546:"Walter L. Clark, Art Patron, Dead,"
2237:
1599:"Arts Club Warned of Thought Trust,"
1311:, general works of art in the station
1278:also has a significant collection of
2061:, Grand Central Art Galleries, 1928.
2053:, February 14 to March 3th [
2004:"Speechless Night for Film Bureau,"
1920:"John Singer Sargent's Lady Sassoon"
1788:. Gildedage.omeka.net. June 27, 1923
1633:"Lucky Draw Wins Sargent Painting,"
1474:Fraser, C. Gerald (April 22, 1986).
3303:The Daughters of Edward Darley Boit
2019:"Taken from Sargent's Sketchbook,"
1991:Homer Saint-Gaudens and his Mother.
1917:
1890:
1846:"John Singer Sargent's Lake O'Hara"
1843:
1757:
1720:"Terminal Fire Not in Art School,"
1397:"New Art Gallery Opens to Throng,"
829:; paintings by Charles Chapman and
358:Shoeing Cavalry Horses at the Front
228:, manager of the art collection of
13:
2369:"Director to Promote Native Art,"
2338:Florence Fabricant, "Food Notes,"
1107:Union Club of the City of New York
1081:courtesy of funds provided by the
392:still life of a Chinese statuette.
14:
3715:
2754:New York Art Resources Consortium
2699:
1539:"In Two Current New York Shows,"
650:; and a portrait of Lady Sassoon.
3423:Mr. and Mrs. I. N. Phelps Stokes
3359:Reapers Resting in a Wheat Field
2862:
2856:
2189:. Brooklyn Museum. April 8, 2012
1922:. Jssgallery.org. Archived from
1895:. Jssgallery.org. Archived from
1762:. Jssgallery.org. Archived from
1075:United States Information Agency
992:United States Pavilion in Venice
851:director Stanley Field, actress
825:February 21, 1932: Portraits by
411:was selected next, and he chose
27:
3564:General Officers of World War I
2674:
2651:
2628:
2596:
2581:
2555:
2518:
2507:
2467:
2441:
2426:
2351:"Moody Scenes From Tonalists,"
2345:
2332:
2317:
2302:
2262:
2231:
2216:
2201:
2179:
2153:
2121:
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2064:
2028:
2013:
1998:
1984:
1969:
1960:
1938:
1911:
1884:
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1837:
1815:
1778:
1751:
1729:
1699:
1684:
1651:
1642:
1608:
1593:
1581:
1566:
939:. Artists represented included
849:Field Museum of Natural History
235:The board sought a location in
3679:Delano & Aldrich buildings
3583:Splendid Mountain Watercolours
3059:The Yale Club of New York City
2946:270 Park Avenue (2021–present)
1587:"Frank G. Logan (1851-1937),"
1055:Whitney Museum of American Art
896:: A Retrospective/Exhibition."
1:
3481:
1315:
1168:
885:, an American painter in the
449:. The school was directed by
360:, worth $ 15,000 at the time.
212:; and artist and businessman
3391:Egyptian Woman with Earrings
2998:Hyatt Grand Central New York
2832:Michael Jordan's Steak House
1092:
633:H.R.H., the Prince of Wales.
594:Portrait of Mrs. H.F. Hadden
469:, and Sigurd Skou; sculptor
196:; the Galleries' architect,
7:
3614:Grand Central School of Art
3609:Grand Central Art Galleries
3375:Ellen Terry as Lady Macbeth
3367:Portrait of Mrs. Cecil Wade
3351:Carnation, Lily, Lily, Rose
2940:270 Park Avenue (1960–2021)
1302:
1083:Peggy Guggenheim Collection
777:, and "two cute babies" by
740:Museum of Fine Arts, Boston
443:Grand Central School of Art
437:Grand Central School of Art
431:Grand Central School of Art
401:Aluminum Company of America
146:Grand Central School of Art
108:Grand Central Art Galleries
22:Grand Central Art Galleries
10:
3720:
3415:Portrait of Léon Delafosse
2658:Archives of American Art.
2635:Archives of American Art.
2622:September 1, 2009, at the
2207:"Races of Man Exhibited,"
1309:Grand Central Terminal art
1249:
1087:Philadelphia Museum of Art
722:Metropolitan Museum of Art
434:
160:
3601:
3574:
3508:The Hermit (Il solitario)
3286:
3277:
3204:
3154:
3141:New York Central Railroad
3119:Grand Central Partnership
3106:
3097:
3067:
2921:
2898:
2871:
2854:
2843:Oyster Bar and Restaurant
2797:
2740:Hovsep Pushman biography
2735:Edmund Greacen biography
2728:December 6, 2010, at the
2716:December 2, 2009, at the
2295:February 7, 2010, at the
1193:New York Central Railroad
327:, Helen Holt Hawley, and
295:, who showed a fountain,
245:New York Central Railroad
232:, was hired as director.
94:
83:
73:
58:
50:
42:
38:
26:
3054:Waldorf Astoria New York
3039:Pershing Square Building
2132:January 9, 2010, at the
1297:Grand Central Art Center
1067:Art Institute of Chicago
1057:to present exhibitions.
627:, and a large canvas by
376:River Road to Sheffield.
256:'s Sterling Quadrangle.
3445:William M. Chase, N. A.
3229:Tournament of Champions
3019:One Grand Central Place
3013:New York Biltmore Hotel
2838:New York Transit Museum
2495:. Siris-archives.si.edu
1199:sat. In 1954 developer
1071:Baltimore Museum of Art
465:, George Elmer Browne,
3704:Grand Central Terminal
2791:Grand Central Terminal
1280:Chester Holmes Aldrich
1264:Chester Holmes Aldrich
1239:
1197:Grand Central Terminal
1180:
1115:
1102:
1022:
1014:Chester Holmes Aldrich
917:James McNeill Whistler
871:Grand Central Terminal
831:George de Forest Brush
812:
767:Girl in a Bathing Suit
695:Augustus Saint-Gaudens
648:Head of a Bedouin Arab
644:Troops Going Into Line
613:English-Speaking Union
598:The Lady with the Rose
517:
500:Exhibitions and Events
447:Grand Central Terminal
421:Kerr Steamship Company
345:
332:
309:
249:Grand Central Terminal
194:Walter Sherman Gifford
170:
151:United States Pavilion
135:Grand Central Terminal
128:George de Forest Brush
3399:Lady Agnew of Lochnaw
3134:Long Island Rail Road
3049:Socony–Mobil Building
2455:on September 27, 2011
2372:Palm Beach Daily News
1235:
1185:Walter Leighton Clark
1176:
1111:
1100:
1018:
998:Walter Leighton Clark
935:and the works of the
855:, and philanthropist
838:Daniel Chester French
827:Walter Leighton Clark
794:
736:Boston Public Library
711:Walter Leighton Clark
559:Daniel Chester French
553:. Sculpture included
507:
455:Daniel Chester French
372:Walter Leighton Clark
341:
325:Walter Leighton Clark
323:
316:Members' Art Drawings
305:
297:The Boy and the Fish.
277:Daniel Chester French
275:. Sculptors included
214:Walter Leighton Clark
210:Bush Terminal Company
175:Walter Leighton Clark
168:
112:Walter Leighton Clark
99:Walter Leighton Clark
3430:Wertheimer portraits
3407:Mrs. Hugh Hammersley
3335:Portrait of Madame X
3172:Alfred T. Fellheimer
3167:Cornelius Vanderbilt
3129:Metro-North Railroad
2976:Grand Central Palace
2961:450 Lexington Avenue
2935:110 East 42nd Street
2816:CBS Broadcast Center
2250:on November 28, 2018
2074:. Americanart.si.edu
1926:on November 18, 2013
1899:on December 19, 2014
1696:, November 14, 1941.
1605:, November 13, 1913.
1545:, September 17, 1950
1260:William Adams Delano
1126:, Sidney Dickenson,
1063:Museum of Modern Art
1051:Museum of Modern Art
1010:William Adams Delano
945:John White Alexander
751:Woman Reading in Bed
675:Portrait of Whistler
535:Charles W. Hawthorne
527:The Artist Sketching
261:Charles W. Hawthorne
254:Yale Divinity School
241:Alfred Holland Smith
198:William Adams Delano
3650:40.7528°N 73.9768°W
3646: /
3271:John Singer Sargent
3224:Grand Central Tower
3029:Park Avenue Viaduct
2593:, November 25, 1977
2569:on January 17, 2010
2552:, December 19, 1935
2329:, December 11, 1988
2314:, December 29, 1991
2268:"Going Out Guide,"
2150:, February 13, 1966
2118:, February 10, 1932
2103:, February 2, 1930.
2040:, February 14, 1928
2025:, February 12, 1928
2010:, November 13, 1926
1812:, February 24, 1924
1726:, November 23, 1924
1681:, November 13, 1936
1368:. November 14, 2018
1348:, February 15, 1928
1333:, December 19, 1922
1282:'s correspondence.
1274:; the university's
1272:Columbia University
1134:, John Follinsbee,
953:Arthur Bowen Davies
949:Elliot Daingerfield
910:John Singer Sargent
789:Edward Alden Jewell
707:John Singer Sargent
691:Homer Saint-Gaudens
636:John Singer Sargent
625:Thomas Gainsborough
590:John Singer Sargent
583:Frederic MacMonnies
547:Mr. Alleyne Ireland
477:; costume designer
451:John Singer Sargent
425:Invading Spindrift.
409:Columbia University
354:John Singer Sargent
293:Frederic MacMonnies
243:, president of the
220:, president of the
208:, president of the
179:John Singer Sargent
116:John Singer Sargent
23:
3343:The Misses Vickers
3192:Warren and Wetmore
2956:383 Madison Avenue
2811:Campbell Apartment
2605:The New York Times
2590:The New York Times
2549:The New York Times
2479:, December 9, 1939
2476:The New York Times
2435:The New York Times
2420:The New York Times
2405:The New York Times
2387:The New York Times
2375:, January 15, 1979
2354:The New York Times
2340:The New York Times
2326:The New York Times
2311:The New York Times
2271:The New York Times
2228:, October 30, 1957
2225:The New York Times
2213:, January 31, 1934
2210:The New York Times
2147:The New York Times
2115:The New York Times
2100:The New York Times
2037:The New York Times
2022:The New York Times
2007:The New York Times
1978:The New York Times
1881:, January 11, 1925
1878:The New York Times
1809:The New York Times
1723:The New York Times
1708:The New York Times
1693:The New York Times
1678:The New York Times
1663:, October 26, 1930
1660:The New York Times
1636:The New York Times
1621:The New York Times
1602:The New York Times
1575:The New York Times
1560:The New York Times
1542:The New York Times
1481:The New York Times
1458:The New York Times
1441:, October 31, 1958
1438:The New York Times
1420:The New York Times
1400:The New York Times
1345:The New York Times
1330:The New York Times
1288:The New York Times
1231:The New York Times
1201:William Zeckendorf
1103:
1037:, Joseph Pollett,
974:The New York Times
941:Edwin Austin Abbey
899:August 24, 1981: "
894:Harold Von Schmidt
875:The New York Times
784:The New York Times
683:Madame Modigiliani
518:
356:'s 1918 painting,
333:
301:The New York Times
230:Carson Pirie Scott
222:National Arts Club
202:Robert W. DeForest
171:
21:
3655:40.7528; -73.9768
3629:
3628:
3532:Tyrolese Interior
3295:Dr. Pozzi at Home
3237:
3236:
3200:
3199:
3162:William J. Wilgus
2987:Helmsley Building
2971:Chrysler Building
2684:. Library.syr.edu
2608:, August 28, 1981
2274:, August 24, 1981
1711:, October 2, 1924
1639:, October 3, 1925
1476:"Going Out Guide"
1461:, August 19, 1981
1079:Guggenheim Museum
1033:, Abraham Poole,
810:sea of shoulders.
771:Marguerite Zorach
679:Amedeo Modigliani
623:, a landscape by
382:Walter S. Gifford
365:In the Berkshires
247:, the top of the
104:
103:
3711:
3661:
3660:
3658:
3657:
3656:
3651:
3647:
3644:
3643:
3642:
3639:
3486:
3483:
3469:Padre Sebastiano
3453:Lord Ribblesdale
3327:Street in Venice
3264:
3257:
3250:
3241:
3240:
3177:Bradford Gilbert
3104:
3103:
3082:East Side Access
3008:MetLife Building
2982:Graybar Building
2926:and other nearby
2889:Elevated station
2866:
2860:
2822:M42 sub-basement
2784:
2777:
2770:
2761:
2760:
2694:
2693:
2691:
2689:
2678:
2672:
2671:
2669:
2667:
2655:
2649:
2648:
2646:
2644:
2632:
2626:
2615:
2609:
2600:
2594:
2585:
2579:
2578:
2576:
2574:
2565:. Archived from
2559:
2553:
2544:
2538:
2537:
2535:
2533:
2522:
2516:
2511:
2505:
2504:
2502:
2500:
2489:
2480:
2471:
2465:
2464:
2462:
2460:
2445:
2439:
2430:
2424:
2423:, April 24, 1936
2415:
2409:
2408:, August 3, 2004
2400:
2391:
2382:
2376:
2367:
2358:
2349:
2343:
2336:
2330:
2321:
2315:
2306:
2300:
2299:," Artmagick.com
2286:
2275:
2266:
2260:
2259:
2257:
2255:
2246:. Archived from
2244:Connecticut Post
2235:
2229:
2220:
2214:
2205:
2199:
2198:
2196:
2194:
2183:
2177:
2176:
2174:
2172:
2157:
2151:
2142:
2136:
2125:
2119:
2110:
2104:
2095:
2084:
2083:
2081:
2079:
2068:
2062:
2047:
2041:
2032:
2026:
2017:
2011:
2002:
1996:
1988:
1982:
1973:
1967:
1964:
1958:
1957:
1955:
1953:
1942:
1936:
1935:
1933:
1931:
1915:
1909:
1908:
1906:
1904:
1888:
1882:
1873:
1867:
1864:
1858:
1857:
1855:
1853:
1848:. Jssgallery.org
1841:
1835:
1834:
1832:
1830:
1819:
1813:
1804:
1798:
1797:
1795:
1793:
1782:
1776:
1775:
1773:
1771:
1766:on July 14, 2014
1755:
1749:
1748:
1746:
1744:
1733:
1727:
1718:
1712:
1703:
1697:
1688:
1682:
1673:
1664:
1655:
1649:
1646:
1640:
1631:
1625:
1612:
1606:
1597:
1591:
1585:
1579:
1570:
1564:
1555:
1546:
1537:
1528:
1522:
1493:
1492:
1490:
1488:
1471:
1462:
1453:
1442:
1433:
1424:
1423:, March 11, 1923
1415:
1404:
1403:, March 22, 1923
1395:
1378:
1377:
1375:
1373:
1358:
1349:
1340:
1334:
1325:
1144:Leopold Seyffert
1035:Julius Rolshoven
957:George Hitchcock
857:Helen Clay Frick
732:National Gallery
671:Giovanni Boldini
461:, Wayman Adams,
407:Eugene Frank of
388:. he selected a
31:
24:
20:
3719:
3718:
3714:
3713:
3712:
3710:
3709:
3708:
3664:
3663:
3654:
3652:
3648:
3645:
3640:
3637:
3635:
3633:
3632:
3630:
3625:
3597:
3591:Mountain Stream
3570:
3540:Tommies Bathing
3484:
3282:
3273:
3268:
3238:
3233:
3206:
3196:
3150:
3114:Argent Ventures
3099:
3093:
3063:
3044:Roosevelt Hotel
3034:Pershing Square
2966:Chanin Building
2951:277 Park Avenue
2927:
2925:
2917:
2894:
2867:
2861:
2852:
2793:
2788:
2730:Wayback Machine
2718:Wayback Machine
2702:
2697:
2687:
2685:
2680:
2679:
2675:
2665:
2663:
2656:
2652:
2642:
2640:
2633:
2629:
2624:Wayback Machine
2616:
2612:
2601:
2597:
2586:
2582:
2572:
2570:
2561:
2560:
2556:
2545:
2541:
2531:
2529:
2524:
2523:
2519:
2512:
2508:
2498:
2496:
2491:
2490:
2483:
2472:
2468:
2458:
2456:
2447:
2446:
2442:
2431:
2427:
2416:
2412:
2401:
2394:
2390:, March 6, 1932
2383:
2379:
2368:
2361:
2357:, June 27, 1982
2350:
2346:
2342:, May 10, 1989.
2337:
2333:
2322:
2318:
2307:
2303:
2297:Wayback Machine
2287:
2278:
2267:
2263:
2253:
2251:
2236:
2232:
2221:
2217:
2206:
2202:
2192:
2190:
2185:
2184:
2180:
2170:
2168:
2159:
2158:
2154:
2143:
2139:
2134:Wayback Machine
2126:
2122:
2111:
2107:
2096:
2087:
2077:
2075:
2070:
2069:
2065:
2048:
2044:
2033:
2029:
2018:
2014:
2003:
1999:
1989:
1985:
1981:, March 7, 1926
1974:
1970:
1965:
1961:
1951:
1949:
1944:
1943:
1939:
1929:
1927:
1916:
1912:
1902:
1900:
1889:
1885:
1874:
1870:
1865:
1861:
1851:
1849:
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1616:Erwin S. Barrie
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1209:Pan Am Building
1171:
1163:Louise Nevelson
1151:Erwin S. Barrie
1136:Robert Brackman
1095:
1006:Venice Biennale
994:
963:, and Whistler.
937:Pre-Raphaelites
866:and his troupe.
845:Malvina Hoffman
779:Yasuo Kuniyoshi
629:Alfred Munnings
621:Joshua Reynolds
617:William Hogarth
563:Summer's Freeze
510:Malvina Hoffman
502:
439:
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384:, president of
318:
226:Erwin S. Barrie
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88:Erwin S. Barrie
69:, United States
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2700:External links
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2167:. June 2, 1932
2165:New York Times
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555:Spirit of Life
539:Leslie Buswell
501:
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473:; illustrator
467:Nicolai Fechin
459:Edmund Greacen
435:Main article:
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413:Hovsep Pushman
397:Gloria Swanson
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289:Gutzon Borglum
206:Irving T. Bush
183:Edmund Greacen
177:together with
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124:Hovsep Pushman
120:Edmund Greacen
114:together with
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747:Morris Kantor
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2686:. Retrieved
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2664:. Retrieved
2662:. Aaa.si.edu
2653:
2641:. Retrieved
2639:. Aaa.si.edu
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2613:
2603:
2598:
2588:
2587:"Auctions,"
2583:
2571:. Retrieved
2567:the original
2557:
2547:
2542:
2530:. Retrieved
2520:
2509:
2497:. Retrieved
2474:
2469:
2457:. Retrieved
2453:the original
2449:"Guggenheim"
2443:
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2254:December 25,
2252:. Retrieved
2248:the original
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2191:. Retrieved
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2076:. Retrieved
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2015:
2005:
2000:
1990:
1986:
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1940:
1928:. Retrieved
1924:the original
1913:
1901:. Retrieved
1897:the original
1886:
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1850:. Retrieved
1839:
1827:. Retrieved
1817:
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1790:. Retrieved
1780:
1768:. Retrieved
1764:the original
1753:
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1731:
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1485:. Retrieved
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1370:. Retrieved
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1243:Gerry Thomas
1240:
1236:
1230:
1227:John Russell
1213:
1189:World War II
1181:
1177:
1172:
1148:
1128:Carl Rungius
1116:
1112:
1104:
1059:
1047:
1043:Henry Tanner
1023:
1019:
995:
986:
972:
969:Chen Danqing
874:
864:Uday Shankar
813:
795:
782:
775:Sixth Avenue
774:
766:
758:
750:
725:
715:
682:
674:
666:
663:Adolfo Wildt
658:
647:
643:
639:
632:
605:
604:(1903), and
601:
597:
593:
578:
570:
562:
554:
551:Ernest Ipsen
546:
538:
530:
526:
519:
487:
479:Helen Dryden
440:
424:
416:
404:
375:
364:
357:
346:
342:
338:
334:
310:
306:
300:
296:
273:Ernest Ipsen
269:Wayman Adams
258:
234:
218:John G. Agar
191:
187:
172:
143:
132:
107:
105:
15:
3653: /
3594:(1912–1914)
3492:Alpine Pool
3485: 1905
3472:(1904–1906)
3432:(1898–1908)
3394:(1890–1891)
3386:(1890–1891)
2872:Connections
2643:December 7,
2059:], 1928
1372:December 7,
1159:Jennett Lam
925:Art Nouveau
606:Lake O'Hara
483:Ezra Winter
417:Fading Rose
329:Bruce Crane
78:Art gallery
43:Established
3668:Categories
3641:73°58′36″W
3638:40°45′10″N
3477:Arab Woman
3098:Associated
1316:References
1223:Anita Loos
1169:Transition
1155:Lamar Dodd
1069:, and the
906:Modigliani
901:Anita Loos
667:The Virgin
405:The Shore.
3556:Synagogue
3287:Paintings
2928:buildings
2528:. Jwa.org
1918:Natasha.
1891:Natasha.
1844:Natasha.
1825:. Mfa.org
1758:Natasha.
1093:Expansion
1027:Max Boehm
929:Symbolism
921:Japonisme
799:Mr. Clark
755:Walt Kuhn
693:, son of
659:Ecce Puer
579:Roosevelt
531:Daffodils
463:Jonas Lie
237:Manhattan
95:President
51:Dissolved
3575:Drawings
3500:Cashmere
3311:El Jaleo
3214:Colorama
3100:entities
3077:Timeline
3015:(former)
2994:(former)
2978:(former)
2942:(former)
2891:(former)
2848:Track 61
2834:(closed)
2818:(closed)
2807:(closed)
2798:Interior
2726:Archived
2714:Archived
2688:June 10,
2666:June 10,
2620:Archived
2573:March 6,
2532:June 10,
2499:June 10,
2459:June 10,
2293:Archived
2193:June 10,
2171:April 5,
2130:Archived
2078:June 10,
1952:June 10,
1930:June 10,
1903:June 10,
1852:June 10,
1829:June 10,
1792:June 10,
1770:June 10,
1743:June 10,
1487:March 3,
1303:See also
1205:I.M. Pei
933:Tonalism
883:Ruth Ray
878:street."
738:and the
717:Madame X
600:(1882),
596:(1878),
492:engaged
386:AT&T
84:Director
67:New York
59:Location
3602:Related
3205:Related
3069:History
1250:The end
1233:wrote:
1004:at the
808:Caliban
787:critic
508:Artist
161:Origins
153:at the
3586:(1870)
3567:(1922)
3559:(1919)
3551:(1919)
3548:Gassed
3543:(1918)
3535:(1915)
3527:(1911)
3519:(1908)
3511:(1908)
3503:(1908)
3495:(1907)
3487:–1906)
3464:(1903)
3456:(1902)
3448:(1902)
3440:(1899)
3426:(1897)
3418:(1895)
3410:(1892)
3402:(1892)
3378:(1889)
3370:(1886)
3362:(1885)
3354:(1885)
3346:(1884)
3338:(1884)
3330:(1882)
3322:(1882)
3314:(1882)
3306:(1882)
3298:(1881)
3207:topics
3155:People
1948:. MoMA
1191:, the
1161:, and
1142:, and
908:, and
889:style.
727:Gassed
724:, and
677:, and
577:, and
545:, and
291:, and
271:, and
2805:Agern
1293:Times
759:Beryl
571:Diana
2752:. A
2690:2014
2668:2014
2645:2021
2575:2017
2534:2014
2501:2014
2461:2014
2256:2011
2195:2014
2173:2024
2080:2014
1954:2014
1932:2014
1905:2014
1854:2014
1831:2014
1794:2014
1772:2014
1745:2014
1489:2010
1374:2018
1262:and
1053:and
453:and
106:The
74:Type
54:1994
46:1922
2900:Art
2056:sic
1270:at
1229:of
773:'s
765:'s
757:'s
749:'s
681:'s
673:'s
665:'s
657:'s
581:by
573:by
565:by
557:by
549:by
541:by
533:by
415:'s
3670::
3482:c.
2484:^
2395:^
2362:^
2279:^
2242:.
2163:.
2088:^
1668:^
1550:^
1532:^
1497:^
1478:.
1466:^
1446:^
1428:^
1408:^
1382:^
1364:.
1353:^
1157:,
1146:.
1138:,
1130:,
1122:,
1089:.
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955:,
951:,
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2536:.
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2463:.
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2258:.
2197:.
2175:.
2082:.
1956:.
1934:.
1907:.
1856:.
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1614:"
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585:.
367:.
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